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Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Remix of a Classic Words, words, words. Can Hamlet retain its tragic force without using most of them? This hour-long dance-theatre remix by the late South African choreographer Dada Masilo preserves few speeches and its opening is not auspicious, crashing straight into “To be, or not to be” shorn of context and characterisation. The Dance of Ophelia and Hamlet There follows, as is customary, a meeting between the prince and Ophelia, but Masilo replaces the usual cruel encounter with stolen moments amid a ceremony, as if they are meeting anew like Romeo and Juliet at the Capulet ball. Matching each other’s movements, amid clapped hands, thrusting shoulders and rippling chests, they grow closer with a hint of tango footwork. From this flashback, Masilo practically fast-forwards their choreography with a sense of doom. The Emotional Depth of Gertrude Letting the pair share a tender duet reinforces their romance but also heightens the violence of the nunnery scene where they are traditionally first seen together. Masilo adds another new scene to show Gertrude’s despair upon receiving news of Old Hamlet’s death rather than introducing her as sanguinely remarried to his brother. We see her seek strength amid grief, supported by courtiers whose pulsing, grounded movement is a message of persistence. This is dancing felt in the gut. The Impact of Movement and Music Wooed offstage, Gertrude returns for a convivial ceremony where a young couple are ticked off for getting too raunchy on the dancefloor. Movement styles across generations and cultures are blended by Masilo, who drew attention for remoulding ballet’s classics. Her ensemble is often an industrious force, driven by relentless percussion, as each scene breaks like a wave against Thuthuka Sibisi’s compositions. The Tragic Conclusion The latter stages lose focus but the choreography’s omnipresent sense of returning to the earth foreshadows a climax where all are struck down by the kingdom’s collective sickness, stressed by the lighting of Suzette le Sueur (who also provides some of the elegant costumes). It’s a collection of often piercing scenes that never quite establish full collective power – a tragedy out of joint. At Sadler’s Wells, London, until 26 May

The Filmmaker's Foray into Documentary Lucrecia Martel, the celebrated director of films like La Ciénaga and The Headless Woman, has expanded her creative horizons with Landmarks, a documentary that scrutinizes a murder trial with far-reaching implications. The film navigates the intricate dynamics between Indigenous communities and the descendants of colonists, set against the backdrop of Argentina's Tucumán province. The Case at the Heart of the Story The documentary centers on the tragic killing of Javier Chocobar, a 68-year-old member of the Indigenous Chuchagasta people. Chocobar was fatally shot during a confrontation with men claiming rights to mine the land. Martel weaves the grainy, shaky footage of the incident into her narrative, juxtaposing it with breathtaking drone shots that capture the vast, poetic landscapes. Exploring Themes of Land and Legacy Martel's concerns extend beyond aesthetics; she places people at the core of her story. Through interviews and personal stories, the film sheds light on Chocobar's life, his family, and the struggles of the Chuchagasta community. A particularly chilling aspect of the documentary reveals how the state and local landowners have attempted to erase the Chuchagasta people, claiming they became extinct in the 19th century. A Quiet yet Powerful Testimony Martel allows the subjects of her film to present their case with quiet dignity, steering clear of strident rhetoric. The documentary is described as beautiful yet occasionally soporific, with a stately pace that allows for deep reflection on the issues presented. What's Next for Landmarks Landmarks is set to screen at Bertha DocHouse in London starting from May 29. This documentary promises to be a significant cultural and cinematic event, offering viewers a chance to engage with pressing social issues through Martel's unique lens.

The LeadIndia's Zee Entertainment is in talks with FIFA to stream and broadcast the 2026 World Cup in the country, the company announced in a statement. The announcement comes as talks between a Reliance-Disney joint venture and the football body are at a deadlock, just weeks before the tournament kicks off on June 11.The Broadcast Rights BattleFIFA has concluded agreements with broadcasters in more than 180 territories globally, but India remains without a confirmed broadcaster. Zee Entertainment disclosed its talks with FIFA as part of its launch of Unite8 Sports, a dedicated portfolio of sports channels to strengthen its sports offerings to consumers. Sony also held talks but decided not to make an offer for FIFA rights for India.The Market ValueFIFA, which had initially sought $100m for broadcast rights for the 2026 and 2030 World Cups in India, was last looking for no less than about $60m, according to Reuters. The expected amount still far exceeds the $20m offered by Reliance-Disney, led by billionaire Mukesh Ambani's Reliance. This significant valuation gap has contributed to the current deadlock in negotiations.The Indian Football AudienceIndia accounted for 2.9 percent of the global linear TV reach of the Qatar World Cup in 2022, trailing only China in overall engagement figures. The country had more than 745 million fans following the action across all media platforms, according to figures released by FIFA. In television viewing numbers, India was among the top 10 countries – ahead of World Cup participants Germany, France and England – with nearly 84 million viewers.The Future OutlookWith the World Cup just weeks away, Zee Entertainment's potential entry as a broadcast partner could reshape the sports media landscape in India. The company's Unite8 Sports initiative signals a strategic push into sports content, capitalizing on India's massive football audience. If successful, this deal could establish a new benchmark for sports broadcasting rights in the Indian market and potentially influence future negotiations for other major sporting events.

