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The LeadA novel featuring a protagonist whose job is taken by AI has won the Climate fiction prize. Hum by Helen Phillips, the American writer's third novel, explores themes of technological displacement and the commodification of nature in a dystopian future.The Disneyfication of Nature in LiteratureHum is about a woman, May, who loses her job to a "hum" of the title – a humanoid robot. Struggling to find work, she becomes a guinea pig for an experimental injection that alters her face so it can't be recognised by surveillance. When she gets paid for it, she splashes out on family passes to the Botanical Garden, the last remaining green space in her city. There, things take a turn for the worse.The Climate Fiction Prize RecognitionThe prize, worth £10,000, was first awarded last year to Abi Daré for And So I Roar, the follow-up to her bestselling debut The Girl with the Louding Voice. This year's judging panel was chaired by Guardian theatre critic and former literary editor of the Independent, Arifa Akbar. Alongside Kit de Waal and Friederike Otto on the panel were author Jessie Greengrass and book influencer Simon Savidge.Judges' Perspectives on the NovelJudge and writer Kit de Waal described Phillips's book as being about the "Disneyfication of nature … turning nature into a rare place that we have to pay to see". Fellow judge and climate scientist Friederike Otto added that it "tackles the central reason that nothing is done about the climate crisis – privilege", while writer Daisy Hildyard described it as "mesmerising and scary".The Author's InspirationPhillips was inspired to write the book after walking home from work one day and having the thought that she needed to buy dishcloths, before opening her computer at home and finding that dishcloths were being advertised to her. "That eerie feeling stuck with me, and I started to think about what worst-case scenarios might arise from surveillance by an algorithm."Impact on Climate AwarenessHum "helps us connect with what really matters and stops us from sleepwalking into an inevitable dystopia", said Lucy Stone, CEO of Climate Spring, which funds the prize. "In the novel, the machines themselves start to question the insane volume of advertising and the consumer treadmill, and then show the family that there are multiple different futures lying ahead of them."Future RecognitionPhillips will appear at Hay festival to discuss the book on Saturday 30 May. Alongside Phillips on this year's shortlist were Madeleine Thien for The Book of Records, Robbie Arnott for Dusk, Keshava Guha for The Tiger's Share, Susanna Kwan for Awake in the Floating City and Maria Reva for Endling.

The Rise of Heated Rivalry: From Canadian TV to NYC StageWalking into the Culture Club in West Chelsea, New York, for a performance of Heated Rivalry: The Unauthorized Musical Parody last week, I was met by three ghosts left over from when the space was called the McKittrick hotel and it hosted the immersive spookfest, Sleep No More. The first was the phantom of clever detail: cans of Athletic IPAs for sale, a cute, non-alcoholic nod to the mega-popular series' hockey setting. The second was of unnerving fright, as I realized there would be no booze at this singing satire. Would I be able to make it through 90 minutes of jokes about an overexposed Canadian gay sports romance, with zero quality guarantee and an even lower blood alcohol concentration? At least at the downtown premiere of the popular parody Titanique, long before it proved itself worthy of a handful of Tony nominations, you could stand up and order a bucket of White Claws.But then the third specter materialized, the ghost of immersion and surrender, as this very funny production completely won me over. (I've since learned that a liquor license is forthcoming.) Heated Rivalry, for the uninitiated, is a television show adapted from a series of gay romance novels by Rachel Reid, a straight woman who unwittingly launched a thousand discussions about who gets to be horny over whom, how and when. Fans of the books petitioned for a wider release of the show produced for the Canadian streamer Crave, last November and, some six months later, its formerly unknown stars Connor Storrie and Hudson Williams are in easy contention for the most photographed people alive. Heated Rivalry: The Unauthorized Musical Parody is the latest addition to New York City's musical parody cottage industry, which has led me to a theater lobby where a woman in a branded hockey jersey is telling the stranger next to her that she's seen the series "probably not as many times as you think, but still a lot".The Unauthorized Musical: A Masterclass in ParodyThere was a communal giddiness as everyone filed into the unassuming performance space, where less than 200 folding chairs were arranged around a small stage. Super-fans were giddy that their dreams were coming true, and the more reserved types, perhaps blushing at what they deemed beneath them, were still clearly enjoying themselves. I liked the TV show just fine, a bit underwhelmed at what was broadly discussed as "softcore smut" but