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Rolls-Royce has secured a significant investment of up to £599m from the UK's national wealth fund to develop the country's first small modular nuclear reactors (SMRs). The funding will support Rolls-Royce's design of SMRs at Wylfa on the island of Anglesey, Wales. The investment is expected to create around 1,000 jobs at Rolls-Royce and contribute to the UK's goal of generating electricity without carbon dioxide emissions. The project also offers the potential for a large new export industry in SMRs. The UK government has embraced nuclear energy as a key component of its clean energy strategy, and this investment marks a significant milestone in the development of SMR technology. SMRs aim to produce nuclear power stations in factories, driving down costs and speeding up installation. The Wylfa site has a history of nuclear power generation, having operated from 1971 until 2015. Hitachi had previously attempted to build a new nuclear power station at the site but abandoned its plans in 2020 due to funding issues. The site was later acquired by the state-owned Great British Energy – Nuclear (GBE-N) in 2024. The chancellor, Rachel Reeves, highlighted the importance of the investment, stating that it will strengthen energy security, create skilled jobs, and help build a new generation of homegrown nuclear technology that will power the UK's economy for decades to come. Tufan Erginbilgiç, chief executive of Rolls-Royce, described the investment as a critical milestone for the business and for the UK, marking the beginning of a golden age of new nuclear. The company owns the majority of Rolls-Royce SMR, alongside Qatar's sovereign wealth fund, France's BNF Resources, and the Czech utility CEZ.

Tyson Fury made a triumphant return to the ring on Saturday, securing a unanimous decision against Russia’s Arslanbek Makhmudov at London’s Tottenham Hotspur Stadium. The British heavyweight earned two scorecards of 120‑108 and a third of 119‑109 after the full twelve‑round bout.Although Makhmudov opened the fight aggressively, landing a left and an overhand right in the first round, his momentum waned by the third. Fury, alternating his stance, delivered a crisp one‑two combination that visibly slowed his opponent.The contest proceeded in a similar rhythm, with Fury maintaining control until the final bell. The victory brings him a step closer to a potential “Battle of Britain” showdown with former champion Anthony Joshua, who observed the fight from ringside.During the post‑fight exchange, Joshua taunted Fury, saying, “I’ve never had a problem getting in the ring with you… I’ll punch you out again.” Fury responded from the canvas, declaring his readiness for a future clash and asserting, “When you’re ready, you come and see me… I’m the boss.”

The Israeli military's invasion of southern Lebanon has resulted in the demolition of entire villages, with homes rigged with explosives and razed to the ground in massive remote detonations.Videos posted by the Israeli military and on social media show Israel carrying out mass detonations in the villages of Taybeh, Naqoura, and Deir Seryan along the Israel-Lebanon border. Lebanese media has reported more mass detonations in other border villages.The demolitions came after Israel's minister of defence, Israel Katz, called for the destruction of 'all houses' in border villages 'in accordance with the model used in Rafah and Beit Hanoun in Gaza' to stop threats to communities in northern Israel. The Israeli military destroyed 90% of homes in Rafah, in south Gaza.The tactic of mass destruction of homes in Gaza, where Israel has been accused of committing genocide, was described as domicide by academics, a strategy that is used to systematically destroy and damage civilian housing to render entire areas uninhabitable.The Israeli military has said they are targeting Hezbollah infrastructure such as tunnels and military facilities, which it claims the armed group has embedded in civilian homes, through these demolitions.Israel has said that it will occupy vast swathes of south Lebanon, establishing a 'security zone' in the entire area up to the Litani River, and that displaced people would not be allowed to return to their homes until the safety of Israel's northern cities is guaranteed, prompting concern there will be long-term displacement.Rights groups, however, have said these mass remote detonations could amount to wanton destruction: a war crime. The laws of war prohibit the deliberate destruction of civilian homes, except when necessary for lawful military reasons.'The possibility that Hezbollah may use some civilian structures in Lebanon's border villages for military purposes does not justify the wide-scale destruction of entire villages along the border,' said Ramzi Kaiss, the Lebanon researcher for Human Rights Watch.

