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Just a month and a half before the debut of Claudia Winkleman's eponymous BBC One chatshow, industry profiles lauded her as a presenter with a "Midas touch" for television formats. She had recently departed from the flagship Strictly Come Dancing and boasted recent successes such as The Traitors, its celebrity spin‑off, and Channel 4’s The Piano. After six episodes, the new programme is widely regarded as the least glittering entry in her recent résumé. While the format mirrors the familiar sofa‑chat style popularised by Graham Norton, critics note that it lacks the same cultural punch. In terms of viewership, the premiere on 13 March attracted 1.5 million live viewers, with an additional 700,000 watching via catch‑up services – a slight edge over the final episode of the 33rd series of Graham Norton’s show, traditionally the benchmark for the genre. Nevertheless, analysts describe the series as a dubious career move. The shadow of Norton looms large; the BBC’s decision to involve his production company, So Television, makes direct comparison inevitable, even though Winkleman’s set features a different colour scheme and opens with a pre‑credits “cold open”. Winkleman has introduced audience‑participation segments – from a man who talks to birds on social media to twin opera singers and a couple on their first date. Yet the guest roster remains modest, leaning heavily on theatre talent and stand‑up comedians rather than the A‑list film stars that routinely grace Norton’s programme. Timothée Chalamet, a marquee name who appeared on Norton’s show during the awards‑season rush, exemplifies the challenge. His recent controversial remarks about ballet and opera were made at a university event, underscoring how celebrity discourse is shifting toward podcasts and live streams rather than traditional chatshows. Despite the lukewarm reception, the show is expected to secure a second series, largely because the audience numbers, while not spectacular, are sufficient to avoid a damaging cancellation for the BBC. A third series, however, appears far from guaranteed. Critics also point to Winkleman’s on‑screen persona – described as “too nice and modest” – which contrasts with Norton’s sharper, more irreverent style. Coupled with a broader industry trend that sees the talk‑show format losing prominence, the future of the programme remains uncertain.

Juba, South Sudan – Growing up, Khloe Nyanda was taught to stay small and avoid taking up space. Defying that lesson, the 21‑year‑old law student at the University of Juba pursued modeling after being inspired by South Sudanese supermodel Adut Akech, whose refugee‑to‑runway story she describes as a "crown".Nyanda’s ambition mirrors that of a new generation of South Sudanese talent, with 95% of models from the country naming Akech as their spark. She began modeling in 2023, but her family remained skeptical, fearing the clash between academic responsibilities and a fashion career.Her personal journey has been marked by familial estrangement after she rejected an arranged marriage and a modelling coach’s advances, leading to loss of support from her stepbrother and other relatives.Beyond social pressures, Nyanda faces systemic obstacles. Since 2023 she has endured multiple visa rejections despite contracts with agencies in London, Paris, and Italy. An attempt to attend Milan Fashion Week was denied by the Italian embassy in Nairobi over bank‑statement issues, while two separate applications to the French embassy in Kampala were also turned down. The absence of South Sudanese embassies in France and Italy forces hopeful models to obtain travel documents from neighboring countries, inflating costs and delays.Another emerging model, 20‑year‑old Alek Mayen Garang, balances her senior‑year studies with runway aspirations. Born in Greater Jonglei and raised in Renk, she spent part of her childhood in Kampala before returning to South Sudan amid the 2016 conflict. Garang draws inspiration from Anok Yai, the American‑South Sudanese model named Model of the Year at the 2025 British Fashion Awards.Unlike Nyanda, Garang found an ally in her elder sister, who accompanied her to her first runway show and helped negotiate parental approval. Her early challenges were technical—learning to walk in heels, maintaining strict diet and skincare regimens—and the lingering fear of rejection at auditions.Both women are part of a broader South Sudanese surge in global fashion. Nine of the world’s top 50 models on models.com hail from South Sudan, underscoring the country’s deep talent pool. Former models have transitioned to design and entrepreneurship, founding South Sudan Fashion Week and creating bespoke wedding gowns.Industry veterans now coach new talent, urging them to prioritize education alongside modeling. Yet a new anxiety looms: the potential rise of AI‑generated Black models, which could further destabilize already precarious careers.Within South Sudan, the Ministry of Culture, Museums and National Heritage has been criticized for its limited engagement with the modeling sector. Advocates argue that official endorsement could shift parental attitudes and legitimize modeling as a respectable profession.Garang recently won the “creativity” award at the national Miss Junub beauty pageant, expanding her vision from personal success to mentoring emerging designers and models. Nyanda, meanwhile, envisions a future beyond the runway: she plans to invest her earnings in establishing a credible mother agency, as well as a school and hospital for orphans, aiming to reinvest in her homeland.“South Sudan is not a place I am running from; it is the place I am running for,” Nyanda declares, embodying a resolve to reshape societal expectations and create pathways for the next generation of South Sudanese talent.

