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Roy Hodgson's return to management with Bristol City got off to a winning start with a hard-fought victory over Charlton. The 78-year-old, who first managed in 1982, oversaw a thrilling second half that saw both teams create numerous late chances. The match began with Emil Riis Jakobsen having a chance to open the scoring within three minutes, but he failed to capitalize. Hodgson was ecstatic when Max Bird set up Scott Twine to score the opening goal. Charlton equalized through Lyndon Dykes after a throw-in down their right side. Hodgson was visibly upset, questioning the throw-in decision. Scott Twine's free-kick proved decisive, as it led to Noah Eile scoring the winning goal from a tight angle. Bristol City could have extended their lead through Riis Jakobsen and Twine, while Charlton's substitutes Matt Godden and Tyreece Campbell also missed chances. Hodgson's victory comes 44 years after his first managerial stint. He emphasized the importance of humility in coaching, advising against getting too proud of wins. His interim role at Bristol City will last for six games before he steps down.

The Unicorn Theatre's production of 'A Midsummer Night's Dream' is a playful and punchy adaptation of Shakespeare's romantic comedy, made accessible to a young audience. Co-directors Rachel Bagshaw and Robin Belfield have trimmed down the original language while incorporating slapstick comedy and playful captions.The production feels like the start of a brilliant venture, still finding its feet. The editing is smart, but could have been more radical. The framing story in Athens has been cut down but not excised, making it harder to understand.The magical elements are kept low-key and gently engaging, with Titania's fairies conjured up using childlike voiceovers, Holly Khan's delicate soundscape, and Will Monks' entrancing word projections. Joséphine-Fransilja Brookman's Puck is an impish schoolkid who climbs up balconies, jumps on tyre swings, and causes mischief.The standout star is Emmy Stonelake as Bottom, a natural comic and talented Shakespearean who raises big laughs without compromising the language. When Bottom is turned into a donkey, Stonelake cries out: “This is to make an ass of me!” and is met with big laughs and heavy sighs.The most lucid and enjoyable scenes are those with the rude mechanicals as they rehearse their (terrible) play. There's a whiff of the CBeebies panto to these encounters, with the actors dressed in neon costumes and delivering their gags with gusto. The hard-working ensemble jump from playing heartsick lovers to hammy actors with real aplomb.At the Unicorn theatre, London, until 10 May.

Blanche McIntyre reimagines Noël Coward’s classic Private Lives at Manchester’s Royal Exchange Theatre with a daring in‑the‑round set that spins the audience into the couple’s turbulent romance.The production opens in a sleek, monochrome French resort designed by Dick Bird. As ex‑spouses Amanda (played with acid poise by Jill Halfpenny) and Elyot (delivered with dry detachment by Steve John Shepherd) collide on their respective honeymoons, the stage begins to rotate, creating a queasy, carnival‑like atmosphere that mirrors their escalating desire and spite.Both characters quickly abandon their new partners—Victor, a self‑satisfied ordinary portrayed by Daniel Millar, and the hysterically grating Sibyl, embodied by Shazia Nicholls—and flee to Paris. In Amanda’s cluttered flat, surrounded by half‑eaten meals and booze, the rekindled romance begins to sour, exposing the uglier layers of their destructive bond.The chemistry between Halfpenny and Shepherd shines as they deliver Coward’s razor‑sharp bon mots with effortless flair. Yet, in the second act, the performance feels slightly restrained; moments of lust and violence are hinted at rather than fully unleashed, leaving the climactic confrontation somewhat blunted despite the frantic spinning set.Supporting roles add texture: Millar’s Victor exudes contented self‑importance, while Nicholls hints at a hidden cunning beneath Sibyl’s hysterics. Sara Lessore’s turn as the Parisian maid Louise underscores the privileged caprices of the main characters.Overall, the production presents Amanda and Elyot’s relationship as a capricious game between sophisticated players rather than a dangerously irresistible passion, a nuance amplified by the theatrical whirl that never quite loses control.The show runs at the Royal Exchange until 2 May, offering theatre‑goers a uniquely dizzy experience of Coward’s wit and venom.

