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The Art Revolution That Started in a Car Park It's hard to imagine now, but there was a time when rooftop bars weren't really a thing. A time before pop-ups and contemporary outdoor sculpture parks. A time even, if you can bear to think of it, before immersive art. Way back in 2007, there was none of that – the UK was an experiential art wasteland. And then Bold Tendencies showed up, chucked a whole load of sculptures in a multi-storey Peckham car park, painted a staircase bright pink, built a cocktail bar on the roof, and changed everything. Two Decades of Transformative Art Now going into its 20th summer season, Bold Tendencies is celebrating two decades of sometimes sun-drenched, often windswept and drizzly arts programming. In that time, it has welcomed more than 3 million visitors into its concrete edifice behind Peckhamplex cinema, commissioned dozens of new artworks, hosted countless recitals and performances, built an auditorium and a concert hall, and drawn the roadmap for countless art experiences that have come in its wake. The Artistic Legacy And the art's not been too bad, either. Anthea Hamilton built a doorway to heaven through a man's splayed legs in 2010. Jess Flood-Paddock parked Del Boy's three-wheeled van on the roof in 2011. James Bridle flew a black balloon filled with wifi routers from the roof in 2014. Adam Farah-Saad installed a decorative retro water fountain in 2024. There have been piles of raw pigment, fluttering flags, wobbly walkways, heads on spikes. Almost all newly commissioned, and all free to see. Transforming the Cultural Landscape You can't overstate just how different, not only Peckham was in 2007, but the whole cultural landscape of the country. This was years before the likes of The Vinyl Factory or Frameless, and long before the Hayward and Tate were racing to the bottom to find the most TikTok-ready, Instagram-friendly exhibitions possible. The only large-scale sculptural commissions around back then were the fourth plinth and the Tate's annual Turbine Hall and Duveen projects. There wasn't really anywhere else to see new sculptural work by young artists. The Peckham Effect There also wasn't a lot going on in Peckham at the time. But what the area did have was a handful of project spaces, a single dive bar called Bar Story, seriously cheap rents and – thanks to being squeezed between Camberwell College of Arts and Goldsmiths – a lot of artists. Combined with a relative sense of isolation in the days before the London Overground, it boasted a fairly unique set of circumstances. "I found it to be a place of great possibility," says Barry. "And it still feels like that." The Visionary Behind the Movement Barry had been putting on exhibitions in a semi-derelict house on nearby Lyndhurst Way, and struck up a relationship with the people responsible for property in Southwark council. The council realised that artists could act as caretakers of empty, derelict buildings awaiting redevelopment, and Barry figured that those buildings could be used for art exhibitions. It's a model still followed today by other cultural charities, one that some consider the forward battalion in a wave of gentrification that has engulfed the city ever since. The Future of Public Art "Part of our responsibility in doing a project like this is to offer up the joy of feeling welcome to as many people as possible," says Hannah Barry, the driving force behind Bold Tendencies and owner of Peckham's longstanding Hannah Barry Gallery. "People come here for all sorts of different reasons and they may stay for a short time or stay for a long time. What matters is that they're curious enough to come." As Bold Tendencies enters its third decade, it continues to push boundaries and redefine what public art can be, proving that sometimes the most revolutionary ideas come from the most unexpected places.

The Rise of a Culinary PioneerIn Japan, the sushi bar where the chef chops fish for the clientele is a kind of stage. In which case all the world's a sushi bar for Nobuyuki Matsuhisa, whose deluxe Nobu chain has taken root in dozens of cities across the globe. Matt Tyrnauer's documentary charts the rise of this affable but restless pioneer, motivated since the start of his career to break out of insular Japan and shake up its cuisine.Innovative Culinary PhilosophySignature dishes like his iconic black cod with miso – made with Alaskan sablefish – or Peruvian-influenced yellowtail sashimi with jalapeno veer well off the sushi-restaurant template. But don't call it fusion, Tyrnauer's film says early on; it's still Japanese food, just open to foreign ingredients and techniques.From Japan to Global SuccessAfter a rocky start in life, in which a young Matsuhisa was placed on probation after reckless driving, he got "lost in sushi." After stints in Peru and Alaska, it was setting up Matsuhisa restaurant on Los Angeles' La Cienega Boulevard that made his name, introducing a sense of the unexpected and the lavish to the burgeoning western yen for sushi.The De Niro PartnershipRobert De Niro was one convert, making an offer to set up a New York branch that Matsuhisa refused; it was something he felt he wasn't ready for. Several years on, they finally partnered to set up the first of the eponymous eateries. One of De Niro's acquaintances questioned how Matsuhisa could be a master if he just had to chop raw fish. "Nobu wouldn't like to hear you say that," was the actor's testy reply.Personal Struggles and Culinary PerfectionismThis docu-portrait reveals telling vignettes in the second half. One is Matsuhisa hauling the Los Cabos hotel staff over the coals for sloppy preparation of his dishes; the other is De Niro shooting down another partner's ill-fitting ideas for new Nobu locations. Both testify to the difficulty of maintaining a coherent culinary and brand culture in globalised ventures; Matsuhisa does indeed seem to supply a Japanese aestheticism and rigour at the centre of things.The Cost of SuccessOne colleague suggests his sensitivity to failure is also very Japanese: he came close to suicide after his Alaska restaurant burned down and is haunted by a feeling of responsibility for the suicide of his best friend. But having lost his father traumatically early, it's just as likely this anxiety is personal. Either way, it's clear that this sensitivity paid off in the kitchen.

