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The Lead Belarus and Russia have launched joint training exercises on nuclear weapons combat, the Belarusian Ministry of Defence announced on Monday. The exercise is a planned event and not directed at any specific third party, according to a statement quoted by the Interfax news agency. Joint Nuclear Drills The purpose of the exercise is to test readiness and carry out combat missions from unprepared areas throughout the country, the statement added. The drills come as Ukraine and its NATO allies have expressed concerns over a potential Russian attack from Belarus. Ukraine's Concerns and Response Ukraine has repeatedly accused Moscow of planning to launch a new attack from Belarus, either on its territory or one of its NATO allies, such as neighbouring Baltic states. The Ukrainian Ministry of Foreign Affairs condemned the move, saying it legitimizes the proliferation of nuclear weapons worldwide and sets a dangerous precedent for other authoritarian regimes. Ukraine has urged its Western allies to tighten sanctions against Moscow and Minsk. Kyiv has warned Belarus against allowing itself to be drawn into Russia's war. Russian and Belarusian Relations Russian tactical nuclear weapons were stationed in Belarus after long-time ruler President Alexander Lukashenko requested their deployment. Belarus and its weak economy are heavily dependent on Moscow. Lukashenko has previously expressed hope that the warheads will provide greater security during the perceived threat from NATO. The Impact Analysis The joint exercises have been met with concern from Ukraine and its NATO allies, who fear that Russia may be planning to launch a new attack from Belarus. The move has also been seen as an attempt to inflame tensions in the region. The Prediction The situation is likely to remain tense in the region, with Ukraine and its NATO allies closely monitoring the situation. The international community may need to take further action to prevent a potential escalation of the conflict.

The Controversial Campaign The chief executive of Starbucks in South Korea has been fired after the company ran a promotional event using slogans that evoked a massacre of pro-democracy protesters during the country’s dictatorship era, sparking outrage and boycott calls. The Gwangju Uprising Reference The coffee chain launched a “Tank Day” campaign on 18 May for its “Tank” tumbler series. The date coincides with one of the most politically sensitive days in South Korea’s calendar, when citizens commemorate the 1980 democratisation movement in Gwangju, 167 miles (270km) south-west of Seoul. The online campaign paired the date “5/18” with the slogan “Tank Day”, evoking the armoured vehicles used by the military regime to crush the uprising. The Historical Context The Gwangju Uprising began on 18 May 1980 when paratroopers were deployed to crush student-led protests against martial law imposed by the military strongman Chun Doo-hwan. Over the following 10 days, troops used bayonets, batons and live ammunition against civilians. Victims’ groups estimate that hundreds were killed. The Backlash and Aftermath The Starbucks promotion also featured the phrase “thwack on the desk”, which echoed the dictatorship’s infamous 1987 cover-up of the torture death of the student activist Park Jong-chul. Authorities initially claimed that an officer “hit the desk with a thwack”, causing him to collapse and die, a lie that became shorthand for regime brutality when the torture was exposed, helping spark the nationwide protests that forced the regime to accept direct presidential elections. The CEO's Fate and Future Implications The Shinsegae Group chair, Chung Yong-jin, whose hypermarket Emart subsidiary owns a majority of the company operating Starbucks Korea under licence, fired CEO Son Jung-hyun and ordered the dismissal of the executive who oversaw the campaign, according to the Yonhap news agency. President Lee Jae Myung, who had attended the Gwangju memorial that day, condemned the campaign, saying he was “outraged” by the behaviour of “low-class peddlers” – and said those responsible for the promotion must be held accountable.

Donald Trump has formally withdrawn his $10 billion lawsuit against the Internal Revenue Service and the Department of Justice announced a $1.77 billion Anti‑Weaponisation Fund that would compensate political allies who say they were subjected to "weaponisation" and "lawfare".Withdrawal of the $10bn IRS Lawsuit and Creation of the Anti‑Weaponisation FundFiled in a Florida federal court on May 18, 2026; terms of any settlement were not disclosed.The DOJ’s press release frames the fund as a systematic process to hear and redress claims of weaponisation.The lawsuit originated from former IRS contractor Charles Littlejohn's 2019‑2020 leak of Trump’s tax returns.Littlejohn pleaded guilty to improper disclosures and received a five‑year prison sentence in 2023.Financial Scope: $1.77bn Fund and $10bn Claim FiguresOriginal claim: $10 billion damages against the IRS.Proposed compensation pool: $1.77 billion (often rounded to $1.8 billion in commentary).Potential beneficiaries have not been publicly identified.Political Ramifications and Legal ControversyRep. Jamie Raskin (D‑MD) called the fund "unconstitutional" and likened it to a pardon.California Governor Gavin Newsom and Rep. Pramila Jayapal condemned the use of taxpayer money for allies.Watchdog group Citizens for Responsibility and Ethics (CREW) announced an investigation into fund allocation.The filing raises questions about whether a president can sue his own government and whether the case can be dismissed for lack of an adversarial party.Future Outlook: Legal Challenges and Potential Use of the FundU.S. District Judge Kathleen Williams scheduled a hearing for May 27, 2026 to decide if the suit should be dismissed.If dismissed, the fund could be implemented without further judicial oversight, pending DOJ guidelines.Potential constitutional challenges may focus on the Domestic Emoluments Clause and separation of powers.Continued scrutiny from Congress, media, and ethics watchdogs is expected as details of fund distribution emerge.

