Breaking AI & Tech News Analyzed

The Rise of AI Psychosis in Corporate Decision MakingBox founder Aaron Levie has identified a troubling trend in corporate America: what he calls "AI psychosis," where executives and decision-makers become so enamored with artificial intelligence that they believe it can replace human jobs without understanding what those roles truly entail. This overenthusiasm for AI is leading to significant workforce reductions and a growing backlash from both employees and users.Workforce Reductions Fueled by AI AmbitionThe consequences of this AI psychosis are already becoming apparent in the tech industry. Productivity software company ClickUp recently cut 22% of its workforce, citing a shift toward AI agents. This move is part of a larger trend where tech layoffs in 2026 are already nearly matching the total number of layoffs seen throughout all of 2025. These cuts suggest that companies are prioritizing AI implementation over human talent, often without fully understanding the implications.User Backlash Against Forced AI IntegrationWhile companies push AI solutions, users are increasingly resisting. DuckDuckGo has seen a surge in installations from users who want Google to stop forcing AI into search results and simply provide traditional links. This user backlash highlights a disconnect between corporate AI strategies and actual consumer preferences, suggesting that not all AI implementations are welcome or beneficial.The Duality of AI AdoptionAs TechCrunch's Equity podcast hosts discuss, both the AI-pilled (those enthusiastically embracing AI) and the AI-skeptical (those questioning its implementation) may have valid points. The challenge lies in finding a balance where AI augments human capabilities rather than replacing them entirely, and where technology serves actual needs rather than being implemented for its own sake.Future of Work in an AI-Driven EconomyAs AI continues to evolve, companies must develop more nuanced approaches to workforce planning and technology implementation. The current trend of replacing human workers with AI agents may prove shortsighted if it leads to decreased product quality, poor user experience, and loss of institutional knowledge. The future likely lies in hybrid models where AI and humans collaborate, each bringing their unique strengths to the workplace.

The AI Psychosis Phenomenon Box founder Aaron Levie has coined the term 'AI psychosis' to describe a growing trend among CEOs: the belief that AI can seamlessly replace human jobs without understanding the intricacies of those roles. This phenomenon highlights a disconnect between the decision-makers and the realities of the workforce. The Disconnect Between AI Hype and Job Realities Recent layoffs: ClickUp cut 22% of its workforce for AI agents, and tech layoffs in 2026 are nearly matching all of 2025. Growing concerns: DuckDuckGo installs are climbing as users seek alternatives to Google's AI-driven search. The Impact on the Tech Industry The situation raises questions about the future of work and the role of AI. As the AI-pilled and AI-skeptical perspectives collide, the industry is left to ponder the implications. Key Takeaways and Future Outlook The discussion on TechCrunch's Equity podcast, featuring Kirsten Korosec, Anthony Ha, and Sean O'Kane, delves into the complexities of AI's impact on the workforce. With Waymo's new robotaxi hitting the road and significant deals on the horizon, the future of tech and AI is more uncertain than ever.

The Film’s Core Concept: Turning Internet Liminality into CinemaThe Guardian review details how *Backrooms* follows architect‑turned‑store‑owner Clark (played by Chiwetel Ejiofor) as he discovers a portal to an endless maze of fluorescent‑lit, drop‑ceiling rooms. The film expands the viral “backrooms” meme—originally a series of YouTube shorts made with Blender and After Effects—into a feature‑length narrative while retaining its minimalist visual language.Production Insight: A 20‑Year‑Old Director’s Low‑Budget MasteryDirector Kane Parsons, the youngest ever to helm an A24 feature, built the original series using free software, demonstrating how low‑cost tools can generate high‑impact horror aesthetics. The movie’s production emphasizes practical set design—repeating office‑style corridors, yellow lighting, and drop ceilings—to evoke the “junkspace” described by architects like Rem Koolhaas.Financial Snapshot: A24’s Continued Investment in Indie HorrorBudget details were not disclosed, but A24’s recent horror slate averages $5‑10 million per film.Box‑office expectations align with the studio’s strategy of modest budgets paired with strong niche appeal.Why It Matters: Architecture as a New Horror FrontierThe film taps into academic concepts such as Mark Augé’s “non‑places” and Juhani Pallasmaa’s idea of architecture as mental space, positioning the built environment itself as the antagonist. By visualising bureaucratic infinity, *Backrooms* expands horror beyond monsters to the sterile, endless corridors of modern capitalism.Looking Ahead: The Future of Liminal‑Space HorrorParsons’ success suggests a growing appetite for horror that interrogates everyday environments. Expect more studios to mine internet subcultures and architectural theory, blending low‑budget VFX with philosophical storytelling to attract both genre fans and critical audiences.

