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The Opportunity to Question Mark Williams Twenty-five years have now passed since the first Harry Potter film and, with the HBO reboot due out this Christmas, Warner Bros is ramping up the celebrations. Key among them is the unveiling of a new feature at the studio tour showcasing key moments, costumes and props from Harry Potter and the Philosopher’s Stone. Mark Williams' Role in Harry Potter And this is why Mark Williams is now taking your questions – although, as Potter purists will know, his character doesn’t actually appear in the first film. Arthur Weasley does, however, play a pretty big role in the other seven movies, so let’s muggle through regardless. A Look Back at Mark Williams' Career In the movies, Williams plays the ministry of magic employee, husband to Julie Walters’ Molly Weasley and father of Ron, Ginny, Fred, George, Percy, Charlie and Bill – a role for which he had to dye his hair red. Williams will be answering your queries about all things Potter, as well as about his career to date, from his early work with the Royal Shakespeare Company and National Theatre in England to his breakthrough on The Fast Show in the 1990s. Other notable roles include Stardust, 101 Dalmatians, The Borrowers, Shakespeare in Love, A Cock and Bulk Story, Albert Nobbs, and Aardman’s Early Man. How to Post Your Questions Post your questions for Williams by noon BST on Monday 4 May and we’ll publish them in June in our regular reader interview series.

The Hollywood Pop Star Paradox For anyone with even the slightest interest in Hollywood, it is not entirely surprising that Anne Hathaway recently appeared on Popcast, the New York Times critics' podcast that has become a premier destination for music promotion. After all, the actor – whose last appearance in a musical bagged her an Academy Award – is a major part of one of the best recent movies to show pop stardom on screen. The Challenge of Creating Fictional Pop Icons The Idea of You successfully conveyed the idea that Hayes Campbell (Nicholas Galitzine) was the breakout star of a crushable 2010s boyband with a feral fanbase called August Moon. And by "successfully conveyed", I mean the film remixed a string of One Direction-esque iconography – the jaunty rock-lite choruses, fizzy cheerfulness and class clown antics – into actual music videos and convincingly banal bops. The bar is low; many, many films have created bespoke pop stars and/or music for alternate cultural histories, but vanishingly few transcend pastiche. When High Ambition Meets Disappointment I found myself missing the catchy yet entirely forgettable output of August Moon while watching the much more highbrow-aiming Mother Mary, which similarly tries very hard to conjure the magic of a generational pop icon by remixing the recognizable. Diva signatures abound – Mother Mary struts like Taylor Swift, stuns in goddess repose a la Beyoncé and bears the ornate hand tattoos of Ariana Grande. She shares with Lady Gaga an imperial remove, haute styling and maternal forbearance (as well as some biography – Lowery seems more than a little inspired by Gaga's mid-career falling out with Laurieann Gibson, the creative director behind her first two albums.) The Elusive Quality of Authentic Stardom It's certainly not for lack of trying, nor caring. By all accounts, the pop elements of Mother Mary, meant to color a character whose relationship to fandom serves as an overarching metaphor, were made with great reverence for an artform often easily dismissed as, well, easy. On the Popcast, Hathaway waxes poetic about studying pop music like an academic, and Mother Mary certainly appears erudite – speaking nonsense, sure, but well-versed in the precise choreography, deific grace and outsized persona of an archetypical pop star. But the effect is not, as FKA twigs put it in the same interview, "total feeling" despite imperfect approximation. The Real Thing vs. Fictional Creation It helps to bank on the real thing. Though Bradley Cooper's A Star Is Born was ultimately about a fading male rock star, it is Lady Gaga's meta-transformation, from high camp into stripped-down singer-songwriter with glinting ambition, that powered the anthemic Shallow into a crossover hit. The imagination of an alternate, artistically compromised Brat Summer in Charli xcx's satirical mockumentary The Moment was ultimately listless, but the film at least had some of her volatile star power to burn. That prospect of verisimilitude to the real, established thing propels our evergreen fascination with the much more successful genre of musical biopics, from Michael to Rocketman, Bohemian Rhapsody to Springsteen: Deliver Me from Nowhere. When Pop Stardom Works as Backdrop A handful of recent movies have fared better when using pop stardom as a backdrop to the action, rather than thematic engine. The horror films Trap and Smile 2, released in 2024, both staked arena shows for youth-skewing female stars as the focal point for genre conventions, built out with music videos, Drew Barrymore crossover appearances celeb cameos and original music befitting a mid-tier musician. The recessive output of Skye Riley (Naomi