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The US-Israel Plan for Regime Change The United States and Israel went into war on Iran intending to replace the regime’s leadership with hardline former President Mahmoud Ahmadinejad, The New York Times reported. Quoting US officials who were briefed on the “audacious plan”, the newspaper said things “quickly went awry”, and Ahmadinejad’s “current whereabouts and condition are unknown”. The Background on Ahmadinejad After the killing of Ayatollah Ali Khamenei, US President Donald Trump mused that it would be best if “someone from within” Iran took over the country, the Times reported. “To say that Mr Ahmadinejad was an unusual choice would be a vast understatement,” the newspaper said. “While he had increasingly clashed with the regime’s leaders and had been placed under close watch by the Iranian authorities, he was known during his term as president, from 2005 to 2013, for his calls to ‘wipe Israel off the map’. He was a strong supporter of Iran’s nuclear program, a fierce critic of the United States and known for violently cracking down on internal dissent.” The Plan Goes Awry The US-Israeli plan, which Ahmadinejad had been consulted about, “quickly went awry”, according to the US officials who spoke to the Times. Ahmadinejad was reportedly wounded on the first day of the war by an Israeli strike on his home in Tehran, which was intended to free him from house arrest, American officials told the Times. Ahmadinejad survived the strike, they said, but after the near-miss, he changed his mind about the regime change plan, and he has not been located since. The Aftermath An article in the Atlantic in March said the attack on the house was “in effect a jailbreak operation”, citing anonymous associates of Ahmadinejad. After that article, the Times said it received confirmation from an associate of Ahmadinejad that he recognised the air strike was an attempt to free him. The associate said the Americans believed Ahmadinejad could lead the country and had the ability to manage “Iran’s political, social and military situation”.

The LeadOver breakfast in one of the swankiest hotels in Caracas, US officials, diplomats and spies now call many of the shots in Venezuela after Donald Trump's controversial military intervention on 3 January. The five-star JW Marriott has become the nerve center of Washington's efforts to steer a country some now call a US protectorate – and which Trump has even said he hopes to turn into the 51st state.The New American EmbassySince Trump's decision to snatch Maduro in January and reboot relations with his successors, the JW Marriott has effectively become the US embassy in Venezuela. "It's [effectively] the US embassy. I don't think anybody's going to work at the actual embassy," said Phil Gunson, a Caracas-based political analyst for Crisis Group.Having been closed for seven years since the collapse of diplomatic relations in 2019, "the embassy building is full of rats and cockroaches, and it's being fumigated," Gunson explained. The conversations that can be overheard in the JW Marriott's restaurant offer a fascinating insight into Venezuela's plight as it emerges from nearly 13 years of economic mayhem and authoritarian rule under Maduro.The Corporate TakeoverIf the $250-300-a-night JW Marriott – or "the spooks hotel" as some journalists call it – is the HQ of the US presence in Venezuela, it is at another luxury hotel a few miles away where many of the big-money deals are being done. Since Maduro's downfall, foreign tycoons have been flocking to the Cayena, where rooms cost about $600 a night, wagering that even if interim president Delcy Rodríguez stays in power and there is no transition to democracy, Venezuela's economic future looks bright.One deal-maker who has spent time there recalled encountering at least four foreign billionaires they could identify – but believed there were others whose names they did not know. "They never give you a card. They don't give you their last names … and what is very interesting to me is that they are all asking about the same things: mining and privatizations," they said.Venezuelan ResistanceThe Trumpian takeover has generated widespread discomfort, even among patriotic members of Venezuela's elites who were glad to see the back of Maduro but privately bristle at the suggestion that their country is being turned into a US colony. After giving Rodríguez his blessing in January, Trump warned she would face an even worse fate than Maduro if she failed to toe the US line.On the streets there is anger too. During a Workers' Day rally on 1 May, a socialist economist called Oswaldo Pacheco marched towards a line of riot police wielding a white banner denouncing the government's "neocolonial collaboration" with Trump. "It's a complete capitulation," complained Pacheco, 53, accusing Venezuela's new rulers of following US orders "to the letter". "Clearly these [US] demands are not about bringing us democracy but about plundering our resources and increasing worker exploitation," he said.The Future of a ProtectorateAcross the street sits the Juan Sebastian Bar, a jazz and salsa nightclub named after Johann Sebastian Bach, where foreign visitors can let off steam. Throughout the day, English-speaking officials and fortune hunters can be seen roaming the 17-floor redbrick building, which has nearly 300 rooms, a gym and a palm-flanked pool. Bullet-proof SUVs wait outside to ferry guests, who include Trump's top diplomat to Venezuela, John Barrett, around town.Among Caracas-bound capitalists the mood is buoyant, even if huge doubts remain over Venezuela's future and, above all, its democracy. At a third luxury hotel, the Renaissance, a Venezuelan oil man waxed lyrical about his country's post-Maduro prospects. "This is going to be the best country in the world," he predicted, declaring: "I'm more than optimistic."

