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The unexpected return of two William Hartnell episodes to the BBC archive has sent shockwaves of excitement through the Whovian community. For the first time since 1965, fans can now enjoy the first quarter of the 12-part adventure 'The Daleks' Master Plan.'The surviving five episodes are now on iPlayer, and the first three make for a stirring introduction to the adventure, with large impressive sets for the Earth control centre and the Dalek ship, contrasting with the dense forbidding foliage of the planet Kembel. Frequent tight closeup shots from director Douglas Camfield on the faces of the cast add to a claustrophobic feel in the jungle sequences.At the time, Hartnell was not to know that within a year he would be 'renewed' as the lead of the show by Patrick Troughton. Hartnell's health problems, reputation for being difficult on set and frequent flubbing of lines during a production schedule that allowed little leeway for second takes has tainted his tenure in the role.Here, especially in the opener, we get to see him in some of his strongest moments as the Doctor. With Stephen (Peter Purves) incapacitated by the poison he picked up in Troy, and Katarina (Adrienne Hill) little more than a hollow vessel of a character, Hartnell has much more to do than usual. The actor gets to show the gleeful side of his nature as he delights at his own invention of the magnetic chair and his ingenuity at repelling – at least initially – boarders to the spaceship.Rediscovering episode one also means we can enjoy beloved children's television presenter Brian Cant flexing his acting chops in something other than Playschool, and all three episodes prominently feature Nicholas Courtney, who would go on to play Brigadier Lethbridge-Stewart for 40 years, as Bret Vyon. A highlight is the Addams family-esque kookiness of the aliens making up the Dalek council, which is certainly preferable to the somewhat cliched prison planet savages set-up of part three.The biggest mystery, of course, is how these episodes have ended up surviving. Film is Fabulous, the people who secured them, have said they are respecting the wishes of the estate of the person who was holding and keeping them anonymous. Perhaps the most intriguing thing is that, given it was never sold overseas, the missing episodes of the Daleks' Master Plan were among the least likely to ever be found, but two episodes were sitting in those film cans all along. Who knows what else might still be out there?

The arrival of spring brings a cherished Easter tradition for many – a pilgrimage to witness the breathtaking bloom of pasqueflowers in the Chiltern Hills. Every year, as the days lengthen and the landscape awakens, enthusiasts make their way to the sunny slopes of Church Hill, where approximately 60,000 of these delicate flowers emerge.The pasqueflower, named from the Middle English 'paschal' meaning 'of Easter', is a rare sight in today's landscape. Its felty flower buds, surrounded by plumes of white-haired bracts, push through the shallow soil, and the undersides of the petal-like sepals feel warm and soft to the touch. As the flowers unfurl, they reveal hosts of golden anthers, creating a stunning mosaic of green, white, and violet across the hillside.However, the pasqueflower's presence is a conservation success story. Once found in 130 locations in 1750, changes in grassland management and ploughing have reduced its numbers drastically, leaving only 18 sites, with five locations containing 99.3% of the country's remaining plants. Church Hill, now a local nature reserve and site of special scientific interest, holds over a third of the UK's pasqueflowers, a plant classified as 'vulnerable' on the Great Britain Red List.The sight of these flowers is not just a natural wonder but also a testament to conservation efforts. The hope is that this precious site will continue to protect Hertfordshire's county flower for generations to come, allowing sundry folk to enjoy the beauty of nature rather than commemorating the past.

In Barcelona, anti‑tourism demonstrators have added a culinary twist to their demands, chanting “Stop brunch!” alongside the more familiar “Ban Airbnb” as they protest soaring rents and the loss of local character.The rise of generic brunch venues—identical hipster cafés with the same menu, décor and background music—has become a symbol of overtourism, pushing out neighbourhood bars and eateries that once served the resident community.In response, Albert Molins, a journalist for La Vanguardia, launched a simple Google Maps list in autumn 2020. The list quickly evolved into a city‑wide movement to resurrect the Catalan tradition of esmorzar de forquilla (literally “fork breakfast”).This hearty mid‑morning meal, historically a 19th‑century labourer’s fuel, typically includes a main dish, wine, bread and coffee, and can be enjoyed for under €15. It is now served in modest, no‑frills taverns that showcase authentic Catalan flavours.Signature dishes differ sharply from the typical brunch fare. Patrons can savour trinxat—a pan‑fried potato and cabbage hash topped with crisp pancetta—fricandó (stewed veal with mushrooms), bacallà amb samfaina (fried cod on stewed vegetables), and the richly spiced botifarra sausage. For off‑al lovers, options such as callos (tripe stew), peus de porc (pigs’ feet) and the indulgent cap i pota (veal head and feet stew) are on offer.The original map has since been redeveloped into the functional EsmorzApp, uniting a growing community of “fork‑breakfast enthusiasts” and attracting younger diners alongside long‑time local patrons.Restaurant owner Gerard Llopart notes that his establishment in Barcelona’s Eixample district now welcomes a broader, more diverse crowd, proving that the revival resonates beyond its traditional base.While the movement does not single‑handedly solve overtourism, it demonstrates how locals can reclaim cultural space and invite tourists to partake in genuine culinary heritage. As Molins puts it, the fork breakfast is “our history,” and visitors are encouraged to download the app and ask for un cap i pota, si us plau?