The play 'My Uncle Is Not Pablo Escobar' showcases creative ambition in its exploration of the experiences of Latinx women in modern London. The production features striking visuals, blending elements of a pop concert with techno beats and census data, highlighting the absence of Latinx representation in official categories.The narrative takes a fictional turn, loosely inspired by the 2012 HSBC scandal, centering on Ale, a young woman juggling her A-levels with shifts as a bank cleaner, and her investigative journalist sister Cata. Together, they recruit Lucia to go undercover and investigate the bank's exploitative practices.Despite inventive uses of props and moments of tension, the play feels like a mesh of ideas rather than a fluid narrative. The involvement of five writers and occasional voiceovers may contribute to this disjointedness. The play touches on themes of sibling tension, identity crisis, and immigration, but these elements seem somewhat disconnected.The production at Brixton House in London until May 3rd, serves as a reminder of the importance of Latinx stories on stage, particularly given the growing Latinx population in the UK. However, 'My Uncle Is Not Pablo Escobar' ultimately lacks a unifying focus, causing its message to get lost in the narrative.

The play 'Dear Jack, Dear Louise' presents a refreshing take on love in the digital age, set against the backdrop of World War II. This epistolary story revolves around Jack, a military doctor, and Louise, a dancer aspiring to Broadway, who are brought together by family members hoping they might make a match. Written by Ken Ludwig in 2019, the play is a delightful romantic comedy that unfolds through letters, capturing the intimacy and anticipation of a bygone era. The narrative progresses from a formal courtship to a genuine relationship, all without the characters having met, as their first date is continually deferred due to circumstances. The production shines with its simplicity, featuring two actors delivering remarkably honest performances from opposite sides of the stage. This setup fosters an incorrigible warmth for the characters as they strive for happiness amidst the turmoil of war. Directed by Simon Reade, the play balances sweetness, humor, and poignancy, leaning into its nostalgic spirit. While a twist towards the end attempts to introduce unnecessary emotional tension, the overall story remains an irresistible heart-warmer. The play effectively conveys the romance of letters, highlighting the intimacy and physicality of handwritten communication. 'Dear Jack, Dear Louise' is set to run at the Arcola theatre, London, until May 2, offering audiences a chance to experience this charming and moving theatrical production.

Sting, the renowned musician, has returned to his roots in a new production of his musical The Last Ship, this time in Australia. The musical, which premiered in 2014, has been revitalized with new scenes, music, and updated characters. Sting takes on the leading role of foreman Jackie White, who navigates the threat of the shipyard's closure while grappling with his failing health. He is joined on stage by reggae icon Shaggy, who brings warmth to the role of the Wallsend Ferryman.The musical draws on Sting's personal experiences growing up in Wallsend, northern England, where the shipyard dominated the skyline. The story explores themes of mortality, labor, and identity, as well as the tension between tradition and progress. The shipyard becomes a symbol of a communal world built on shared pride and purpose. While the musical resonates with contemporary concerns around the erosion of secure work and the crucial power of collective action, it sometimes leans toward cloying sentimentality.The production features a striking and immersive set, designed by 59 Studio, with towering metal scaffolding and the imposing bow of a vessel. The digital projections blend seamlessly with the physical scenery, creating a unique and captivating visual experience. The cast, including Lauren Samuels and Joe Caffrey, delivers strong performances, with the choral moments being particularly powerful and moving.Despite some criticisms of a slow start and a rushed ending, The Last Ship remains a heartfelt and sincere production. Sting's performance is understated yet authentic, and Shaggy brings his signature charm to the role. The musical runs at the Queensland Performing Arts Centre's Glasshouse Theatre until May 3rd.

