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Celtic overtook rivals Rangers to sit second in the Scottish Premiership after a narrow 1‑0 win against St Mirren, while Hearts preserved their lead at the top with a late‑filled 3‑1 triumph over Motherwell.At Celtic Park, Alex Oxlade‑Chamberlain broke the deadlock in the 15th minute. After a blocked attempt from Benjamin Nygren, Kieran Tierney delivered a precise cross that Oxlade‑Chamberlain struck into the bottom corner, giving Celtic a comfortable first‑half advantage.St Mirren dominated possession in the second half but failed to create clear chances, allowing Celtic to hold onto the solitary goal.The encounter marked the first meeting between the sides since St Mirren’s surprise 3‑1 cup win over Celtic in December, a result that proved difficult to repeat.For the first time since November, the Green Brigade were welcomed back to Celtic Park, adding a vibrant backdrop to what many view as a dress rehearsal for next week’s Scottish Cup semi‑final.At Tynecastle, Motherwell took an early lead through Emmanuel Longelo. Hearts responded quickly when Cláudio Braga equalised with an overhead kick. The match seemed poised for a draw until Lawrence Shankland converted a penalty after Stephen Welsh was judged to have fouled Landry Kaboré. Kaboré then added a third in stoppage time, sealing the three‑point win for Hearts.In the north, Stephen Robinson ended his winless streak since moving from St Mirren to Aberdeen, guiding his side to a 2‑0 victory over Hibernian at Pittodrie, with Kevin Nisbet scoring in each half.At Tannadice, Zac Sapsford rescued Dundee United with a late penalty, completing a dramatic 3‑2 comeback against Livingston. The hosts had led through a first‑half goal by Will Ferry, but Livingston responded with a quickfire double from Lewis Smith before United equalised via substitute Krisztian Keresztes.Meanwhile, Kelle Roos produced a crucial stoppage‑time penalty save against Dundee striker Joe Westley, earning Kilmarnock a vital point in their relegation battle. The decision followed a lengthy VAR check that delayed the penalty by six minutes.Kilmarnock’s earlier clash with Dundee saw a roller‑coaster finish: Joe Hugill opened the scoring, Simon Murray equalised for Dundee, Michael Schjønning‑Larsen restored the lead for Kilmarnock before Scott Wright’s late goal forced extra‑time drama.

NASA’s Artemis II crew has safely returned to Earth after completing the agency’s first crewed lunar flyby, marking a historic step in America’s deep‑space ambitions. The spacecraft performed a controlled splashdown in the Pacific Ocean, where recovery teams quickly secured the capsule and its three astronauts. The mission, which launched earlier this year, executed a high‑speed pass around the Moon, achieving a record‑breaking distance for a crewed vehicle and validating key navigation and life‑support systems for future lunar landings. Video released by NASA captures the dramatic moment of re‑entry, the capsule’s parachutes inflating, and the splashdown splash that signaled the mission’s successful conclusion. Officials praised the crew’s performance and the flawless execution of the recovery operation. While the splashdown itself is a technical triumph, the broader significance lies in the mission’s role as a stepping stone toward the upcoming Artemis III landing, which aims to put astronauts on the lunar surface for the first time since 1972. Analysts note that Artemis II’s success strengthens the United States’ leadership in space exploration and could accelerate international partnerships and commercial investment in lunar infrastructure.

The Grand National meeting in 2026 is set to be a spectacular event, as captured in a series of captivating images. Telescopes will be used to get a closer look at the action, while selfies will provide a personal touch to the experience. The event will also feature epic leaps by the horses, making it an unforgettable experience for spectators.The images from the event showcase the excitement and drama of the Grand National, one of the most prestigious horse racing events in the world. With its rich history and thrilling competition, the Grand National continues to captivate audiences and inspire memorable moments.

The Kilauea volcano, located in Hawaii, has erupted in a dramatic display of natural power. The eruption occurred on April 10, 2026, and has been characterized by lava blasting high into the sky.The Kilauea volcano is one of the most active volcanoes in the world and has been erupting intermittently since 1983. This latest eruption is a significant event for the region, with potential impacts on local communities and the environment.The Hawaiian Volcano Observatory has been monitoring the volcano's activity and has reported high levels of volcanic gas and ash in the atmosphere. The observatory is closely watching the situation and providing updates as more information becomes available.

The weekend promises to be filled with exciting sports events, starting with Premier League matches. Arsenal will face Bournemouth at the Emirates Stadium, with Barry Glendenning providing live coverage. In another Premier League match, Liverpool will host Fulham, with Rob Smyth guiding viewers through the action. The Grand National horse race will take place at Aintree, with Tony Paley providing expert analysis. The Masters Tournament will continue with its third and final rounds, featuring top golfers competing for the prestigious title. Additionally, Tyson Fury will face Arslanbek Makhmudov in a highly anticipated boxing match at Tottenham Hotspur Stadium. Cricket fans will enjoy the County Championship matches, while rugby enthusiasts will watch the England Women team face Ireland Women at Twickenham.

