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The Netflix series Something Very Bad Is Going to Happen has been making waves with its chilling storyline and terrifying plot twists. The show follows Rachel, a young woman who embarks on a night drive to meet her fiancé's parents for the first time, only to find herself entangled in a web of horror and suspense.The series, created by Haley Z Boston and produced by the Duffer Brothers, masterfully crafts an atmosphere of tension and fear, leaving viewers on the edge of their seats. The reviewer praises Camila Morrone's performance as Rachel, describing her as having an 'irreducible strength and spirit' that adds credibility to the show.The show's exploration of themes such as marriage, family, and the blurring of reality and horror is both thought-provoking and unsettling. The reviewer notes that the series' underlying terror is rooted in the message: 'What does marriage really mean? Do we ever really know someone?' These questions are woven throughout the narrative, making the show a psychological thriller as much as a horror series.The cast, including Adam DiMarco and Jennifer Jason Leigh, delivers solid performances that add to the show's eerie atmosphere. The reviewer's verdict is that 'Something Very Bad Is Going to Happen' is a must-watch for horror fans, but be prepared to sleep with the lights on.

US markets witnessed a significant downturn on Thursday, marking their biggest slump since the onset of the US-Israel war with Iran. The Dow closed 450 points down, while the S&P 500 dipped 1.7%. The tech-heavy Nasdaq fell 2.3%, plunging into correction territory, which occurs when an index falls at least 10% below its most recent peak. The conflict has led to a surge in oil prices, reaching levels not seen since Russia's invasion of Ukraine in 2022. At the end of the day on Thursday, Brent crude oil, the global benchmark, was about $107 a barrel, while US crude hit $93 a barrel. Average US gas prices at the pump reached $3.98 a gallon, according to AAA. Despite the soaring prices, Donald Trump said that oil prices “have not gone up as much as I thought” during a cabinet meeting on Thursday. He predicted that prices would “come back down to where it was, and probably lower,” and that the impact on the stock market would reverse once the conflict ends. Markets have been growing weary of Trump's mixed signals on the US's stance in negotiations with Iran. Stocks dipped on Thursday morning after Trump posted a warning to Iranian negotiators that they “better get serious, before it’s too late.” However, later in the morning, Trump said that there were “very substantial talks” happening with Iran and that the country allowed 10 oil tankers to pass the blocked strait of Hormuz. The White House announced it will extend a pause on Iranian energy infrastructure strikes by 10 days, until 6 April. A new report estimates US inflation will average 4.2% this year, compared with an average of about 2.6% in 2025, according to the Organization for Economic and Cooperation and Development (OECD). The increase in inflation reverses what was expected to be strong growth for the global economy before the conflict began.

Castleford Tigers produced a stunning performance to defeat Bradford Bulls in a highly entertaining Super League match. The Tigers' attack clicked into gear, with Jason Qareqare scoring a hat-trick and leading his team's charge to a convincing victory.The match was a West Yorkshire derby that lived up to expectations, with both teams showing flashes of brilliance. However, it was Castleford who ultimately dominated the game, scoring 28 unanswered points in a 10-minute period either side of half-time to transform a nervy contest into a decisive win.Ryan Carr's Castleford side had been under pressure after a heavy defeat last week, but they responded with a confident display. Carr praised his team's performance, saying, “How we played tonight is how we want to play our rugby.”In contrast, Bradford Bulls' coach Kurt Haggerty was left to ponder what might have been, saying, “You shouldn’t score 28 points in a game and lose.” The Bulls' defensive frailties were exposed, and they will need to address these issues if they are to exceed expectations in 2026.The win for Castleford was a significant one, as it moved them up the table and gave them a much-needed boost in confidence. For Bradford, the loss was a disappointing one, but they will look to bounce back in their next match.