The LeadLionel Messi's participation in the FIFA World Cup has been the subject of fan queries for the past few months, but his inclusion in Argentina's preliminary squad for the tournament may have put those concerns to rest. The global football superstar was among the 55 players named by Lionel Scaloni in his initial World Cup roster, though the 38-year-old has yet to fully confirm his availability as Argentina look to defend their title.The Squad AnnouncementScaloni's preliminary roster includes 16 forwards, with Messi being the most prominent name. The selection comes as Argentina prepares to defend their World Cup title in a tournament co-hosted by Canada, Mexico, and the United States. The squad announcement also included Gianluca Prestianni despite a six-match ban imposed on the player that could see him miss his team's first two group games.The Messi QuestionMessi has repeatedly hinted that his time on the global stage may be coming to an end. "I'm conscious that I'm playing my final matches, and I'm enjoying them to the maximum," Messi said after an Inter Miami game in June. "I'm sure that you're watching my final moments in football's elite." However, he has neither committed nor cut ties with La Albiceleste in the run-up to the monthlong tournament, which begins on June 11.Team Dynamics and Prestianni's BanMessi's teammates have been very clear about their wishes. "With Messi, we might have scored two or three more goals," Julian Alvarez said after Argentina's 4-1 win over Brazil in the South American qualifiers last year. Rodrigo de Paul echoed Messi's fans in Argentina and around the world when he said: "The best of our teams is always when the number 10 is playing because he is the greatest of all time."Meanwhile, 20-year-old Prestianni is set to miss at least two of Argentina's World Cup fixtures as he serves a six-match ban for using homophobic slurs during a UEFA Champions League game in February. Playing for Benfica of Portugal, Prestianni was accused of hurling verbal insults towards Real Madrid's Vinicius Jr. The original penalty was handed out by UEFA before FIFA extended the punishment to all worldwide sanctioned matches.World Cup Defense TimelineArgentina open their title defense against Algeria on June 16 in Kansas City, Missouri, before facing Austria on June 22 in Dallas, Texas, and Jordan at the same venue on June 27. The World Cup will conclude on July 19. Messi scored seven goals for Argentina as they lifted the World Cup trophy for the first time in 36 years at the Qatar 2022 tournament, including the team's first goal in regulation time in the final against France.