Scott) or Lady Raven (Saleka Shyamalan, daughter of director M Night) works, in that it appears as generic to some (say, Josh Hartnett's girl dad / serial killer) as it is indispensable to young fans. The Most Compelling Pop Star Portrayals Each of these carve some vague path through the vast morass of modern celebrity; far fewer have the nerve to actually commit to a corner. Alex Russell's criminally underseen Lurker, released last year, strategically deploys atmospheric, entrancing music, with just enough snippets of video, to pad a portrait of toxic adjacency, in which an obsessive fan wheedles his way into a singer's entourage that got too comfortable laundering trust and envy. But it's Vox Lux, Brady Corbet's 2018 precursor to The Brutalist, that remains the most divisive and compelling pop star movie in recent memory for its pitch-black view of pop music as fundamentally empty, stardom a Faustian bargain. The Future of Pop Stardom on Screen Vox Lux, at least, expressed some irreducible confidence nowhere to be found in Mother Mary's diva-off. For all its posturing, and for Hathaway and Michaela Coel's sincere commitment to chewing scenery, the film is surprisingly weightless – untethered from the real humiliations, the grueling labor, the compromised artistry that makes pop stardom such a potent subject in the first place. Hollywood may continue to try its hand at creating pop stars, but until it understands that the magic cannot simply be manufactured, these portrayals will remain echoes rather than icons.

The Festival of Britain: A Postwar CelebrationAs Herbert Morrison, a key figure in Clement Attlee's postwar Labour government, proposed, 'We ought to do something jolly… we need something to give Britain a lift.' This sentiment led to the Festival of Britain, which kicked off 75 years ago with a service of dedication at St Paul's and lasted for five months. The nationwide celebration of British achievements in the arts and sciences centered on an exhibition on London's South Bank, which reclaimed derelict land and attracted 8.5 million visitors.Personal Memories of the FestivalThe author, then an 11-year-old schoolboy, recalls the excitement of visiting the Festival from Leamington Spa with his family. The Dome of Discovery, a vast scallop shell containing segments devoted to earth, sea, sky, the polar regions and outer space, left a lasting impression. The site was also dominated by the massive cigar-shaped Skylon, described as a 'luminous exclamation mark.' After a morning on the South Bank, they spent an afternoon at Battersea Park Pleasure Gardens, enjoying a funfair, a miniature railway, and a theatre resurrecting old-time music hall.The Cultural Divide: Herbivores vs. CarnivoresIt was only later that the author realized the Festival's contentious nature. Michael Frayn's essay in 'Age of Austerity' (1963) revealed the deep division between the Festival's supporters and opponents. Frayn classified supporters as the 'Herbivores'—radical middle classes including Guardian and Observer readers, petition signers, and BBC backbone. Opponents, classified as 'Carnivores,' included Daily Express readers, Evelyn Waugh followers, and the cast of the Directory of Directors.This division has grown more pronounced with time. Today's Herbivores would support the European Union, multicultural society, gender equality, and anti-fossil fuels, while Carnivores, now represented by Reform party and GB News, take vehemently oppositional views. The Festival didn't create this divide but threw it into sharp relief.The Political Aftermath and Historical DebateThe Festival didn't prevent Labour's electoral defeat in October 1951. Historians disagree on its impact—Arthur Marwick saw it as testament to 'genuine and justified pride in real achievements' and a prelude to 1960s cultural transformations, while Kenneth O Morgan viewed it as displaying Britain as 'the somewhat geriatric heir of earlier societies, not the enterprising youthful harbinger of the new.'The incoming Conservative government, under David Eccles as Minister of Works, promptly demolished the Festival's prime exhibits, including the Dome of Discovery and Skylon. Frayn described Eccles taking the Festival's director on a tour 'indicating the buildings to be torn down, like a dictator's henchman picking out prisoners for execution.'The Enduring LegacyDespite the demolition of many structures, the Festival left a lasting legacy. The Royal Festival Hall proved indestructible, and the Telekinema became the National Film Theatre (now BFI). More significantly, the cultural center of London shifted from the West End to the South Bank, where one can walk from the National Theatre and Hayward Gallery to Shakespeare's Globe and Tate Modern.The Festival also inspired arts festivals across the UK that continue today. Notably, it prompted the Shakespeare Memorial theatre in Stratford-upon-Avon to mount a sequence of history plays (Richard II, Henry IV, Parts One and Two, and Henry V) featuring Michael Redgrave, Harry Andrews, and a young Richard Burton. This established the practice of performing Shakespeare's histories as a developing sequence, a tradition that continues today.