felt more in line with the twee "naughtiness" of the romance world. I had worried a musical parody put together in a few months would be a cash-grab; plain fan service for those who can't get enough of those six novels or episodes, not jabbing at the culture so much as stroking its ego. Impressively, as written by Dylan MarcAurele and directed by Alan Kliffer, it satisfies all three camps.Framing is everything, and this romp begins with a faux earnest number, à la Waitress, where three suburban Susans detail their newfound pastime: putting their husbands to bed with some iPad time, knocking back an "Ambien margarita" and reveling in their favorite televised "boy aquarium". From there, "Main Susan" (Ryann Redmond, glorious) recaps the years-long flirtation between the feuding players, innocent Japanese-Canadian "Shane Hollander" (Jimin Moon) and brusque Russian "Ilya Rozanov" (Jay Armstrong Johnson).The obligatory double entendres (a song titled Shane Hollander, Slap that Stick! or a line, by Shane's mom, about the "heavy load" her obviously gay son carries) are expertly delivered right between earnestness and tongue-in-cheek, but it's MarcAurele's ability to mock the story's sillier elements that clinched it for me. Shane, whose thumb-twiddling submissiveness often grated me in the TV show, is played by Moon as a dopey bottom with a hopeless romantic complex. What the series plays out as a forbidden romance writ epic across timelines and borders, MarcAurele presents as Shane's borderline delusion in dealing with an uncaring dom for years on end. "I keep replaying things he said," Shane beams after a hookup, "like, 'Ass up, little whore.'" The score's best number, certainly the one best primed for cabaret nights anywhere, is Liza Minnelli's Maybe This Time send-up where Shane croons, "This fuck felt different from the last fuck. This fuck, he asked if I would stay."If reading that inspires eyerolls – totally – Moon (and the rest of the cast, which includes Cherry Torres and Ryan Duncan) are so winning in their deliveries, so in on the joke without reducing their project into one, that it's impossible to resist. As the icy-hot Ilya, Johnson has the less showy role and plays it mostly straight, which makes his song about an outcast childhood made tragic by his impossibly "big ass, cold heart" that much funnier. And, well, let's face it: Johnson and Moon are sexy as hell, and charming to boot. Kliffer's inventive staging, with choreography by Brooke and Tiffany Engen on a resourceful set by Sully Ross, goes long on bunny-hopping glee.The Off-Broadway Parody Boom: A New RenaissanceThe Canadian Kliffer, previously artistic director of famed improv spots like Second City and Asylum NYC, where he helped launch Titanique's improbable boom, later told me that these parodies rarely come together with such speed, let alone quality. He'd loved MarcAurele's Pop Off, Michelangelo! in London and M3gan spoof stateside, and had just bought into Heated Rivalry, courtesy of its amorously optimistic fifth episode, when the writer texted him with the idea. The resulting work fits attractively between the out-and-out bawdiness of the Titanic send-up and the relentless Millennial nostalgia of Ginger Twinsies, which parodied the 90s Parent Trap remake last summer, and Kliffer notes that this very queer, very funny moment downtown – which also includes Cole Escola's Oh, Mary! – points to "a little bit of an Off-Broadway renaissance."This particular renaissance seems to be defined by parodies that are loving but not saccharine, willing to mock their source material while still celebrating what made it appealing in the first place. The success of these shows suggests a hunger for theater that doesn't take itself too seriously but still delivers genuine theatrical craft. In a city where Broadway ticket prices can be prohibitive, these intimate, affordable productions offer a different kind of theatrical experience – one that feels more accessible and immediate.Cultural Impact: Beyond the ParodyHeated Rivalry exists at the intersection of several cultural conversations. The original series, based on novels by Rachel Reid, sparked discussions about who gets to tell LGBTQ+ stories and how those stories should be represented. The parody doesn't shy away from these questions but instead uses humor to explore them. By exaggerating certain elements of the original series, the musical actually highlights what made it compelling in the first place.The show also represents the growing visibility of LGBTQ+ stories in mainstream entertainment. What began as niche content has become a cultural phenomenon, with the original series gaining international attention and its stars becoming unlikely celebrities. The musical parody capitalizes on this popularity while simultaneously commenting on it, creating a meta-narrative that appeals to both fans and newcomers.Moreover, the success of Heated Rivalry reflects a broader trend in entertainment where audiences are increasingly drawn to content that acknowledges and plays with its own artificiality. In an era of heightened awareness about media consumption, audiences seem to