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The Comedic Journey of Urzila CarlsonUrzila Carlson's path to comedy stardom began with a dark childhood in South Africa, marked by her parents' divorce after years of abuse at the hands of her violent father. At just eight years old, she delivered her first joke about her parents' divorce, saying to a teacher: "Miss, it's my dad's fault. My mom really, really wanted to be a widow but my dad wouldn't drink the poison." The teacher laughed, and Carlson was hooked on comedy as a coping mechanism for the trauma she experienced.From Trauma to Triumph: The Making of a ComedianCarlson grew up in mining towns around South Africa, the youngest of three. The night her father hunted her family with a handgun, they were rescued by a neighbor who drove them to safety. After the divorce, her mother raised the three children in Benoni, east of Johannesburg, where they were "dirt poor" but happy. As an adult, Carlson found life in South Africa increasingly demoralizing but discovered freedom in travel. She funded a trip to the US by selling fudge door-to-door with a sign that said HELP ME GET THE FUCK OUT OF HERE. The final straw came in 2006, when armed men stormed the office she worked in and robbed everyone at gunpoint. The very next day, she saw an ad: "Want to emigrate? Why not New Zealand?" Three months later, she was there.Rising to Fame in the Comedy WorldNew Zealand gave her a first taste of standup comedy. When leaving one job as a graphic designer for another, her colleagues gave her a fake contract to sign, making her do an open mic spot at an Auckland comedy club. It turned out they had already booked her for it, and 70 people from her agency were going to watch. She wrote four minutes of material for a five-minute slot, got on stage, and was a hit. The next day she got a call letting her know she was through to the next round of a talent competition she hadn't even known she'd entered. She had never seen a standup show before, and went on to win New Zealand's best newcomer. When the global financial crisis came along and brought redundancy with it, it was like the universe was telling her to go professional: "I thought, you can't ride two horses with one arse. You've got to go for it."Building an International Comedy CareerCarlson is particularly popular in Australia where she is a regular on TV, including Have You Been Paying Attention? and Guy Montgomery's Guy Mont-Spelling Bee, and she holds the record for most tickets sold at Melbourne's international comedy festival. Internationally, she has appeared on QI, Taskmaster New Zealand and Amy Schumer's Netflix comedy Kinda Pregnant. In her latest standup show, Fatty on a Yacht, she recalls turning up for a day on a friend's boyfriend's dad's boat, expecting a tinny and finding a super yacht complete with a hot tub and jetskis. Despite her following in Australia and the US, Carlson refuses to relocate from West Auckland, which she affectionately calls "Bogan Central." She is now back in the southern hemisphere with a sketch show titled Urzila, to be broadcast in Australia later this month, and a sitcom with Nazeem Hussain on the way.Navigating Fame and BoundariesCarlson has two children, and recently decided her 13-year-old daughter was old enough to watch her routines: "I can't say anything filthier than 13-year-olds do at school." She recently took her daughter and her friends ice-skating "and they were all saying to me in the car, 'can you roast us?' … I just looked at them in the rear-view and said, 'No, because I'm a professional comedian and I will destroy you. You'll go home and tell your mom.'" Her phone often dings with messages from fans, including unsolicited photos. "Now I just ignore it," Carlson says. "If I say thank you, I'll get tits. I always say, 'Please don't do that. I don't need to see you naked.' And they go, 'Oh, you're not into tits?' And I'm like, 'No, I'm not into unsolicited nudes.' She gets dick pics too: "To those I just say, 'That's cute – it's just like a penis, only smaller.'"The Future of Comedy: Authenticity and ResilienceAs Carlson continues to build her career, she remains committed to staying true to her roots while pushing boundaries in her comedy. Her journey from a traumatic childhood in South Africa to international comedy stardom demonstrates how humor can be both a coping mechanism for pain and a powerful tool for connection. With her new sketch show and sitcom in development, Carlson shows no signs of slowing down. Her ability to turn personal trauma into relatable comedy while maintaining clear boundaries with fans exemplifies the evolving nature of comedy in the digital age, where performers must navigate new challenges while staying authentic to their voice and experiences.