Every year on April 17, Palestinians commemorate Prisoner’s Day to bring attention to the thousands of men, women, and children held in Israeli prisons. This year’s observance is particularly significant due to Israel’s recently enacted death penalty law, which exclusively targets Palestinians convicted of deadly attacks.Rights groups have strongly criticized the law, labeling it a violation of international law and inherently discriminatory. The United Nations human rights chief has even suggested it could constitute a possible “war crime”.According to the prisoners’ rights group Addameer, nearly 10,000 Palestinians are currently being held in Israeli prisons, both within Israel and in occupied territories. These individuals are viewed by Palestinians as political prisoners who must be freed.The historical context of Prisoner’s Day dates back to April 17, 1971, when Mahmoud Bakr Hejazi was released in the first prisoner exchange between Israel and Palestine. In 1974, the Palestinian National Council officially designated April 17 as Prisoner’s Day, which has since served as a day of national and international solidarity with the Palestinian struggle against Israel’s continued occupation.Administrative Detention and Its ImplicationsAs of early April, 9,600 Palestinians were in Israeli custody. Of these detainees:3,532 are administrative detainees – held without charge or trial.342 are children.84 are women.119 are serving life sentences.Administrative detention is a longstanding Israeli policy allowing authorities to hold Palestinians without charge or trial for six-month periods that can be renewed indefinitely. Critics argue that this system is widely abused and denies due process, with over one-third of detainees being held under administrative detention.The Plight of Palestinian ChildrenIsrael is the only country that tries children in military courts, often denying them basic rights. 342 children were being held in Israeli prisons this month, with over 12,000 Palestinian children detained by Israeli forces since the outbreak of the second Intifada in 2000. These children are often subjected to physical and psychological torture, interrogated without parental or legal presence, and exploited for information or used as leverage against their families.The New Death Penalty LawThe new law allows military courts to impose the death penalty on Palestinians convicted of killing Israelis in acts of “terror.” This law, approved on March 30 and set to take effect by the end of April, applies to Palestinians from the West Bank tried in Israeli military courts. The Palestinian Authority has condemned the bill as a “war crime against the Palestinian people”, citing violations of the Fourth Geneva Convention.The rights group B’Tselem noted that the conviction rate for Palestinians tried in military courts is about 96 percent, often based on ‘confessions’ obtained through pressure and torture.A Legacy of DetentionSince 1967, Israeli forces have detained an estimated one million Palestinians, or about 20 percent of the Palestinian population. This systemic practice has fragmented communities, perpetuated cycles of trauma, and generated widespread resentment. For many families, arrests have become an inevitability, with freedom remaining uncertain for those currently behind bars, just as it has for generations before them.

The conflict between Israel and Lebanon has led to a significant humanitarian crisis, with at least 2,196 people killed and over one million displaced in Lebanon. The ceasefire, announced by US President Donald Trump, aims to facilitate negotiations for a more permanent security and peace agreement.The truce came into effect at 21:00 GMT and includes Hezbollah, a Lebanese armed group backed by Iran. However, ceasefire violations have been reported by Lebanese forces, with several Israeli attacks recorded and intermittent shelling targeting villages.The terms of the ceasefire agreement allow Israel to preserve its right to self-defense while not carrying out offensive military operations. Israel's Prime Minister Benjamin Netanyahu stated that the agreement does not preclude Israel's demand for the disarmament of Hezbollah.The ceasefire has been met with skepticism by some, with former Israeli diplomat Alon Pinkas expressing doubts about Netanyahu's commitment to the agreement. Hezbollah has also urged caution, with Ali Fayyad stating that the group will approach the ceasefire with vigilance.The conflict has significant implications for the region, with US-Iran negotiations potentially influencing the situation. Trump's announcement of the ceasefire coincided with his statement that a deal to end the war on Iran was 'very close'.

The International Monetary Fund (IMF) and the World Bank have announced the resumption of ties with Venezuela under the country's interim leader, Delcy Rodriguez. This move comes after a period of severed relations that began in 2019 due to international disputes over the legitimacy of Venezuela's leadership. The IMF and World Bank had cut ties with Caracas in 2019 amid a split in the international community over whether to support Nicolas Maduro or Juan Guaido as the country's rightful leader following disputed presidential elections. IMF Managing Director Kristalina Georgieva stated that the institution had resumed dealings with Venezuela under Rodriguez's administration, guided by the views of its members. This step is expected to ultimately benefit the Venezuelan people. The World Bank followed suit, announcing that it would re-engage with Venezuela based on the outcome of the IMF's decision-making process. The bank had last made a loan to Caracas in 2005. These announcements come several weeks after the United States President's administration lifted sanctions on Rodriguez, further conferring legitimacy on her leadership. Rodriguez welcomed the announcements, calling it a significant achievement for Venezuelan diplomacy. Venezuela has one of the highest debt burdens in the world, with total external liabilities estimated at more than $150bn. The resumption of ties with the IMF and World Bank clears the way for Venezuela to request financial assistance if necessary to shore up its finances. In 2020, the IMF had rejected Venezuela's request for an emergency loan of $5bn to help fund its response to the COVID-19 pandemic, citing the lack of international consensus on Maduro's legitimacy. Venezuela has been a member of the IMF and World Bank since 1946.