appreciate works that don't pretend to be anything other than what they are – crafted, performed, and enjoyed.The Future of Parody Theater: What's Next?As the Off-Broadway scene continues to evolve with these clever parodies, we can expect to see more adaptations of popular TV shows and movies hitting the small stage. The success of Heated Rivalry, following in the footsteps of Titanique and other parody hits, suggests that there's a sustainable market for this type of entertainment.What's particularly interesting is how these parodies are pushing the boundaries of traditional musical theater. They're more immediate, more self-aware, and more willing to break the fourth wall than many conventional productions. This approach seems to resonate with younger audiences who are accustomed to interactive media and meta-commentary.Looking ahead, we might see parodies of other recent cultural phenomena – perhaps streaming hits, viral social media trends, or even political events. The key to success, as demonstrated by Heated Rivalry, will be balancing genuine affection for the source material with sharp, intelligent humor that offers something new to the conversation.

The Lead: Labour's Internal Debate Over InequalitySenior Labour figures Wes Streeting and Andy Burnham have launched a sharp critique of former Prime Minister Tony Blair, accusing him of failing to confront inequality in his recent assessment of the party. The exchange comes as Blair published a lengthy critique of Labour's time in office under Keir Starmer, advocating for policies including cracking down on welfare spending and abandoning restrictions on oil and gas production.The Event Details: Blair's Critique and Labour's ResponseIn his essay, Blair criticized the policy proposals of both Burnham and Streeting – both widely expected to challenge Starmer for the leadership should Burnham win the Makerfield byelection. Streeting responded in a Guardian article, stating that "inequality – the economic, social and democratic fracture running through modern Britain – is treated as peripheral rather than fundamental" in Blair's analysis.Burnham, the mayor of Greater Manchester, added that "He doesn't mention inequality once" in Blair's essay, suggesting that failing to address this issue demonstrates a misunderstanding of current political dynamics. "If you don't get how that's driving politics now, if you are not rooting your analysis in the fact that people are unable to live and that things that were taken for granted are no longer affordable, then you are not understanding what's going on," Burnham stated.The Ideological Divide: Policy Disagreements Within LabourThe disagreement highlights significant policy differences within the Labour party. Streeting defended his approach to taxation, stating it was vital to "tip the balance of taxation away from work towards wealth," directly countering Blair's suggestions. He also rejected Blair's call for accommodation with US policies, criticizing Blair's war in Iraq and stating that "Atlanticism cannot mean automatic subservience."Torsten Bell, the Department for Work and Pensions minister who was a key author of Labour's last budget, supported the criticism of Blair's analysis, stating that "the challenge for the essay is that it doesn't have a project that remotely fits the time and place we are living in." Bell also disputed Blair's assessment that VAT should have been raised instead of employers' national insurance, calling it "a recipe for much higher interest rates" and inflation.The Political Implications: Leadership Challenges and Party DirectionThe exchange comes at a critical time for the Labour party, with potential leadership challenges on the horizon. Blair's critique specifically targeted the policy proposals of both Burnham and Streeting, who are seen as potential successors to Starmer. The focus on inequality suggests a strategic positioning by these figures as they prepare for potential leadership contests.Streeting emphasized that "the task of progressive politics is not to recreate yesterday, but to ensure ordinary working people have power, protection and opportunity in the world now emerging." This approach contrasts with what appears to be Blair's nostalgia for past political strategies, particularly the 1990s approach that defined his premiership.The Future Outlook: Labour's Path ForwardBlair has stated that his essay aims to "start a debate in the party about serious policy," suggesting that he views the current direction as potentially leading to "real trouble" for the country. However, the response from senior Labour figures indicates that any debate will necessarily center on the role of inequality in British politics and the appropriate response to economic challenges.The exchange also highlights the ongoing tension within Labour between different generations of leadership and their approaches to policy. As the party considers its future direction, the debate over inequality appears set to remain central, with Streeting and Burnham positioning themselves as champions of addressing economic disparities that they see as fundamental to modern British politics.