The Lead This week's art world offers a diverse mix of exhibitions, from a copyright-bending green ogre to monochrome grey paintings and a recovered Vermeer masterpiece. The Guardian's art roundup brings together the most significant shows and stories from across the UK art scene. Exhibition Highlights Bruce Asbestos: Bootleg Shreg 2 brings the artist's wacky comic style to Exeter Phoenix Gallery, featuring Shreg, a green ogre that breaches absolutely zero copyright rules. The show runs from 25 April to 20 June. Roy Oxlade presents rough, scrappy, primitive painting at Alison Jacques in London, showcasing the work of this major figure in 20th-century British art. The exhibition continues until 30 May. May Morris: Crafting a Legacy at Lady Lever Art Gallery in Liverpool showcases embroidery, wallpaper, watercolours, costumes and jewellery by the hypertalented youngest daughter of Arts and Crafts pioneer William. The exhibition runs from 25 April to 1 November. 30 Years at Timothy Taylor in London features works by big hitters including Philip Guston, Alex Katz and Antoni Tàpies alongside younger artists, celebrating three decades at the top of the art game for this commercial gallery. The show continues until 30 May. Alan Charlton presents new works at Annely Juda Fine Art in London, featuring paintings made exclusively in one colour: grey. The exhibition runs from 30 April to 7 June. Image of the Week Photographer Jon McCormack captured a rock formation on Kangaroo Island that resembles a modern sculpture by Barbara Hepworth or Henry Moore. This hollowed out form, created by wind and rain over thousands of years, serves as a reminder of nature's awesome power. Art World News This year's Turner prize nominees played it safe Martin Parr's first posthumous exhibition is a dazzling final chapter The story of Black British music is told in the first exhibition at V&A; East Portugal's newest art festival takes an anarchistic approach Isaac Julien's new show is a bombastic meditation on human connection Picasso's Guernica is being used in Spain's partisan squabbles The finalists for museum of the year have been announced Masterpiece of the Week The Guitar Player (Lady With a Guitar), c.1670-1720 by Johannes Vermeer, currently on display at Kenwood House in London. Despite a guide's comment that the subject "looks like a boiled egg," the painting's ghostly quality and the subject's quiet amusement make it a remarkable work of art. The painting has an intriguing history, having been stolen in the 1970s and recovered with the help of a clairvoyant.

The Lead: A Quiz Spanning Football, Snooker and EnduranceThe Guardian's weekly sports quiz challenges fans with 14 questions covering the Premier League, snooker, NFL, rugby league and marathon history, offering a snapshot of recent sporting trivia and historic milestones. Premier League Title Decided on Goals Scored – Arsenal’s 1988‑89 TriumphQuestion: Which English club has won the league title on goals scored?Answer: Arsenal (pipped Liverpool in 1988‑89) What Happens If City and Arsenal End Level on All Tiebreakers?Question: If City and Arsenal finish equal on points, goal difference and goals scored, who wins?Answer: Manchester City become champions due to a superior head‑to‑head record. Chelsea’s Five‑Game Losing Run vs Brentford’s Five‑Game Draw StreakQuestion: Which team have drawn their last five Premier League games?Answer: Brentford Snooker World Championship Distraction – The ‘Shit Shot’ CommentQuestion: What distracted Shaun Murphy in his opening match?Answer: A fan in the front row shouted “shit shot”. John Virgo’s Best World Championship PerformanceQuestion: What was John Virgo’s deepest run at the World Championship?Answer: He reached the semi‑finals in 1979. Coventry City’s Ground‑share During Stadium ExileQuestion: Where did Coventry City ground‑share when they could not play at their own stadium?Answer: They shared with Northampton Town and Birmingham City. 32nd Pick in the NFL Draft – Seattle SeahawksQuestion: Which team received the 32nd pick?Answer: The Seattle Seahawks, fresh off a Super Bowl win. England Women’s First Official Match – ScotlandQuestion: Who did England women face in their inaugural 1972 match?Answer: Scotland. Brian McDermott’s Super League Success – Leeds RhinosQuestion: Which club did McDermott win four Super League titles with?Answer: Leeds Rhinos. Jude Bellingham Invests in Birmingham PhoenixQuestion: Which sportsman backed the cricket team?Answer: Jude Bellingham. Bayer Leverkusen’s Surprise Bundesliga TitleQuestion: Which club won the lone title not claimed by Bayern Munich?Answer: Bayer Leverkusen (2023‑24 season). Robotic Half‑Marathon Record – LightningQuestion: Who ran the half‑marathon seven minutes faster than Jacob Kiplimo’s record?Answer: A humanoid robot named Lightning, finishing in 50 min 26 sec. Boston Marathon – The World’s Oldest Annual MarathonQuestion: Which marathon, started in 1897, holds the title of oldest?Answer: The Boston Marathon. New York Marathon – Record FinishersQuestion: Which marathon currently holds the world record for most finishers?Answer: The New York Marathon with 59,226 finishers last year.

