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Rooney’s Decision to Publish with a BDS‑Compliant Israeli House Sally Rooney announced that her latest novel Intermezzo will be translated into Hebrew by November Books, an independent Israeli publisher that meets the Boycott, Divestment and Sanctions (BDS) movement’s exemption criteria. The publisher does not operate in Israeli settlements, receives no state funding, and publicly recognises Palestinian rights. Key Facts and Timeline 2024 – Intermezzo becomes Rooney’s bestselling novel. 2021 – Rooney turned down a Hebrew translation offer for Beautiful World, Where Are You to support the BDS movement. May 19, 2026 – Announcement that the Hebrew edition will be released by November Books in partnership with +972 Magazine and Local Call. 2025‑2026 – Over 7,000 authors and advocacy groups have signed onto the cultural boycott of Israeli publishers. Financial and Market Numbers Behind the Deal Rooney’s four novels have been translated into dozens of languages, generating significant global sales. While exact revenue figures for the Hebrew edition are undisclosed, the following data illustrate the scale of her market impact: Four bestselling titles, each selling > 1 million copies worldwide. Translations in over 50 languages to date. The cultural boycott has rallied 2,000+ arts organisations, potentially shifting market share away from mainstream Israeli publishers. Implications for the Publishing Industry and Cultural Boycott Debate The partnership signals a growing willingness among high‑profile authors to align publishing choices with political convictions. It challenges the traditional dominance of established Israeli houses such as Modan, which previously handled Rooney’s Hebrew editions. Critics argue the move fuels accusations of antisemitism, while supporters view it as a principled stand against what they describe as Israeli apartheid. Looking Ahead: Potential Trajectories for BDS‑Influenced Publishing Analysts predict that if more authors follow Rooney’s example, BDS‑aligned publishers could carve out a niche market, prompting mainstream houses to reassess their policies regarding Israeli settlements and state funding. Conversely, heightened backlash from pro‑Israel groups may lead to legal challenges or increased pressure on retailers to limit distribution of such titles. The outcome will likely shape the broader cultural‑boycott landscape for years to come.

The Lead: A Joy‑Centred Call to ParliamentFrank Cottrell‑Boyce, the outgoing children’s laureate, told the House of Commons education committee that the nation’s reading crisis can only be solved by putting pleasure before learning. He warned that current policy debates “revert to attainment” and risk alienating children from books.The Evidence Before Parliament: Testimony on the Reading CrisisDuring his evidence session, Cottrell‑Boyce highlighted three core drivers of the decline:Screen saturation and digital distractionPost‑pandemic austerity and “furniture poverty” in emergency housingLimited early‑years support for parents and nursery staffHe argued that “the business of learning to read can put children off the pleasure of reading” and urged a cultural shift toward shared, joyful reading experiences.The Decline in Reading for Pleasure: Hard NumbersThe National Literacy Trust annual survey shows only 1 in 3 children and young people aged 8‑18 now read for pleasure – a 36 % decrease since 2005. This sharp drop signals a generational loss of voluntary reading time.The Policy Implications: Early‑Years as the FoundationCottrell‑Boyce called for government action that does not require massive new spending. He suggested leveraging existing infrastructure to:Provide confidence‑building training for parents and nursery workersPromote “shared reading” in community settingsIntegrate pleasure‑first reading into the national year of reading initiativeHe likened early‑years to “the cake is baked” – the essential base upon which later learning is built.The Outlook: Can Joy‑Driven Reading Be Restored?Both Cottrell‑Boyce and Rebecca Sinclair, president of the Publishers Association, expressed optimism that a narrative shift – treating reading as a right and a source of joy rather than a skill‑test – can reverse the trend. They argue that low‑cost, community‑based interventions can reignite a love of books before formal schooling pressures take hold.

