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The Return of a Comedy LegendAfter a decade-long hiatus from the standup circuit, Lenny Henry has returned with 'Still at Large,' a tour that serves as both a celebration of his enduring legacy and a personal reflection on a career spanning five decades. The show, which marks his first standup tour since 2010, offers a unique window into the mind of one of Britain's most beloved comedians as he navigates the transition from a 16-year-old prodigy to a seasoned 67-year-old veteran.A Retrospective of 'Still at Large'The performance is structured as a hybrid of new material and nostalgic greatest hits. Henry revisits iconic characters and jokes, such as his impressions of the Jamaican matriarch of his family and the famous 'Black Country' bit from his 1989 special Live and Unleashed. Unlike bands that can simply replay old tracks, comedians are traditionally expected to constantly evolve; however, Henry challenges this industry norm by curating a set that feels like a victory lap, complete with video montages from his past work.The Economics of Nostalgia in ComedyThe success of 'Still at Large' highlights a growing trend in the entertainment industry where veteran performers leverage their established fanbase for retrospective tours. By combining personal anecdotes with recognizable material, Henry maximizes audience engagement. The show's emotional resonance is amplified by the fact that this early stop is in his 'home' territory, allowing him to connect deeply with the local community and family members in the audience, creating a warm, communal atmosphere that pure novelty acts often lack.Redefining the 'Victory Lap' in Modern ComedyHenry’s approach to comedy—citing influences like Tommy Cooper and Richard Pryor—suggests a shift in how veteran comedians are perceived. He is often compared to Cooper for his physicality and Pryor for his fearless handling of difficult subjects, such as a routine about slavery that garnered critical acclaim. By 'baring his teeth' at 67, Henry proves that he can still deliver biting social commentary, effectively silencing critics who once labeled his style as 'toothless' compared to American counterparts.The Future of Veteran Standup ActsLegacy Tours: Expect more veteran comedians to adopt the 'greatest hits' format as a way to maintain relevance without the pressure of constant innovation.Emotional Connection: The success of this tour indicates that audiences are increasingly willing to pay for nostalgia and emotional connection rather than just shock value.Enduring Relevance: Henry’s ability to tackle sensitive topics like race and history proves that veteran comedians remain vital voices in the cultural conversation.The tour continues until 3 November, offering fans one last chance to see a living legend in his element.

Celebrating a Life of Theatrical VersatilityThe Guardian marks the passing of Michael Pennington, an actor celebrated for his resonant voice, striking presence, and effortless stagecraft. His death on 11 May 2026 prompts a reflection on a career that blended classical mastery with contemporary daring.Founding the English Shakespeare Company and Global TouringIn partnership with Michael Bogdanov, Pennington co‑founded the English Shakespeare Company, a troupe that toured worldwide with one‑man shows on Shakespeare and Chekhov. This venture embodied a "rock’n’roll" approach, marrying progressive political themes with nostalgic touring traditions.Founded English Shakespeare Company – late 1980sInternational tours featuring solo Shakespeare and Chekhov performancesSignature Roles Across Classical and Modern RepertoirePennington’s stage résumé includes landmark performances:Berowne in *Love’s Labour’s Lost* (1978, RSC)Hamlet under director John Barton (1980, RSC)Ian McKellen’s counterpart in *Venice Preserv’d* (National Theatre)Wilhelm Furtwängler in Ronald Harwood’s *Taking Sides* (2008, Minerva, Chichester)Solo shows: *Sweet William* (Shakespeare) and a Chekhov portraitInfluence on Contemporary British TheatreBeyond performance, Pennington shaped theatrical practice through direction, writing, and mentorship. His ten books offered practical wisdom for actors, while his involvement in the Gate Theatre’s Pinter festival highlighted his grasp of modern drama. Colleagues recall his ability to blend scholarly insight with warm camaraderie, reinforcing the bridge between classic and new works.Enduring Legacy and Future RemembrancePennington’s impact will persist in the companies he helped build and the actors he inspired. As theatres continue to program his solo pieces and reference his writings, his voice remains a touchstone for those seeking depth across Shakespearean and contemporary stages.