Despite bleak predictions, the cinema sector is bouncing back, driven largely by Generation Z. 2026 is forecast to be the best global box‑office year since the pandemic, and young movie‑goers are leading the charge. The Rise of Gen Z as Cinema’s Core Audience Gen Z (born 1997‑2012) are now the most frequent cinemagoers in the United States. A Fandango survey found 87% of them have attended at least one film in the past 12 months, averaging seven trips per year. Millennials, Gen X and Boomers trail at 82%, 70% and 58% respectively. Survey Numbers Reveal Gen Z’s Dominance in Moviegoing 87% of Gen Z saw a film in the last year (Fandango) Average of 7 cinema visits per year for Gen Z British Council: film & TV are ~2× more influential than digital creators for Gen Z 68% of 18‑30‑year‑olds cut back on nightlife due to cost (NTIA) Curzon off‑peak ticket: £7 for under‑25s vs. club entry £15 and a drink £12 Odeon Limitless monthly pass: £16.99 BFI Southbank under‑25 tickets grew 91% in four years, now > 21% of sales Letterboxd users: 1.7 M (2020) → 26 M (2026); +9 M since Jan 2025 Barbie (2023) amassed > 1.1 M reviews on Letterboxd Why the Cinema Experience Is Resurging Among Young Audiences According to podcast hosts Benedict and Hannah Townsend, Gen Z is “tired of algorithm‑driven digital spaces” and seeks a “third space” for social connection. The cinema offers a physical venue where phones can be turned off, fostering shared reactions and cultural clout that can be amplified on social media. Affordability also plays a role: tickets are cheaper than concerts, holidays or clubbing, and subscription models like Odeon Limitless make frequent visits financially viable. Social platforms such as Letterboxd turn film‑going into a communal conversation, turning reviews and lists into shareable content that fuels FOMO and drives more foot traffic. Future Outlook: How Gen Z Could Shape the Film Industry Beyond 2026 Industry insiders expect studios to double‑down on “event” marketing, extending press tours and creating viral moments that compel Gen Z to choose the cinema over streaming. As Letterboxd continues to grow, its data will likely inform release strategies, with studios targeting the 18‑24 demographic for premium‑ticket windows. With Gen Z’s appetite for communal, affordable experiences and their influence on cultural discourse, the cinema may evolve into a hybrid social‑media‑enhanced venue, ensuring its relevance well beyond the projected 2026 box‑office peak.

The 2700 Milestone: A New Standard for Young TalentYagiz Kaan Erdogmus has officially shattered the ceiling for young chess prodigies. At just 14 years old, the Turkish Grandmaster has become the youngest player in history to achieve a 2700 rating, breaking the record previously held by China’s Wei Yi at 15.The Data Analysis: A Statistical BreakthroughErdogmus’s achievement is not merely a single event but a cumulative statistical dominance across his teenage years. His new rating places him in an exclusive club of elite players, with specific milestones defining his ascent:Age Demographics: He is now the highest-rated player ever at 12, 13, and 14 years old.Historical Record: He is the youngest player to break the 2700 barrier.World Ranking: He is the youngest player ever to enter the world top 50.The Economics of Chess Excellence: Funding and CoachingErdogmus’s rapid rise highlights the changing economics of elite chess. His success is largely attributed to the backing of Turkish billionaire Evren Ucok, who provides access to top coaching and competition. His coach, Azerbaijan’s former world No. 2 Shakhriyar Mamedyarov, believes Erdogmus possesses knowledge that is “5% of what people are aware of,” positioning him as a potential first-ever 2900 player.What Lies Ahead: The Sigeman Tournament and the 2900 GoalWith his rating now live, Erdogmus faces his next major test at the TePe Sigeman competition in Malmö starting May 1. The field includes Magnus Carlsen, who has already described Erdogmus as “the best 14-year-old the world has ever seen.” Erdogmus has set a clear roadmap for the future, stating, “Now I’ll try to reach 2800. That’s my next goal.”