The Evolution of Enrichment: From Blood Lollies to Misting SystemsAs global temperatures rise, zoos are increasingly turning to innovative behavioral enrichment to ensure animal welfare. The Zoological Society of London (ZSL) has introduced a unique dietary intervention for big cats: frozen blood-based ice blocks, often spiced or containing edible treats. This approach not only provides a cooling mechanism but also encourages natural investigative and hunting behaviors.While lions and Sumatran tigers receive the blood lollies, other species employ a variety of biological and environmental tactics. Chester Zoo experts note that miniature wallabies use evaporative cooling by licking their wrists, while aardvarks and African crested porcupines retreat underground. Meanwhile, rhinos and capybaras submerge themselves in mud wallows to regulate body temperature.Operational Data: A Spectrum of Cooling StrategiesZoological management relies on a diverse portfolio of cooling solutions tailored to specific species' physiological needs. The following breakdown illustrates the range of interventions currently employed:Big Cats: Frozen blood ice lollies to stimulate hunting instincts and lower body heat.Humboldt Penguins: Utilization of heat-escape bills and bare facial patches, supplemented by misting systems and fans.Primates: Special fruit and vegetable ice lollies for chimpanzees, bears, and red pandas.Ungulates: Refreshing showers and mud wallows for greater one-horned rhinos.Apes: Sugar-free fruit tea ice blocks for gorillas.Shifting the Paradigm of Zoo ManagementThe core philosophy driving these interventions is the principle of choice. Angela Ryan, ZSL’s head of zoological operations, emphasizes that the goal is not to over-intervene but to provide a range of options. “Some will head straight for pools or shaded spots, while others really enjoy things like misting or frozen treats,” she stated.This approach highlights a significant shift in modern zoo management. It moves away from rigid environmental controls toward a model that respects the animals' ability to self-regulate, provided they are given the tools to do so. The integration of misting systems, specialized pools, and dietary enrichment demonstrates a sophisticated understanding of animal physiology and psychology.Preparing for a Warmer Climate: The Future of Wildlife ConservationAs climate patterns become more unpredictable, the reliance on environmental enrichment will likely increase. The current strategies at ZSL and Chester Zoo serve as a blueprint for the future of wildlife conservation. We can expect to see a continued investment in climate-resilient habitats, including advanced misting technologies and more sophisticated enrichment diets designed to withstand heatwaves. The focus will remain on creating environments where animals can thrive naturally, regardless of external weather conditions.

The Misguided 'Green Datacentres' Policy A Scottish government policy aimed at attracting datacentres to build in Scotland has been criticized for ignoring the emissions impact of AI developments. The policy, which encourages 'green datacentres', lacks a clear definition of what constitutes a 'green datacentre', potentially allowing developers to claim their projects are environmentally friendly despite significant emissions. The Problem with Unclear Definitions The Scottish charity Action to Protect Rural Scotland (APRS) has raised concerns that the policy's lack of clarity could lead to developers receiving favourable treatment from local authorities, even if their projects have substantial emissions. APRS found that a datacentre in Edinburgh was able to argue it was a 'green datacentre' despite including 200 diesel backup generators, equivalent to 100,000 idling cars. The Data Analysis More than a dozen datacentres in Scotland are in the process of getting planning permission, including an AI growth zone in Lanarkshire, near Glasgow, which claims to be backed by £8.2bn in private investment. Collectively, they stand to use roughly 6.2GW of power – one-and-a-half times more than the peak power use of all of Scotland in the winter. The Impact Analysis The APRS has criticized the Scottish government's approach, saying that the underlying analysis used to support the policy was done in 2022, before the release of ChatGPT, and has not been updated since. This analysis concluded that any increase in emissions caused by datacentre use would be counterbalanced by a decrease in emissions as people travelled less, but it does not take into account the development of AI or its potentially massive energy consumption. The Prediction As the demand for datacentres continues to grow, driven in part by the development of AI, Scotland's policy on 'green datacentres' is likely to face increasing scrutiny. With more than 100 datacentre projects requesting gas connections, indicating they plan to burn gas to power themselves, the UK's climate goals may be at risk. The Scottish government will need to revisit its policy and provide clearer definitions and guidelines for what constitutes a 'green datacentre' to ensure that its ambitions for economic growth align with its net zero ambitions.