Lead: A Ouija‑Board Dialogue with the CanvasSanya Kantarovsky describes his process as “like a Ouija board, I listen to the painting,” a sentiment that permeates his latest exhibition, Basic Failure, which opened in May 2026 at Venice’s Institute of Sciences, Letters and Arts. The show, timed with the 2026 Biennale, confronts viewers with dishevelled figures, uncanny transformations and a lingering sense of alienation. Basic Failure Opens in a Historic Venetian PalazzoSet within a palazzo of high ceilings, dark terrazzo‑marbled floors and walls lined with antique books, the exhibition begins with the diminutive portrait Boy With Cigarette. The painting’s pallid, down‑turned youth, rendered in thick blue brushstrokes, “feels both familiar and kind of alien at the same time,” according to the artist. Nearby, a child spins carefree, creating a visual tension between innocence and menace. Quantifying the Exhibition: Scale and ReachOpening date: May 2026Artist age: 44Venue capacity: approximately 200 visitors per hour during peak Biennale daysNumber of works displayed: over 30 paintings and installations Impact: Re‑defining the Supernatural in Contemporary ArtKantarovsky’s work draws on Russian literary darkness while echoing the metaphysical concerns of Pablo Picasso, Giorgio de Chirico and Milton Avery. By rendering subjects from memory rather than direct observation, he creates “narrative fragments” that challenge conventional storytelling in visual art. The exhibition’s dialogue with religious iconography—referencing Masaccio’s expulsion of Adam and Eve—adds a layer of cultural critique that resonates with the Biennale’s broader exploration of identity and displacement. Looking Ahead: The Future of Narrative FragmentationKantarovsky predicts that his “basic failure” methodology—embracing the inability to fully translate internal visions—will inspire a new wave of artists to explore the unconscious through fragmented, non‑linear imagery. As the Biennale draws global attention, the show is poised to cement his reputation as a provocateur who bridges psycho‑analysis and contemporary painting.

Opening the Silent Corridors of Cork’s AsylumThe Guardian’s latest review spotlights *Said the Dead*, a meticulously researched yet poetically daring study of the Cork Mental Hospital – once Ireland’s longest Gothic building, shuttered in the 1990s and now being turned into apartments. Doireann Ní Ghríofa uses the archive as a portal, giving voice to women whose stories were consigned to dusty casebooks.How Doireann Ní Ghríofa Reconstructed 19th‑Century Patient LivesWorking primarily from the hospital’s massive green casebooks, the author is forced to stop a century before the present to respect confidentiality, so the narrative centers on Victorian and Edwardian voices. She extracts vivid portraits – Bridget, a pregnant emigrant turned back home; Anna Martha, a painter who brandished a gun on magistrates; Dora, a sixteen‑year‑old yearning for death; and Muriel, wife of republican lord mayor Terence MacSwiney. The book also foregrounds Lucia Strangman, the first woman psychiatrist in the British Isles, as a thematic double for the author‑reader.Archive constraint: records stop at a 100‑year distance.Key patients: Bridget, Anna Martha, Dora, Muriel.Medical language: “fairies work on her nerves”, “dull”, “intelligent”.Why Revisiting the Asylum Matters for Irish Memory and Mental‑Health DiscourseThe review argues that the book does more than recount forgotten biographies; it interrogates the ethics of reading and surveillance. By positioning herself as “the Reader”, Ní Ghríofa acknowledges the power imbalance inherent in extracting lives from institutional records, echoing contemporary debates on mental‑health stigma and historical accountability. The work thus becomes a catalyst for broader conversations about how societies remember—and often erase—marginalised voices.What This Revival Signals for Historical Narrative and Public EngagementAs the former asylum is repurposed into luxury flats, *Said the Dead* reminds readers that commercial redevelopment can obscure painful histories. The book’s blend of scholarship and imagination may inspire similar projects that rescue silenced narratives, encouraging museums, publishers, and educators to foreground archival voices before they disappear beneath modern façades.

The New Victims A prosecutor in France has revealed that about 10 new suspected victims have come forward in the European country’s probe into the network of late US sex offender Jeffrey Epstein. Speaking with the RTL broadcaster, Paris Public Prosecutor Laure Beccuau said on Sunday that about 20 suspected victims had made themselves known after she, in February, urged potential victims to speak up. Investigation Details While some were already known to investigators, she said, “new victims come forward, ones we didn’t know at all”. “There are around 10 of them,” she added, noting, “The choice we’ve made for the time being is to listen to these victims.” “A certain number of them are abroad, so the investigators have tried to set up meetings to suit when they are able to come to Paris,” the prosecutor said. The Ongoing Probe Following the release of the cache of files from the investigation into the disgraced financier by the United States Justice Department, France also opened a human trafficking investigation. French magistrates are seeking to investigate possible offences committed in France or involving French perpetrators who facilitated Epstein’s crimes. “We have also once again pulled out Mr Epstein’s computers, his telephone records, his address books,” she said, adding that her team would be “making requests for international assistance”.

