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The Unmasking of Angine de Poitrine Angine de Poitrine, the mysterious band that has taken the music world by storm, has finally been unmasked. The duo, known for their alien-like appearance and unique sound, have been making waves with their music and captivating live performances. The Band's Beginnings Khn and Klek, the two musicians behind the masks, met 21 years ago in their hometown of Saguenay, Quebec. They bonded over their shared love of music and began playing together, experimenting with different sounds and styles. Their Unique Sound Angine de Poitrine's music is a fusion of different influences, including prog rock, microtonal musicianship, and industrial sounds. Their live performances, complete with handmade papier-mache masks, have captivated audiences and earned them a loyal following. The Masks and the Mystery The masks, which have become an integral part of their image, were initially made from papier-mache and had to be replaced due to wear and tear. The duo's decision to remain anonymous has added to their mystique, with fans speculating about their identities and backstory. The Future of Angine de Poitrine As Angine de Poitrine continues to gain popularity, Khn and Klek remain committed to their music and their art. Despite the hype and attention, they remain humble and focused on their craft, inspiring fans with their creativity and passion.

The Life of a Multifaceted ArtistRay Burgoyne, a painter, carpenter and musician from Essex, has died aged 80. He first exhibited his paintings in the late 1980s and spent the next 30 years organizing countless exhibitions across the Essex and Suffolk coastline. Burgoyne was self-taught and arrived in the art world with a seemingly fully realised, studied vision.An Artistic Journey of Abstract ExpressionThe extensive body of work Burgoyne produced mirrored the abstract ballad that was his life – romantic, unpredictable, filled with both childlike simplicity and dark complexity. His paintings featured carnivalesque characters, forgotten landscapes, and were painted in pure, deep colors. When viewing his more abstract paintings, typically characterised by thick oil application and conjured shapes, he was often confronted with the question: "So, what is it actually meant to be?" to which he would reply with that unmistakable Ray smile, "It's whatever you think it is."Early Life and Musical RootsBorn in Southend-on-Sea, Essex, Ray was the youngest of two children of Joseph Burgoyne, a greengrocer, and Dolly (nee Nash). His early life was characterised by fierce independence, spent trying to ride on the back of his pet pig, Rosie, pretending to be one of Alan Ladd's cowboys, fishing at the end of the pier and drinking in seafront dance halls to the soundtrack of the Shirelles.The Mod Scene and Musical CareerBy the early 60s, Ray was at the heart of the emerging mod scene in Southend as a founding member and drummer for the Flowerpots, a local rhythm and blues band who opened for the Animals and the Who. He stayed in the band until 1966, demonstrating his early artistic expression through music before transitioning to visual arts.Carpentry and Family LifeRay dreamed of going to art school, but after leaving Wentworth high school for boys, aged 14, was sent to work at a cabinet maker's as an apprentice carpenter. He continued to work as a carpenter throughout his life, at a boat-building yard in Leigh-on-Sea, doing shop fitting and antique restoration around Essex, and installing shows for the Design Centre in central London. In the mid-70s, he became master carpenter at the Palace theatre in Westcliff-on-Sea, building and constructing sets for repertory productions.Personal Relationships and Later YearsIn 1968 he married Sylvia, and they had four children, Claire, Paul, Helen and Sam. Ray and Sylvia divorced in 1986, and Ray married Gilly, a student nurse, later that same year. They had two children, Phelan and the author of this obituary. After the family moved to the village of Friston, in Suffolk, in 1999, Ray finally became a full-time artist.Artistic LegacyRay exhibited both solo and in groups, primarily in the nearby seaside town of Aldeburgh, with established and fledgling artists. He is survived by Gilly, his six children and 15 grandchildren. His artistic legacy continues through his extensive body of work that captured the romantic, unpredictable nature of his life through abstract expressionism and deep, pure colors.

