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On 20 May 2026, the DRC football federation announced the cancellation of its Kinshasa training camp and fan farewell due to a deadly Bundibugyo Ebola outbreak in the country’s east. The decision follows a WHO declaration of a public‑health emergency and a U.S. CDC travel ban affecting recent visitors to the region.The Sudden Cancellation of DRC's Kinshasa Training CampThe three‑day camp, scheduled for early June, was intended to give the national team a final public send‑off before friendly matches in Belgium and Spain. Team spokesman Jerry Kalemo confirmed that only the Kinshasa stage was scrapped, while the European fixtures will proceed as planned.Original camp dates: June 1‑3, 2026Cancelled venue: Kinshasa, DRCRemaining preparation: Belgium (June 3) and Spain (June 9)Human Toll and Health Data Behind the DecisionThe outbreak, identified as the rare Bundibugyo strain, has resulted in more than 130 deaths and nearly 600 suspected cases. WHO has labeled it a public‑health emergency of international concern, prompting the CDC to ban entry for anyone who has been in the DRC, Uganda or South Sudan within the past three weeks for 30 days.Repercussions for World Cup Preparations and Global TravelFIFA is monitoring the situation and coordinating with the DRC football association (Fecofa) to ensure medical and security guidance is followed. The CDC ban does not affect players and staff who have been training in Europe, but it does apply to any delegation members who returned to the DRC within the 21‑day window, as well as to fans hoping to travel to the tournament.World Cup opening match for DRC: vs Portugal in Houston on 17 June 2026Subsequent group games: Colombia (23 June, Guadalajara) and Uzbekistan (27 June, Atlanta)What Lies Ahead for the Leopards and Their World Cup CampaignWith the Kinshasa farewell cancelled, the team will focus on the two European friendlies to fine‑tune tactics under French coach Sébastien Desabre. The election of former CAF secretary‑general Véron Mosengo‑Omba as Fecofa president may bring additional administrative stability, though his recent allegations of bullying could attract scrutiny.Analysts expect the Leopards to maintain their preparation momentum in Europe, but the health crisis could affect fan morale and media attention surrounding their historic return to the World Cup after a 52‑year absence.

The Lead Bitter Christmas, the latest film from Pedro Almodóvar, is a complex and personal movie that explores themes of grief, loss, and artistic betrayal. The film, which screened at the Cannes film festival, is a double-layered creation that blurs the lines between reality and fiction. Almodóvar's Film Within a Film With its rich, warm, summery colours, nothing could surely be less bitter or less Christmassy than this film. It’s the latest from Cannes competition regular Pedro Almodóvar, partly set during Christmas; the female lead actually complains about the yuletide traffic at one stage. But there’s no tinsel or sleigh bells or shopping for presents. Like Die Hard, it eludes classification. It is another – which is to say, yet another – double-layered creation by Almodóvar, a kind of movie auto-metafiction of the sort that he has virtually invented, a life-v-art dialectical process that he is evidently unable to do without. Exploring Themes of Grief and Loss Like the recent Pain and Glory, Bitter Christmas is a candidly personal movie, circling around ideas like grief, loss, the vampirism of art and the betrayal involved in basing fictional characters on real people. Perhaps by emphasising this last point, Almodóvar is pre-empting or cauterising a crisis in his own life, showing us a gay male artist’s perspective on the question of whether women are not being given enough credit as the wellspring for inspiration or indeed as artists themselves. The Film's Complex Structure The film features a complex structure, with a story within a story. In the mid-2000s, an era of fliptop phones, Elsa (Bárbara Lennie) is a struggling indie film-maker now reduced to shooting TV ads; her younger boyfriend Bonifacio (Patrick Criado) is a firefighter and part-time lapdancer whom she met at a club on a hen night when she went backstage to offer him the lead in her upcoming underpants commercial. Elsa has friends who are plagued with problems: Patricia (Victoria Luengo) has to deal with a young son while her husband is away on business trips where he is cheating on her, and Natalia (played by Milena Smit, from Almodóvar’s Parallel Mothers) is profoundly depressed by the loss of her young son. The Impact of Artistic Betrayal But all this is being imagined in the present day by a grey-haired film director called Raúl (Leonardo Sbaraglia), who is working on an autobiographical script of his own called Bitter Christmas; Elsa would appear to be a version of him while his boyfriend Santi (Quim Gutiérrez) is clearly the model for Bonifacio. But the entire action of the film seems to be projected from the complex relationship with his friend and producing partner Mónica (Aitana Sánchez-Gijón), who is leaving him at a difficult time for a three-month sabbatical to be with her friend Elena whose son is desperately ill. The Future of Almodóvar's Filmography What we are perhaps leading to is an epiphany of truth for Raúl as artist and friend. Elsa is not based on him; he, Raúl, is not the centre of things. In fact, Elsa is his friend and ally Mónica, whom he has been taking for granted. That is the real parallel and it is Mónica’s feelings and Mónica’s identity who should be the central inspiration of his script and indeed the central point of his life right now. This is the enlightenment which he arguably approaches when he continues his script past the “The End” of the first draft, as Elsa appears to be coming to terms with her mother’s parting.