The Lead 'A noisy river is a healthy river,' says Ruth Needham of the Trent Rivers Trust (TRT). The Mease in the Midlands must be in fine fettle, then, as it gurgles merrily along. Sunlight glints off riffles in the water and shoals of fry dart past. Needham has good reason to be buoyant - last month, the Mease won the UK River prize 2026 in recognition of the trust's 13-year restoration campaign. The Restoration Journey The sad state of Britain's rivers is common knowledge, partly thanks to recent media coverage highlighting the sewage crisis. The Mease is a case in point - a 27km lowland river that rises in Leicestershire and flows into the River Trent. For too long, water has been seen as a problem to be controlled: drain it, dredge it, get it away. Over the past 150 years, drainage ditches have been engineered along the Mease, its banks shored up, its flow controlled with weirs. The Environmental Impact This alteration of the river had catastrophic consequences. Soil, silt and sediment got washed from fields straight into the river, causing high levels of phosphate that led to algal bloom and decreased oxygen levels. The fish population struggled, including two rare species that make the Mease a designated site of special scientific interest (SSSI): the spined loach and European bullhead. Other wildlife declined too, as there were no natural water channels with a mix of habitats to support different species. The Collaborative Solution In 2013, a restoration project began, led by the TRT and largely funded by the Environment Agency (EA). "We wanted to change the status quo, force the issue and get people to work together," Needham says. The biggest challenge was getting farmers on board - they were effectively being asked to give up land, leaving buffer strips for water and wildlife. It took time to build trust and to apply for compensation under government environmental land management schemes. The Future Outlook "The prize has been a massive boost," says Needham. "If we can get the Mease into better condition, we can improve other rivers, too." The restoration of the Mease demonstrates that with proper collaboration, innovative approaches, and long-term commitment, even severely degraded rivers can be brought back to health. This success story offers hope and a blueprint for river restoration efforts across the UK and beyond.

The Film's Wartime ContextLife during wartime is the central theme of Andrei Zvyagintsev's latest film, 'Minotaur.' Set in provincial Russia, the movie presents a portrait of a nation paralyzed with disillusionment and fear, slowly coming to terms with, or retreating into collective denial about, the terrible mistake in Ukraine. The film draws inspiration from Claude Chabrol's 'La Femme Infidèle' (1969), Gogol's 'Dead Souls,' and the Greek myth of the Minotaur requiring 14 sacrifices.At its core, 'Minotaur' is a noir thriller of infidelity and vengeful murder, given new meaning by the context of deadly cynicism and political bad faith. It depicts a world in which powerful people, consumed by self-hate, have made covering up misdeeds their way of life.The Narrative of DisillusionmentThe story follows Gleb, a mini-oligarch businessman played by Dmitriy Mazurov, who lives in a town far from Moscow with his elegant but unhappy wife Galina (Iris Lebedeva) and their teen son. The setting is marked by the presence of the letter Z on car windshields and military trains, symbolizing support for the war effort.Gleb's marriage has been damaged by his past infidelities, and now he suspects his wife of cheating. However, more pressing matters emerge when local business leaders are summoned by the mayor (whose office displays a photo of Putin) and instructed to provide disposable male employees for the war effort.The Director's VisionZvyagintsev, who survived a severe bout of COVID-19 that caused 90% lung damage according to a related Guardian article, delivers a film with cold daylit compositions and scenes in grim streets and housing estates. Everything in the film looks like a crime scene, reflecting the moral decay at its center.The performances from Mazurov and Lebedeva are outstanding, particularly in the film's central extended silent sequence. Zvyagintsev masterfully portrays the chilling moral compromises made by characters who have normalized violence and deception as survival mechanisms in a corrupt system.Cultural and Political Commentary'Minotaur' functions as both personal drama and societal critique. When Gleb must provide 14 employees for the war, he calculates that he can advertise for 14 truck drivers with inflated salaries, knowing they'll be drafted before he ever has to pay them. This scheme represents the soul-blackening evil of a system that treats human lives as disposable commodities.The film also explores toxic masculinity through a scene where Gleb teaches his bullied son to threaten violence rather than seek help from authorities. This moment reveals the poisonous education in violence that perpetuates cycles of aggression and dehumanization.Festival Reception and SignificanceScreened at the prestigious Cannes film festival, 'Minotaur' continues Zvyagintsev's tradition of creating politically charged cinema that holds up a mirror to contemporary Russian society. The film's exploration of moral compromise in wartime positions it as a significant cultural document of Russia's current social and political climate.As Russia's war in Ukraine continues, 'Minotaur' serves as both artistic expression and implicit commentary on the psychological and moral costs of a nation at war with itself and its neighbors. The film's noir elements are amplified by the real-world context of deception, cover-ups, and the sacrifice of ordinary people for political agendas.