The U.S. Court of Appeals for the District of Columbia has granted the Trump administration a brief reprieve, extending the pause on the White House ballroom construction until April 17. The move allows officials to pursue a potential Supreme Court review of a lower‑court injunction that barred further work. In a split decision, Judges Patricia Millett and Bradley Garcia formed the majority, while Trump‑appointed Judge Neomi Rao dissented. The majority questioned the administration’s repeated claim that the construction pause creates a national‑security risk, noting that the original order already exempts work necessary for the White House’s safety. Judge Richard Leon, appointed by former President George W. Bush, had issued the March 31 injunction, stating that a project of this magnitude requires explicit Congressional authorization. Leon’s order included a 14‑day stay to let the administration appeal, a stay that was set to expire this week before the appeals court’s extension. The court highlighted that the administration has not demonstrated how the injunction interferes with any existing security plans. As the majority wrote, “Defendants have not, on this record, explained how, if at all, the injunction interferes with their existing plans for safety and security.” Furthermore, the judges pointed out that the ballroom—spanning roughly 90,000 sq ft (8,360 m²)—was always projected to be a multi‑year undertaking. Planning documents estimate completion nearly three years after groundbreaking, raising doubts about the claim that a short‑term delay poses additional harm. In her dissent, Judge Rao argued that the majority’s demand for further fact‑finding would cause “irreparable injury” by halting construction, asserting that the aesthetic concerns raised by critics are outweighed by the administration’s interests. The controversy stems from the decision to demolish the historic East Wing, a structure dating back to 1902, to make room for the new ballroom. Critics, including the National Trust for Historic Preservation, contend the demolition was executed without notice and exceeds presidential authority, prompting a lawsuit that led to Leon’s injunction. While the appeals court has sent the case back to the district court for clarification on factual disputes and the scope of the security exemption, the extension effectively keeps the construction site active for another week, maintaining the political flashpoint surrounding one of the most transformative building projects on the nation’s capital in recent memory.

A temporary 32‑hour ceasefire between Russia and Ukraine started at 4:00 p.m. local time (13:00 GMT) on Saturday and will run until midnight on Sunday, according to the Kremlin. President Volodymyr Zelenskyy affirmed Kyiv’s commitment to honor the pause provided Moscow does the same. President Vladimir Putin ordered the ceasefire to align with Orthodox Easter celebrations, more than a week after Zelenskyy first proposed the truce. Both sides have publicly confirmed their intention to observe it. Zelenskyy posted on social media that Ukraine will “adhere to the ceasefire and respond strictly in kind. The absence of Russian strikes in the air, on land, and at sea will mean no response from our side.” The Ukrainian army added it stands ready to react immediately if the truce is breached. Hours before the truce began, Russian forces launched at least 160 drones against Ukrainian targets, killing four civilians in the east and south and wounding dozens. The southern Odesa region suffered two fatalities and damage to civilian infrastructure. In the Russian‑occupied parts of Donetsk and Kherson, Ukrainian drone attacks killed four people, according to officials installed by Moscow. Public confidence in the ceasefire remains low. Last year’s Easter pause saw numerous accusations of violations from both sides, and similar doubts persist this time. Despite the tension, the warring parties completed a reciprocal exchange of 175 prisoners of war each on Saturday. The United Arab Emirates facilitated the swap, as confirmed by the Russian Ministry of Defence. Prisoner exchanges have become one of the few tangible outcomes of the stalled U.S.-brokered peace talks, which continue to falter over territorial issues. Ukraine has reiterated its proposal to freeze the conflict along the current front lines, a suggestion Russia rejected, insisting Kyiv relinquish all territory it holds in the Donetsk region—an offer Kyiv deems unacceptable. Kremlin spokesman Dmitry Peskov noted that Russia did not discuss the Easter proposal with the United States in advance and did not signal an immediate revival of the three‑way peace negotiations. Fighting on the front has largely stalled. While Russia has achieved modest territorial gains at a high cost, Ukrainian forces have recently pushed back in the southeast, and Russian advances have slowed since late 2025, according to the Institute for the Study of War. Moscow now occupies just over 19 percent of Ukraine, most of which was seized in the early weeks of the conflict.