The Lead: DOJ Takes Legal Action Against Four StatesThe Department of Justice announced Thursday that it is suing Maine, Massachusetts, Oregon and Washington for denying ICE agents confidential licence plates, a tool the administration says is essential for agent safety and operational effectiveness.The Lawsuit Over ICE Undercover PlatesThe complaint argues that refusing the plates violates the Constitution’s Supremacy Clause and hampers federal immigration enforcement. The states counter that ICE should not operate in secrecy without state oversight.States sued: Maine, Massachusetts, Oregon, WashingtonAgency involved: Immigration and Customs Enforcement (ICE)Legal basis cited: Supremacy Clause of the U.S. ConstitutionKey officials: Donald Trump (President), Todd Blanche (Acting Attorney General), Maura Healey (Massachusetts Governor)Legal Stakes and Potential CostsWhile the filings contain no monetary damages, the lawsuits could generate significant legal expenses for the states and set precedents that affect future federal‑state collaborations. The litigation also raises questions about the cost of maintaining separate vehicle registration systems.Implications for Federal‑State Relations and Immigration EnforcementThe case highlights a growing clash between the Trump administration’s aggressive immigration agenda and state sanctuary laws. Critics argue that confidential plates enable unchecked enforcement, while the administration claims they protect agents from targeted harassment.Watchdog groups warn that masking vehicle identities could reduce accountability, whereas federal officials contend that secrecy is vital to prevent agents from being tracked and evaded.What the Courts May Decide and Next MovesLegal analysts expect a protracted battle over the Supremacy Clause versus state authority over motor vehicle registration. A ruling in favor of the federal government could compel states to issue undercover plates nationwide; a decision for the states could reinforce sanctuary protections and limit ICE’s operational flexibility.Both sides have signaled readiness to appeal, suggesting the dispute will continue to shape the national conversation on immigration enforcement and the balance of power between Washington and state capitals.

The Crisis Facing Young People in the UK Alan Milburn's report paints a grim picture of the lives and chances of young people in the UK. The diagnosis is dire, with over 1 million young people not in work, education, or training (Neets), and this number expected to rise to 1.25 million without radical change. The Extent of the Problem Milburn's report reveals a catastrophic failure in the support systems for young people. There has been institutional neglect, loss of youth and careers services, and chaotic communication between dislocated silos. The result is a 'moral crisis' that requires a 'big idea' and a 'system reset'. The report highlights that: 1.6 million first-rung jobs have vanished in the past 20 years. There has been a 35% fall in apprenticeship starts in the past decade. 60% of Neets have never had a job before. The Impact on Young People's Lives The report captures the misery of young people applying for jobs, facing rejection, and struggling with mental health issues. Many young people are eager to work or pursue apprenticeships, but face significant barriers. For example: 84% of those surveyed wanted to work or do an apprenticeship. 19% wanted to enter education or training. 15% have degrees. 30% have five good GCSEs or equivalent. The Way Forward Milburn's report calls for a comprehensive overhaul of the systems failing young people. He criticizes the current education system, which prioritizes exam results over outcomes and destinations. He also highlights the need for better support for young people with troubled families or poor mental health. The report's recommendations are expected to be released in a future publication, just before the Labour conference. A Call to Action for Labour The report presents a challenge to the Labour party to take action and address the crisis facing young people. As Labour strives for renewed purpose, Milburn's report provides a roadmap for change. The government is urged to ignore previous interventions, such as Tony Blair's recent essay, and instead focus on implementing the recommendations outlined in Milburn's report.