In the midst of ongoing conflict between Iran, the US, and Israel, a beacon of hope and joy has emerged at the Children's Medical Center in Tehran. The hospital, operating under the Tehran University of Medical Sciences, has become a sanctuary for young patients and their families, providing a much-needed respite from the stress and anxiety of war.On Thursday, families across Iran celebrated Sizdah Bedar, or Nature Day, marking the 13th day of Nowruz, the Persian New Year. While many gathered at Pardisan Park in Tehran to spend time with loved ones, a group of doctors and healthcare providers at the Children's Medical Center worked tirelessly to create a joyful experience for children who could not join in due to illness.Resident doctors and interns have been pooling their own resources and relying on donations to organise activities for the children. The hospital, which has not been impacted by strikes unlike some other medical facilities in Tehran, has seen a decline in patient numbers due to the war, with some parents opting to take their children to paediatric facilities in other cities perceived as safer.Dr. Samaneh Kavousi, one of the organisers, emphasised the importance of providing relief to children and their families, stating, 'We've been trying to do what we can to relieve some of that anxiety.' The hospital's efforts have included art therapy, music, and play activities, as well as distributing fun bags filled with toys and food.Despite the challenges posed by the war, the hospital remains prepared to quickly bounce back to normal activity levels when the conflict ends. Dr. Zeynab Aalihaghi, another resident organiser, noted that the facility faces no shortage of medicine at the moment and hopes to continue helping children and their families.As the war continues, the Children's Medical Center in Tehran stands as a testament to the resilience and dedication of healthcare personnel and the importance of providing hope and joy to those affected by conflict.

Spain's coastal towns are taking proactive measures to prepare for tsunamis, a threat that has been historically underestimated. The town of Chipiona, located on the Atlantic coast, has become Spain's first 'tsunami-ready' community, recognized by the Intergovernmental Oceanographic Commission (IOC) of UNESCO in 2024. Chipiona's mayor, Luis Mario Aparcero Fernández, emphasizes the importance of public awareness and education in tsunami preparedness. The town conducts annual evacuation drills, and information boards have been installed to inform residents and tourists about what to do in case of a tsunami. The town's tsunami-ready status is part of a larger regional goal to establish 25 tsunami-ready communities by the end of this year and prepare all communities at risk by 2030. Jorge Macías, a tsunami modeller at the University of Málaga, stresses that preparedness is key, as the Mediterranean will experience a tsunami of at least a metre in height in the next 30 to 50 years with '100% certainty'. Spain's national tsunami warning system can detect an offshore earthquake and compute an initial assessment within three to five minutes. However, in the Mediterranean, this may leave only minutes to evacuate. Juan Vicente Cantavella, the director of the National Tsunami Warning System in Spain, notes that tsunami wave height is often underestimated, and even small waves can cause significant damage. Despite progress in some areas, much of the Costa del Sol remains in the earlier stages of planning, with sparse public signage and unclear evacuation routes. Miriam García, a geomorphologist and urban planner, highlights the vulnerability of Spain's Mediterranean coast, which was built without considering tsunami risks. The article concludes that preparedness is not about predicting the day and time of a tsunami, but about choosing not to be surprised when nature eventually repeats what history and geology say it will.

Peach PRC, born Shaylee Curnow, has transitioned from her online fame to a more natural, back-to-nature era. Her debut album, Porcelain, reflects this shift, featuring a more subdued tone and exploration of synesthesia, a condition that inspires her songwriting.Having gained popularity on TikTok with over 2.2 million followers, Peach PRC's music often blends humor and earnestness. Her album 'Porcelain' balances fizzy fun with softer, more sincere tracks, showcasing her growth as an artist.Peach PRC came out as a lesbian on social media in 2022 and has been open about her mental health struggles and alcoholism. Her music now reflects a period of comfort and security with her sexuality.The album's lead single, Miss Erotica, is an ode to her four years as a stripper in Adelaide, where she first gained online fame. Peach PRC hopes her album will make listeners feel appreciative to be alive and look for beauty in the world.