Match details: Chelsea host Manchester City at Stamford Bridge on Sunday, 12 April, 4:30 pm BST (15:30 GMT). Live coverage and pre‑match analysis will be available on Al Jazeera Sport from 12:30 GMT. City sit second in the Premier League, trailing league leaders Arsenal by nine points after Arsenal played one more game. A win at Chelsea could shrink the gap to six points, and a victory for Arsenal over Bournemouth on Saturday would widen the gap to twelve, putting immense pressure on Pep Guardiola’s side to collect maximum points. Chelsea, currently sixth, are desperate to reignite their push for a top‑five finish that guarantees Champions League football next season. They sit just one point behind Liverpool, who occupy the final European spot. Guardiola warns of zero‑margin for error Speaking on Friday, Pep Guardiola admitted City’s season has been “inconsistent” and stressed that the squad must win every remaining match to retain any chance of clinching the title. He highlighted the demanding run of fixtures ahead, beginning with the Chelsea trip and followed by a home clash with Arsenal on 19 April. “We need to win all of them; otherwise we won’t have a chance to fight until the end,” Guardiola said, acknowledging points dropped earlier in the campaign. Bernardo Silva’s future remains uncertain Midfielder Bernardo Silva, a six‑time Premier League champion with City, is in the final year of his contract. Guardiola expressed a personal desire to keep the Portuguese international at the club but admitted he does not know the player’s decision. “I’m a bit grumpy because I wasn’t informed of his plans,” the manager said, praising Silva’s competitiveness and importance in big‑match moments. Enzo Fernández excluded despite apology Chelsea boss Liam Rosenior confirmed that midfielder Enzo Fernández will remain on the bench for the Sunday fixture, even after the Argentine apologised for comments that questioned his future at Stamford Bridge. Rosenior emphasized the club’s collective values, stating, “Football is a team sport, not about individuals,” and hinted that Fernández could feature again after this match. Chelsea’s Champions League ambition Rosenior reiterated confidence in his squad’s ability to secure a top‑five finish, noting that despite a recent dip in form, the team has consistently created problems for opponents. Historical head‑to‑head The two clubs have met 181 times in competitive fixtures: Chelsea have won 71, City 68, with 42 draws. Notably, Chelsea have not beaten City since the 2021 Champions League final. Recent encounters (last 10): 04 Jan 2026 – Man City 1‑1 Chelsea (Premier League) 25 Jan 2025 – Man City 3‑1 Chelsea (Premier League) 18 Aug 2024 – Chelsea 0‑2 Man City (Premier League) 20 Apr 2024 – Man City 1‑0 Chelsea (FA Cup semi‑final) 17 Feb 2024 – Man City 1‑1 Chelsea (Premier League) 12 Nov 2023 – Chelsea 4‑4 Man City (Premier League) 21 May 2023 – Man City 1‑0 Chelsea (Premier League) 08 Jan 2023 – Man City 4‑0 Chelsea (FA Cup third round) 05 Jan 2023 – Chelsea 0‑1 Man City (Premier League) 09 Nov 2022 – Man City 2‑0 Chelsea (League Cup third round) Team news – Chelsea Rosenior confirmed centre‑back Levi Colwill has returned to training after a serious knee injury, though he remains a selection risk. Right‑back Reece James is training after a hamstring issue. Defender Trevoh Chalobah and winger Jamie Gittens are still sidelined. Predicted starting XI: Sanchez; Gusto, Fofana, Adarabioyo, Cucurella; Santos, Caicedo; Neto, Palmer, Estevao; Pedro. Team news – Manchester City Defender Rúben Dias continues to recover from a muscle problem and is unavailable. Josko Gvardiol remains out with a tibial fracture sustained in January. Predicted starting XI: Donnarumma; Nunes, Khusanov, Guehi, O’Reilly; Silva, Rodri; Semenyo, Cherki, Doku; Haaland. The outcome of this clash could dramatically reshape the Premier League title race and determine whether Chelsea can keep their Champions League aspirations alive.