The Lead This year's International Booker prize shortlisted titles are a diverse bunch, both geographically – from Brazil to Taiwan – and in style, from mainstream blockbuster to experimental jeu d'esprit. As in recent years, independent presses are rewarded for their efforts in promoting translated fiction, providing four of the six titles. The Shortlisted Titles The shortlist includes: The Nights Are Quiet in Tehran by Shida Bazyar, translated by Ruth Martin (Scribe) The Witch by Marie NDiaye, translated by Jordan Stump (Vintage) On Earth As It Is Beneath by Ana Paula Maia, translated by Padma Viswanathan (Charco) She Who Remains by Rene Karabash, translated by Izidora Angel (Peirene) Red Sorghum by Yáng Shuāg-zi, translated by Howard Goldblatt (Penguin) Small Boat by Guo Xi, translated by Luo Yue (Tordotcom Publishing) The Contenders Each of the novels has its strengths and weaknesses. The Nights Are Quiet in Tehran is a timely novel with depth and empathy. The Witch is an accessible but surprising novel that raises knotty questions about how we make use of our capabilities. On Earth As It Is Beneath is an eccentric but very deserving contender with an effervescent energy. She Who Remains is a formally inventive book with a spiky and challenging story. The Winner Announcement The winner of the International Booker Prize will be announced on May 19.

After a week‑long outage that crippled Canvas for millions of students worldwide, Instructure announced it had reached an agreement with the ransomware group ShinyHunters. While the company stopped short of confirming a payment, the deal raises fresh questions about the wisdom of paying extortionists to protect sensitive educational data. Instructure’s Agreement with ShinyHunters: What Actually Happened The attack began when the group exploited a vulnerability in Instructure’s “Free for Teacher” software, allowing them to deface login pages at institutions such as the University of Texas San Antonio. ShinyHunters threatened to leak 3.6 TB of data – student IDs, emails, names and messages from 9,000 schools and roughly 275 million students and staff – unless a ransom was paid. Instructure later said the stolen data had been “returned” and that it received “digital confirmation of data destruction” via shred logs, but it did not explicitly confirm a payment. Financial Stakes: Ransom Demands, Potential Payments, and Industry Benchmarks ShinyHunters initially demanded $10 million in ransom. Australian ransomware surveys show the average payment fell to $711,000 in 2025, down from $1.35 million the year before. According to a McGrathNicol report, 64 % of surveyed Australian firms had paid a ransom, and 81 % said they would be willing to do so. As of January 2026, 75 Australian businesses with turnovers of at least $3 million had paid ransoms, though the total amount remains undisclosed. Cyber‑security experts estimate that Instructure’s payout – if any – could be anywhere up to the $10 million demand, potentially reduced through negotiation. Policy and Business Implications: Why Paying Ransom Remains Controversial Governments in the UK, US and Australia advise against paying ransoms, arguing that non‑payment reduces the attractiveness of ransomware as a crime vector. In Australia, paying a designated attacker could breach the autonomous cyber‑sanctions law, exposing firms to prosecution on a case‑by‑case basis. Critics also note that payment does not guarantee data will not be leaked; attackers may still copy or sell the information after receiving money. Experts such as Darren Hopkins (McGrathNicol) and Luke Irwin (Aegis Cybersecurity) stress the “trust factor” – criminals must appear honest to receive payment, yet they remain untrustworthy. This paradox fuels boardroom debates about risk‑driven decision‑making versus investing in prevention and incident response capabilities. Looking Ahead: How Companies May Navigate Future Extortion Threats The Canvas case underscores the need for stronger cyber‑resilience strategies: regular vulnerability patching, robust backup architectures, and clear ransomware response playbooks. Insurers are tightening coverage terms, often requiring demonstrable mitigation measures before honoring ransom claims. Policymakers may also tighten reporting obligations and consider clearer prohibitions on ransom payments, especially for critical‑infrastructure providers like education platforms. Ultimately, firms will have to balance the immediate pressure to restore services against the long‑term cost of incentivising criminal enterprises. As ransomware groups refine their extortion tactics, the industry’s collective stance on paying – or refusing – will shape the next wave of cyber‑crime economics.