The Human Toll: Murad Haji’s Dental DilemmaMurad Haji, a fifty‑year‑old father in Nuseirat, sits in a dentist’s chair amid rubble, enduring a throbbing jaw ache that has persisted for months. A quoted price of 400 shekels ($142) for treatment could otherwise feed his children for four to five days, forcing him to weigh pain relief against basic nutrition.Soaring Dental Prices in Nuseirat Refugee CampLocal dentist Liza Hassouna explains that the Israeli siege has crippled the supply chain for dental materials, inflating costs and turning simple procedures into complex, expensive operations. Patients often delay care until infections worsen, at which point treatment becomes far more painful and costly.Cost Inflation: From Anaesthetic to ImpressionsBox of anaesthetic: 150 shekels ($53) → 500 shekels ($178)"Zeta Plus" dental impression material: 150 shekels ($53) → 5,000‑6,000 shekels ($1,778‑$2,133)Simple tooth extraction: 30‑150 shekels ($11‑$53) (pre‑war) → significantly higher nowSurgical extraction: 100‑300 shekels ($36‑$107) (pre‑war) → significantly higher nowThese price spikes reflect a low‑supply, high‑demand market where local suppliers set prices amid severe shortages.Health System Strain and Patient ChoicesAccording to the World Health Organization, 84 percent of Gaza’s healthcare facilities have been damaged or destroyed since the war began in October 2023, with 1,800 facilities affected. Dental clinics operate with limited staff, scarce sterilisation equipment, and reliance on single‑use instruments, further driving up overhead.Patients like Haji often resort to painkillers or endure chronic pain, while some opt for extraction as a cheaper alternative—though even that has become unaffordable for most families.Future Outlook: Dental Care Under SiegeIf import restrictions on “non‑essential” medical supplies persist, dental treatment costs will continue to outpace household incomes, leading to higher rates of untreated infections and long‑term health complications. International humanitarian aid targeting medical supply corridors could mitigate price inflation, but without a durable cease‑fire, the dental sector—and broader health system—remain vulnerable.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Controversial Stoppage Rico Verhoeven, the Dutch former kickboxer who has switched to boxing, wants an apology as well as a rematch, after being stopped one second before the end of the penultimate round in a WBC title bout with unified world heavyweight champion Oleksandr Usyk last Saturday. The Event Details The stoppage was controversial, with Verhoeven feeling he could have continued and some replays suggesting the bell may have rung before the referee signalled the end of the fight — only Verhoeven’s second since switching to boxing — at the Pyramids of Giza in Egypt. The Data Analysis Scorecards published by The Ring magazine afterwards showed two of the three judges had the fight tied 95-95 going into the 11th of 12 rounds and the other had Verhoeven ahead 96-94. The Impact Analysis “[I want] just an apology. What else can we do? I can’t demand anything else,” Verhoeven told the BBC on Thursday, adding that his team had lodged an appeal with the WBC. The Prediction Germany’s Agit Kabayel is the WBC’s mandatory challenger and Usyk could have to fight him first before any rematch with Verhoeven. “Let’s see what pops up next,” said Verhoeven. “But I have to be honest, it’s got to be big. I feel like I’m the uncrowned king.”