Remembering Caroline Aherne: A Comedy Legend Caroline Aherne, a fixture of British primetime television from the 1990s until her death in 2016, left an indelible mark on the comedy world. Her work continues to inspire new generations of comedians and writers. The Event Details: Aherne's Impact on British Television Aherne was a multifaceted talent, known for her work as a chatshow host, voice artist, and creator and star of hit sitcoms like 'The Royle Family' and 'Mrs Merton'. Her unique brand of humor, which found comedy in the everyday, resonated with audiences and critics alike. The Data Analysis: Aherne's Legacy in Numbers Aherne's work includes 'The Royle Family', one of the most profound and realistic sitcoms ever written for British television. She was the voice of 'Gogglebox', an expression of love for the medium she adored. Her character, Mrs Merton, was a deceptively vicious chatshow host who asked the kind of blunt questions most interviewers only dream of. The Impact Analysis: Why Aherne Matters Aherne's influence on British comedy and television is still felt today. Her work continues to be celebrated for its subtle subversion and humor. According to her longtime writing partner Craig Cash, Aherne saw humorous potential in the profoundly ordinary, often saying, "She'd say all the comedy you want in the world is in the supermarket if you listen." The Prediction: Aherne's Lasting Legacy As David Scott's biography shows, Aherne's legacy extends beyond her impressive body of work. She paved the way for future generations of female comedians and writers, and her influence can be seen in many areas of British entertainment. Her work will continue to inspire and entertain audiences for years to come.

Gaza's Reconstruction Stalled Despite PromisesGaza remains in a grim limbo more than seven months after Donald Trump brokered a ceasefire deal, with no reconstruction underway, the Board of Peace struggling with funding, and Palestinian technocrats chosen to run the strip sidelined in Egypt. The ambitious vision for Gaza's future has been hampered by political obstacles and financial shortfalls, leaving millions of Palestinians in dire conditions.The Board of Peace Faces Implementation ChallengesThe Board of Peace, established to oversee Gaza's reconstruction, has identified Hamas's refusal to hand over weapons and cede control of the strip as the "principal obstacle" to Trump's plan. However, several people familiar with the body indicate that funding shortfalls could jeopardize the entire effort. Palestinian technocrats selected to administer Gaza have been effectively sidelined, with decisions being made in Egypt rather than locally.Severe Funding Shortfalls Undermine Reconstruction EffortsNine countries pledged $7 billion (£5 billion) to a "Gaza relief" package at the inaugural meeting of the Board of Peace, chaired by Trump. However, only the United Arab Emirates and Morocco have sent funds, with the group receiving just $23 million to fund its operations, plus an additional $100 million for a future Palestinian police force. This amounts to only $1.75 for every $100 pledged. The UN has estimated the total cost of rebuilding Gaza to be upward of $70 billion over decades, highlighting the massive gap between promises and reality.International Reluctance and Geopolitical ComplicationsSeveral countries that initially committed to funding the Board of Peace are now reluctant to fulfill their pledges after months of stalled diplomacy and no visible progress on the ground. The Iran conflict has provided convenient cover for payment delays, according to sources familiar with the organization. "Countries are hesitant to pay their portions," stated one diplomat involved in international Gaza negotiations. The geopolitical complexities have created a situation where "nobody with money and resources wants to work with the Board of Peace," as one anonymous source put it.Humanitarian Crisis Deepens as Promises Remain UnfulfilledThe stalled reconstruction efforts have exacerbated the humanitarian crisis in Gaza, with displaced Palestinians living in makeshift tents after their homes were destroyed in Israeli attacks. Images of destruction and temporary shelters underscore the urgent need for reconstruction that has not materialized. Nickolay Mladenov, the Bulgarian diplomat serving as "high representative" for Gaza, acknowledged last week that Palestinians in Gaza had been let down by the international community. "The door to the future of Gaza is still closed. It is not what the Palestinians were promised, and it is not what they deserve," Mladenov stated, adding that the impasse also jeopardizes Israel's long-term security.Uncertain Path Forward for Gaza's ReconstructionWith funding shortfalls, political obstacles, and competing international priorities, the path forward for Gaza's reconstruction remains uncertain. The Board of Peace continues to exist on paper but lacks the resources and political will to implement its ambitious plans. Unless significant changes occur in the international commitment to Gaza's reconstruction, the territory faces a prolonged period of instability and suffering, with millions of Palestinians continuing to live in conditions far below what was promised under the original ceasefire agreement.