The Selection Challenge AheadIn exactly two weeks, Mauricio Pochettino will determine which 26 players will represent the United States at this summer's World Cup. The decision may be even harder than you'd expect, as across 24 games as US boss, Pochettino has deployed 61 different players for first-hand assessment, and his tenure so far has provided scant evidence of a crystalized core.Only six USMNT players have logged even a thousand minutes under the Argentinian's watch; a staggering 34 have played fewer than 250. Tim Ream has been the most-trusted charge, with 1,557 minutes, while Cade Cowell saw the briefest deployment in a single 12-minute cameo. Fifteen players have made at least 10 appearances under Pochettino. Perhaps most interesting: of the 29 players who have made no more than five appearances, four seem like certain bets to be involved when the World Cup group stage starts in June.Goalkeeper DilemmaWhat's more important for a national team goalkeeper: club form or chemistry? Turner opened the Pochettino era as the incumbent and first choice, but Freese's run during last summer's Gold Cup kicked off a 14-starts-from-15 stretch. While Turner was hardly at fault in March's 5-2 loss to Beligum (his lone recent start), giving up five goals never leaves a reassuring impression.And yet, it's the New England keeper who has fared better in the first three months of the MLS season. Turner is second among all MLS goalkeepers with 5.6 goals prevented (comparing goals conceded against post-shot xG faced). While Freese is narrowly ahead of expectations, at 0.7 goals prevented, that ranks 15th among regular starters across the 30-team league.Still, Freese's shootout heroics against Keylor Navas and Costa Rica last summer made clear he can handle pressure. As for the rest: Schulte is maintaining a 0.8 goals prevented clip, 14th in MLS, while Steffen has been MLS's fourth-poorest goal preventer at -3.2. Whoever is starting, Schulte is near-certain to be the emergency option.Left-Back CompetitionRobinson and Sergiño Dest are still the assumed starters at the two full-back spots. However, injuries have kept both from regular involvement, opening the door for alternatives.One of three players to appear in at least two-thirds of Pochettino's matches in charge, Arfsten brings considerable progressive instincts that make him a dangerous option as a left wing-back with three center-backs behind him. The problems come when he's asked to play on the edge of a back four, as his upfield scampers cede golden opportunities for opponents to counter. He's an excellent option off the bench, but it's likely Robinson's spot to hold. The United States' best moments at the start of both March friendlies often came at his feet, from his progression and line-breaking distribution to his positional dependency when the opponents took over.Right-Back OptionsThe right-back position presents different challenges for Pochettino's selection process. While the article content appears truncated at this point, it's clear that the coach has been evaluating multiple options for this critical defensive position.Midfield and Attack AnalysisFurther analysis of the midfield and attacking options would typically follow in a complete article, examining which players have impressed Pochettino with their performances, versatility, and ability to contribute to the team's tactical approach.Final Squad PredictionsAs the May 26 deadline approaches, Pochettino's final selections will be closely scrutinized by fans and analysts alike. The coach's emphasis on versatility and tactical flexibility suggests that players who can adapt to multiple roles may hold an advantage in the selection process. The World Cup roster will likely balance experience with emerging talent, reflecting Pochettino's experimental approach during his tenure so far.

Brief Celebration in the Midst of Ruins A coordinated mass wedding took place in Gaza on 12 May 2026, bringing together a group of Palestinian couples for a single ceremony that lasted only a few hours. The event, organized by local community groups with support from international NGOs, was intended to provide a moment of normalcy and joy amid the ongoing conflict. Logistics of the Mass Wedding Venue: A partially restored community hall in the northern Gaza Strip. Participants: approximately 30 couples who had postponed their marriages due to the war. Support: Food, clothing, and basic medical checks were supplied by the United Nations Relief and Works Agency (UNRWA) and local charities. Security: A temporary cease‑fire was negotiated with the warring parties to allow safe passage for attendees. Humanitarian Context and Numbers Casualties since the latest escalation: over 30,000 deaths and more than 70,000 injuries reported in Gaza. Displaced population: nearly 1.5 million residents remain without permanent shelter. Access to basic services: Less than 40% of the population has reliable electricity; water supply is below 30% of pre‑conflict levels. Social Impact: Resilience and Symbolism The ceremony highlighted the community’s determination to preserve cultural and personal milestones despite extreme hardship. Couples and families described the event as a "beacon of hope" that reaffirmed their identity and future aspirations, even as they continue to face daily shortages of food, medicine, and safe housing. Looking Ahead: Prospects for Normalcy Organisers hope the wedding will inspire similar initiatives that blend humanitarian aid with cultural restoration. However, lasting stability will depend on a durable cease‑fire, reconstruction of infrastructure, and sustained international assistance. Until then, such brief moments of joy remain fragile symbols of resilience in a region still grappling with profound uncertainty.