As its title suggests, this musical about Claude Monet is full of reflections – fittingly so given the artist's preoccupation with light. In 1916, while struggling to complete The Water Lilies with cataracts, the ageing painter (Jeff Shankley) retreats into memories of his early career. His single-minded younger self (Dean John-Wilson) may be about to change art forever, but looking back, all Monet sees is the personal cost of his drive, particularly his mistreatment of his first wife, muse and mother of his children, Camille (Brooke Bazarian).For a man usually defined by his success, this alternative reflection is refreshing. Also bouncing back at Monet are his peers' struggles, the artistic establishment's dismissal of impressionism, and art's relationship to war and women. So abundant are these reflections, in fact, that Carmel Owen's ambitious book at times becomes a house of mirrors – enticing but with a distractingly split focus.There are certainly strengths, though, not least Libby Todd's set: a floor-to-ceiling jumble of empty canvases, which fill with huge impressionist paintings, vivid washes of coloured light and animated backdrops rendered in flickering brushstrokes. It's an invitation to step inside the artistic movement that favoured feeling over realism.Director Christian Durham has an accomplished cast on his hands. Shankley brings moving introspection (and a brilliant turn as a sniffy Paris salon clerk), while Bazarian and John-Wilson deliver standout singing on a stage full of mighty voices. Their connection, however, is outshone by those between young Monet and his fellow impressionist upstarts Bazille (a lovable Ritesh Manugula) and Renoir (a breezy Sam Peggs), whose moments together are the show's strongest. They fizz with the impatience of young rebellion, and their bickering, which provides much-needed moments of gentle humour, gives way to genuine devotion.An excellent eight-piece orchestra takes on Owen's songs, which lead us aptly through the story's tonal beats – lush strings for young love; jaunty woodwind for bantering artists. But none are distinctive enough to reach the heights of "hum it all the way home".Like Monet's, this musical's ambition sometimes comes at a cost, but it still lands in a place of beauty and deep feeling.

Coco Gauff has reached the Miami Open final for the first time in her career with a convincing 6-1, 6-1 victory over Karolina Muchova. Despite Muchova's recent form, which included winning her first WTA 1000 title in Doha last month, Gauff's dominant performance was too much for her opponent.Gauff, only 22 years old, showcased her immense defensive skills, tracking down every ball and mixing up the pace and trajectory of her shots. This strategy left Muchova, known for her volleying skills, struggling to find her rhythm. Muchova's 0-5 record against Gauff continued, with Gauff taking full advantage of being on the winning side of this lopsided matchup.Earlier in the week, Gauff had expressed uncertainty about competing in Miami due to an arm injury. However, she opted to play and has since drawn on her mental strength to navigate through four three-set matches. Her recent wins against Belinda Bencic and Muchova have been particularly impressive, considering her remodelled serve and poor form this year.Gauff's next challenge will be to lift the trophy in the final on Saturday against the winner of the match between Aryna Sabalenka and Elena Rybakina, two of the best players in the world.

Gio Reyna has expressed his gratitude and determination to repay Mauricio Pochettino's faith in him as the US national team prepares for friendlies against Belgium and Portugal. Reyna's call-up to the team may have come as a surprise to some, given his limited playing time at Borussia Mönchengladbach this season, with only 13 appearances and 26 minutes played since January. Reyna has faced challenges with injuries and attitude concerns, including a perceived lack of effort in training during the 2022 World Cup in Qatar. However, Pochettino seems to be making an exception for Reyna, who impressed in the USMNT's November friendlies against Paraguay and Uruguay. Reyna contributed a goal and an assist in those matches, showcasing his talent and potential. “We really know he's a very talented and very special player,” Pochettino said. “To give the possibility, even if he's not playing too much in his club, it can be very useful for us.” Reyna praised Pochettino, saying they have a great relationship and that the coach keeps the team's energy and vibes positive. With the World Cup approaching, Reyna's spot on Pochettino's 26-man roster appears secure. However, his playing time remains uncertain, as he competes with Malik Tillman and Diego Luna for a spot in the lineup. Despite this, Reyna exuded positivity, saying he feels confident and appreciated by the staff, who encourage him to enjoy his game and play with freedom.

