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Afika Bambaataa, the Bronx‑born architect of modern hip‑hop, passed away at age 67 in Philadelphia early Thursday morning, with officials citing complications from cancer as the cause of death. The Hip‑Hop Alliance, chaired by veteran rapper Kurtis Blow, released a statement honoring Bambaataa’s role as a founding figure of the culture. The group praised his creation of the Universal Zulu Nation, which promoted the movement’s core values of peace, unity, love and fun, while also acknowledging the complexity of his legacy in light of recent abuse allegations. During the 1980s, Bambaataa helped define the sound of hip‑hop, most notably with the 1982 electro‑funk anthem “Planet Rock”. The track, which sampled German pioneers Kraftwerk, positioned him at the forefront of a new musical frontier and led to collaborations with artists such as John Lydon, George Clinton and James Brown. Born Lance Taylor, he launched the Universal Zulu Nation in the late 1970s, drawing inspiration from DJ Kool Herc and the solidarity of South Africa’s Zulu people. This collective became a cultural hub that spread hip‑hop’s ethos worldwide. In the early 1980s Bambaataa also performed with the electronic group Ebn Ozn, further cementing his reputation as a bridge between American street culture and European synth‑pop. His work helped crystallize the electro‑funk genre that dominated clubs across the globe. His activist side emerged in 1985 when he joined Artists United Against Apartheid to produce the landmark protest single “Sun City.” The project featured a roster of high‑profile musicians—including Bob Dylan, Bono, Bruce Springsteen and Run‑DMC—united against South Africa’s apartheid regime. Throughout the 1990s and early 2000s Bambaataa continued to record, culminating in his final album, “Dark Matter Moving at the Speed of Light” (2004). While his musical output waned, his influence on subsequent generations of artists remained unmistakable. However, Bambaataa’s later years were marred by serious accusations. In 2016, several Bronx men alleged sexual misconduct, which he publicly dismissed as “baseless and cowardly.” A former bodyguard later claimed to have witnessed inappropriate behavior involving teenage boys. The allegations resurfaced in May 2025 when an anonymous plaintiff filed a civil suit alleging four years of abuse beginning in 1992. Bambaataa failed to appear in court, resulting in a default judgment against him. As the hip‑hop community mourns a foundational artist, it also confronts the enduring debate over how to reconcile his cultural contributions with the serious allegations that have come to define the final chapter of his public life.

When Kristyna Janku answered a police call, she could not have imagined the revelations that would follow. The defender learned that her former coach, Petr Vlachovsky—once celebrated as the Czech Republic’s top women’s football coach—had been secretly recording Slovacko players in the changing room for four years and was in possession of child‑sexual‑abuse content. Vlachovsky’s arrest in 2023 led to a court ruling last May that handed him a one‑year suspended sentence, a fine and a five‑year ban from all football‑related activity in the Czech Republic. However, the Czech FA has yet to lodge a complaint with FIFA’s ethics committee, leaving the door open for him to coach abroad, a prospect that unsettles Janku, now playing in Poland. According to Alex Phillips, secretary‑general of FIFPRO, this scandal is merely "the tip of the iceberg," noting that many victims remain silent because they lack trusted reporting channels. He stresses the need for an independent, funded international body to investigate and sanction abuse, rather than relying on national federations that often view the issue as low priority. The Czech case mirrors a recent incident in Austria, where a man received a seven‑month suspended prison term and a €1,200 fine for covertly filming the Altach women’s team, also paying €625 compensation to each victim. Both cases underscore a pattern of inadequate safeguarding across European women’s football. For Janku, the trauma extends beyond the courtroom. She describes a lasting hyper‑vigilance in dressing rooms and public spaces, and acknowledges that while she has declined therapy offered by the Czech players’ union, the psychological scars remain. FIFPRO’s women’s football director Alex Culvin warns that the lack of decisive action fuels a culture where abuse is minimized, citing parallels with the Me Too movement and high‑profile scandals such as the Luis Rubiales incident in Spain. Victims of Vlachovsky’s misconduct report a range of consequences—from nausea and the need to change clubs to long‑term body dysmorphia—highlighting how non‑contact sexual abuse can devastate athletes whose bodies are their livelihood. While the Czech federation is reportedly revising its safeguarding policies, critics argue that without a global enforcement mechanism, perpetrators like Vlachovsky can continue coaching elsewhere, perpetuating risk for future generations of female footballers.