The Title Race UpendedUntil the recent weekend, it was widely assumed that Northampton and Bath, the two frontrunners in the English Premiership, were all but guaranteed home semi-finals and would almost certainly meet in the grand final. However, significant defeats have suddenly opened the door for other teams to enter the championship conversation.Weekend Shocks Reshape the LandscapeNot only did Northampton and Bath lose at the weekend but both were well beaten, with Northampton going down 41-17 to Leicester and Bath suffering a 35-12 defeat to Exeter. Bath's loss comes after they have now lost three games on the trot, including their Champions Cup semi-final in Bordeaux. Northampton's performance was particularly concerning as they were not just beaten but 'unceremoniously flattened' by their rivals.Historical Context and Statistical AnomaliesHistorical stats reveal interesting patterns. The last time Bath lost two consecutive league games under Johann van Graan was in October 2023, when several players were at the World Cup in France. Northampton, meanwhile, have never conceded as many points away against their East Midlands rivals' ground in the league as they did in their recent defeat.Psychological Shift in the Final RoundsThese weekend results have slightly tweaked the psychology around the run-in. While Northampton may have the league's slickest attack, injuries have been affecting their squad depth and their defense has become increasingly porous, with Saints shipping an average of more than 35 points in their past three league games. Leicester, having just put six tries past a Saints side containing numerous England players, will not be apprehensive about facing their old rivals again.Exeter's Momentum and Bath's FatigueExeter's victory over Bath was particularly telling. With a strong wind at their backs, their famed 'Bomb Squad' rumbling on for the last half hour and trailing by only six points entering the final quarter, everything was set up for Bath to pull the trigger. Instead, the Chiefs, playing into the elements, won the last 20 minutes by a margin of 17-0. The simplest explanation appears to be that Bath were mentally and physically exhausted after their European exertions, while Exeter showed greater resilience despite their own recent challenges.Playoff Picture and Potential ScenariosIt still seems most likely that Saints, Bath, Leicester and Exeter will occupy the playoff berths, unless either Bristol Bears or Saracens, finishing strongly, can force their way into contention. The potential matchups are fascinating: a weary, slightly depleted Northampton against a determined Exeter with Leicester hosting Bath rather than vice versa in the other semi-final. There may yet be a significant twist in this season's Premiership tale.

The Artist's Monument to Forgotten WorkersAn air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III.Yet in one of the second-floor rooms of Berlin's largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. "Here was the single bed I shared with my mother for three years," she says, pointing into a corner of the small room. "Two metres by 90cm, can you believe it?" There in the corridor is where her neighbours used to make bánh bao dumplings on camping stoves, for lack of private kitchens. "I still remember the smell." Here was the door through which she used to entertain her best friend when his mother locked him in during working hours. "We played cards through the gaps," she recalls with glee.But she also still remembers where neo-Nazis tried to throw molotov cocktails into the building: "They eventually set up a net because the windows kept on getting smashed".The Mosaic Recreation of a Lost CommunityThese days, few people have heard of the Gehrenseestrasse complex, whose last tenants left in 2002. But if Tieu had her say, it would be as essential a stop on the tourist trail as the Brandenburg Gate, the Reichstag or Checkpoint Charlie. There is, in her view, no place that better tells the story of the Vertragsarbeiter generation – the oft-forgotten workers who were hired on fixed-term contracts from socialist "brother states" in Vietnam, Mozambique, Angola or Cuba to boost the East German economy. "To me, this place is a monument," says Tieu.By the end of this summer, many more people in Germany – and art enthusiasts around the globe – will know about her childhood home. For this year's Venice Biennale, Tieu has clad the German pavilion with a like-for-like replica of the complex's facade, recreating the grey concrete and smudges of graffiti with three million mosaic stones made in Ravenna. She conceived the pavilion in tandem with the artist Henrike Naumann, who died in February from cancer aged only 41.Bureaucracy as Artistic MediumThe woman I meet at a Vietnamese restaurant in Berlin's Lichtenberg district is the antithesis of that exoticised cliche: modest, dressed all in black, analytical in her answers to my questions. She talks me dispassionately through the more experimental food options on the menu, but comes alive when explaining bilateral treaties and labour regulation."I really try to avoid the pure post-migrant diaspora narratives. By focusing on individual experience you can lose sight of the bigger picture. Contracts, state treaties, floorplans – that's what I am interested in. There has to be a certain formal toughness."Looking through her catalogue raisonné you are reminded of Marcel Duchamp. You see an artist dedicating her career to seeking ever more minimalist ways to express the same idea, from Cubist painting to readymade to annotations of chess moves. And in Tieu's case, that big idea is bureaucracy. In 2015, she reprogrammed the scrolling LED displays at a shop inside the Dong Xuan Centre, Berlin's largest Asian market, to display the texts of immigration treaties. For a group show at Berlin's Haus der Kulturen der Welt in 2024, she transcribed by hand documents from the national archives on the East German porcelain industry, authenticating them with her own ornamental stamp. Her website, fittingly, is just a long index of file names and a deadpan