Breaking AI & Tech News Analyzed

Photographer Peter van Agtmael captured a striking image during his first trip to Iraq 20 years ago, which has become a defining moment in his career. The photograph shows a dejected soldier sitting in a domestic living room, highlighting the incongruity of war in everyday life.Van Agtmael, who was 25 at the time, had been embedded with the US military for six weeks. He wanted to move beyond traditional war photography, which often focuses on violence and horror, and explore the human side of conflict. This image, he says, crystallized his understanding of the US military's role in the Middle East and the absurdity of war.The photograph shows a soldier in a mundane setting, which could be anywhere in the world. Van Agtmael notes that this juxtaposition of war and domesticity reveals the complexity of human nature and the proximity of war to everyday life. He believes that war is part of the human soul and that it's essential to acknowledge this reality.Van Agtmael's experience in Iraq was formative, and he reflects on the failures of the war in Iraq and Afghanistan. He questions the effectiveness of externally created regime change and the long-term impact of military interventions.As a war photographer, van Agtmael has grappled with the moral complexities of his work. He believes that thoughtful documentation of human violence can have a moral impact, but also acknowledges the challenges of being a witness to extreme violence.Now a father, van Agtmael has shifted his focus away from war photography. He reflects on the changing nature of his work and the importance of finding new purpose in life.

Israel has been accused of using white phosphorus in southern Lebanon, a move that has reignited concerns over the country's adherence to international laws of war. Human Rights Watch (HRW) researchers have verified and geolocated images showing airburst white phosphorus munitions exploding over residential areas in the southern Lebanese town of Yohmor.The use of white phosphorus, a chemical substance that ignites when exposed to oxygen and burns at up to 800C, is controversial when used over civilian areas due to its potential to ignite fires, cause serious burns, and emit toxic fumes. Military forces often use it as a smokescreen, but its use in populated areas raises significant ethical and legal questions.Over 800,000 Lebanese people have been displaced from the region following Israeli forces' orders to leave, and many more uses of white phosphorus may have gone undocumented. Researchers have documented nearly 250 uses of white phosphorus by Israeli forces between October 2023 and November 2024, with 39% of these uses occurring in residential areas.The environmental impact is also significant, with over 2,000 hectares of southern Lebanese countryside burned, including dense forests and agricultural lands. The use of white phosphorus can lead to long-term soil contamination, reducing microbial diversity and agricultural productivity.An Israeli military spokesperson has cautioned against making factual determinations based on visuals alone, while Israel's ambassador to the UN has stated that the country takes steps to minimize civilian casualties. However, allegations of war crimes and the use of prohibited weapons continue to mount, highlighting the need for further investigation and accountability.

The Australian cricket team's Test season, a staple of the country's summer, is on the brink of a transformative change. Next season will feature four matches over four weekends, commencing in the second week of December and concluding a week into January. This shift has sparked concerns about the potential consequences for player well-being and the overall quality of the sport.Cricket Australia's decision to expand the schedule to seven Tests may seem beneficial, but the reality is that several matches will be played outside the traditional summer period. A tropical excursion against Bangladesh in August and a pink-ball Test in March will be distant outliers in the cricket calendar. This scheduling overhaul raises questions about the prioritization of player welfare and the potential erosion of the sport's integrity.The physical demands of Test cricket are well-documented, and players may face increased risk of injury and mental burnout if forced to play at an accelerated pace. The example of Mitchell Starc, who has prioritized his fitness and Test appearances over lucrative IPL opportunities, highlights the challenges faced by players under the current system.Critics argue that Cricket Australia's decision is driven by financial considerations, particularly the growing influence of the Indian Premier League. The governing body's pursuit of profit may lead to further compromises on the sport's quality and traditions. As the organization prepares to sell tranches of the Big Bash League to foreign investors, concerns about the long-term implications for Australian cricket and its values grow.The proposed scheduling changes may appeal to casual spectators, but they threaten to leave Australian summers unrecognizable and undermine the country's Test season. As Cricket Australia navigates the complex landscape of modern cricket, it must balance financial imperatives with its commitment to the sport's integrity and the welfare of its players.

Rob Petit's documentary Underland, inspired by Robert Macfarlane's bestselling book, delves into the mysterious world beneath the Earth's surface. The film features Mexican archaeologist Fátima Tec Pool exploring cenotes on the Yucatan peninsula, theoretical physicist Mariangela Lisanti studying dark matter in an ultra-clean facility in Canada, and urban explorer Bradley Garrett navigating storm-drain tunnels in Las Vegas.The documentary intertwines these experiences with Sandra Hüller reading poetic prose about the 'nether' in a faintly Americanised accent. While the film raises intriguing ideas, it sometimes struggles to reconcile natural underground spaces with human-made ones. The most striking scenes showcase Lisanti's work searching for dark matter, highlighting the vastness of deep time and the potentially fruitless pursuit of scientific discovery.The film is set to release in UK and Irish cinemas on 27 March, offering viewers a chance to explore the hidden world beneath their feet.

Billy Idol: A Postpunk Icon's Life and Times are celebrated in a new documentary, Billy Idol Should Be Dead, directed by Swedish filmmaker Jonas Åkerlund. The film offers a nostalgic look back at Idol's career, from his early days in punk and new wave to his rise to fame in the US.With a mix of humor and sympathy, the documentary examines Idol's outrageous excesses, including his struggles with drug abuse and near-fatal accidents. Idol's life was marked by a series of close calls, including a near-fatal overdose in 1984 and a second episode in the late 80s where he collapsed in a Bangkok hotel lift, much to the horror of Mel Gibson and his family.The film also explores Idol's impact on music and pop culture, comparing him to Elvis Presley and Eddie Cochran. Idol's distinctive snarl-sneer and charismatic stage presence made him a big name, particularly on MTV, which was eager for content and drawn to his self-destructive bad-boy image.At 70, Idol looks back on his life with a cheerfully gravelly voice, recalling his experiences with a mix of humor and reflection. The documentary is a nostalgic tribute to a music legend and a celebration of his enduring legacy.Billy Idol Should Be Dead is set to air on Sky Arts on March 26.