The Life and Legacy of Michael Pennington The actor Michael Pennington, known for his Shakespearean work and his role in the original Star Wars trilogy, has died aged 82, his agent has said. Shakespearean Career and Achievements Pennington, who is listed as an honorary associate artist with the Royal Shakespeare Company, also founded and ran the English Shakespeare Company alongside the theatre director Michael Bogdanov. He played Hamlet, Mercutio and Macbeth, as well as King Lear, Richard II and Henry V. He appeared as Coriolanus, Timon of Athens, Angelo, Leontes and Jack Cade across a 60-year career. He directed Twelfth Night in the UK, Tokyo and Chicago and the Hamlet Project for the National Theatre Bucharest. Tributes and Reflections His fellow actor Miriam Margolyes remembered him as an “old friend, from Cambridge days, a very fine actor, brilliant, wise, clear”. She said: “I am sad beyond measure,” adding: “Bless your dear memory, old chum.” Giving the 2004 British Academy Shakespeare lecture, Pennington described how he had first developed a fascination with the playwright’s work. “Like trying to establish the moment when one first stood up and walked, it is hard for many of us to remember when Shakespeare first entered our lives; but my own memory is extremely precise. Shakespearean verse hit me like a hammer when I was 11. Impact on Theatre and Film Pennington had a long-running association with Bogdanov, who cast him as the lead in Seán O’Casey’s The Shadow of a Gunman in 1980, and in Tolstoy’s Strider: The Story of a Horse, three years later. He worked with Dame Judi Dench and her husband, Michael Williams, starring in King Lear together in the 1970s, among other productions. Alongside his stage work, Pennington appeared in more than 70 onscreen productions – including the third instalment in the original Star Wars trilogy, Return of the Jedi, as the Death Star commander Moff Jerjerrod. Cause of Death and Final Tribute Pennington’s agent, Lesley Duff, said: “After a long and wonderful life and career, Michael Pennington died peacefully in the early hours of Thursday 7 May at Denville Hall.”

The Attempted Assassination Cole Allen, a 31-year-old man, has pleaded not guilty to a charge of attempting to assassinate United States President Donald Trump. He made a similar plea to other charges, including assault on a federal officer and firearms offences, as he appeared in Washington federal court on Monday. Court Proceedings Allen did not speak during the court proceedings, as his attorney entered the plea on his behalf. Prosecutors allege that Allen fired a shotgun at a Secret Service agent and stormed a security checkpoint in a foiled attack aimed at killing Trump and other members of his administration at a White House Correspondents’ Dinner. The Charges Attempting to assassinate US President Donald Trump Assault on a federal officer Firearms offences The Incident The incident occurred last month when Allen burst into the White House ballroom firing shots. The attack was foiled, and Allen was apprehended by the Secret Service. The Investigation The investigation into the incident is ongoing, with prosecutors working to gather evidence and build a case against Allen. The attempted assassination has raised concerns about the security of the White House and the safety of the President and his administration.

The Lead: Norway's Funding Pause Creates Uncertainty for Global Environmental EffortsThe largest donor to the United Nations Environment Programme (Unep) has paused funding to the body before its revised budget on 12 May, triggering concern among member states and NGOs. The news carries significant implications for the already troubled plastic treaty negotiations being overseen by Unep, which have struggled to reach agreement since 2022.The Event Details: Norway's Financial Support to UnepUnep's executive director, Inger Andersen, met the director general of the Norwegian Agency for Development Cooperation (Norad) the week before last and was told that "all [funding] agreements are on hold" pending budget decisions, according to sources.Norway has been the largest overall donor to Unep in recent years, contributing approximately $12m (£9m) annually to the fund over the three years to 2025. Norway also contributed $19m in 2025 to the Planetary Fund and another $7.8m in earmarked funds in 2025, meaning that even a pause introduces significant uncertainty for future functioning of the global environment agency with the wider UN already facing severe financial pressure.In addition, the Guardian has obtained an email sent to NGOs by Norad advising them that it was postponing a funding call aimed at projects to combat plastic pollution in developing countries. The programme is valued at £4m-£6m a year and, according to Norad, the funding can be used for projects that support countries in the plastic treaty process.The Data Analysis: Financial Impact of Norway's Funding PauseNorway's financial contributions to environmental initiatives are substantial:Approximately $12m (£9m) annually to Unep's fund (2023-2025)$19m contributed to the Planetary Fund in 2025$7.8m in earmarked funds in 2025£4m-£6m annually for projects to combat plastic pollution in developing countriesPotential £79m commitment between 2025 and 2028 as previously announcedThese figures represent a significant portion of Unep's operational budget and the specific funding needed to support developing countries in the plastic treaty process.The Impact Analysis: Implications for Global Plastic Treaty NegotiationsNorway is the co-leader with Rwanda of the high-ambition coalition at the plastic treaty negotiations. The coalition says it is working for an "ambitious" and legally binding instrument on the "full life cycle of plastics". This stands in contrast to a small group of petrostates, who are widely seen as blocking moves to put a cap on plastic production.Christina Dixon, ocean campaign leader at the Environmental Investigation Agency, emphasized the timing: "Any risk to funding could not come at a worse time for the negotiations … sustained funding would reinforce Norway's longstanding leadership toward an ambitious plastics treaty."Karen Landmark, managing director at GRID-Arendal, a Norwegian environmental foundation that works closely with Unep, expressed concern that the funding pause could "give other countries an excuse to lower their level of ambition." She added: "For years, Norway has played a clear and constructive leadership role in pushing for a strong global plastics treaty. When a country in that position signals hesitation or withdraws support, the consequences can extend far beyond its own borders."The Prediction: Future Outlook for Environmental DiplomacyThe plastic treaty negotiations have faced significant challenges, with the chair of the process resigning suddenly last year after talks collapsed with little progress following three years of negotiations. A new chair was elected this year, with negotiations expected to resume in early 2027.Norway's reassessment of Unep funding comes amid a shifting domestic political and economic debate over climate and environmental spending. The country is governed by the centre-left Labour party, which has continued to position Norway internationally as a supporter of climate diplomacy, rainforest protection and efforts to negotiate a global plastics treaty.Per Fredrik Pharo, head of Norad's department for climate and nature, indicated that the assessment process for future cooperation will be finished in mid-2026. However, the vague language surrounding Norway's continued commitment to combating plastic pollution has raised concerns among environmental organizations about the future of these critical initiatives.