The LeadMemorial Day is a holiday to honor US military personnel fallen in the line of duty, but it's also a prime opportunity for savvy shoppers to get discounts on summer upgrades.Top Deals of the DayFrom rugged Bluetooth speakers for beach trips to a slushie drink maker, here are the best Memorial Day deals on items Filter staff have personally tested and recommend.Levoit Tower Fan$54.96 at Amazon (originally $74.99)27% off its lowest price of the yearThis ultra-quiet bedroom fan sends a precise beam of air in your direction. "It's good-looking, and I liked the space in the back to stow the remote control. There's a 12-hour timer and a sleep mode too," says contributor Caramel Quin.Beats Powerbeats Fit Earbuds$169.99 at Amazon (originally $199.99)These earbuds are perfect for fitness enthusiasts and music lovers alike.

The Backlash Against Eric Schmidt's AI Remarks Former Google CEO Eric Schmidt faced a hostile reception from students at a University of Arizona commencement address on Sunday, May 18, 2026. Schmidt, who led Google for over a decade and acquired a multi-billion dollar fortune, spoke to around 10,000 graduating students about the impact of modern technology on society. Schmidt's Words on AI and Its Effects Schmidt discussed the evolution of technology, from laptops to smartphones, the internet, and social media. He noted that while these tools were meant to connect people and add to human knowledge, they have also led to isolation and degradation of the public square. Schmidt acknowledged that AI has unsettled young people, saying "That was not the plan, but it happened." He recognized that students are fearful that AI threatens to deprive them of a future, saying "There is a fear in your generation that the future has already been written, that the machines are coming, that the jobs are evaporating, that the climate is breaking, that politics are fractured, and that you are inheriting a mess that you did not create." The Data Analysis: Student Anxiety and AI A Pew Research Center study found that about half of Americans feel "more concerned than excited" about the increased prevalence of AI in their daily lives. This anxiety may be more pronounced in areas where technology can easily replicate information technology work, reshaping the workforce. The Impact Analysis: Polarization and Job Market Fears Schmidt's remarks struck a nerve with the students, who shouted and jeered when he discussed AI's potential to deprive them of a future. This reaction comes amid growing concerns about AI's impact on the job market and society as a whole. The Prediction: Shaping the Future of AI Schmidt encouraged students to adapt and shape how AI will be used in the future, rather than letting it shape them. He emphasized that the question is not whether AI will shape the world, but whether students will have shaped AI. In contrast, Jensen Huang, Nvidia's CEO, recently told graduates at Carnegie Mellon University that there's no better time to "begin your life's work" than now, arguing that AI will be a net positive for humanity and create new opportunities for young people.