Lead: A Sequel That Turns the Spotlight on a Dying IndustryThe Guardian’s review frames *The Devil Wears Prada 2* as more than a nostalgic rom‑com; it becomes a commentary on the precarious state of magazine journalism, the financial pressures on women’s career choices, and the growing trend of egg‑freezing among high‑achieving professionals.The Sequel’s Commentary on a Collapsing Magazine IndustryThe film opens with Runway magazine in ruins, mirroring real‑world headlines about mass newsroom cutbacks. Characters like Emily (now at Dior) and the new features editor Andy navigate a landscape where “magazines were a thing” is a bitter punchline. The narrative underscores how AI, influencers, and corporate consolidation have slashed editorial positions, citing over 3,000 journalism job losses in the UK and US last year.The Numbers Behind Journalism Job Losses3,000+ journalism jobs eliminated across the UK and US in the past year.Condé Nast shuttered Self magazine after 47 years.Washington Post layoffs described as an “absolute bloodbath” under Jeff Bezos.National Council for the Training of Journalists reports 80% of journalists hail from professional or upper‑class backgrounds.Cultural Impact of Career‑Driven Female ProtagonistsThe review traces a lineage from Hildy Johnson in *His Girl Friday* (1940) to Sally in *When Harry Met Sally* (1989) and Bridget Jones, highlighting how these characters have long challenged traditional gender expectations. Andy’s modern dilemma—balancing a high‑paying editorial role with the decision to freeze her eggs—reflects a new generation of women prioritising financial independence over conventional family timelines.Outlook for Women in Media and Fertility ChoicesAs egg‑freezing becomes more accessible yet remains costly, the film raises questions about socioeconomic barriers to reproductive autonomy. The review suggests that while more women like Andy are choosing singlehood and career focus, systemic support (e.g., affordable fertility treatments, stable journalism jobs) remains lacking, hinting at a future where personal choice is still constrained by industry volatility.

The UK Biobank Data Breach: A Minor Setback One thing Britain is exceptionally good at is collecting and using health data for research, studying cohorts of people over many decades. A shudder of alarm rippled through the research world at the news this week that UK Biobank’s data had been put up for sale on China’s Alibaba site, with the science minister, Patrick Vallance, saying that more attempts to sell the data in China were expected. Understanding the Breach and Its Impact Biobank dashed to reassure its 500,000 members, and as a longtime volunteer I received a message not only explaining what had happened but listing some of the invaluable research findings and remedies that had already sprung from our data. Remarkably, a representative for Biobank told me that only about 100 people inquired about withdrawing, and after each was spoken to, only 50 actually backed out – pretty impressive. Prof Sir Rory Collins, Biobank’s chief executive, says he will personally speak to any anxious participant. The Value of Biobank Data The list of good done using Biobank data includes a blood test revealing motor neurone disease years before symptoms arise, a single gene behind almost all Alzheimer’s cases and a score to decide which overweight people have most risk factors and should be first for weight-reduction drugs. Challenges and Future Directions Longitudinal studies have been a research jewel, allowing projects such as studying children born in the same month who are then followed throughout their lives. In the UK we have followed groups of people from 1946, 1958, 1970, 1989-90 and 2000-2002 and there is now a new study recruiting 30,000 babies this year. The organisation Use My Data, which founded by cancer patients grateful for research that saved their lives, campaigns to get people to join research projects, helping researchers devise trustworthy transparent data systems. The Future of Health Data Research Summon up your public spirit. A population-wide study recruiting now is Our Future Health, seeking 5 million volunteers, so sign up here. I’ve already done so – it’s simple, just a blood sample and a questionnaire gets you a £10 token. Everyone benefits.