Jim Jarmusch, the 73-year-old director known for his offbeat Americana films, has spent seven years crafting his latest project, 'Father Mother Sister Brother'. The film, which won the prestigious Golden Lion at the Venice film festival, is an anthology drama that explores the complexities of family relationships through three distinct stories set in New Jersey, Dublin, and Paris.Jarmusch's approach to filmmaking is characterized by his unique ability to elicit low-key performances from big stars and his focus on the quotidian aspects of life. He cites influences from filmmakers like John Cassavetes and David Lynch, but emphasizes his own humanist approach. 'I make films out of the things other people would leave out,' he notes, highlighting his attention to detail and ability to find beauty in everyday moments.The film features a star-studded cast, including Cate Blanchett, Adam Driver, Mayim Bialik, and Tom Waits. Jarmusch's process involves casting first and then writing the script quickly, often in a matter of days. 'I cast first then write fast,' he explains, showcasing his collaborative approach with actors.Jarmusch reflects on his career, mentioning the challenges of getting films made without compromising his artistic vision. 'It's harder every time to get a film made,' he acknowledges, but remains committed to his unique approach. The director also touches on themes of mortality and the cyclical nature of life, emphasizing the importance of living in the present.The film 'Father Mother Sister Brother' is set to release in UK cinemas on April 10, offering audiences a glimpse into Jarmusch's distinctive filmmaking style and thematic explorations.

Bath Rugby has secured a spot in the Champions Cup semi-finals for the first time in 20 years with a stunning comeback against Northampton Saints. The match was an 11-try epic, with Bath ultimately prevailing thanks to a 76th-minute try by replacement forward Ted Hill.The game was a thrilling contest from start to finish, with Northampton Saints dominating early on. They scored five tries in the first half-hour, including scores from Henry Pollock, Archie McParland, Fraser Dingwall, Tom Lockett, and Josh Kemeny. However, Bath refused to give up, and their renowned forward strength eventually tipped the scales in their favor.Alfie Barbeary and Thomas du Toit were among the key figures for Bath, who came roaring back to trail by only 38-33 with 20 minutes left. The visitors were temporarily down to 14 players during this period, which Bath capitalized on.The match was a grand advert for the English club game, with both teams showcasing their skills and determination. Bath's coach, Johann van Graan, marveled at his side's dramatic fightback, saying, 'I have been in rugby for a long time and this ranks as one of the best I have been involved in.' Northampton Saints' director of rugby, Phil Dowson, was frustrated with the loss, stating, 'It was obviously a good game of rugby but it’s frustrating to be on the wrong side of it.' The win sets up a semi-final clash for Bath against the winners of the all-French tie between Bordeaux and Toulouse.

The television landscape is witnessing a surge in AI-powered villains, with recent shows like 'The Capture' and 'Paradise' featuring sinister artificial intelligence as central characters. In 'The Capture', the AI villain, named Simon, is a sophisticated system used by the military to plan and execute operations, showcasing the potential dangers of relying on AI in warfare.The show's writer, Ben Chanan, notes that the tech used in the series is eerily plausible and reflects current advancements in AI technology. The use of AI in TV dramas serves as a commentary on the risks and uncertainties associated with emerging technologies.In another example, the TV series 'Paradise' features an AI-controlled quantum computer named Alex, which develops exponential processing power and becomes capable of manipulating time and creating a potential parallel multiverse. This portrayal highlights the concerns about AI's potential to surpass human control.The trend of AI villains in TV dramas is not limited to sci-fi shows. Even comedy series like 'The Comeback' are incorporating AI into their storylines, often as a commentary on the rapid advancements in AI technology and its potential impact on society.Experts and show creators alike are cautious about the implications of AI on our daily lives, warning that it could lead to significant changes in various industries and potentially even threaten jobs. As AI technology continues to evolve, it's likely that we'll see even more complex and nuanced portrayals of AI in television and other forms of media.

The latest offering from writer Theo Jamieson and director Adam Lenson is a boldly conceived musical that thrusts a turbulent romance into a sci‑fi framework. The story follows a young astronaut, Daniel, who vanishes from his shuttle with barely enough fuel, prompting a quest to uncover the motives behind his reckless flight.Stuart Thompson (as Daniel) and Poppy Gilbert (as Emily) anchor the piece with performances that are both visceral and nuanced. Their chemistry captures the push‑pull of a relationship scarred by childhood bullying, parental betrayal, and a shared history of trauma, delivering songs that soar and hit hard.Visually, the production leans heavily on interstellar projections that transform the stage into a shifting cosmos, while the score oscillates between Sondheim‑style wit and full‑blown symphonic passages. This combination creates an epic sense of strangeness that distinguishes Flyby from more conventional West End fare.However, the narrative’s fragmented structure hampers its emotional payoff. The non‑chronological storytelling leaves critical gaps, and the metaphor of being "stranded in space" feels over‑extended—especially with the protagonist’s surname, Defoe, a thin nod to Robinson Crusoe. The three narrators, played by Simbi Akande, Gina Beck, and Rupert Young, often drift into digressive asides that dilute the central arc.Despite these flaws, moments of brilliance emerge, particularly in the musical’s treatment of mental‑health themes. The show hints at the potential to join the ranks of modern theatre successes like Next to Normal and Dear Evan Hansen, should its structural rough edges be smoothed.The production is currently staged at Southwark Playhouse, Borough, London and will run through 16 May. Audiences seeking a daring blend of emotional intensity and cosmic spectacle will find Flyby a compelling, if imperfect, experience.