The Galilee String Quartet's Unique Sound The Galilee String Quartet, composed of siblings Omar, Mostafa, and Gandhi Saad, and sister Tibah, has been perfecting their signature east-west blend of music. Formed in 2011, the quartet was forced into hiatus in 2013 when Omar was summoned for military conscription by Israel's IDF. They are currently based in Paris. A Blend of Traditional and Improvised Music Their performance began with Webern's Langsamer Satz, a classical work that showcased their ability to play traditional music. However, as the evening progressed, they incorporated more improvisation and unconventional instruments, such as microphones, voices, percussion, and oud. The Power of Improvisation By the final two pieces, the quartet had abandoned their music stands and began to improvise, sparking off each other's energy and mood. This approach allowed them to explore their "complicated story as musicians and human beings," as described by Gandhi. A Work in Progress While some parts of the performance felt like a work in progress, with tuning issues and ungrounded textures, other moments shone with beauty and vulnerability. The arrangements of Fairouz's and Asmahan's songs, sung by Tibah, were particularly striking. A New Sound for the Future The Galilee String Quartet's unique blend of east and west, combined with their improvisational approach, makes for a compelling and thought-provoking performance. As they continue to hone their sound, they are sure to captivate audiences with their innovative approach to music-making.

The Rise of Frances Chang's Unique Sound Frances Chang, a Brooklyn-based musician, is gaining attention for her distinctive songwriting style, which is both magnetic and uncanny. Her music is often compared to artists like Cate Le Bon, Astrid Sonne, and Julia Holter. Exploring Chang's Musical Style Chang's songs are characterized by their internal logic, evoking a sense of uncanny domesticity. Her music features casual piano refrains, rainy percussion, and softly flaring synths. Her new single, 'No Avatar,' showcases her conversational and serene vocals. This Week's Best New Tracks Lambchop – Weakened: A simple yet beautiful ballad featuring Kurt Wagner's vocals, backed by guitar, choir, and Justin Vernon on banjo. Silvana Estrada and PabloPablo – Antes de Ti: A elegant song featuring Estrada's cuatro and a liquid, orchestral pivot. Josh da Costa – Proving Me Right: A new wave anthem with a chorus reminiscent of Sparks. Martin Brugger – Knees, Hands, Shoulders, Teeth: Ambient music with softly clanking, mournful sounds and traces of Kentucky post-rock. Bedouine – On My Own: A ballad with classic piano-driven MOR and affecting vocals. Resonant Bodies – Failed Hornpipe for Jacken: A refined and hopeful song featuring nyckelharpa and hammered dulcimer. Liz Lawrence – Exploded Into Flowers: A powerful tribute to her sister, with a robust repeating melody. Discover More New Music Subscribe to the Guardian's rolling Add to Playlist selections on Spotify or transfer it to Apple, Tidal, or other services to explore more new music.

The Resilience of a Living LegendAt 84, Paul Simon has returned to the stage not with the triumphant victory lap of his past farewell tours, but with a profound sense of humility. His latest endeavor, 'A Quiet Celebration,' is a stark departure from the euphoric spectacles of his youth. Despite chronic hearing loss and a voice that has lost its power and range, Simon has reinvented his performance style to prioritize intimacy and vulnerability over technical perfection. The result is a performance that feels less like a concert and more like a private conversation with history.A Quiet Celebration: Redefining the Farewell TourThe event marks a significant technical and artistic shift in how Simon approaches his legacy. Gone are the full-scale productions; in their place is a hushed, introspective atmosphere that demands silence and understanding from the audience. The tour, which kicked off at the Liverpool Arena, features a unique setlist structure that blends his new work with deep cuts from his extensive catalogue.Seven Psalms: A complete performance of his 2023 song cycle, which originated from dreams and explores themes of life, love, and death.Deep Cuts: Rarely performed tracks like 'The Late Great Johnny Ace' and reworked classics such as 'Slip Slidin' Away' and 'Homeward Bound'.Graceland Revival: A nod to his seminal album, featuring the last surviving member of the African musicians from that era.The Strategic Shift in Setlist CompositionThe data of the performance reveals a calculated pivot toward emotional resonance over sonic grandeur. By stripping back the instrumentation—using brushes on drums rather than sticks—and focusing on the raw quality of his voice, Simon has created a new metric for success: audience connection. The setlist is not a greatest-hits compilation but a curated journey through his personal and spiritual evolution.Key moments, such as the delivery of 'The Sound of Silence' and the extended 'The Boxer,' demonstrate how Simon uses his physical limitations to his advantage. The loss of vocal power has been replaced by an authority born of experience, allowing him to deliver lines like 'I am leaving, but the fighter still remains' with a weight that younger artists might struggle to replicate.The Art of Intimacy Over EuphoriaThis tour is reshaping the industry's understanding of how aging artists can maintain relevance. It challenges the notion that a farewell tour must be a spectacle of lights and sound. Instead, Simon proves that the most powerful performances can be quiet, relying on the strength of the material and the emotional bond between artist and audience.The 'A Quiet Celebration' is a response to the changing landscape of live entertainment, where authenticity is increasingly valued over production value. By embracing his frailty, Simon has turned a potential weakness into his greatest strength, creating a shared space of reflection and gratitude.A Legacy Defined by VulnerabilityLooking ahead, this tour sets a precedent for how musical icons will approach their final chapters. It suggests that the future of farewell tours lies in authenticity and emotional depth rather than technical prowess. As Simon continues to tour the UK and Ireland until May 20, his legacy is being rewritten not as the end of a career, but as the evolution of an artist who refuses to be silenced by time or circumstance.