The Journey Through TimeStephen Butler, now 69, recently completed a collection that began when he was just 13 years old in 1970. The story began five years ago when Butler discovered his old Panini World Cup sticker book while moving house. Tucked away in a box with his school cap, exercise books, and photos, the album brought back a flood of memories from a time when the World Cup meant everything to a young boy in Ribble valley, Lancashire.A Collector's QuestThe 1970 World Cup was a significant event in Butler's life. He recalls watching England play in color for the first time, from Mexico City, on his family's new color television. The tournament held special significance as England entered as cup holders, having won in 1966. As he flicked through the pages of his sticker book, he remembered his favorite players – Pelé and Jairzinho from Brazil, and Italian players like Boninsegna and Facchetti.The Missing PieceUpon examining the album as an adult, Butler noticed something was missing: a sticker for Chile, which had hosted the 1962 World Cup in Santiago. This one sticker had eluded him for 56 years. The collection remained unfinished until recently, when Butler heard on the radio that Panini would be ending its partnership with FIFA in 2030. Concerned about losing this heritage, he decided to complete his collection.The Value of MemoriesButler went online and found someone selling the missing Chile sticker for £150 – a price he considered high but acceptable for completing his lifelong collection. While complete 1970s sticker books have auctioned for £7,000-£10,000, Butler has no interest in selling his. "It's a part of my life – it brings back interesting memories," he says. "My memories are not someone else's, you know?"A Legacy for Future GenerationsButler and his wife Helen have three adult children who would love to get their hands on the completed sticker book. "They'll have to bid for it, won't they?" he jokes. The completed album represents more than just a valuable collectible; it's a tangible connection to a significant moment in sports history and a personal journey that spans nearly six decades.

Lead: The London cinema in Soho became a focal point for a new wave of Jewish dissent as the documentary Planet Israel: A Cautionary Tale screened on the eve of Nakba Day, exposing fractures in British Jewish opinion about Israel’s actions in Gaza and the broader national narrative. The London Screening that Amplifies Dissenting Jewish Voices The film, directed by Gillian Mosely, blends interviews with historians, rabbis and everyday Israelis to examine how trauma, nationalism and militarisation shape Israeli society after the October 7 attacks. Audience members, including Holocaust survivor Stephen Kapos, reacted viscerally to the film’s sound design and AI‑assisted animation, underscoring the urgency of the conversation. Polling Reveals Deepening Rift Within Britain’s Jewish Community 40% of British Jews say Israel’s conduct in Gaza has weakened their attachment to the country. More than 33% no longer identify as Zionists. Only 12% express approval of Prime Minister Benjamin Netanyahu. These figures come from the Institute for Jewish Policy Research, indicating a measurable shift in sentiment that aligns with the documentary’s themes. Shifting Discourse: From Zionist Consensus to Critical Debate New publications such as Israel: What Went Wrong? by Omer Bartov and Here Where We Live Is Our Country by Molly Crabapple echo the film’s questioning tone. The Movement for Progressive Judaism, representing roughly a third of UK synagogues, has framed criticism of Israeli policy as a “Jewish obligation,” warning that current political directions may clash with core Jewish values. Future Trajectories: How Jewish Critique May Reshape Israeli and Global Politics Historians like Avi Shlaim argue that the growing “crisis between Israel and world Jewry” could pressure Israeli leadership to reconsider its narrative and policies. If the trend continues, political parties in the UK and the United States may feel compelled to adjust their stances on Israel, while Israeli civil society could see increased internal debate and potential policy reforms. Mosely concludes that while politicians are slow to respond, the cultural shift sparked by documentaries, books and grassroots activism may eventually force a realignment of public consensus on Israel’s role in the region.