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The Thrilling Draw Canada and Bosnia and Herzegovina played a frenetic Group B opener that ended in a 1-1 draw, with Cyle Larin coming off the bench to score a crucial equalizer for the Canadians. Cyle Larin's Impactful Substitution Bosnia took the lead in the 21st minute through Jovo Lukic, who scored his first international goal. Canada pressed relentlessly for an equalizer, with Richie Laryea and Jonathan David having chances, but lacked precision in their finishing. Key Moments in the Match Bosnia's Jovo Lukic scored in the 21st minute. Canada's Richie Laryea had a chance to equalize in the 53rd minute but was denied by Sead Kolasinac. Cyle Larin equalized for Canada in the 78th minute. The Impact on the Group The draw gave Canada their first-ever World Cup point but left them short of the winning start they had craved. The result sets the stage for an interesting Group B campaign. Looking Ahead Canada will look to build on this point as they continue their World Cup journey, while Bosnia and Herzegovina will aim to secure their first win in the tournament.

Lead: GLP‑1 drugs slash UK grocery billsUse of GLP‑1 weight‑loss injections such as Mounjaro and Wegovy has surged, and a Worldpanel by Numerator survey finds households with a user are saving over £400 each year on food, amounting to a national reduction of £780 million in grocery spend.Rapid tripling of GLP‑1 use among British households1.9 million adults now take GLP‑1 drugs, up from roughly 0.6 million two years earlier.Household penetration rose from 2.3% in 2024 to 4.1% in 2025 and reached 6.3% in 2026.Key products driving the trend are Mounjaro and Wegovy.£780 million grocery savings uncovered by WorldpanelThe survey compared households with at least one GLP‑1 user to similar non‑user homes and found a stark spend gap.Average annual saving per user household: > £400.Total grocery spend cut: £780 million, equivalent to about 299 million fewer items bought in February.Chocolate spend fell by 18 percentage points; 75% ate less chocolate and 72% reduced crisps consumption.Consumer behaviour shift and retailer responseBeyond the checkout, GLP‑1 users report altered eating habits and are prompting changes in the food market.52% describe their approach as “mindful”.54% notice fewer cravings; 11% no longer enjoy favourite foods.40% want smaller restaurant portions; 26% request a GLP‑1‑friendly menu section.Retail adaptations include Marks & Spencer launching a “nutrient‑dense” range and Ocado creating a virtual “weight management” aisle.Future outlook: cost pressure and market adaptationPrice remains a barrier; 41% of users stopped treatment in 2026 because of cost, suggesting that affordability will shape both drug uptake and the evolution of specialised food offerings.Brands may develop lower‑price product lines or subscription models to retain GLP‑1 consumers.Continued growth in user numbers could further compress grocery demand, prompting broader industry adjustments.

The LeadIn the heart of London's most exclusive neighborhood, a £210m palace stands empty while its only resident lives on the porch. The stark contrast between Britain's most expensive house and its sole occupant—a homeless man named Anders Fernstedt—highlights the growing disconnect between extreme wealth and housing inequality in global cities.The Empty Palace2-8A Rutland Gate is no ordinary house. With 45 rooms, four lifts, an indoor pool, and 116 windows (68 of which overlook Hyde Park), it's more accurately described as a palace. When it last changed hands in 2020, it became Britain's most expensive property, selling for £210m. Yet despite its staggering value and prime location in Knightsbridge, the property has remained vacant for years, its marble bathrooms and gold-leaf decorations gathering dust while Fernstedt lives in a makeshift tent on the porch.The Porch DwellerAnders Fernstedt has called the porch of this luxury property home for the past three years. His makeshift shelter, constructed mainly from umbrellas, is filled with personal belongings—baskets, books, newspapers, teddy bears, games, bicycles, and flowers. Despite the grandeur just feet away, Fernstedt must use a plastic bottle for bathroom needs, joking about 'Everest base camp problems.' His presence creates a powerful visual metaphor for the housing crisis in one of the world's wealthiest cities.The Ownership PuzzleThe property's ownership history is as complex as its architecture. Originally a row of terrace houses, they were purchased by Lebanese billionaire Rafik Hariri in the early 1980s and converted into a single palace. After Hariri's assassination in 2005, the property went to Saudi Crown Prince Sultan bin Abdul Aziz. Following his death in 2011, the house was sold again in 2020 to a company registered in the British Virgin Islands, reportedly owned by Chinese billionaire Hui Ka Yan, founder of the property giant Evergrande.The Global Property MarketThis story reflects broader trends in global real estate. Research shows that over the past decade, the value of offshore residential property in England and Wales has increased from £64bn to £80bn. London serves as the hub, with 47,000 overseas-owned residential properties—45% of the total and 81% by value. Half of this total value is concentrated in just two local authorities: Westminster (34%) and Kensington and Chelsea (16%), where Rutland Gate is located.The Uncertain FutureThe current status of the property remains uncertain. After Evergrande's collapse in 2024 and Hui's guilty plea to fraud charges, the house's ownership has become entangled in legal complications. While the property was reportedly transferred to Hui's ex-wife Ding Yumei, her assets have been frozen, preventing any sale. Meanwhile, the luxury palace continues to sit empty, its potential as a home unrealized, while its porch remains occupied by a man with nowhere else to go.