The Proposal for Ukraine Peace Talks Russian President Vladimir Putin has suggested that former German Chancellor Gerhard Schroeder could coordinate talks with the European Union to secure a peace deal in Ukraine. This proposal has been met with skepticism by EU officials. Who is Gerhard Schroeder? Gerhard Schroeder is an 82-year-old leader of the Social Democratic Party (SPD) who served as Germany's chancellor from 1998 to 2005. He focused on European integration, reducing unemployment, liberalizing German citizenship laws, curbing nuclear power, and rebuilding the economy. Schroeder's Relationship with Putin Schroeder has remained close to Putin since leaving office. He referred to Putin as 'a flawless democrat' in 2004 and has continued to have a close relationship with him over the years. Schroeder has faced criticism in Germany for not publicly condemning Russia's invasion of Ukraine. The Current State of Russia-Ukraine Negotiations The US-backed talks between Kyiv and Moscow have stalled. Despite Putin suggesting that the war may be 'coming to an end,' the two sides continue to carry out strikes against each other. Trust in Schroeder as a Mediator EU foreign policy chief Kaja Kallas reacted with skepticism to Putin's proposal, stating that Schroeder has been a high-level lobbyist for Russian state-owned companies. Germany has also dismissed Putin's suggestion, saying that any talks with the EU would need to be closely coordinated with member states and Ukraine.