Shops, universities and public institutions across the occupied West Bank and East Jerusalem shuttered on Wednesday as Palestinians launched a coordinated strike to denounce a newly passed Israeli law that makes the death penalty the default sentence for Palestinians convicted of deadly attacks by military courts. Hundreds gathered in Ramallah, chanting against the legislation championed by far‑right National Security Minister Itamar Ben‑Gvir. Demonstrators brandished signs reading “Stop the law to execute prisoners, before it’s too late”, featuring a graphic of a prisoner in a keffiyeh beside a noose. Similar protests unfolded in Nablus, where participants warned that “time is running out,” and in Anata, northeast of Jerusalem’s Old City, where Israeli soldiers compelled striking shop owners to reopen their businesses. The strike was called by President Mahmoud Abbas’s Fatah party the previous day, reflecting widespread anger that “there isn’t a single person here without a brother, husband, son or neighbour in prison,” said 53‑year‑old psychologist Riman, who asked that her surname not be disclosed. The United Nations High Commissioner for Human Rights, Volker Turk, condemned the measure, stating that its application to residents of the occupied Palestinian territory would amount to a war crime. According to the AFP, more than 9,500 Palestinians are currently detained in Israeli prisons, including 350 children and 73 women. Human‑rights groups on both sides allege detainees suffer torture, starvation and medical neglect, contributing to dozens of deaths. The law, approved by the Knesset late on Monday, stipulates that Palestinians tried in military courts for “terrorism‑related” deadly attacks face capital punishment as the default outcome. Because Palestinians in the West Bank are automatically tried in military courts, the statute creates a separate, harsher legal track compared with Israeli civilians, who face either death or life imprisonment for comparable offenses. While the legislation is not retroactive, critics argue it entrenches a system of unequal justice. Social‑media posts showed tyres burning at the busy Qalandia checkpoint, a key entry point into Israel via Jerusalem. The Palestinian news agency WAFA reported that Israeli forces responded with rubber‑coated bullets, stun grenades and tear‑gas, though no injuries were confirmed. Violence in the West Bank has intensified since Israel’s war in Gaza began in October 2023, a conflict that has claimed over 72,000 lives. The latest law and the ensuing protests underscore the deepening legal and humanitarian rift between Israel and the occupied Palestinian territories.

The Tyre hospital in Lebanon has faced significant challenges, being hit five times since the start of Israel's attacks on the country. This escalation of violence has raised concerns about the humanitarian situation in the region.The repeated strikes on the hospital have likely disrupted medical services and put the lives of patients and staff at risk. The situation remains volatile, with ongoing tensions between Israel and Lebanon contributing to the uncertainty.

On Palm Sunday, Christians in Lebanon gathered in churches to commemorate Jesus's triumphal entry into Jerusalem, but the celebrations were overshadowed by the escalating conflict between Israel and Hezbollah. The Maronite Catholic church near Dahiyeh in Beirut's southern suburbs was filled to capacity, despite being close to a largely deserted district due to Israeli evacuation orders and ongoing air strikes.In the coastal city of Tyre, church bells tolled and choral music filled the air as residents sought solace in preserving their sacred traditions amid the devastation. Worshippers prayed earnestly for peace, aware of Lebanon's history of sectarian tensions rooted in the 1975-1990 civil war between Christians and Muslims.Mahia Jamus, a 20-year-old university student in Beirut, expressed concern that no one is safe from the conflict's effects. "There's no bombing here right now, but no one is safe from this—not the Christians, not anyone," she said. "No one is spared from its effects."In Tyre, Roseth Katra, 41, emphasized the importance of preserving traditions despite the surrounding devastation. "Amid the wars, the tragedies, and the destruction happening around us, we remain on our land," she said. "Today is Palm Sunday, and we are celebrating."The conflict has resulted in at least 1,238 people killed and over 3,500 wounded in Israeli attacks since March 2, according to Lebanon's Ministry of Health. Israeli troops have launched a ground invasion advancing towards the Litani River, while Hezbollah has claimed dozens of operations against Israeli forces.