The US Department of Education has been notifying approximately 164,000 federal student loan borrowers about their eligibility for automatic student loan forgiveness. This move comes after allegations of misconduct against more than 150 colleges, including misrepresentation of graduation rates, post-graduation employment, and the cost of degrees.Borrowers whose colleges engaged in such misconduct can apply for loan discharge. The Guardian is seeking to hear from individuals who have successfully had their student loans forgiven. We are interested in understanding how this development will impact their lives, what new plans they will make, and what advice they have for other borrowers.Share your experience with The Guardian using their online form. The form allows for anonymous submissions and includes fields for name, location, background information, and details on how the loan forgiveness affects their life and future plans.If you’re having trouble using the form, click here. Read terms of service here and privacy policy here.

The BBC has been plunged into a new crisis after sacking Radio 2 presenter Scott Mills over allegations about his personal conduct. Mills, who hosted Britain’s most popular radio breakfast show, was blindsided by the decision to take him off the air last Tuesday.The corporation has opted to terminate his contract after claims made against him. According to a report in the Mirror, the allegations relate to a 'historic relationship' more than 10 years ago.This dismissal is the latest crisis to hit the BBC over the alleged behaviour of one of its leading figures. The broadcaster has repeatedly said it is trying to create a culture where no one is unaccountable, after allegations against prominent presenters such as Huw Edwards and Tim Westwood.The departure took place in Tim Davie’s last week as the BBC’s director general. He announced his resignation at the end of last year after he was worn down by a series of crises including over the conduct of some BBC presenters.The BBC said: “While we do not comment on matters relating to individuals, we can confirm Scott Mills is no longer contracted and has left the BBC.”Replacing Mills is now likely to become one of the first big personnel decisions for Matt Brittin, the former Google executive chosen to replace Davie as director general.Mills, 53, took over the Radio 2 breakfast show from Zoe Ball in January 2025. Under his stewardship, the show’s audience increased to 6.5 million listeners, making it the UK’s most popular breakfast show.

Kimberly Belflower's revisionist take on Arthur Miller's classic The Crucible re-spins the witch-hunts for the #MeToo generation. Set in 2018, the play follows a classroom of teenagers—mostly girls—as they attempt to establish a feminist club, an effort seemingly sparked by contemporary news headlines. This original approach addresses adolescent girlhood in the direct aftermath of the Harvey Weinstein scandal, though the production takes time to build momentum.The narrative centers on Beth (Holly Howden Gilchrist), the class academic; Ivy (Clare Hughes), whose father faces workplace misconduct allegations; Nell (Lauryn Ajufo), the new student; and Raelynn (Miya James), a pastor's daughter dealing with relationship betrayal. Shelby (Sadie Soverall), though absent for much of the play, plays a crucial role in the unfolding drama.Set in a small-town Georgia high school, the feminist club concept initially proves controversial until a charismatic teacher, Carter Smith (Dónal Finn), suggests expanding it to include boys. Directed by Danya Taymor and performed continuously in under two hours, the script pivots around the students' study of Miller's play alongside their developing understanding of intersectional feminism.The production captures the girls' internalization of societal micro-aggressions with humor and pathos, incorporating pop music tributes to artists like Lorde, Taylor Swift, and Beyoncé. While the dialogue authentically portrays adolescent female relationships, the review notes these connections are sometimes flattened by their cuteness rather than reflecting the sharp edges typical of this transitional life stage.A significant parallel emerges between Miller's John Proctor—a morally complex character who ultimately maintains his principles—and the predatory male figure in the contemporary narrative. The review suggests a false equivalence between these characters, as the modern figure is portrayed as a serial abuser rather than a morally conflicted individual.The play concludes with an emotional climax as students reinterpret scenes from The Crucible through interpretive dance, symbolizing their liberation while acknowledging that the predator remains in their midst. This ending, while thematically resonant, is described as feeling neat and easy despite its powerful emotional impact.Despite these criticisms, the production effectively captures the zeitgeist of 2018 for a generation of girls coming of age in the shadow of the Weinstein scandal and the #MeToo movement, raising questions about the movement's lasting impact and current relevance.

The US Department of Justice has charged three people, including a co-founder of Super Micro Computer, with helping to smuggle at least $2.5 billion worth of US AI technology to China. The indictment alleges a complex scheme to send US-made servers through Taiwan to other countries in Southeast Asia, where they were swapped into unmarked boxes and sent on to China.The defendants, Yih-Shyan Liaw, Ruei-Tsang Chang, and Ting-Wei Sun, are accused of using fabricated documents and staged bogus equipment to pass audit inventories, and a pass-through company to conceal their misconduct and true clientele list.The US has had export restrictions on China for advanced AI chips since 2022. Nvidia, which dominates the market for AI chips, has stated that strict compliance with export laws is a top priority.Liaw, 71, was arrested in California and released on bail, while Sun, 44, a company contractor, was held for a bail hearing. Chang remains a fugitive. Super Micro's shares fell 8 percent in after-hours trading following the news.