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The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

The Allure of the Enhanced Games The Enhanced Games, dubbed the 'Steroid Olympics,' is a new and highly contentious sports event set to take place in Las Vegas. The competition allows athletes to use banned performance-enhancing drugs, such as anabolic steroids, testosterone, and human growth hormone. In return, participants can earn substantial rewards, with some athletes potentially walking away with millions of dollars. Athletes Weighing the Risks Ukrainian swimmer Andriy Govorov, the 50m butterfly world record-holder, is one of the athletes competing in the Enhanced Games. He reveals that he was anxious about taking banned drugs for the first time, but the potential financial reward was too enticing to ignore. Govorov could earn around $1m if he performs well. The Financial Incentives The financial incentives for participating in the Enhanced Games are significant. Britain's Ben Proud, a silver medalist in the 50m freestyle swimming at the Paris Games, is reportedly on a mid-six-figure salary with Enhanced. If he wins the 50m and 100m freestyle and swims faster than the current world records, he could earn an additional $2.5m. The Health Risks However, the use of banned performance-enhancing drugs comes with serious health risks. The World Anti-Doping Agency (WADA) warns that these substances can lead to long-term side effects, including hypertension, heart attack, and blood clots. Despite these risks, Christian Angermayer, co-founder of the Enhanced Games, believes that the benefits outweigh the costs when used under strict medical supervision. The Future of Sports? The Enhanced Games represent a new and uncertain frontier in sports. While some see it as a threat to traditional athletics, others view it as an opportunity for athletes to take control of their own bodies and careers. As the event approaches, the world will be watching to see how it unfolds and what the consequences will be for the athletes involved.

The Lead Thomas Tuchel has made Ivan Toney the wildcard selection for England's World Cup squad after holding 'clear-the-air' talks with him over his attitude. The England head coach also considered how Harry Kane likes to play alongside Toney before making the Al-Ahli striker the most eye-catching inclusion of his 26-man party for the tournament. Tuchel's Squad Announcement Tuchel's squad announcement at Wembley was dominated by the players he overlooked – chiefly Cole Palmer, Phil Foden, and Harry Maguire. Tuchel said Palmer had 'just failed' to produce consistently this season, while he admitted he no longer knew Foden's best position. The Data Analysis Toney has come in from the cold, having been involved in only one camp under Tuchel – in June of last year for the matches against Andorra and Senegal. Toney's involvement was limited to two minutes of the latter game and he did nothing to impress Tuchel with his application. The Impact Analysis Tuchel was plainly annoyed at how Maguire reacted to being told of his exclusion. The central defender took to social media to declare himself 'shocked and gutted'. Tuchel said Maguire's words were a 'surprise' and 'not necessary'. The Prediction Tuchel has overlooked Luke Shaw, Trent Alexander-Arnold, and Adam Wharton. The manager said that a factor in Wharton's omission was the ability of Reece James and John Stones to play as a deep midfielder. The squad's Arsenal contingent – Declan Rice, Bukayo Saka, Noni Madueke, and Eberechi Eze – will join up a little later for the World Cup acclimatisation camp in Florida.

England's Privacy Concerns at World Cup Base The Football Association is taking extraordinary measures to protect England's World Cup training ground in Kansas City from potential spying by rival teams, following the recent "spygate" scandal that rocked English football. The FA plans to erect protective fences around their facility at Swope Soccer Village to ensure team strategies remain confidential during the tournament. The Spygate Fallout and Security Response The English game is still reeling from the spygate scandal, which led to Southampton being expelled from Saturday's Championship playoff final for illegally surveilling their opponents' training sessions. This has prompted the FA to be extra vigilant when England arrives at their World Cup base on June 13. Their first choice of training ground, Sporting Kansas City's performance center, was secured by Argentina, forcing England to use the more exposed Swope Soccer Village, which is home to Sporting Kansas City's academy teams. Strategic Implications for England's World Cup Campaign The privacy concerns carry significant strategic implications for England's World Cup preparations. The team will fly in and out of Kansas City for all matches, starting with their opener against Croatia in Dallas on June 17. The FA is adding an outdoor gym and players' lounge to the facility, but the open nature of the training ground presents challenges. Manager Thomas Tuchel acknowledged these concerns, using a telling gesture of drawing back an imaginary bow to indicate they'll take protective measures "as good as possible and not in a crazy way." Competitive Advantage at Stake The importance of privacy in training sessions cannot be overstated, particularly the day before matches when teams finalize strategies, set pieces, and penalty routines. Tuchel emphasized that maintaining confidentiality provides a "crucial advantage" over opponents. The spygate scandal has highlighted how competitive advantages can be gained through unethical means, making England's security measures not just about preparation but about preserving the integrity of the competition itself. Future Outlook for Tournament Security England's response to the privacy concerns may set a precedent for how other teams approach security at future tournaments. As sports become increasingly competitive and the lines between gamesmanship and cheating blur, we can expect to see more teams implementing similar protective measures. The FA's proactive approach demonstrates their commitment to ensuring England's preparation remains uncompromised, though it also reflects the unfortunate reality that teams must now guard against espionage as part of their tournament strategy.