The Plan for World Cup Glory As co-hosts, Canada enter the World Cup with high expectations, despite never winning a match at a previous tournament. Since a Concacaf Nations League semi-final defeat to Mexico in March 2025 the team have lost one of 15 matches at the time of writing, a run that has included some excellent opponents such as Colombia, Ecuador, Ukraine and the USA, whom they have defeated twice in the past two years, including their first win on US soil in 57 years. The coach, Jesse Marsch, has maintained a consistent 4-4-2 with the emphasis on pressing from the front and pace in wide positions. "Some teams press to win the ball back, we press to punish and think about scoring immediately when we recover the ball," said Marsch, who is American, but has captured the hearts of many Canadians since he took the job in May 2024 and guided the team to the semi-finals of the Copa América. Canada's World Cup Schedule 12 June v Bosnia and Herzegovina, Toronto (3pm local, 8pm BST) 18 June v Qatar, Vancouver (3pm local, 11pm BST) 24 June v Switzerland, Vancouver (noon local, 8pm BST) Success at that tournament, and subsequently in friendlies, is based on a defensive structure Marsch worked on immediately when taking the job and playing against the Netherlands and France in his first two matches in charge. Nine clean sheets in 13 matches before the pre-tournament friendlies is even more impressive considering Moïse Bombito, their star centre-back from Nice, and Bayern Munich's Alphonso Davies did not play in any of those matches because of injury. The Coach's Vision Jesse Marsch's first venture into international management has been a successful one, but not one he found easy to adjust to. "From the moment I worked with this group of players in the first camp, I knew I was going to fall in love with these guys," he says. "They are a unique group of really good people, who are very talented, and when I said goodbye to them it was different from what I was used to as a head coach in the club game." Marsch has enjoyed those gaps in his schedule, using time to visit Canadian players across the world and spending a lot of time in the country at the provincial level to help bring a more united approach to the way the game is developed and governed. Star Player's Return Questioned The captain, Alphonso Davies, has not played for Canada since tearing his ACL against USA in the Nations League third-place match last March. Whether to play him at left-back or on the wing has been one of the biggest questions for years, but under Marsch the Bayern Munich man has predominantly been used at the back and has been excellent. However, another injury setback, against Paris St-Germain in the Champions League semi-final second leg – his third in the past three months – has put his participation for the opening game against Bosnia and Herzegovina in doubt. He has started 12 of 29 internationals in the Marsch-era at the time of writing. One to Watch Few players have received more work and attention from his national coach than the midfielder Ismaël Koné, who was dropped during the Copa América as he struggled to make an impact. Since then he has been excellent for Sassuolo in Serie A and has turned into a dynamic box-to-box midfielder for Marsch, learning valuable lessons defensively in Italy, where his discipline and tactical concentration has improved significantly. Expected to start next to the excellent Stephen Eustáquio in a key double-pivot tandem for Canada. Unsung Hero Norwich's Ali Ahmed has become a favourite of Marsch's because of his selfless work on the pitch. Ahmed is asked to lead the press on the left wing, often cutting inside to increase the midfield numbers and bring intensity and energy off the ball. One of the reasons Marsch has not deployed Davies further forward is because he views his team without the ball more than with it and in that vision the former Vancouver Whitecaps man is crucial. Probable Starting XI Canada's likely formation for the World Cup matches will be based on the 4-4-2 system that Marsch has consistently employed, with specific attention to defensive structure and pressing from the front. Fan Expectations Canada is ready to host the world, but the attention is more on this team than other games happening in the country. Being the only side to start on the east coast and move directly to the west coast allows fans in Toronto and Vancouver to watch their team in the group stages. The supporters group The Voyageurs will lead the noise with their flags and chants of "Ooh, Ahh Canada". Canada is known for its cosmopolitan population and cultural diversity, with people from all over the world, and should benefit from playing three group opponents with relatively diverse fan bases.