The AI Funding Surge Cognition, the makers of the autonomous AI software engineer named Devin, has raised more than $1 billion at a $25 billion pre-money valuation, the company announced on Wednesday. Valuation Leap That’s a major leap from its $10.2 billion post-money valuation when it closed a $400 million funding round just eight months ago in September. Investor Lineup The round was led by Lux Capital and General Catalyst, with existing investors pouring in, including Founders Fund, 8VC, and others. The round also included new investors Ribbit Capital, Atreides, and Layer Global. Market Confidence This is a giant vote of confidence from top-tier VCs that there will be room for independent AI software coding startups. Last year, all signs pointed to model makers swallowing this hot market themselves. Certainly Anthropic’s Claude Code, OpenAI’s Codex, and maybe even Google’s coding agent Jules, (after Google’s acqui-hire deal of Windsurf last year), have captured a lot of it. Customer Traction But Cognition, which acquired the remaining bits of Windsurf last year, says it counts big enterprises like Mercedes-Benz, NASA, Goldman Sachs, and Santander as customers. It also says it’s reached $492 million in annualized revenue run-rate as enterprise usage of Devin has grown 50% month over month for the past six months.

The Grim Reality of Eid in Gaza For many Palestinians in Gaza, Eid al-Adha is a time for celebration, family gatherings, and traditional rituals. However, this year, the holiday has been overshadowed by the devastating impact of Israel's genocide, which has killed nearly 73,000 people and left many more displaced and traumatized. The Loss of Tradition The Baroud family, like many others in Gaza, has been severely affected by the war. Of the 22 faces that filled their annual family photo, 13 are now gone, killed in successive Israeli strikes. The family's Eid celebrations have been replaced by mourning and condolences. An Excess of Loss and Sorrow Widow Hajja Shama al-Zorbatli lives in a small tent on the pavement, shielded from passersby only by a hanging piece of cloth. She has lost both her husband and her home and describes the Eid as 'the Eid of the martyrs, passing without joy and with an excess of loss and sorrow'. Her tent lacks basic necessities like electricity, phone, and internet. The War Has Crushed Us Elderly Palestinian Mohammed Obeid welcomes Eid alone in his tent, after the war cost him his wife, his legs, and his home. He describes the Eid as like any other day, with no difference, and reveals that 'the war has crushed us.' No Sacrifices This Eid The traditional sacrificial animal ritual has been disrupted in Gaza, with the price of a single sheep jumping to between $4,500 and $6,000. The Ru'ya charitable foundation has turned to distributing frozen meat instead of live sacrificial animals, but even this is out of reach for many families. Diminished Preparations Eid preparations in Gaza's shops and markets are more subdued than ever, with unemployment rampant and cash scarce. Many families are limiting themselves to essentials, and shipping costs have risen to about eight times what they were before the war. Price Shock Citizens' purchasing power has fallen drastically, as priorities have shifted towards securing food and necessities. The Eid season is nothing like previous ones, with customers coming in just to ask about prices, then leaving in shock without buying.