The Lead: Adam Scott's Career EvolutionIn this candid interview, Adam Scott reflects on his career trajectory from early nervous characters to his acclaimed role in "Severance," while sharing insights about working with industry legends like Martin Scorsese and handling unexpected comparisons to Tom Cruise.The Severance Breakthrough: Crafting the Iconic Elevator SceneScott reveals the meticulous process behind creating the memorable elevator scene in "Severance," where his character transitions between his "innie" and "outie" personas. "We worked on that for a long time, trying to figure out what specifically happens in the elevator. We must have tried 100 times before we landed on it. Eventually, Ben [Stiller, the director] suggested a subtle fluttering of my eyelids as my character goes through the shift."Scorsese's Collaborative Approach: The Aviator ExperienceRecalling his experience working on "The Aviator," Scott describes how Scorsese creates such great performances: "He's incredibly collaborative and encourages you to bring yourself to the proceedings and improvise." Scott notes the respect everyone had for Scorsese on set, where "between takes, you could hear a pin drop. Everyone was focused on making the best possible movie."Personal Reflections: From Nervy Characters to Celtic RootsScott discusses how he was initially cast as nervous characters because "I was nervous in all my auditions." He also shares his connection to Ireland, where he filmed "Hokum": "It's difficult not to feel at home when you're in Skibbereen in west Cork. I got to stay at the Liss Ard estate, one of the most beautiful places I've ever been."The Tom Cruise Comparison: A Welcome ComplimentWhen asked how often people tell him he resembles Tom Cruise, Scott responds with humor: "I do get it every once in a while. I mean, it's a huge compliment. I love Tom Cruise, I love his work and I think he looks spectacular. There's nothing wrong with being told that you resemble Tom Cruise."Music Influences: Why REM Remains the Best American BandScott explains his enduring love for REM: "When I became aware of them, there was still a lot of mystery around them. They weren't in their own music videos. Even if you bought one of their albums, it was hard to find a photo of them and you couldn't understand what Michael Stipe was saying. The music was weird. The song structures were different. But at the same time, it was pop music – hooky, and the songwriting was bulletproof."Parks and Recreation Legacy: The Calzone EffectScott reflects on his iconic role as Ben Wyatt and the unexpected calzone connection: "I delivered pizzas for a summer in the early 90s and calzones were quite popular with stoners, because it's like a folded portable pizza – a pizza sandwich." He also addresses the possibility of a reunion: "I doubt it, but that's above my pay grade. That's Amy [Poehler] and Mike's decision – they're the keepers of the flame."Future Outlook: New Projects and Continued GrowthWith "Severance" captivating audiences and "Hokum" showcasing his range in a different genre, Adam Scott continues to evolve as an actor. His willingness to take on diverse roles—from the complex Mark Scout in "Severance" to a horror writer in "Hokum"—demonstrates his commitment to challenging himself and avoiding typecasting in an industry that often tries to actors in boxes.