biography section: "Sung Tieu is an artist."Childhood Trauma and Artistic Vision"I think it's also a childhood trauma," she says when I ask her where her interest in bureaucracy comes from. "I've had to fill out forms for my mother since I was five, since she didn't speak any German. And by the time I was seven my German was better than hers. Bureaucracy was part of my childhood – I studied politics and administration because I wanted to understand it."Born in 1987 in Hai Duong, northern Vietnam, Tieu moved with her mother to what was by then the formerly socialist East German regions in 1992. They were joining up with her father, who had moved to the GDR five years earlier via a bilateral agreement for factory workers from the socialist republic.Initially announced in the romantic spirit of ideological solidarity, the treaty between the two states soon became a more hard-nosed deal, addressing ongoing labour shortages in East Germany while helping to rebuild a war-ravaged Vietnam, which took a...The Legacy of Forgotten WorkersTechnically there was no racism in the GDR, because it wasn't documented. But of course it always existed. This is the uncomfortable truth that Tieu's installation confronts – the erasure of immigrant experiences in official narratives, even as these workers were essential to East Germany's economy.Through her art, Tieu transforms personal memory into collective history, giving voice to the thousands of contract workers who built East Germany but were never fully acknowledged as part of its society. The Venice Biennale installation, with its meticulous recreation of a housing complex that many would prefer to forget, serves as both memorial and critique – a reminder that the stories of immigrants are integral to understanding modern Germany.The Future of Migration Narratives in ArtAs Europe continues to grapple with questions of migration and identity, artists like Sung Tieu are pioneering new forms of expression that move beyond personal stories to examine the structures and systems that shape immigrant experiences. By focusing on bureaucracy, architecture, and official documents, Tieu creates art that is both deeply personal and universally relevant.The Venice Biennale platform ensures that these often-overlooked histories reach a global audience, challenging visitors to reconsider their understanding of migration, labor, and belonging. As Tieu continues her exploration of these themes, we can expect more installations that transform bureaucratic systems into powerful artistic statements, creating spaces where the voices of the marginalized can be heard and remembered.

Drake has turned his album launch into a winter spectacle in Toronto, yet the hype is being eclipsed by a bitter rivalry with Kendrick Lamar and growing criticism that he’s pandering to the manosphere. The article dissects the marketing push, the numbers that still keep him on top of streaming charts, and the cultural fallout that could reshape his career. The Iceman Campaign: Ice‑Cold Stunts in Toronto Courtside seats at the Raptors arena were iced over with faux icicles. A massive block of ice was placed downtown for fans to chip away, revealing the album release date. A YouTube series set in an ice‑manufacturing plant debuted, featuring Drake driving an Iceman‑branded truck. Numbers Behind the Hype: Release Date and Streaming Dominance The album drops on 15 May 2026. Despite the controversy, Drake remains the highest‑streamed rapper worldwide, a metric that continues to attract major label support and lucrative brand deals. Cultural Fallout: The Kendrick Lamar Beef and Manosphere Accusations The feud began two years ago when Lamar’s diss track Not Like Us labeled Drake a “hip‑hop colonizer.” Since then, Drake’s lyrics have been called out for misogyny—most notably the 2022 track “Circo Loco”—and his off‑stage actions (e.g., gifting $50,000 to a dumped fan) have drawn comparisons to incel culture. Female fans cite these moments as the “final straw,” prompting a shift toward the manosphere in his public persona. What This Means for Drake’s Brand and the Hip‑Hop Landscape The combination of aggressive marketing, streaming clout, and a tarnished reputation creates a paradox: Drake can still generate chart‑topping hits, yet his credibility among core hip‑hop audiences is eroding. The backlash illustrates a broader industry tension between commercial success and cultural authenticity. Future Outlook: Can Drake Re‑Earn His Audience? Analysts suggest that a candid, self‑reflective project—akin to Taylor Swift’s Reputation—could help Drake mend fences. Without a clear apology or a decisive artistic pivot, his attempt to reclaim lost fans may fall short, leaving his legacy in a precarious balance.

The Film's Unique Narrative Structure Directed by Patrick Leung, Ciao UFO is a Hong Kong drama that employs a non-linear narrative, jumping between different time frames. The film follows a group of childhood friends as they grow up in a working-class Hong Kong housing estate. The Story of Friendship and Growth The story centers around four kids: Kin, Heem, Hoyi, and Little Brother, who share a life-changing experience in 1985 when they see a UFO in the sky. As they grow up, their paths diverge, with each character pursuing different goals and facing various challenges. The Impact of Hong Kong's Changing Landscape The film is set against the backdrop of Hong Kong's transformation, particularly the 1997 handover to China. This significant event serves as a pivotal moment in the characters' lives, influencing their decisions and futures. A Blend of Realism and Melodrama Ciao UFO is not a sci-fi film, but rather a multi-stranded realist drama that explores the complexities of human relationships and the city's evolution. The film features a cast of colorful characters, including a spaced-out uncle and a superstitious grandfather. A Long-Awaited Release Despite being made in 2019, Ciao UFO is only now receiving an international release due to distribution issues. The film still feels fresh and relevant, particularly in today's volatile economic climate.