On 15 May, **BioOrbit** launched its compact **Box‑E** payload aboard a **SpaceX** rocket, beginning a six‑week orbital trial to grow ultra‑pure protein crystals for self‑injectable cancer therapies. Box‑E’s Orbital Test: Microgravity Enables Ultra‑Pure Protein Crystals The microwave‑sized unit will float aboard the International Space Station, where microgravity eliminates the disruptive effects of Earth’s gravity on crystal formation. The resulting crystals are more stable, allowing drug formulations that are impossible to achieve on the ground. Mission duration: ~6 weeks in orbit Target output: thousands of litres of fluid per box per year Goal: Produce cancer‑drug crystals that can be stored in a fridge and self‑injected £9.8 Million Funding Round and UK Space Agency Contract Last month **BioOrbit** closed a **£9.8 million** Series A round led by **LocalGlobe** and **Breega**, earmarked for the orbital test and scaling of the hardware. Earlier in March the company secured a **£250,000** contract from the UK Space Agency to manufacture drugs in microgravity. Potential Disruption of Cancer Treatment Delivery Current immunotherapies such as Merck’s **Keytruda** require lengthy IV infusions in hospitals. By crystallising the active protein, **Box‑E** could enable high‑concentration, low‑viscosity formulations suitable for pen‑injectors, reducing treatment time from hours to minutes and extending shelf‑life. Roadmap to Commercialisation and Market Size **BioOrbit** projects that, if orbital tests succeed, multiple **Box‑E** units could be stacked to meet the demand of a blockbuster drug within a handful of boxes. The company estimates a market of **$22.7 trillion** for in‑space manufacturing across sectors, with pharmaceuticals a key segment. Clinical trials and regulatory approval are expected to take at least five years before the new formulations reach patients. Future Outlook for Space‑Based Pharma Beyond cancer, the crystallisation platform could be applied to the roughly 70 % of top‑selling drugs that are currently administered intravenously. Partnerships with major pharma groups are already being explored, and competitors such as **Varda Space Industries** are also pursuing in‑orbit drug processing, signaling a burgeoning industry.

The Parent's Cricket Dream Every cricket-loving parent experiences that tiny flicker of hope that their child might become the next superstar. It's the irrational dream that the gods who blessed players like Sachin Tendulkar and Ellyse Perry might one day smile upon their own children. This hope begins the first time you wrap their chubby hands around a plastic bat or when they accidentally hit a tennis ball with surprising power. What parents truly hope for isn't fame or contracts, but simply that their children fall in love with the game. The author, a new father of two boys, already analyzes his children's physical attributes for cricket potential—long fingers for spin bowling, broad shoulders for powerful hitting. This is how cricket colonizes the mind, turning rational adults into amateur talent scouts studying toddler anatomy. Family Cricket Traditions Once cricket embeds itself deeply into your life, it becomes less a sport than a language through which everything else is understood. The author compares strategizing meal times and bedtime routines to captains discussing bowling changes, and positioning furniture to setting fields. This transformation of daily life through cricket's lens is a common experience for families deeply involved in the sport. The tradition of passing cricket through generations is highlighted by Sheahan Arnott, a club bowler in London whose father remains the record run-scorer at Bentley Cricket Club in Perth. They've played hundreds of games together, including a memorable moment when Arnott captained his father in his 500th game after he scored a century. For Arnott, the greatest cricket dream was playing alongside his father. The Joy of Shared Cricket Moments There is a unique joy in sharing cricket with family members that goes beyond individual achievement. The author inherited his love for cricket through his parents, who took him to the Wanderers stadium as a child. His mother drove him to endless coaching sessions, while his father offered infinite throwdowns in the garden despite working a full week. Their support transformed every small achievement into something significant. Mark Cooper, a 73-year-old cricketer, has played alongside his three sons and daughter with Millfields CC since the 1990s. He describes watching his children grow from young fielders to adults with their own lives, sharing magical moments like walking off together after hitting the winning runs. These shared experiences create bonds that transcend the sport itself. Balancing Dreams and Reality There is a delicate balance in passing on cricket passion without burdening children with parental expectations. The danger of projecting unfinished dreams onto children is as precarious as driving on the up in cricket. The trick is to pass on the obsession without passing on the burden, using cricket's intricacies as a guide. Cricket's grand tapestry is made with a million tiny stitches—properly filled-out scorecards, precisely packed cooler boxes, caring for an ageing ball. Sharing this wisdom with the next generation is both a responsibility and a privilege. The author acknowledges that his eldest son hasn't shown interest yet and his youngest can't even hold his head up, let alone a bat, but as a cricket tragic, he understands the value of patience and hope.