What sparked the latest anti‑migrant unrest in South Africa?In late May 2026, demonstrations erupted in Johannesburg, Cape Town and Durban, quickly turning violent as crowds targeted foreign nationals from other African countries. Protesters cited soaring unemployment, perceived competition for jobs and a surge in crime as justification for their anger.Key statistics behind the tensionUnemployment: The national unemployment rate remains above 34%, the highest in decades.Crime perception: Recent surveys show that 68% of South Africans believe crime has increased over the past year.Foreign‑born population: Approximately 2.5 million migrants reside in South Africa, many employed in informal sectors.How the protests are reshaping South Africa’s social landscapeThe unrest has reignited long‑standing xenophobic sentiments, prompting community leaders to call for dialogue while businesses warn of a decline in tourism and foreign investment. Police have deployed additional units and declared a temporary state of emergency in affected municipalities.What the government and civil society are doing nextPresident Cyril Ramaphosa’s administration announced a task force to address the root causes of xenophobia, focusing on job creation, crime reduction and public education campaigns. NGOs are mobilising volunteers to protect vulnerable migrants and to mediate between communities.Outlook: Can South Africa defuse the crisis?Analysts suggest that lasting stability will depend on tangible economic improvements and a coordinated effort to counter hate rhetoric. If the government can deliver measurable job growth and enforce law‑and‑order measures, the risk of further anti‑migrant violence may diminish; otherwise, the country could face prolonged social unrest.

The Upset at Roland Garros Jannik Sinner, the No 1 men’s tennis player in the world, was still leading by two sets and serving for a place in the third round of the French Open when it became clear he was in significant danger on the baking clay in Paris on Thursday afternoon. He was undone in the second round of the only Grand Slam he has yet to win, not by the ingenuity of his opponent or even the immense pressure that comes with being the prohibitive favourite, but rather by his own body. The Impact of Extreme Heat The Italian – who had not lost a match since February – said afterward that he had been struggling with an illness. Despite waving away suggestions he had wilted in the high temperatures, the unprecedented heat wave in the first week of the French Open this year could not have helped his cause. He fell 3-6, 2-6, 7-5, 6-1, 6-1 to Juan Manuel Cerúndolo before a stunned, packed audience on Court Philippe-Chatrier. Player Reactions to the Heat His defeat represents one of the most shocking results in recent years. The 24-year-old had entered the court on a 30-match winning streak and earlier this month he became the only man other than Rafael Nadal, the greatest clay court player in history, to win all three clay court ATP Masters 1000 titles in the buildup to the French Open. Most players are used to disruptive weather at Roland Garros coming in the form of rain delays and damp courts, but this year in Paris the heat has changed the state of play and divided the locker room over its intensity. The Tournament's Heat Rules The temperature has consistently ranged between 32 and 35C most afternoons so far. Such conditions are so rare in the second Grand Slam of the year that there was significant confusion about the tournament’s heat rules at the start of the week. When asked about them on Wednesday, Novak Djokovic incorrectly thought that they did not exist: “I really don’t understand why they don’t have the heat rule,” he said. “I actually didn’t know. I thought that there is in every slam, but then someone told me that Roland Garros has no heat rule.” Adapting to the Conditions The actual rules are based around the tournament organisers using wet bulb sensors to monitor the temperature, and a match could be suspended when it crosses 32.2C. To date, however, no match has ever been suspended at Roland Garros due to the heat. The scorching temperatures also make a significant difference to the way matches are played on clay. Wet, damp and colder conditions make balls heavier, leading to longer rallies and a lower bounce, the hot weather hardens the court and allow the ball to fly more quickly.

The Diplomatic Pivot in the Middle EastIn a significant development for regional stability, the United States and Iran have reportedly agreed to a 60-day truce outlined in a Memorandum of Understanding (MoU). This agreement represents a potential de-escalation of tensions that have defined the geopolitical landscape, though its longevity remains uncertain pending high-level political validation.Negotiating a 60-Day Ceasefire FrameworkThe core of this breakthrough lies in the Memorandum of Understanding, which establishes a temporary cessation of hostilities. This 60-day window is designed to provide a breathing space for diplomatic negotiations, allowing both nations to assess the feasibility of a more permanent peace agreement.60-day timeline set for de-escalation and negotiation.Mou signed between US and Iranian representatives.Hostilities expected to pause during this period.The Critical Role of Executive RatificationWhile the diplomatic groundwork has been laid, the agreement faces a significant hurdle: the pending approval of Donald Trump. This condition implies that the MoU is not yet a binding executive order but rather a proposal requiring political sign-off. The delay or rejection of this approval could immediately unravel the fragile truce.Geopolitical Ramifications and Future OutlookThe outcome of this diplomatic maneuver will have profound implications for the Middle East. If ratified, the truce could stabilize markets and reduce regional volatility. However, if political disagreements stall the process, the region risks returning to heightened tensions. Analysts suggest that the next 48 hours will be critical in determining whether this MoU translates into a lasting peace or remains a temporary diplomatic maneuver.