Billy Joel Slams Unauthorized Biopic Over Life‑Rights DisputeBilly Joel publicly condemned the forthcoming film Billy & Me, describing the project as “legally and professionally misguided” after confirming that neither his life rights nor his music catalogue have been licensed to the producers.Legal and Creative Stakes Behind “Billy & Me”The film, announced on Tuesday, is intended to be told through the eyes of Joel’s first manager Irwin Mazur and will be directed by John Ottman, known for editing the Michael Jackson biopic Michael. However, the production does not hold:Joel’s life‑rights agreement, which protects against lawsuits.Licensing rights to any of Joel’s songs, a prerequisite for a music‑driven narrative.Joel’s representatives warned that the parties have been officially notified since 2021 that they lack these essential permissions.Financial Implications of Missing Music RightsSecuring rights to a major catalog like Joel’s typically involves:Up‑front licensing fees that can run into the low‑millions of dollars.Royalty splits on box‑office and streaming revenues.Potential penalties for unauthorized use, which can halt distribution.Without these agreements, the film faces significant budget overruns or the need to replace iconic songs with costly original compositions.Potential Ripple Effects on the Music‑Biopic LandscapeThis clash underscores a growing trend: artists demanding tighter control over how their stories and music are portrayed. Studios may now:Prioritize early negotiations for life‑rights before green‑lighting projects.Allocate larger portions of budgets to music licensing.Consider alternative storytelling approaches that avoid direct use of copyrighted songs.Failure to secure rights could set a precedent that discourages similar unauthorized biopics.What the Future Holds for the Joel Biopic ProjectIndustry observers anticipate three possible outcomes:Negotiations reopen, and the studio secures Joel’s approval and music rights, potentially reshaping the script.The project proceeds without Joel’s catalog, relying on original scores and limited references, which may dilute its commercial appeal.The film is shelved or re‑conceptualized, prompting producers to explore other phases of Joel’s career where rights are clearer.Until a resolution is reached, “Billy & Me” remains in limbo, serving as a cautionary tale for future music‑driven productions.

The Evolution of the Romantic Comedy ProtagonistIt's a long-running romcom trope that the couples we're supposed to root for are often hiding lies that threaten the chances of any happy relationship blossoming. From classics such as The Shop Around the Corner to modern blockbusters such as How to Lose a Guy in 10 Days, the genre thrives whenever it presents the audience with the most alarming red flags it conceals from its characters, raising the stakes by seeing if sparks can still fly when an ulterior motive behind each meet-cute is hidden in plain sight.The Sociopath Archetype in Contemporary RomcomsIn the romantic comedies we've seen so far this year, this trope has not only been revived but pushed far beyond its breaking point, cementing a new romcom archetype: the unlucky-in-love sociopath. This week's new release Finding Emily is the starkest example to date, introducing psychology student Emily (Angourie Rice), whose desperation to find a good case study for her dissertation essay on the self-destructive nature of love leads her to concoct a machiavellian scheme to paint university student Owen (Spike Fearn) as an obsessive stalker.Owen is a kind-hearted employee of her university's student union bar, only meeting Emily after his search to find a different Emily he danced with the previous night leads him in the wrong direction. After she sees him plant posters around the campus, Rice's Emily decides to help him as fuel for coursework she should have handed in already, faking his signature on consent forms, secretly recording their every conversation, and insisting he make grand public gestures that paint him in a bad light. With this being a romantic comedy, certain tropes must be adhered to and feelings gradually form between the two, but the initial lie has cast such a destructive shadow over Owen's life that it doesn't feel triumphant for the audience when he realises it was more than just a friend who betrayed him.Red Flags and Deception in Recent RomcomsLast month, audiences were treated to another romcom sociopath in Halle Bailey's Anna Montgomery, the heroine of the frothy You, Me & Tuscany. A house-sitter who lives vicariously through her clients and imagines their lives as her own, we're introduced to her getting fired after getting caught wearing clothes that don't belong to her – which yes, does include underwear. After a one-night stand with a handsome Italian man, she saves photos of his glamorous Tuscan villa and flies to Europe to squat there, justifying her presence to his family by pretending she is his new fiancee. It's red flag after