The Legacy of a Journalistic IconShireen Abu Akleh was more than just a journalist; she was an icon who anchored the Palestinian cause firmly in the Arab conscience. For many Palestinians, including the author of this piece, her voice was a constant in an ever-shifting landscape. She began reporting on pivotal events in Palestine even before the author was born, documenting the second Intifada and the battle for Jenin in 2002. In 2005, she made history as the first Arab journalist to gain access to Ashqelon prison to interview Palestinian prisoners held there for years.During the 2014 war on Gaza, her presence on screen projected hope and resilience despite the anguish she conveyed about the situation. Shireen was loved and respected by all Palestinians, regardless of their faith or political affiliation, for her courage, moral clarity, and unwavering commitment to making Palestinian voices heard.The Assassination That Changed EverythingOn May 11, 2022, the shocking news of Shireen Abu Akleh's killing arrived. Footage showed her lying on the ground, with journalist Shatha Hanaysha by her side, as someone behind the camera desperately shouted for an ambulance. Israeli fire hampered rescue efforts, leaving Shireen bleeding on the ground as colleagues were unable to pull her to safety.The assassination in broad daylight of one of Palestine's top journalists was not just a shocking crime. It was a harbinger of what was to come. A year and a half later, Israel began a campaign of systematic targeting of Palestinian journalists in Gaza. As of today, at least 260 media workers have been killed, with Israel now recognized as the "biggest killer of journalists."A New Generation of Journalists EmergesDespite the assassinations of Shireen and other journalists—including Anas al-Sharif, Fadi al-Wahidi and Mariam Abu Daqqa—there has been no silencing effect. Instead, their deaths have motivated young people to pick up the camera, the microphone, and the pen to continue their work.The author, who was studying English literature before Shireen's killing, shifted their focus from literary fiction to the real world. They realized that while literature preserves culture, journalism defends present truth. This realization led them to enroll in journalism classes and develop new skills, even as the genocide in Gaza made journalism a deadly profession.Bearing Witness in the Face of AtrocityAs a resident of Gaza City, the author became a firsthand witness to the horrors that rained down on the north. They survived numerous Israeli attacks and were forced to flee with their family multiple times. They began journaling about the experience of genocide, often thinking of what Shireen would have said in the face of such atrocities.Remembering Shireen's words—"I chose journalism to be close to the people. It might not be easy to change reality, but at least I was able to bring that voice to the world."—the author started writing about the situation in northern Gaza, documenting the harrowing details of life and death they had witnessed through several sieges and a famine.The Siege of Silence and Breaking ThroughDue to internet blackouts, the author could not connect to the rest of the world for an extended period. After a temporary truce in January 2025 restored some connectivity, they published their first piece, "Surviving war in north Gaza," documenting the untold details of life and death they had witnessed.While this achievement brought pride and satisfaction, it also brought fear for the author's family, who worried that they too could become targets. Nevertheless, the author continued writing even as Israel was killing journalists weekly and the world failed to stop it.The Torch Continues to BurnToday, despite supposed "ceasefires," the murders of journalists have not ceased. Just last month, Israel killed Mohammed Wishah, who worked as a correspondent for Al Jazeera Mubasher. Yet, there are still so many young Palestinians who insist on writing, documenting, and screaming through their words in the face of horror and injustice.They have picked up the torch from Shireen, and they carry it forward. As the author states, "Palestine will not be silenced." Despite the extreme danger, a new generation of Palestinian journalists continues to bear witness to their reality, ensuring that the world cannot ignore their truth.

The Electrifying Stage Presence of Angine de Poitrine Quebec duo Angine de Poitrine recently made their UK debut, and it was an event to remember. The band, known for their outrageous polka dot outfits and oversized headpieces, brought their unique sound to a sold-out crowd. The stage, drum kit, and even some fans were adorned with polka dots, creating a visually stunning experience. A Musical Mashup Like No Other Angine de Poitrine's music is a weirdly hypnotic blend of math rock, prog rock, punk, and microtonal loops. Their sound is characterized by jerkily repetitive rhythms, twiddly guitar bits, and occasional mechanical “wooo” or “oggy oggy oggy” emissions. The result is a truly extraterrestrial hard rock experience. The Impact of Their Live Performance The band's live show is a testament to their fearsome musicianship and infectious energy. The audience was completely entranced, with many fans participating in matching pyramid shapes with their hands and bouncing up and down in unison. The performance culminated in a frenzied climax, leaving everyone with huge grins on their faces and a tiny pyramid in their heart. What's Next for Angine de Poitrine? Angine de Poitrine's UK debut was a huge success, with several bigger shows already sold out for this autumn. Fans can look forward to more of their unique sound and outrageous style in the coming months. The band's website has a list of upcoming tour dates.

The Detective's Discovery: A Nazi-Looted Masterpiece ResurfacesArt detective Arthur Brand has uncovered what he describes as the "most bizarre case" of his career: a painting looted by the Nazis from the renowned Goudstikker collection has resurfaced in the home of descendants of a notorious Dutch SS collaborator.The Provenance Puzzle: From Göring to the Family HallwayThe artwork, Portrait of a Young Girl by Dutch artist Toon Kelder, was found hanging in the hallway of Hendrik Seyffardt’s granddaughter. Brand identified the piece by a Goudstikker label on the back and the number "92" carved into the frame, matching an item sold at a 1940 auction.1940: Hermann Göring loots the entire Goudstikker collection as the Jewish dealer flees to England.1940: Hendrik Seyffardt acquires the painting at the Nazi-sanctioned auction.2026: Arthur Brand investigates after a relative confesses the family secret.The Legal and Ethical Implications: The Limits of RestitutionThe discovery highlights the fragility of legal frameworks regarding Nazi-looted art. While the family member expressed shame and a desire to return the painting to the Goudstikker heirs, the police are powerless to act because the theft has passed the statute of limitations.A Global Pattern: The Persistence of Nazi-Looted ArtThis case mirrors a 2025 global headline where an 18th-century portrait from the same Goudstikker collection was recovered in Argentina. It underscores the ongoing challenge of tracking art through generations and the reliance on public exposure rather than legal compulsion to achieve justice.