The Cannon's RediscoverySixty years after Clint Eastwood used a cannon to fell a fleeing Eli Wallach in The Good, the Bad and the Ugly, the iconic weapon has been found in a museum in south-east Spain. The artillery piece, a 75mm cannon made in Manchester by Whitworth in 1873, was lent to Sergio Leone's production team by the Spanish military and was returned to the army museum in Madrid after filming.The Cannon's HistoryThe Sad Hill Cultural Association, a group of volunteers dedicated to restoring the graveyard near Burgos, northern Spain, built for the climax of the film, tracked down the cannon. They came across images of the cannon in a book on the film and set about trying to trace some of the weapons used in preparation for the 60th anniversary of the movie's release later this year.The Data AnalysisThe cannon was made in Manchester by Whitworth in 1873.The cannon is now on display at the military history museum in Cartagena, south-east Spain.The Impact AnalysisThe rediscovery of the cannon has generated significant interest, with the city council using its fame to draw more visitors to the museum. The museum's director, Lt Col Ernesto Terry, said the cannon's fame was already causing a stir, with many people ringing to ask about it.The PredictionWhile the Sad Hill Cultural Association would love to borrow the cannon and temporarily reinstall it in the Burgos landscape, where it last stood 60 years ago, its protected heritage status means that will not be in time for the anniversary. However, they plan to try to get hold of the piece and bring it to Burgos in the future.

The Record-Breaking Sale A Jackson Pollock painting has sold for a record $181.2m (£135.3m) at Christie's in New York. The sale on Monday made 'Number 7A, 1948' the fourth most expensive work ever sold at auction, according to ARTnews. The Significance of the Painting “It is with this work that Pollock finally frees himself from the shackles of conventional easel painting and produces one of the first truly abstract paintings in the history of art,” Christie's said in a statement. The Auction Details The previous auction record for Pollock was $61.2m, set in 2021. Other works by the abstract expressionist have sold privately for up to $200m. Previous auction record: $61.2m (2021) Private sale record: up to $200m Other Notable Sales On a busy day for the auction house, 'Danaïde', a bronze head sculpted by the Romanian-born artist Constantin Brâncuşi in around 1913, sold for $107.6m, topping its previous record of $71.2m set in 2018. No 15 (Two Greens and Red Stripe) by the US painter Mark Rothko sold for $98.4m, and 'Portrait of Madame K' by the Catalan artist Joan Miró for $53.5m. 'Danaïde' by Constantin Brâncuşi: $107.6m No 15 (Two Greens and Red Stripe) by Mark Rothko: $98.4m 'Portrait of Madame K' by Joan Miró: $53.5m The Context of the Sale Monday’s auction followed a string of records set at Sotheby’s in November last year. 'Portrait of Elisabeth Lederer', painted by the Austrian master Gustav Klimt between 1914 and 1916, sold for $236.4m, becoming the second most expensive work ever sold at auction. The most expensive painting ever sold at auction is 'Salvator Mundi', a Renaissance work attributed to Leonardo da Vinci, which was bought for $450m in 2017.

The Vatican's Digital Turn: Pope Leo XIV's First Encyclical on AIIn a groundbreaking move that signals a significant shift in the intersection of faith and technology, Pope Leo XIV is preparing to release his first major papal document addressing the rapid ascent of artificial intelligence. The encyclical, titled Magnifica Humanitas (Magnificent Humanity), represents the Vatican's attempt to provide moral guidance in an era defined by digital transformation.Historic Collaboration: The 'Magnifica Humanitas' LaunchThe presentation of this document is set for 25 May at the Vatican, marking a departure from tradition. For the first time, the encyclical will be launched during a public event attended by Christopher Olah, the co-founder of Anthropic, a leading US-based AI firm currently embroiled in a high-profile lawsuit with the Trump administration over federal agency use of AI.Document Title: Magnifica Humanitas (Magnificent Humanity)Sign Date: 15 MayKey Attendees: Pope Leo XIV, Christopher Olah, theologians Anna Rowlands and Léocadie LushomboA 135-Year Parallel: From the Industrial to the Digital RevolutionThe timing of the document is deeply symbolic. Signed on 15 May, exactly 135 years after his namesake Pope Leo XIII signed the seminal Rerum Novarum, the new encyclical mirrors the historical response to the Industrial Revolution. While Leo XIII addressed the challenges of capitalism and workers' rights, Leo XIV is addressing the challenges of the technological revolution.Redefining AI Ethics Through a Moral LensThe encyclical is expected to move beyond simple warnings, aiming to offer 'workable answers' to modern challenges. Key themes include:The protection of workers' rights in an automated economy.A strong stance against the use of AI in warfare, specifically advocating for a ban on lethal autonomous weapons.Ensuring technological advancements do not override human dignity.Shaping Global AI RegulationThis strategic move by the Vatican—featuring lay speakers and the Pope in person—suggests a new era of engagement with the tech industry. By inviting figures like Christopher Olah, the Church is signaling a willingness to collaborate with industry leaders rather than simply critique them. This document is poised to become a critical reference point in the global debate on AI safety, regulation, and the ethical boundaries of machine intelligence.