Exploring the Intestines of an Alien MachineThe setting of Saros is a masterclass in atmospheric design. Set on the planet Carcosa, the game presents a world where mangled trees and crimson flowers grow alongside the ruins of an ancient civilization. The environments—metallic tunnels, chasms of impossible size, and shifting architecture—resemble the "House of Leaves" quality spaces described in the review, creating a sense of unease that feels alien and non-human.The Mechanics of Death and ReshufflingThe core gameplay loop is built around a high-stakes, reflex-based combat system. Players control Arjun Devraj, a traumanaut space security officer, who must survive against waves of robot-esque aliens. The action is frantic and messy, described as "bullet-crossing-the-motorway-in-your-pyjamas," requiring players to dodge thousands of projectiles while firing thousands of bullets per minute.Death as a Mechanic: Unlike standard shooters where death halts progress, Saros uses death as a tool for progression. Upon dying, the player reconstitutes in alien goop.The Roguelite Loop: Players trade found loot for armor upgrades (health, damage output) before returning to the unmapped wilds.Environmental Shift: The map reconfigures and morphs with each run, keeping the layout fresh while enemies remain consistent, creating a unique challenge each time.Engagement Metrics and Market ValueAt a price point of £69.99, the game positions itself as a premium, high-effort title. The review highlights that the game demands significant physical engagement, with players "strafing until their thumbs hurt." This indicates a high engagement metric driven by the "flow state" the game induces, where peripheral vision and reflexes take precedence over complex strategy. The value proposition lies in the replayability provided by the dynamic weapon systems and the reshuffling environments.Housemarque’s Shift to Narrative-RoguelikesThis title marks a significant evolution for developer Housemarque, known previously for arcade classics like Resogun. Saros attempts to blend high-octane action with a thematic narrative centered on obsession. While the narrative delivery is criticized for being disjointed and static (mostly showing the back of the protagonist's head), the thematic anchor provides a reason to continue the "fight, die, repeat" loop.Defining the Next Era of Reflex-Based GamingThe success of Saros suggests a continued trend where players crave intense, visceral action over traditional storytelling. By prioritizing the "kaleidoscopic" weapon mechanics and the psychological impact of the environment, Housemarque is carving out a niche that combines the best of arcade speed with modern roguelike structures. The game proves that even in a saturated market, a focus on pure, chaotic fun can yield a premium experience.

Doku declares goal‑scoring drive ahead of FA Cup semi‑finalJérémy Doku says adding goals will make him “the world’s best winger”, a claim he backs with his pace and dribbling as Manchester City prepare to face Southampton at Wembley.FA Cup semi‑final showdown: City versus SouthamptonCity, fresh from a 4‑0 FA Cup quarter‑final win over Liverpool, will rely on Doku’s wing play to break down a defensively‑solid Southampton side.Stat line: goals, assists and elite benchmarks40 City appearances this season – 4 goals11 assists across all competitionsCompared with Vinícius Júnior: 18 goals in 48 games for Real MadridPrevious season: 8 goals, including 2 at the Club World CupWhy Doku’s scoring push could reshape City’s attackManager Pep Guardiola has praised Doku’s “unstoppable” pace, but a higher goal tally would give City a more balanced threat, reducing reliance on striker Erling Haaland and adding depth for domestic treble ambitions.Looking ahead: can Doku join the elite wingers?If Doku reaches his target of “five tap‑ins a season”, he could rival the likes of Vinícius Júnior and cement a place among Europe’s top wide forwards, potentially influencing transfer market valuations and City’s long‑term tactical plans.

The 88-Year-Old Marathoner Redefining Age and EnduranceAt 88, Harry Newton is set to compete in the London Marathon, proving that elite endurance is not limited by age. Starting his journey at 57, Newton has completed 31 marathons, including a unique lockdown challenge of 461 garden laps, and continues to push boundaries with high-performance gear and unwavering determination.A Late-Blooming Journey from Grocer to RunnerNewton’s running career began by chance at a grocers' meeting in 1994. A representative from Mars confectionery offered him an entry form to raise funds for the Grocers’ charity. Despite a doctor’s warning about knee wear and tear, Newton laced up his first shoes in the autumn of 1994. His first marathon took five hours and 10 minutes, but the bug had bitten.31 total marathons completed, including 21 at London.Completed 461 laps around his garden during lockdown to simulate a marathon distance.Personal best of 3:52:30 set at age 70.Stats and Gear: The Economics of EnduranceNewton’s commitment to performance is evident in his equipment. He will wear a pair of Saucony super shoes, retailing for £280, which he secured during a local sale. His current pace strategy focuses on consistency rather than speed, aiming to finish well within the 6 hours and 10 minutes limit required for a "Good For Age" qualification for the over-85s category.Shifting the Paradigm of Senior FitnessNewton’s story highlights a significant shift in the fitness landscape. While generation Z has popularized running, Newton proves it is a lifelong pursuit. His wife Phyllis, 85, supports him, and he notes that while she worries, she is his "terrific supporter." His journey challenges the medical narrative that associates aging with inevitable physical decline.What's Next for the Silver Sprinter?Newton has no immediate plans to retire from the sport. With a philosophy of "keeping doing it as long as I can," he represents the future of senior athletics. His advice to nervous beginners is practical: keep a steady pace, ensure you are empty, and don't be afraid to start late.