The LeadAbstract expressionist painter Mark Rothko is experiencing an unexpected cultural renaissance among Gen Z, as his color-field paintings find new life on social media platforms like TikTok and Instagram. This generational embrace of an artist once criticized as inaccessible is reshaping how younger audiences engage with abstract art.The Digital Art RevolutionAcross TikTok and Instagram, videos centered on Rothko's work are accumulating hundreds of thousands of views. Young creators have begun styling outfits inspired by individual Rothko canvases, assigning his works to personality archetypes, and comparing his atmospheric palettes to the dream pop band Cocteau Twins. One TikTok creator captured the sentiment perfectly: "Date idea: me, Rothko, and nobody saying 'I could have done these.'" This digital engagement represents a significant shift in how art is consumed and interpreted by younger generations.The Cultural Psychology Behind the AppealThe question of why Rothko resonates so profoundly with Gen Z audiences may lie in the contemporary experience of relentless visual stimuli and unsteady world events. Rothko's paintings, even when viewed on a social feed, function as a form of aesthetic refuge from the bombardment of overstimulating content. His meditative swathes of color and discovery of depth in simplicity provide an antidote to digital overload, offering a space for contemplation in an increasingly chaotic world.The Physical Experience of RothkoIn Houston, Texas, the Rothko Chapel stands as a testament to the immersive power of Rothko's work. Commissioned in 1964, this windowless octagonal space houses 14 large-scale paintings that softly force presence and elicit deep reactions. According to the Chapel's visitor engagement specialist, Carolyn King, "when we're left with nothing, we're able to sit with mystery, to sit with confusion and discomfort; we're able to allow ourselves to be provoked by the sublime." King has observed that while some visitors walk right in and leave, "not ready for the confrontation," many young people arrive with curiosity and openness to both interrogate the work and themselves.The Digital vs. Physical DebateRothko once famously said: "a painting is not a picture of an experience; it is an experience." This raises questions about how his works are being introduced to audiences through digital mediums, which lack the subtle textures, layers of color, and precise brushstrokes from which emotion can be derived in person. Natalia Sidlina, curator of international art at Tate Modern, believes the proliferation of art across digital platforms is ultimately positive for cultural engagement, especially when it provokes people to visit works in person. She suggests Rothko would have approved of this approach, as he rarely commented on his works or told people what they were supposed to see or feel.The Future of Rothko's LegacyConcurrently with the online hype, Rothko's works are being exhibited across three cultural sites in Florence: Biblioteca Medicea Laurenziana, Palazzo Strozzi, and Museo di San Marco. The latter presents Rothko's paintings alongside those of early Renaissance master Fra Angelico in an anachronistic dialogue curated by Rothko's son, Christopher. The social media boom is undoubtedly contributing to these exhibitions' success, with videos documenting the displays already garnering huge viewer figures. There is both irony and beauty in this contemporary revival: an artist once criticized as inaccessible and shallow has found perhaps his deepest resonance with a generation far from his own.

The Royal Endorsement Ezri Konsa has spoken about the surreal experience of receiving support from Prince William, who referred to him as a 'Rolls-Royce' and has been showing 'unreal support' to Aston Villa. Konsa's Encounter with Prince William Konsa revealed that Prince William's praise is the greatest compliment of his career, saying: 'Definitely not ... he called me a Rolls-Royce once, so I’ll take that. That got stuck in my head. I’ll take that all day. It was really nice.' The Impact of Royal Support Konsa emphasized the significance of Prince William's support for Aston Villa, stating: 'It’s massive and to have his support is brilliant for the club and the players as well. Some of the players from different countries didn’t know who he was beforehand, so for them to learn about him and know who he is, is big.' Prince William's Attendance at Villa Matches Prince William was present in the Villa Park directors’ box for Villa’s 4-0 victory over Nottingham Forest, which secured their place in the Europa League final. He is also expected to attend the Europa League final against Freiburg in Istanbul. The Future Outlook As Aston Villa prepares for the Europa League final, Konsa expressed his hope that Prince William will continue to show his support, saying: 'Yeah, hopefully he will be there on Wednesday as well.'