The Comeback AnnouncementNeymar has made Brazil's World Cup squad, a selection many local analysts and former footballers deemed unlikely only days ago. The 34-year-old is Brazil's all-time top goal-scorer with 79, but has struggled to return to top fitness since he tore his left ACL in October 2023.Ancelotti's Strategic SelectionCoach Carlo Ancelotti's 26-man squad features Brazil's main players in recent years, including Vinicius Junior and Raphinha. The Italian coach, who took over in May 2025, had not summoned Neymar until Monday's announcement, making this selection particularly noteworthy in his tenure.The Squad CompositionAncelotti extended his contract with the Brazilian Football Confederation last week to the 2030 World Cup, but he has had a troubled spell in Brazil so far, with many injured players out of his World Cup squad. Strikers Rodrygo and Estevao are the ones he will miss the most in North America.Brazil's World Cup 2026 SquadGoalkeepers: Alisson (Liverpool), Ederson (Fenerbahce), Weverton (Gremio)Defenders: Alex Sandro, Danilo, Leo Pereira (Flamengo), Bremer (Juventus), Ibanez (Al-Ahli), Wesley (Roma), Marquinhos (Paris Saint-Germain), Gabriel Magalhaes (Arsenal), Douglas Santos (Zenit St Petersburg)Midfielders: Bruno Guimaraes (Newcastle), Casemiro (Manchester United), Danilo Santos (Botafogo), Fabinho (Al-Ittihad), Lucas Paqueta (Flamengo)Forwards: Endrick (Lyon), Gabriel Martinelli (Arsenal), Igor Thiago (Brentford), Matheus Cunha (Manchester United), Raphinha (Barcelona), Vinicius Junior (Real Madrid), Luiz Henrique (Zenit St Petersburg), Neymar (Santos), Rayan (Bournemouth)Tournament ProspectsWith Neymar's inclusion, Brazil enters the 2026 World Cup with a blend of experienced veterans and emerging talents. The squad's success will likely depend on how quickly Neymar can regain match fitness and how Ancelotti manages the team's attacking options in the absence of key injured players like Rodrygo and Estevao.

The LeadScoring goals at the World Cup remains one of the most eagerly awaited moments in a footballer's career, and come June 11, some of the best strikers will get a chance to add their names to the goal-scoring charts for the tournament. The forwards with the most goals by July 19 will walk away with the Golden Boot award and find themselves in the company of the sport's all-time greats.The Golden Boot LegacyHere is a list of its Golden Boot winners over the years:1930: Guillermo Stabile (Argentina) – eight goals1934: Oldrich Nejedly (Czech Republic) – five goals1938: Leonidas (Brazil) – seven goals1950: Ademir (Brazil) – eight goals1954: Sandor Kocsis (Hungary) – 11 goals1958: Just Fontaine (France) – 13 goals1962: Florian Albert (Hungary), Valentin Ivanov (Soviet Union), Garrincha (Brazil), Vava (Brazil), Leonel Sanchez (Chile), Drazan Jerkovoch (Yugoslavia) – four goals1966: Eusebio (Portugal) – nine goals1970: Gerd Muller (Germany) – 10 goals1974: Grzegorz Lato (Poland) – seven goals1978: Mario Kempes (Argentina) – six goalsEngland's Harry Kane was awarded the Golden Boot at the 2018 World Cup in Russia and was the joint-top scorer at Euro 2024 in Germany [File: Albert Gea/Reuters]Record-Breaking PerformancesThroughout World Cup history, certain players have set extraordinary records that still stand today. French striker Just Fontaine's remarkable achievement of 13 goals in the 1958 tournament remains the highest single-tournament tally in history. Hungarian Sandor Kocsis came close with 11 goals in 1954, while German legend Gerd Muller found the net 10 times in 1970.These performances not only secured the Golden Boot for these players but also cemented their places in football history as some of the most lethal finishers the sport has ever seen.Modern Era Top Scorers1982: Paolo Rossi (Italy) – six goals1986: Gary Lineker (England) – six goals1990: Salvatore Schillaci (Italy) – six goals1994: Oleg Salenko (Russia), Hristo Stoichkov (Bulgaria) – six goals1998: Davor Suker (Croatia) – six goals2002: Ronaldo (Brazil) – eight goals2006: Miroslav Klose (Germany) – five goals2010: Thomas Muller (Germany) – five goals2014: James Rodríguez (Colombia) – six goals2018: Harry Kane (England) – six goals2022: Kylian Mbappe (France) – eight goalsMbappe's eight goals at the Qatar World Cup was the equal-highest since 1970 [File: Martin Meissner/AP]The 2026 Tournament OutlookAs the World Cup approaches, all eyes will be on the current generation of strikers hoping to etch their names in history. With Kylian Mbappe's recent success in 2022, where he matched Ronaldo's eight-goal tally from 2002, the bar has been set high for the 2026 tournament.Players like England's Harry Kane, who won the Golden Boot in 2018, and emerging talents will be looking to challenge these records and add their names to the prestigious list of World Cup top scorers.