The Legacy of 'Nipplegate': A New Play Exposes Industry Double StandardsThe stage production 'Nine Sixteenths' offers a critical examination of the 2004 'Nipplegate' scandal, highlighting the racial and gender biases that defined the aftermath. By juxtaposing Janet Jackson's career devastation with Justin Timberlake's continued success, the play exposes systemic inequalities within the music and media industries.Revisiting the 2004 Super Bowl IncidentThe play centers on the infamous halftime show where Justin Timberlake ripped part of Janet Jackson's bodice, briefly exposing her right breast. This 'wardrobe malfunction' lasted just nine sixteenths of a second but was broadcast to over 140 million viewers. The production, inspired by a 2019 Glastonbury performance, uses kinetic multimedia, lip-syncing, and puppetry to reconstruct the moment and its immediate fallout.The Disparity in Fallout: A Comparative AnalysisJanet Jackson: Faced immediate blacklisting from the music industry and sustained ridicule, including on The David Letterman Show.Justin Timberlake: Continued to thrive, eventually being invited back to the Super Bowl halftime show in 2018 with open arms.The play illustrates a stark contrast in how the industry treats Black women versus white men when facing similar public scrutiny.Systemic Bias in Media and EntertainmentBeyond the historical event, the production serves as a loud and proud love letter to Jackson. It uses voiceovers to draw parallels between the 'Nipplegate' era and modern examples of abuse, including the treatment of Meghan Markle and the racist abuse directed at Francesca Amewudah-Rivers when cast opposite Tom Holland.Why 'Nine Sixteenths' Matters in 2026Directed by Emily Aboud, the show concludes with a third act that broadens its critique to societal fears and industry pressures. It argues that the 'Nipplegate' scandal was not an isolated incident but a symptom of a larger, enduring pattern of discrimination against Black women in the entertainment sector.

Executive Summary of the Podcast EpisodeThe Guardian’s latest podcast follows hunters who argue that shooting big game can help preserve Africa’s wildlife, sparking a nuanced discussion on conservation strategies.Episode Focus and How to Access ItListen or read: Read the text version hereSupport the Guardian: theguardian.com/longreadpodRelated Publication Highlighted in the EpisodeThe episode references Adapted from The Savage Landscape: How We Made the Wilderness by Cal Flyn, published by William Collins on 7 May. The book can be ordered via guardianbookshop.com.Visual Context ProvidedPhotograph: ReutersWhy This Conversation MattersThe podcast adds to ongoing debates about the role of regulated hunting in wildlife management, offering perspectives from those directly involved in the practice.Looking AheadFuture episodes and related reporting are expected to continue exploring the complex balance between hunting, conservation funding, and ecosystem health across Africa.

The Play's Concept Imagine if One Day was set in Long Eaton. Now, take its sweeping, time-spanning love story, but make it platonic, and about two theatre-obsessed best mates. That’s the foundation for Jane Upton’s luminous, heart-exploding play, which catches Jess and Billy in a series of snapshots across their friendship. The Story Unfolds Beginning in the early 90s, during their school days, and then moving through their 20s, 30s and into their mid-40s, the play threads together teenage crushes, career decisions, breakups, marriages, births and children. Jess (Katie Redford) is an oversharer while Billy (Benedict Salter) has secrets. Their early years together pass through play rehearsals, parties, personal revelations and betrayals, but even in their lowest moments, the two are always pulled back to each other’s side. The Evolution of Friendship As their lives move in different directions, with Billy heading to London for drama school and later building a career as a high-flying agent, and Jess staying at home in a “suburban bubble” before eventually tiptoeing her way back into the creative scene as a playwright, they turn their noses up at the other’s choices. Still, in times of turmoil, they can’t help but pick up the phone or race across the country just to be there for their old friend. Their dialogue accurately captures people who know each other’s lives inside out. The Production Directed by Hannah Stone, the production shows friendship as something defining. Redford and Salter make their characters people we want to stay with across the decades. In fact, time here slips through our fingers. One moment they’re 15 in 1995, and Jess is getting advice from More! magazine; the next it is 2022, and a 42-year-old Billy is considering surrogacy for his next child. Abby Clarke’s design evokes nostalgia, with the back wall composed of white, Polaroid-inspired squares that shift from photographic outlines to mirrors. The Verdict With so much life to fit into 95 minutes, there are inevitable gaps in Billy and Jess’s stories. We could learn more about the structure of their families and the other relationships in their lives. But really, this is a play about the complicated, beautiful bond between two people. It leaves you desperate for more days with them. Where to Watch At Nottingham Playhouse until 12 June