The Foxes' Miracle: A Decade of ReflectionAs the 10th anniversary of Leicester City's historic Premier League title approaches, the club's manager and key players look back on what is widely regarded as the greatest sporting miracle of the modern era. The narrative has shifted from a simple underdog story to a complex analysis of strategic pragmatism, cultural cohesion, and the unshakeable belief of a squad that refused to accept their limitations.The Pragmatic Road to GloryThe foundation of the title win was built on a philosophy of incremental ambition rather than immediate grandiosity. Claudio Ranieri revealed that the season began with a strictly pragmatic target: securing 40 points to ensure survival. This low-bar approach allowed the players to breathe, but it was the subsequent escalation of goals that defined their ascent. When they reached the Europa League, the target became Europe; upon qualifying for the Champions League, the mandate shifted to 'this year or never again.'Initial Goal: 40 points for safety.Mid-Season Goal: Qualification for European competition.Final Goal: Champions League qualification and the Premier League title.This strategy, coupled with Riyad Mahrez's persistent questioning of the squad's potential, created a psychological shift from doubt to destiny. Ranieri, a pragmatic man, knew the team was capable of something special, but the players' internal belief was the catalyst that turned a 'little team' into a champion.The Cultural Impact DataThe victory was not just a footballing achievement; it was a cultural phenomenon that transcended the sport. The ownership of Vichai Srivaddhanaprabha played a pivotal role in fostering a family-like culture that made the squad feel touchable and united. This unity was reflected in the club's diverse community, particularly the strong bond formed with the local Indian community, who felt a newfound sense of belonging and shared identity with the club.The global impact was immediate and overwhelming. From international recognition to a performance by Andrea Bocelli at the King Power Stadium, the 'Foxes' story captivated the world. The players found themselves celebrated not just as athletes, but as legends, with the title serving as a bridge between cultures and communities.The Legacy of the UnderdogLeicester City's triumph has permanently altered the landscape of the Premier League. It proved that financial dominance is not the sole determinant of success and that mentality, effort, and cultural cohesion can overcome the odds. The 'Foxes' legacy serves as a blueprint for future underdog stories, demonstrating that the most difficult hurdle is often the belief that the impossible cannot be achieved.

The Power of Hope in Climate Action After a landmark climate meeting in Santa Marta, Colombia, where nearly 60 countries gathered to work out how to end the production and use of planet-heating fossil fuels, what have we learned? Liberation Lifts the Spirits The single most important thing to come from the first Transitioning Away from Fossil Fuels conference, in Santa Marta, has been a change of mood. Whereas the UN’s annual climate summits, or Cops, can often feel stuck and frustrating, with countries circling the same topics without resolution, nearly every delegate in Colombia felt liberated. Science Has to Come First In a world of climate denial and misinformation, Santa Marta was a shining example of science-led decision making. Hundreds of experts, academics and scientists inspired and informed the launch of three major initiatives on the energy transition. Producers Must Be in the Spotlight Climate activists have long argued the Cop process has been crippled by a focus almost solely on the demand side of the problem. The responsibility of emission cuts was dumped on to consumers, while oil, gas and coal companies were given free rein to ramp up production and profits. Global South Debt Must Be Tackled The urgent need to address the debt crisis was one of the clearest messages to emerge from Santa Marta. Many countries in the global south that want to invest in renewables are unable to do so because they spend a huge proportion of their foreign exchange earnings on high interest repayments and imports of fossil fuels. Not Everyone Agrees on Everything There were few open disagreements among the “coalition of the willing” assembled at Santa Marta, but there are differences of opinion on how to achieve the desired end of a fossil-fuel-free society. Roadmaps Need a Destination and a Deadline One word that came up time and again was roadmap, or in other words, a clear plan for transitioning away from fossil fuels. One global roadmap will not be enough. Every country will need its own, and there are two key requirements: the destination, which should be a full phase-out of fossil fuels; and a timetable, because with global temperatures continuing to break records, time is fast running out. The Future of Fossil Fuels The conference in Colombia has shown that there is a growing momentum to end the fossil fuel era. With the hope and liberation felt during the conference, it is clear that a sustainable future is possible.