Two men have been disqualified from one of South Africa's premier marathon events, the Two Oceans Marathon in Cape Town, after finishing in the top 10 of the women's race. Luke Jacobs and Nic Bradfield were found to have swapped bibs with female runners, Larissa Parekh and Tegan Garvey, to compete in the women's category.The annual Two Oceans race, which includes a 56km ultramarathon and a 21.1km half-marathon, attracted over 16,000 participants. Finishing among the top 10 is a significant achievement for most runners. Jacobs and Bradfield finished seventh and 10th respectively, before being disqualified.The deception was uncovered by a marathon board member, Stuart Mann, after Jacobs posted pictures of himself at the race on social media with a bib displaying the name 'Larissa'. Further investigation revealed that Jacobs had competed using Parekh's bib, while Bradfield had used Garvey's bib after she suffered a hip problem and was unable to run.Swapping bibs is considered unethical and risky, as it can lead to incorrect medical treatment in case of an emergency. The practice can also be used to obtain a faster time for qualifying in future races. Mann warned that such actions carry far-reaching consequences and can result in disciplinary action, including bans from future events.Both Jacobs and Bradfield have apologized for their actions and will face disciplinary processes by the marathon's disciplinary subcommittee. The women they swapped bibs with, Parekh and Garvey, have also apologized and face two-year bans from the Two Oceans Marathon.

Hezbollah, a Lebanese militant group, has launched a series of attacks on northern Israel, just hours before a ceasefire announcement in Lebanon. The development has raised concerns about the stability of the region and the potential for further escalation. The attacks, which were reported by multiple sources, targeted various locations in northern Israel. No immediate reports of casualties have been confirmed, but the incidents have heightened tensions between Hezbollah and Israel. The impending ceasefire announcement in Lebanon had raised hopes for a reduction in hostilities in the region. However, Hezbollah's actions have cast doubt on the prospects for a lasting peace. The situation remains fluid, with international observers closely monitoring developments in the region. The ceasefire announcement, expected to be made shortly, is seen as a critical step towards de-escalating tensions and restoring stability to Lebanon.

In the wake of the latest ceasefire announcement, displaced Lebanese in Beirut have voiced deep uncertainty about whether the truce can be trusted. The residents, still coping with the aftermath of displacement, cite past broken agreements and the fragile security environment as reasons for their skepticism. While officials promote the ceasefire as a step toward stability, the affected population remains cautious, underscoring the broader challenge of rebuilding confidence in conflict‑ridden areas.

Ten years after Prince’s death, friends and collaborators such as George Clinton, Apollonia Kotero and drummer Charles “Chazz” Smith share personal memories that illuminate his musical brilliance and private life.George Clinton, the legendary leader of Parliament‑Funkadelic, remembers meeting the 19‑year‑old Prince in 1977 and immediately recognizing a talent “a new version of Sly Stone.” Clinton praised Prince’s ability to master guitar, keyboards, bass and drums, noting his “arranging genius” inherited from his pianist father and his dance flair “like James Brown.” Clinton also recalled how Prince later signed him to Paisley Park Records and inducted him into the Rock and Roll Hall of Fame, cementing a friendship that survived countless late‑night studio sessions.Apollonia Kotero, actress and singer who starred alongside Prince in the 1984 film Purple Rain, describes a bond that spanned 33 years. She recounts the grueling shoot—jumping into a freezing lake, suffering hypothermia, and Prince’s frantic plea, “Please don’t die, Apple. I love you.” Their relationship, she says, was “family, not romance,” and Prince’s protective nature shone when he cared for her during illness. Kotero also recalls a surreal moment when Prince hummed the opening melody of “When Doves Cry” into her answerphone, urging her “Don’t erase this!” as a reminder of his creative process.Beyond the studio, Kotero notes Prince’s voracious appetite for literature and politics, his 3 a.m. visits that turned into midnight drives across Hollywood, and his habit of showing her walls plastered with fan mail—a testament to his deep connection with his audience.Charles “Chazz” Smith, Prince’s cousin and original drummer in the early band Grand Central, paints a picture of Prince’s childhood obsession with music. After a spontaneous Sly and the Family Stone concert in Minneapolis, Prince declared, “We’re gonna form a band, and you’re gonna be the drummer.” Within weeks, a newly gifted guitar allowed him to replicate Santana’s “Black Magic Woman” note for note, signalling the start of an insatiable drive to master every genre—from rock to funk to ballads.In the final months of his life, Prince’s friends observed a shift. He reclaimed the rights to his catalog in 2014, began repaying debts, and expressed grief over the death of Vanity, his longtime muse. Smith recalls a poignant encounter six weeks before Prince’s passing: after a brief hug, they exchanged the words “I love you,” marking the last conversation they ever shared.These testimonies collectively reveal a portrait of Prince that goes beyond his public persona: a relentless virtuoso, a compassionate confidant, and an artist whose influence continues to reverberate a decade after his untimely death.