The Historic Correction of UK Net MigrationLong-term net migration to the United Kingdom has experienced a drastic correction, plummeting to 171,000 in 2025. This reduction marks a significant shift away from the record highs seen in 2023, driven by a concerted effort by the government to tighten border controls and restore political stability.The Policy Pivot: From Liberalization to RestrictionThe sharp decline is not accidental but the result of a deliberate strategy implemented since 2024. The government has moved to ban most international students from bringing dependents and raised the salary thresholds for skilled worker visas. Furthermore, the single biggest driver of work migration, overseas recruitment for care workers, has been effectively ended.Interior Minister Shabana Mahmood has framed these measures as necessary steps to "restore order and control" to the borders. The current administration has signaled a willingness to go even further, with plans to speed up deportations and extend the qualifying period for settled status to 10 years.A Historic Decline in NumbersRecord Low: Net migration fell to 171,000 in the 12 months to December 2025.Sharp Drop: This represents a 48% decrease from 331,000 in the previous year.Reversal of Trend: The figure is now close to pre-Brexit and pre-COVID levels.Peak Comparison: It is an 82% drop from the record peak of 944,000 in 2023.Political Calculus and Labor Market RisksThe government's move is a direct response to the rising popularity of the populist Reform UK party, which is currently leading in opinion polls. By framing immigration as a threat to national order, the Labour government aims to neutralize a key electoral threat.However, this hardline approach comes with economic and social costs. Employers in the care and hospitality sectors are already sounding alarms about potential labor shortages. Additionally, the political environment is becoming increasingly polarized, evidenced by far-right protests and the distribution of hate flyers, highlighting the social friction caused by these policies.The Future of Border ControlMinister Mahmood has emphasized that the work is not yet done, signaling that the government intends to maintain this restrictive trajectory. With plans to make refugee status temporary and double the qualifying period for settlement, the UK is likely to see a prolonged period of tight immigration controls. The success of this strategy will depend on whether the government can balance the need for border security with the economic reality of an aging workforce.

The Olympic LegacyAsh Moloney briefly became the face of Australian athletics after securing the country's first Olympic decathlon medal in dramatic circumstances at the Tokyo 2021 Games. The 26-year-old surged home in the 1500m, egged on by teammate Cedric Dubler, to claim bronze in a moment that inspired a nation. This achievement represented the pinnacle of his decade-long career in the grueling 10-discipline event.The TransitionAfter years of injury recovery, a new coaching relationship, and what he admits was sheer boredom with the decathlon, Moloney has made a bold and risky transformation. He has abandoned the event that brought him glory to pursue a new career in the 400m hurdles. "It's just fun, it's a completely different challenge," Moloney explains of his switch. "I've been ambidextrous my whole life, I can sprint hurdle on both legs. It almost just seemed like why not? Why not give it a try? Get that question out of my head."The Performance DataMoloney's rapid improvement in his new event is remarkable. Since his first competitive 400m hurdles in February, when he finished in 57 seconds, he has consistently lowered his times. Two weeks later in Hobart he ran sub-53s, before recording two times under 52s before nationals in April. At the national championships, he ran under 50 seconds for the first time, finishing third in the final. "I believe I can make Comm Games," Moloney says. "I believe I can go 48 [seconds]."The Impact on Australian AthleticsMoloney's transition comes at a significant moment for Australian athletics. Before the emergence of new generation athletes like Gout Gout and Lachie Kennedy leading Australia's charge towards Brisbane 2032, Moloney represented the future of the sport. His move to hurdles adds depth to Australia's middle-distance and hurdles program, complementing the emergence of sprint stars like Lachie Kennedy, who is now also his coach.The Relationship EvolutionThe decathlon teammates' relationship was tested in the aftermath of Tokyo, with Moloney previously suggesting that the public's interest in Dubler's contribution sometimes overshadowed his own achievement. While Moloney offers only a "no comment" when asked to elaborate on their current relationship, Dubler maintains there's no bad blood. "It's just a change of situation, a change of coaches and perspective," Dubler explains. The two athletes have chosen different paths since the Games, with Dubler continuing to compete in decathlon while targeting his own Commonwealth Games selection.The Future OutlookWith Moloney and Dubler now competing in different events, Australian athletics stands to benefit from their specialized focus. Moloney's renewed enthusiasm for his new event, freed from the physical toll of ten disciplines, has given him a fresh perspective on competition. "Honestly, I was bored with decathlon, I just wanted a new challenge," he admits. As he prepares for the Oceania championship showdown in Darwin and potentially the Commonwealth Games, the former Olympic bronze medalist is proving that reinvention can be as rewarding as achieving initial success.