The Rise of AI Interviews in UK Recruitment Nearly half (47%) of UK job seekers have had an AI interview, according to research from the hiring platform Greenhouse. In its survey of 2,950 active job seekers, including 1,132 UK-based workers, it found that 30% of UK candidates had walked away from a hiring process because it included an AI interview. These figures highlight a significant shift in recruitment practices as companies increasingly turn to artificial intelligence to streamline their hiring processes. The AI Interview Experience: Job Seekers' Perspectives Job seekers across the UK have shared their experiences with AI interviews, with many expressing frustration and dissatisfaction. The interviews typically involve candidates recording responses to pre-recorded questions, often with strict time limits. Thomas*, 21, a university student in northern England, described the experience as "frustrating," noting that "it feels strange talking into a camera, and it can be difficult to speak naturally. You can't see anyone other than yourself." The Human Element Missing in Digital Screening Many candidates emphasize the lack of human interaction as a significant drawback. Susannah*, 44, a scientist from Cambridge, found her AI interview "awkward and humiliating." She explained: "There's no human interaction. If you had an in-person interview, you'd be able to see how someone's reacting and that they're acknowledging what you say." This absence of real-time feedback and connection leaves many feeling that the process is impersonal and ineffective. AI Interviews and Accessibility Concerns The AI interview format presents particular challenges for certain groups. David*, 47, a marketing consultant with autism, described the experience as "completely horrible for the autistic brain." He explained: "I spoke in bullet points and keywords. The real me, who would take his time to understand the actual challenge and constraints of a project, would never deliver like that." This raises important questions about whether AI interviews create barriers for neurodiverse candidates. The Efficiency vs. Quality Dilemma in Modern Recruitment Companies increasingly turn to AI interviews to manage high volumes of applications. As Susannah noted: "There are just so many applications for these jobs that an HR department would not be able to go through them all." However, this efficiency comes at a cost. The technology often fails to capture the nuances of human communication and personality, potentially leading to missed opportunities for both candidates and employers. The Future of AI in Recruitment: Balancing Technology and Humanity As AI continues to transform recruitment, there's growing recognition that technology should augment rather than replace human judgment. Tom, a project manager from Scotland, observed: "I don't think the technology is ready for a full-blown interview yet – I guess maybe it depends on what sort of job you'll end up doing. But I think the human touch is probably a good thing, and I hope that lasts as long as possible." The future likely lies in hybrid approaches that leverage AI for initial screening while preserving human elements for critical evaluation stages.

The LeadTV tonight features a lineup of engaging shows, including the return of the mockumentary series St Denis Medical on BBC One. St Denis Medical ReturnsThe second season of St Denis Medical kicks off at 11:10pm, BBC One. The show, created by Justin Spitzer and Eric Ledgin, is set in an underfunded hospital in Oregon and follows the lives of its staff. As the new birthing centre launches, Joyce is stressed, while Alex tries to hold onto her Hawaii holiday vibes. Other Highlights 7:30pm, BBC One: Extraordinary Portraits with Bill Bailey, featuring Grace, the first woman in the UK to give birth from a transplanted womb. 7:30pm, Channel 4: Unreported World, exploring the consequences of Donald Trump's 'war on drugs' in Puerto Rico. 9pm, Sky Atlantic: The final season of Hacks, balancing snark and sensitivity. 9:30pm, BBC One: The Young Offenders, an Irish comedy about a road trip with Conor's mum. Film ChoiceToday's film highlight is Wuthering Heights (2026) on Sky Cinema Premiere, at 8:25am and 8pm. This adaptation of Emily Brontë's novel stars Margot Robbie and Jacob Elordi.