In a picturesque woodland setting, a remarkable partnership between a 12-year-old mare named Etty and her handler, Toby Hoad, showcases the effectiveness of horse logging. This traditional yet sustainable method of extracting tree trunks causes minimal disturbance to the environment compared to mechanized approaches. Etty, a stocky chestnut mare, works in tandem with Toby, requiring a deep understanding and trust between them. Toby explains that building a strong relationship with his equine partner is crucial: 'You've really got to build up a relationship; you've got to build up trust. I can drop the reins, and she will pull out the log for me if it's in a tight spot.' The use of horsepower for logging offers several advantages. Equines are more maneuverable, can work in restricted spaces, don't compact the ground, and cope well with wet conditions without damaging the forest floor. These benefits make horse logging an attractive alternative to traditional methods. Toby, one of only a handful of professionals doing this job full-time, uses the French Comtois draught breed for their strength and suitability for the task. The breed's compact size and robust nature make them ideal for navigating woodland terrain. Toby notes that traditional UK heavy horses, such as shires, would be too large for this work. As the seasons change, Toby and Etty are nearing the end of their current project, removing diseased ash trees from a coppice. The work will resume in September, with the team taking a break to participate in agricultural shows and engage in other activities like bracken rolling, a non-chemical method of controlling fern growth.

A Lebanese‑French visual artist, Ali Cherri, has lodged a formal complaint with the French war‑crimes unit in Paris, accusing Israel of committing a war crime after a 2024 airstrike on his family home in Beirut killed his parents and a domestic worker. The filing marks the first time a French court has taken up a case concerning Israel’s bombing of Lebanon and is an unusual move by an individual to pursue war‑crimes accountability. Israel has faced repeated accusations of violating international humanitarian law in Lebanon and Gaza, including attacks on civilians, medical facilities and forced displacement, yet no Israeli officials have been prosecuted to date. Cherri said, "Our demand is that an investigation is opened so that we know for a fact what happened, to name this attack as a war crime against civilians, and hopefully be able to name the people responsible." The apartment, built by his grandparents in central Beirut, was struck a few hours before a cease‑fire between Hezbollah and Israel took effect on 26 November 2024. The 13‑month conflict had already claimed roughly 4,000 Lebanese lives. The blast, which gave no prior evacuation warning, destroyed three floors, killing Cherri’s 86‑year‑old father Mahmoud Naib Cherri, 76‑year‑old mother Nadira Hayek, their employee Birki Negesa and four other civilians. In February, Amnesty International’s investigation concluded there was no military target at the time of the strike and urged that the incident be examined as a war crime. Forensic Architecture, a UK‑based investigative group that helped draft the complaint, produced a 3‑D reconstruction of the building and identified the munition as a GBU‑39 guided bomb – a 250 lb US‑made weapon frequently used by Israel in Lebanon and Gaza. The analysis underscored the targeted nature of the attack and, according to the group, demonstrated direct responsibility of the Israeli army. Amnesty International’s regional director for the Middle East and North Africa, Heba Morayef, called the French civil complaint “a rare opportunity” to hold Israel accountable in a European court, given the usual impunity. The case arrives amid renewed hostilities: on 2 March Hezbollah fired rockets at Israel, prompting an Israeli aerial campaign and ground invasion that has killed 1,318 people so far. Photographer Mohammed Shehab, who collaborated with Forensic Architecture on the Cherri investigation, was himself killed in an Israeli strike on 11 March, which also claimed his infant daughter’s life and wounded his wife – an incident the group described as “circumstances similar” to the Cherri bombing. While Cherri doubts any Israeli officials will face criminal charges, he insists that filing the suit is a moral duty to give a voice to victims who cannot pursue legal recourse themselves.

Fifa has announced a substantial increase in the top ticket price for the World Cup final, setting it at $10,990 for this year's tournament. This marks a significant jump from the $1,600 price tag for the 2022 World Cup final.The price hike is part of Fifa's dynamic pricing model, which adjusts ticket prices based on demand. This approach has been widely criticized for potentially pricing out fans and contradicting Fifa's mission to promote accessible and inclusive soccer globally.The increase in ticket prices has sparked concerns among fans and politicians. 69 Democratic members of US Congress wrote to Fifa's president, Gianni Infantino, expressing their concerns about the financial exclusionary nature of dynamic pricing.In contrast, Infantino has praised the sales process, stating that Fifa received a record number of requests, equivalent to "the request for 1,000 years of World Cups at once." The World Cup is set to take place in cities across the US, Mexico, and Canada, with the final on July 19 in New Jersey.The new batch of tickets released includes the final and 17 group stage matches, with additional tickets to be made available on a rolling basis. Fifa will also take a 15% cut from both buyers and sellers on the resale market.