red flag in a haphazard scheme to maintain a life of luxury on someone else's dime, and the fact she successfully wins over another new interest during this ruse is less shocking than the Italian family forgiving her because they found her that charming.This trope of a relationship built on a lie was very deliberately weaponised in Kristoffer Borgli's hit black comedy The Drama, which juxtaposes one mundane white lie – Charlie (Robert Pattinson) pretending to have read a book he sees Emma (Zendaya) reading so he could talk to her – with her choice to conceal from him the worst thing she's ever done. The genius of The Drama isn't just that Emma is far less of a sociopath than many of those judging her for her teenage planning of a crime she didn't go through with, but that it exposes why modern romantic comedies are making their love interests far more extreme. These are characters who likely would have swiped left on each other if they didn't meet in the real world due to lack of immediate shared interests, with Charlie's planned wedding speech notably lacking any specificity about his wife-to-be.The Digital Dating Disconnect in Modern RomanceThe concept of a real-life meet-cute is growing increasingly alien in a world where more relationships are beginning online, and many reports point towards gen Z opting out of the dating market altogether. The revival of romcoms aimed at millennial and gen-Z audiences coincides with a need to reflect this sea change in how young people approach relationships, which is why we're starting to see an influx of stories that feel more like cautionary tales than traditional examples of the genre. We're still a world away from a horror movie subversion of the meet-cute such as the thriller Fresh, where Daisy Edgar-Jones unwittingly locked eyes with cannibal Sebastian Stan in a grocery store, but film-makers in both genres seem keenly aware that the digital world provides barriers to dating nightmares like these. Neither can function as well if you get to know somebody first and block them before any carnage can ensue.There are, of course, plenty of horror stories about online dating to be told; there's a cottage industry of true crime documentaries such as The Tinder Swindler which revel in the horrors that could be inflicted upon you if you swipe right. The modern romcom remains stubbornly offline in comparison, largely because the love interests it presents wouldn't be reflected well in a dating app bio. In a world where the most viral social posts about dating are from young people outlining their specific "icks" in potential partners, most of this new crop of romcom couples wouldn't sustain a Bumble conversation if they had a better handle on each other's personalities.The Future of Romantic StorytellingWith younger people remaining cynical about love and romcoms struggling to justify classic tropes in an online-driven dating world, these won't be the last films in a wave that feels more harrowing than idealistic. As our dating lives become increasingly filtered through digital interfaces, the romantic comedy genre may need to evolve further to maintain relevance, potentially exploring how relationships can form authentically in a world where first impressions are increasingly curated and deception is just a swipe away.

The Challenge Presented in the Guardian VideoThe recent Guardian video titled Real or AI: can a photographer and internet addict spot fake portraits? sets up a side‑by‑side showdown. A seasoned photographer and a self‑described internet addict are shown a series of portrait images, some created by traditional cameras and others generated by AI models, and asked to identify which are real.Why Detecting AI‑Generated Portraits MattersAs generative models become more sophisticated, the line between authentic photography and synthetic imagery blurs. Misidentified AI portraits can:Undermine trust in news and social media platforms.Complicate copyright and attribution for artists.Fuel misinformation campaigns that exploit visual realism.Current Tools and Their LimitationsBoth participants rely on visual cues—lighting inconsistencies, unnatural textures, and facial asymmetry—to make judgments. While emerging forensic tools (e.g., metadata analysis, error‑level analysis) offer assistance, they are not yet foolproof against the latest diffusion models.Implications for Photographers and Online AudiencesThe experiment underscores a shifting skill set for visual creators. Photographers may need to augment artistic expertise with basic digital‑forensics knowledge, while everyday internet users must become more skeptical of polished portraiture that appears too perfect.Future Directions in AI‑Generated Image DetectionExperts predict a race between generative AI and detection algorithms. Investment in open‑source detection frameworks, standardized watermarking for AI‑generated content, and public education campaigns are likely to shape the next phase of visual authenticity verification.