Brendan Gleeson has been named best actor at the Critics' Circle theatre awards for his West End debut in Conor McPherson's pub drama The Weir. He beat fellow nominees including Bryan Cranston and Paapa Essiedu, both recognised for All My Sons, and James Hameed and Arti Shah, the duo who together portray Paddington in the new musical about Michael Bond's bear.The Weir, directed by McPherson, was entirely omitted from the nominations for this year's Olivier awards and is being turned into a film with Gleeson and the rest of the West End cast.All My Sons, a critically adored production of Arthur Miller's 1946 classic at Wyndham's theatre, won in two categories at the Critics' Circle awards: best revival of a play or musical and best director for Ivo van Hove. A new production of Stephen Sondheim and James Lapine's Into the Woods, directed by Jordan Fein at the Bridge theatre, also won two prizes – best designer (Tom Scutt) and the inaugural award for best ensemble or cast.The winners, voted for by professional theatre critics, were revealed at a ceremony at the National Theatre in London on Thursday. Paddington: The Musical, with music and lyrics by Tom Fletcher and book by Jessica Swale, won best new musical. James Graham's Punch, based on the real story of a fatal blow, received the Michael Billington award for best new play (named in 2019 in honour of the Guardian's theatre critic after he stepped down from reviewing). Ava Pickett won most promising playwright for her Tudor drama 1536, which was staged at the Almeida theatre in London in 2025, transfers to the West End in May and is being turned into a BBC drama series.Rosamund Pike saw off competition from Kate Fleetwood (Into the Woods), Marianne Jean-Baptiste (All My Sons) and Rachel Zegler (Evita) to win best actress for her acclaimed performance as a judge in Suzie Miller's Inter Alia. Ruby Ashbourne Serkis was named most promising newcomer for her performance in a revival of Tom Stoppard's Indian Ink which opened at Hampstead theatre days after the revered playwright's death. The award for best Shakespearean performance went to Hayley Atwell for her Beatrice (alongside Tom Hiddleston, nominated for the same prize, as Benedick) in Much Ado About Nothing at Theatre Royal Drury Lane.

Legendary quarterback Tom Brady has disclosed that he explored the possibility of returning to the NFL as a player, but the league was not keen on the idea. In a recent interview with CNBC Sport, Brady revealed that he had inquired about a potential comeback, but the league's response was lukewarm.Brady's last NFL game was in January 2023, when his team, the Tampa Bay Buccaneers, lost to the Dallas Cowboys. Since then, he has transitioned into a new role as a minority owner of the Las Vegas Raiders and a television analyst for Fox. A spokesperson for the league noted that if Brady were to return to playing, he would need to divest his stake in the Raiders.“I actually have inquired [about a return to playing], and [the NFL] don’t like that idea very much,” Brady said. “We explored a lot of different things, and I’m very happily retired. Let me just say that, too.”Despite his interest in a potential comeback, Brady emphasized that he is content with his decision to retire. He recently participated in a televised flag football game, where he threw a touchdown pass to receiver Stefon Diggs and appeared to be in good football shape. However, Brady insisted that the game only reconfirmed his happiness with his retirement.As a minority owner of the Raiders, Brady described his role as having no formal job description. He expressed his enthusiasm for contributing to the team's success and bringing a winning culture to Las Vegas.Brady's commitment to winning is legendary, and his achievements in the NFL are unparalleled. He holds the record for most Super Bowl wins (7), career passing touchdowns (649), and passing yards (89,214).

Retailer Next has reported a £1.16bn pre-tax profit for the full year, with the Middle East conflict expected to add only £15m to fuel and air freight costs. This amount, which assumes a three-month disruption, is considered minimal and can be offset by savings elsewhere.Chief Executive Simon Wolfson added £8m to this year's profit forecast as a mechanical read-through from last year's outcome, indicating that trading had been “encouraging” in the UK and “strong” overseas until late February.The main concern for Next is the potential long-term impact of the conflict on supply chain resilience, freight rates, factory gate prices, and consumer demand. Wolfson emphasized that the company has no insight into the duration and implications of the conflict, stating, “As yet, we have no feel for the medium-term effects”.If higher costs persist, Next may put up prices, but this remains “a contingency, not a plan”. The company will provide a clearer view in its first-quarter update in May.Wolfson also offered nuanced insights, suggesting that consumer confidence may not have collapsed as much as some, like the British Retail Consortium, have claimed. He noted that UK consumers tend to react to actual higher prices, not the threat of them.Additionally, Next's spring-summer ranges are already in stores, online, and warehouses, minimizing the immediate need for adjustments. Any increases in fabric costs or production disruptions in Asian factories would mostly affect autumn-winter ranges.The stock market responded positively, with Next's shares rising 5% to £125.40. This resilience could indicate potential for a profit upgrade in May if the £15m in extra costs turns out to be the worst of it.However, no retailer will be immune if the energy price shock persists and the OECD's prediction of UK economic growth of just 0.7% this year materializes.