The Failure of Economic Growth We live in an age of manufactured scarcity. In a world richer than ever before, roughly one 10th of the world’s population still lives in extreme destitution. Millions of people cannot afford enough food, proper housing or basic healthcare, while a tiny minority accumulates unprecedented wealth and power. A New Economic Model These are not separate crises. They are symptoms of an economic model that has reached the end of the road. Poverty and inequality are not accidents; they are predictable outcomes of policy choices: how we design tax systems, regulate labour markets, value care, structure public services and decide whose needs and whose voices matter. The Data Analysis For decades, the recipe was simple: grow the economy, and poverty would gradually disappear. But the promise that economic growth would “lift all boats” has not been kept. While national incomes expanded, wages stagnated, work became more precarious and public services were cut. At the top, fortunes ballooned; at the bottom, families turned to food banks. The Impact Analysis It has also become ecologically unsustainable. We are edging towards a “hothouse Earth”, where rising emissions and biodiversity loss are destabilising the conditions that support human life. Around 92% of excess global carbon emissions can be attributed to the global north, and the wealthiest 10% of individuals are responsible for nearly half of global emissions. The Prediction That is why we have come together to develop and support the “roadmap for eradicating poverty beyond growth”. The roadmap provides a range of alternatives on how to move beyond the narrow “grow-tax-transfer” approach that has shaped policy for decades. We call on political leaders at all levels to use them, to listen to those most affected, and to treat the end of poverty, the reduction of inequalities and the effective realisation of human rights as the measure by which economic policy should be judged.

The Unbreakable Bond of Brotherly Love In a heartwarming display of sibling support, Guéla and Desiré Doué, brothers from Côte d'Ivoire and France respectively, are making headlines at the World Cup. The brothers, born to a French mother and an Ivorian father, have always been inseparable. A Family Rooted in Football The Doué brothers' love for football runs deep. Guéla, who plays for Côte d'Ivoire, and Desiré, who plays for France, have been involved in football since they were young. They were both signed by Rennes' youth academy after Guéla's trial, with Desiré doing keepy-ups on the sidelines at just five years old. Sibling Rivalry Takes a Backseat Despite playing for different teams, the brothers are showing immense support for each other. In a recent match, when Guéla scored for Côte d'Ivoire, the camera immediately panned to Desiré on the opposition bench, who wore a wry smile. The brothers even embraced at the end of the match, with Desiré happy for his older brother's achievement. The World Cup's Sibling Phenomenon The Doué brothers are not the only siblings at the World Cup. There are six other pairs of brothers playing in the tournament, with some playing for the same team and others for different nations. The brothers' bond is a testament to the power of family and support in the world of football. A Potential Reunion on the Horizon With Côte d'Ivoire and France potentially facing off in the knockout stage, Guéla and Desiré Doué could become the next pair of brothers to play against each other at the World Cup. Only once before have brothers played each other in the tournament's history, with Jérôme and Kevin-Prince Boateng facing off in 2010 and 2014.

Vingegaard's Grand Slam Achievement Jonas Vingegaard's victory in the Giro d'Italia has catapulted him into an elite club of champions who have won all three Grand Tours - the Tour de France, Giro d'Italia, and Vuelta a España. The 29-year-old Dane joins cycling legends such as Eddy Merckx, Bernard Hinault, and Jacques Anquetil, among others. The Event Details Vingegaard's grand slam is all the more remarkable given that he endured life-threatening injuries following a high-speed crash in the Basque Country in 2024. He broke his ribs, sternum, and collarbone and also punctured a lung. Despite this, he has shown resilience and determination, winning the Giro d'Italia with a significant margin of over five minutes. The Data Analysis Vingegaard has won five summit finishes in the Giro d'Italia. He has finished second in the Tour de France and won the Vuelta a España in the past 11 months. This season, he has also won Paris-Nice, the Volta a Catalunya, and the Giro d'Italia. The Impact Analysis Despite Vingegaard's impressive achievements, he still exists in the shadow of Tadej Pogacar, who is considered the favorite for the upcoming Tour de France. Pogacar has been racking up wins in other races and has yet to add the Vuelta a España to his victories in the Tour de France and Giro d'Italia. The Prediction With Pogacar still at the peak of his powers, it will be challenging for Vingegaard to surpass him. However, Vingegaard has shown room for improvement, and a third Tour win is possible for him if Pogacar experiences a dip in form. The Tour de France is set to take place in July, and the cycling world is eagerly anticipating the competition between these two top riders.