The Legacy of Jack Shepherd's 'Chasing the Moment' Jack Shepherd's plays have a unique way of storytelling, with a structure that feels effortless and natural. His play, 'Chasing the Moment', is a jazz drama that follows a group of musicians as they arrive at a pub to perform. The play explores themes of life, love, and loss, and features a cast of characters that come alive on stage. The Concept and Execution The play begins with the pianist, Les, already at the pub, and the other musicians arrive one by one. The drummer's sister manages the door and the petty cash box, and the owner of the pub is the final arrival. As the musicians start playing, the audience is transported to a world of jazz and storytelling. The Writing Style Shepherd's writing style is notable for its ability to give each actor a moment to shine and reveal their character's true nature. The play feels contrived, but in a good way - it's a carefully constructed narrative that allows the actors to bring the characters to life. Shepherd was a great actor's writer, and his plays are known for being real and authentic. The Future of 'Chasing the Moment' A revival of 'Chasing the Moment' is planned for the near future at the Arcola theatre in London. This will be the first time the play has been performed without Jack Shepherd's involvement, but it promises to be a fitting tribute to his legacy.

The Historic Abbey Road Listening SessionStudio Two at Abbey Road was transformed into an intimate setting for a remarkable event as Paul McCartney surprised 50 competition-winning fans with an exclusive preview of his new album, "The Boys of Dungeon Lane." The legendary musician, dressed casually in an armchair with just his guitar and memorabilia surrounding him, created a living-room atmosphere in the very space where The Beatles recorded most of their iconic hits between 1962 and 1970.A Personal Journey Through Music and MemoryOver 90 minutes, the world's most successful living songwriter took fans on a deeply personal journey, sharing memories of his youth in Liverpool, anecdotes about his friendship with John Lennon and George Harrison, and insights into his songwriting process. As each track played, McCartney mouthed the lyrics and mimed along to the instruments, visibly moved by the emotional connection to his work.The Making of "The Boys of Dungeon Lane"The album began, McCartney explained, with a chance discovery five years ago during a meeting with producer Andrew Watt. While idly playing guitar, he stumbled upon an unfamiliar chord that evolved into a three-chord sequence, becoming the opening track "As You Lie There." The record, billed as his most personal to date, turns inward to postwar Liverpool, his parents' resilience, and early adventures with The Beatles, with McCartney playing a wide array of instruments across the tracks.Emotional Connections to the Past"This was a lot of memories of Liverpool for me," McCartney shared, "but also any days we've left behind. Everyone's got them – school, old mates." The album's title track references Dungeon Lane near the River Mersey, where he roamed as a boy, and contains what he called a "secret code" and promise made to Lennon at his childhood home: "I stand by what I said, the promise that I made will never be broken."The Legacy ContinuesOutside the studio, tourists continued to gather at the famous zebra crossing immortalized on The Beatles' Abbey Road album cover, seemingly unaware of the historic moment unfolding nearby. This intimate preview at the hallowed ground where The Beatles created so much of their musical legacy represents a full circle moment for McCartney, who continues to find new inspiration while honoring his extraordinary past.