The Historic Victory Bulgarians have rejoiced in their country's first victory at the Eurovision song contest as fans welcomed home the singer whose party anthem Bangaranga proved an unexpected breakthrough hit. "Dara is yet more proof that Bulgaria can win," declared the new prime minister, Rumen Radev, of Darina Nikolaeva Yotova, known simply as Dara. He hailed "a young artist who, thanks to her talent and professionalism, has managed to rise above all the complexities and prejudices surrounding the [Eurovision] voting process". The Competition Landscape The final, which took place in Vienna on Saturday night, was boycotted by Ireland, Spain, the Netherlands, Slovenia and Iceland over Israel's participation. Outside the venue, hundreds of pro-Palestinian demonstrators had marched past chanting "boycott Eurovision". In the event, Israel's entry, Michelle, sung by Noam Bettan, came second on 343 points; while Dara's Bangaranga scored 516 points. The United Kingdom, once again, performed poorly, with its entry, Ein, Zwei, Drei by Look Mum No Computer AKA musician Sam Battle, finishing 25th (last) with a tally of just 1 point. A Nation's Unified Celebration The surprise Bulgarian success was met with delight in the south-eastern European country, where Dara, 27, was toasted by the foreign minister as the country's greatest young ambassador and proof that "talent, courage and hard work" can pay off. Ina Dobreva, Dara's former acting teacher in her home town of Varna, said she was delighted for her old student and that she fully deserved her victory. The win, she added, was a much-needed ray of hope at a turbulent time in the country. Bulgaria's Political Context "Bulgarians really needed to have a moment like this where we can gather around common happiness," Dobreva said. Bulgaria, an EU member state, has undergone years of political instability, recently holding its eighth election in five years. "I didn't expect Bulgaria to win, so it was quite nice to see that for the first time, we actually managed to do it," said Kristina Dureva, 25, a recruitment specialist from Sofia. International Recognition Ilayda Kayalar, 21, an interior design student also from the capital, said that winning the Eurovision cemented Bulgaria's EU integration while helping to bolster the country's popularity on the international scene. "I'm really happy today," said Kayalar. "Winning [the Eurovision] means that Bulgaria is finally known for something." The Road to 2027 Dara said that in a turbulent world Bangaranga represented "a quiet belief that everything's going to be all right". She told a press conference: "Nobody believed that we can win and that Bangaranga can win, and having this love from all the juries and all the audience tonight. It feels like a dream. I don't know if I am sleeping or is it reality?" Bulgaria is already turning its mind to 2027, according to the general director of BNT, the public broadcaster. Both the mayor of Sofia and Burgas, a port city on the Black Sea, are reported to be lobbying for their city to host next year's edition. A Triumphant Welcome Home Dara made a triumphant arrival in Sofia on Sunday evening, with Vasil Terziev, the mayor of Sofia, saying: "She will be greeted with a red carpet."

The Personal Connection to Stardust For Claire Danes and her family, Stardust has transcended its status as a simple film to become something of a cure-all. In a personal essay, Danes reveals how the movie has treated everything from bad days at work to an overdose of adult cynicism. Our Sunday nights followed a certain ritual, she recalls, with her and her two siblings sitting on the sofa, ignoring that school was on the next day, and watching their battered DVD copy of Stardust. The Film's Magic: Unashamedly Cheesy Stardust, adapted from a Neil Gaiman novel, works as a feelgood movie precisely because it's so unashamedly cheesy. The film tells the story of Tristan Thorn (Charlie Cox), a young man living in a quaintly twee version of England who sets out on a quest to retrieve a fallen star. Things take an unexpected turn when the star turns out to be Yvaine (Claire Danes), a person being hunted by three witches who want to eat her heart. The resulting adventure is big, romantic, and complete with a sweeping soundtrack as the pair travels across the mythical continent of Stormhold, eventually falling in love. Despite not making significant waves upon its 2007 release, the film found a special place in Danes's unapologetically nerdy household, where magic was the air they breathed. The Cultural Impact: A Modern Fantasy Classic Spiritually, Stardust feels like a successor to the 1987 classic The Princess Bride, though with Claire Danes's character given slightly more to do than Buttercup. The film's appeal extends beyond its fantasy elements—Danes highlights Michelle Pfeiffer's enthusiastic scenery-chewing as the lead witch Lamia, which goes beyond terrifying into pure camp. The entire film is an exercise in camp, featuring excessive world-building, magical inns, human stars, pirates harvesting lightning on sky ships, and sly jokes hinting at even more backstory. The cast reads like a who's who of big names: Claire Danes, Rupert Everett, Mark Strong, Michelle Pfeiffer, Sienna Miller, Ian McKellen, Robert De Niro as a tutu-wearing pirate, and a young Henry Cavill. The Lasting Appeal: Flaws and All Does Stardust stand up to a rewatch? Some elements have aged badly, Danes admits. The modern feminist perspective might balk at Tristan having to save Yvaine in the final act, or at Lamia being evil because she's terrified of aging. The entire film is also fearsomely naff—something that definitely didn't come from Gaiman's book. Yet that's part of its charm. When Danes revisited Gaiman's novel after university, she found it lacking the whimsy and breathless adventure that made the film such a delight. Where Gaiman's prose comes across as dry and detached, Stardust the movie is openhearted and warm—a story where good guys win and baddies get what's coming to them. The Comfort in Fantasy: An Antidote to Stress In a world that feels increasingly fractious and scary, Stardust offers comfort. Like a warm bath, it's an antidote to all things stressful. Danes concludes that the film's ability to provide this escape is what makes it special, transcending its flaws to become a beloved family tradition that continues to bring joy. Stardust is available on Peacock and Hoopla in the US, to rent digitally in the UK and on 10 in Australia