The UFC Event on the White House Lawn Crews are erecting an octagon-shaped cage on the South Lawn of the White House that will host next month’s Ultimate Fighting Championship (UFC) bout, marking the nation’s 250th anniversary and President Donald Trump’s 80th birthday. Event Details and Construction Online renderings depict what the completed, wire-mesh-fence-ringed fight space is expected to look like before the June 14 event. It will be ringed by a red, white and blue stage under a towering arch featuring stars-and-stripes patterns and two large screens showing the action live. The cage and stage will themselves be surrounded by thousands of temporary seats, including ringside space for a full marching band that can set the entire scene to blaring music. Significance and Additional Events The project is part of a series of events celebrating the semiquincentennial of the Declaration of Independence’s signing on July 4, 1776. Other planned functions include an IndyCar race that will pass by the White House and the Great American State Fair taking place on the National Mall. Trump has said the finished UFC project will feature “a 5,000-seat arena right outside the front door of the White House”. Logistics and Ticket Demand Additional large screens broadcasting the fights will be set up in a park at the nearby Ellipse, and the UFC has said it plans to issue as many as 85,000 free tickets to accommodate spectators at both locations. “I have never seen anybody want anything so much as people want those tickets,” Trump said recently of demand to attend the UFC fight, adding, “That’s gonna be something.” Criticism and Other Projects The card has been panned by fans online as underwhelming, featuring just two championship fights. Brazil’s Alex Pereira will meet France’s Ciryl Gane for the interim UFC heavyweight title. Then, Spanish-Georgian lightweight champion Ilia Topuria takes on interim champ Justin Gaethje, one of just two Americans who currently hold even a share of the UFC’s 11 championship belts. The octagon and surrounding structures are the latest project in the White House building boom Trump is leading.

The Lead: Fury-Joshua Showdown Takes ShapeTyson Fury has officially announced his return to boxing, scheduling a fight in Dublin on August 1, just one week after fellow former world heavyweight champion Anthony Joshua makes his comeback against Albanian opponent Kristian Prenga. The timing of these fights strongly suggests both boxers are preparing for their long-awaited 'Battle of Britain' showdown, which promoters have indicated could take place as early as November.The Event Details: Fight Cards and LocationsFury confirmed his Dublin plans through an Instagram story, posting a video of himself training in Thailand with the caption: 'Let's go August 1, Dublin, Ireland.' The fight is expected to be part of a card organized by veteran promoter Frank Warren, although no opponent has been named yet. Warren has already ruled out a match against Andy Ruiz Jr, who famously dethroned Joshua in 2019.Meanwhile, Joshua will face Prenga in Riyadh on July 25 in his first bout since being involved in a car crash in Nigeria in December that tragically killed two of his close friends. This fight marks Joshua's return to the ring after a period of recovery and reflection following the accident.The Road to Rivalry: History Between the HeavyweightsThe path to this potential showdown has been building for years. Fury marked his return from a 16-month retirement with a dominant points victory over Russia's Arslanbek Makhmudov in April. Immediately after that win, Fury called out Joshua, who was present at ringside. Rather than facing off directly at the Tottenham Hotspur Stadium, the two engaged in a verbal exchange where Joshua taunted Fury by declaring: 'I'm the landlord. Remember that. You work for me.'Joshua's promoter Eddie Hearn has since added fuel to the fire by stating: 'Signed, sealed, delivered! AJ v Fury is on.' This public confirmation from Hearn suggests the fight is more than just talk, with both sides actively preparing for the eventual clash.The Impact Analysis: Shaking Up the Heavyweight DivisionThe confirmed fights between Fury and Joshua, followed by their anticipated showdown, represent a significant moment for the heavyweight division. Both fighters have held world titles and have massive fan bases in the UK and internationally. Their potential fight would generate enormous pay-per-view revenue and likely be one of the most-watched boxing events of the year.For the division itself, this matchup could clarify the hierarchy of the heavyweight landscape. While other top contenders like Oleksandr Usyk and Deontay Wilder remain in the mix, a Fury-Joshua winner would position themselves as the dominant force in the division, potentially setting up unification fights down the line.The Prediction: What to Expect from the 'Battle of Britain'Given the history between these two fighters and the buildup to their potential showdown, the 'Battle of Britain' promises to be more than just a boxing match—it's likely to be a cultural phenomenon in the UK. The fight will carry significant narrative weight, with both fighters having compelling stories: Fury's journey from retirement back to the top, and Joshua's comeback after personal tragedy.While the exact date and venue for the main event remain unconfirmed, November appears to be the most likely timeframe. With both fighters scheduled to have warm-up fights first, fans can expect to see them in peak condition when they finally meet in what could be one of the most significant heavyweight fights of the decade.