The forthcoming film 'The Drama', starring Robert Pattinson and Zendaya, has sparked controversy over its portrayal of a character who once planned a school shooting. Tom Mauser, whose son Daniel was killed in the 1999 Columbine school shootings, expressed his disapproval of the film's approach, calling it 'awful' and accusing it of 'humanising' perpetrators of such violence. The film, a dark romantic comedy directed by Kristoffer Borgli, features Zendaya's character revealing a past plan to carry out a school shooting during a parlour game. Despite her character backing out of the attack, Mauser argues that the film 'normalises' such actions. He also criticized Zendaya's response to questions about the film's twist on the Jimmy Kimmel show. A24, the studio behind 'The Drama', has limited screenings of the film to avoid spoilers. Early reactions to a small screening in the US were broadly positive, but reviews are embargoed until March 31. The film's UK distributors have been approached for comment. The controversy surrounding 'The Drama' highlights ongoing concerns about the portrayal of violence in media and the impact on audiences. This is not the first time a film has tackled the sensitive topic of school shootings; Gus Van Sant's 'Elephant' (2003) and Michael Moore's documentary (2002) are notable examples.

Football's world governing body FIFA is facing a lawsuit from supporter groups over allegedly 'excessive' ticket prices for the 2026 World Cup final. The Football Supporters Europe (FSE) and Euroconsumers have filed a formal complaint with the European Commission, accusing FIFA of abusing its monopoly position to impose high ticket prices and unfair purchasing conditions on European fans.The FSE claims that the cheapest openly available final tickets start at $4,185, more than seven times the cost of the cheapest 2022 World Cup final ticket. In contrast, the cheapest UEFA Euro 2024 final tickets were priced at 95 euros ($100). FIFA's own bid documents had projected an average ticket price of $1,408, which has not been met.The 2026 World Cup, hosted jointly by Canada, Mexico, and the United States, will feature 104 matches and 48 teams. While almost seven million tickets have been made available, prices have soared for in-demand games, with most tickets costing at least $200 for matches involving leading nations. Some tickets on FIFA's official resale site are being offered at astronomical prices, such as $143,750 for a category three seat at the MetLife Stadium in New Jersey.The FSE argues that FIFA's actions are unfair and unacceptable in a competitive market, highlighting the initial promise of tickets being available from as little as $21, but instead starting at $60 for some matches.

A New Mexico jury has ordered Meta to pay $375m in civil penalties after finding the company liable for misleading consumers about the safety of its platforms and enabling harm, including child sexual exploitation. This verdict marks the first bench trial to find Meta liable for acts committed on its platform. The lawsuit, brought by New Mexico Attorney General Raúl Torrez, claimed that Meta executives knew their products harmed children but disregarded warnings from their own employees and lied to the public about the risks. The jury found Meta liable for violating New Mexico's consumer protection laws, specifically the Unfair Practices Act. The penalty of $375m is the maximum allowed under the law of $5,000 per violation. Meta has announced its intention to appeal the ruling, accusing Torrez of making 'sensationalist, irrelevant arguments.' Internal Meta documents and testimony revealed that company employees and external child safety experts repeatedly warned about risks on Meta's platforms. Evidence presented included details of a sting investigation, 'Operation MetaPhile,' which led to the arrest of three men charged with sexually preying on children through Meta's platforms. The New Mexico court also heard about deficiencies in Meta's reporting of crimes on its platforms, including the exchange of child sexual abuse material. Meta generated high volumes of 'junk' reports by overly relying on AI to moderate its platforms, making it difficult for law enforcement to investigate crimes. In the next phase of the legal proceedings, the attorney general's office will seek additional financial penalties and court-mandated changes to Meta's platforms to offer stronger protections for children. The state is seeking design feature changes, including 'enacting effective age verification, removing predators from the platform, and protecting minors from encrypted communications.' This verdict is seen as a 'historic victory' for children and families who have been affected by Meta's actions. The case may also open the floodgates to further litigation and regulation of social media companies.

More than 60 Labour MPs have called on Ofcom to take action against 'manosphere' influencers who target men and boys with harmful content, including gambling, sextortion, and violent pornography.The MPs argue that men and boys need protection from these influencers, who exploit young men by 'peddling lies, falsehoods and hate'. According to the Gambling Commission, 53% of 11- to 17-year-old boys see gambling adverts online each week, compared with 31% of their female peers.The Online Safety Act has forced Ofcom to give tech platforms guidance on tackling 'harmful content and activity that disproportionately affects women and girls', but MPs argue that men and boys are also targeted in specific ways. 91% of sextortion victims are male, according to the Internet Watch Foundation.Alistair Strathern, the MP for Hitchin and a co-chair of the Labour group for men and boys, said the Louis Theroux documentary Inside the Manosphere was 'another reminder of a particular way some of the worst of the internet can prey on young men and boys'. He emphasized that protecting men and boys is crucial to tackling violence against women and girls.An Ofcom spokesperson said protections in place under the Online Safety Act were designed to benefit anyone experiencing online abuse, and that their guidance encourages tech companies to use educational and preventive approaches to reduce online abuse.