The Lead The Glasgow International (GI) art festival has kicked off with a bang, featuring a diverse range of artworks that explore themes of struggle, survival, and social commentary. The festival includes a show dedicated to David Wojnarowicz, an artist and writer who was a fixture of the 1980s East Village scene. Exploring the Artistic Expressions The festival features various artistic expressions, including paintings, photographs, and video works. One of the standout pieces is a show dedicated to David Wojnarowicz, which includes paintings, photographs, and video works arranged inside a decayed Georgian terrace house. The exhibition also features a reproduction of a mural of a cow's head that Wojnarowicz painted in the New York piers. The Data Analysis The festival has attracted a lot of attention, with many artworks exploring themes of social commentary and critique. For example, Renèe Helèna Browne's film, Flat, explores aspects of masculinity and struggle, while Tanoa Sasraku's Tropical Hardware examines the intersection of warfare and tropical kitsch. The Impact Analysis The Glasgow International festival has a significant impact on the city's cultural scene, with many artworks highlighting the struggles faced by communities. Rehana Zaman's Plantation, for example, looks at the labor conditions of migrant and seasonal farm workers in Pakistan and Scotland, highlighting the precarious dependence on soil owned by others. The Prediction The Glasgow International festival is expected to continue to attract a large audience, with many artworks resonating with viewers. The festival's focus on social commentary and critique is likely to spark important conversations and debates, making it a significant event in the art world.

The Enduring Legacy of Peter Asher Peter Asher, a name synonymous with the evolution of popular music, has led a life that reads like a fairy tale. From his early days as a child actor to his pivotal role in shaping the careers of iconic artists like James Taylor and Carole King, Asher's story is one of passion, intellect, and innovation. The Formative Years Born into a family of intellectuals and creatives, Asher's upbringing laid the foundation for his future success. His mother, an accomplished oboe player, and his father, a respected endocrinologist, instilled in him a love for music and a keen analytical mind. This unique blend of artistic and scientific inclinations would serve him well in his future endeavors. A Chance Encounter with Paul McCartney Asher's connection to the Beatles began long before he became a renowned producer. As a teenager, his sister Jane was courted by Paul McCartney, who was drawn to her intelligence and beauty. This early interaction would eventually lead to Asher's involvement in the music industry, as McCartney offered him a song, A World Without Love, which became a No 1 hit for the duo Peter and Gordon in 1964. The Rise of a Legendary Producer Asher's transition from performer to producer was marked by his work with James Taylor, whom he signed to Apple Records. His production style, which emphasized orchestration and harmony, helped shape Taylor's intimate sound. Although their collaboration was initially tumultuous, Asher's dedication to his craft earned him a reputation as a meticulous and innovative producer. A Lasting Impact on Music Asher's influence on popular music extends far beyond his work with individual artists. He played a significant role in instigating the soft revolution that allowed singer-songwriters to dominate the charts in the 1970s. His legacy continues to inspire new generations of musicians and producers, cementing his status as the 'Everywhere Man' of music.

The Maestro's Journey Ryan Wigglesworth, a 46-year-old conductor and composer, exudes confidence as he walks through the Royal Academy of Music in London. With a multitude of roles under his belt, including chief conductor of the BBC Scottish Symphony Orchestra and professor at the Royal Academy of Music, Wigglesworth's musical journey is a testament to his dedication and passion. Early Beginnings and Musical Influences Wigglesworth's musical journey began at a young age. As a timid and shy child, he found solace in music, particularly after being sent to audition for Sheffield Cathedral Choir. His teacher, Graham Matthews, took him under his wing, and Wigglesworth was swept into a new world of music. He cites his father's LPs and the music collection of the Sheffield Central Library as significant influences on his early musical development. A Life-Changing Encounter At age 12, Wigglesworth first came to Aldeburgh, where he met composer Oliver Knussen. This encounter would prove pivotal in his career, with Wigglesworth describing their relationship as 'the central musical relationship of my life.' He spent his formative years soaking up knowledge at the festival's Snape Maltings concert hall, where Knussen was artistic director. Conducting and Composing Wigglesworth's approach to conducting and composing is deeply rooted in his musical experiences. He began composing at a young age and started conducting at university, where he would often assemble ensembles to perform his own pieces. His music is characterized by its dialogue with history, and he hopes to create a sense of economy and spaciousness in his compositions. The Future of Classical Music Wigglesworth believes that classical music, particularly new music, is often treated with suspicion. He advocates for a more integrated approach to music-making, where composition is not separate from the rest of life. As a featured artist at the Aldeburgh Festival, Wigglesworth will have the opportunity to showcase his music, including a semi-staged performance of Debussy's Pelléas et Mélisande and a new viola concerto.