The Selective Storytelling of Michael JacksonA new estate-backed film, Michael, tells the story of Michael Jackson's rise from Gary, Indiana to global fame, highlighting hits like Thriller and his record-breaking success. But it ends before major scandals, and it leaves out the US musician's race and politics, including his solidarity with Palestine. What story is being told, and what is being erased?The Biopic's Narrative FocusThe Michael biopic presents a carefully curated version of Jackson's career, emphasizing his musical genius and unprecedented success in the entertainment industry. The film traces his journey from his humble beginnings in Gary, Indiana to becoming a global phenomenon with albums like Thriller that broke numerous records.However, the narrative stops short of addressing the controversies that later defined Jackson's public image, including allegations of child abuse that have cast a long shadow over his legacy. This selective approach raises questions about the responsibility of biopics in presenting comprehensive portraits of complex figures.The Impact of OmissionsBy omitting Jackson's political activism and his expressed solidarity with Palestine, the film misses an important dimension of the artist's identity and influence. Jackson was known for his humanitarian work and used his platform to address various social and political issues, including his support for Palestinian causes.Historian Sherry Zane notes that these omissions contribute to a sanitized version of Jackson's legacy that fails to acknowledge the full complexity of his life and impact. This approach not only distorts historical understanding but also influences how younger generations perceive cultural figures and their responsibilities beyond their primary profession.The Future of Cultural BiopicsThe Michael biopic reflects a broader trend in cultural storytelling where commercially successful narratives often prioritize market appeal over comprehensive representation. As audiences become more media literate, there's growing demand for more nuanced portrayals that acknowledge both achievements and controversies.Moving forward, we may see a shift toward more balanced biopics that don't shy away from difficult aspects of subjects' lives while still celebrating their contributions. This evolution would serve both artistic integrity and public education, providing a more honest engagement with cultural history and its complexities.

Lead: A Bold Return Amidst Turbulent BackdropThe Belfast‑born trio Kneecap launches Fenian, an album that feels both victorious and bruised, reflecting a band that has survived court cases, travel bans and intense political backlash while still delivering razor‑sharp bilingual rap.Fenian’s Sonic Landscape and Narrative AmbitionFrom the opening trial reenactment to the closing meditation on personal loss, the record oscillates between Massive‑Attack‑style atmospherics, trap‑heavy beats and rave‑synth fury. Highlights include Liars Tale – a T Rex‑quoting rave onslaught – and the Kae Tempest‑assisted closer Irish Goodbye, which pairs sunny instrumentation with elegiac lyrics about a suicide.Controversy Metrics: Bans, Legal Battles, and Media Scrutiny2024: Alleged Hezbollah flag display at a London gig leads to terror‑offence charges (later dismissed).2025: Travel bans imposed by Canada and Hungary, both contested by the band.2025: UK politicians Keir Starmer and Kemi Badenoch call for the group’s Glastonbury slot to be cancelled.2024‑2025: Government grant withheld, later ruled unlawful by the UK Department for Business.Industry and Cultural Impact: Redefining Irish Rap’s Political EdgeThe controversy has paradoxically amplified Kneecap’s profile – they are now “more talked‑about than listened to”. Their willingness to fuse republican sentiment, Palestinian solidarity and self‑critical humor challenges the conventional boundaries of Irish music, positioning them as cultural provocateurs as much as musicians.Looking Ahead: Tour Prospects and the Band’s Long‑Term TrajectoryWith the legal cloud largely cleared, the group is poised to translate the album’s mixed moods into live shows, potentially targeting festivals that value political art. However, lingering visa restrictions and the polarising nature of their lyrics suggest that future bookings may remain contested, making the next year a litmus test for how far a politically charged act can thrive in mainstream circuits.