The Cinematic Legacy of David Lean Barnaby Thompson's documentary about movie director David Lean is a thoroughly exhilarating and enjoyable film that showcases Lean's career as a dashing military adventure. Lean's life and work are likened to those of Napoleon, Winston Churchill, and TE Lawrence, highlighting his bold and strategic approach to filmmaking. Lean's Formative Years and Influences The documentary explores Lean's early life, including his relationship with his father, Francis Lean, who abandoned his family. This abandonment had a lasting impact on Lean, influencing his romantic and sexual relationships, as well as his drive for control and perfection in his films. A Career of Epic Proportions Lean's career began as an editor, and he eventually became a co-director and sole director on several films, including In Which We Serve and Brief Encounter. He went on to create some of the most iconic films of all time, including The Bridge on the River Kwai, Lawrence of Arabia, and Doctor Zhivago, which were often shot on location abroad. The Impact of Lean's Work The documentary features interviews with notable directors, including Francis Ford Coppola, Greta Gerwig, Wes Anderson, Alfonso Cuarón, Paul Greengrass, Celine Song, and Steven Spielberg, who share their insights into Lean's work and legacy. The film also touches on Lean's personal life, including his tumultuous relationships and his struggle for his father's approval. A Lasting Legacy Lean's career ended on a high note with his adaptation of EM Forster's A Passage to India, which was rapturously received. The documentary takes viewers through Lean's life and times at a rapid pace, making for an enjoyable and informative watch.

The Week's Must-See Cinema ReleasesThis week's film offerings range from action thrillers to historical dramas. Normal, directed by Ben Wheatley, stars Bob Odenkirk as an interim sheriff in a small Minnesota town with unexpected secrets involving the yakuza. Also starring Henry Winkler and Lena Headey, this crime thriller promises plenty of intrigue.For horror fans, Obsession offers a literal 'be careful what you wish for' storyline about a music store employee who makes a magical wish for his coworker to love him unconditionally, leading to extreme consequences. Orphan provides a historical drama set in post-revolution Budapest, following a teenager raised on stories of his missing father, while The Christophers is an art world caper from director Steven Soderbergh featuring Ian McKellen and Michaela Coel.Live Music Highlights: From Pop to OperaDoja Cat kicks off her European tour in Dublin, bringing her signature style of 27 songs, high-cut leopard print leotards, and performances inspired by 80s superstars like Prince and Janet Jackson. While her latest album 'Vie' may not have reached the commercial heights of previous work, her live shows remain spectacular.In Sheffield, the Get Together festival features Southend goth overlords the Horrors alongside Welsh-Cornish artist Gwenno and Hot Chip's Alexis Taylor. Other highlights include 'wonk pop' practitioners Lime Garden and London-based noise merchants Factory Floor.For classical music enthusiasts, Glyndebourne opens its summer season with Puccini's Tosca, staged by US director Ted Huffman in the festival's intimate theater. Soprano Caitlin Gotimer leads two rising-star casts under conductor Robin Ticciati.Contemporary Art ExhibitionsIn Colchester, Godfried Donkor presents an exhibition at Firstsite that travels from Colchester to West Africa and the Caribbean. The London-based Ghanaian artist weaves together stories of resistance from Boudicca to Yaa Asantewaa, using collage, painting, and textile to explore how identity, power, and trade shape our world.At the Barbican in London, Colombian installation artist Delcy Morelos presents a major exhibition through July, featuring large-scale muddy installations that challenge perceptions of space and materiality.Stage Performances and Cultural EventsLeeds jazz festival celebrates its fifth year with genre-fluid performances from pianist-organist Kit Downes and sax star Emma Rawicz. The 16-year-old Submotion Orchestra brings their fusion of electronica, jazz, and soulful ambience to the opening night, promising a memorable start to the festival.