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The U.S. Trade Representative Jamieson Greer announced a proposed 25% tariff on a range of Brazilian imports, citing alleged unfair trade practices such as digital trade violations and illegal deforestation.Details of the Proposed 25% Tariff and Its ScopeThe tariff would be imposed under Section 301 of U.S. trade law, which allows sanctions for perceived violations of trade agreements.Exemptions include beef, coffee, rare earths, other metals, energy, and aircraft parts.The investigation began in July and targets issues like illegal deforestation, ethanol market access, and anti‑corruption enforcement.Public comments are accepted from Thursday until July 1, with a hearing in Washington on July 6.Trade Numbers Highlight Surplus Despite Tariff PushIn March, Brazil imported $3.3 bn of U.S. goods versus exporting $2.9 bn, yielding a $420 m U.S. trade surplus.Last year a 50% tariff was imposed on many Brazilian products; the new plan replaces it with a uniform 25% rate, except for the listed exemptions.The U.S. recently reduced tariffs on select aluminium, copper, and steel from 25% to 15%, set to expire in December 2027.Potential Economic and Political Ripple Effects for Brazil and the U.S.Brazilian sectors such as agriculture, mining, and aerospace could face higher costs, potentially feeding into domestic inflation.U.S. exporters may see limited gains due to the existing trade surplus and the exemptions for high‑value commodities.Political tensions are rising: President Luiz Inácio Lula da Silva's recent Washington visit did not ease frictions, and the U.S. State Department has labeled two Brazilian criminal gangs as “terrorist organisations.”Critics, including Rachel Ziemba of the Center for a New American Security, warn the tariffs could add modest inflationary pressure.What Comes Next: Comment Period, Hearings, and Future Trade PolicyStakeholders can submit written comments until July 1; the administration may adjust rates or exemptions based on feedback.A public hearing on July 6 will provide a forum for industry and advocacy groups to voice concerns.Analysts expect this tariff to be the first of several replacements for the IEPPA‑based national‑security tariffs, signaling a shift toward Section 301 mechanisms.Future developments may include additional tariffs on other countries under investigation, such as China and Vietnam.

The Appointment of Intisar Shanib Intisar Shanib has become the president of Darnes Sports Club, a prominent football club in the eastern Libyan city of Derna, after all other candidates withdrew in her favour. This marks a significant milestone for women in Libyan sports, as Shanib is the first woman to hold such a position. Shanib's Background and Connection to the Club Shanib, who is also an MP for the city of Derna and the chairperson of the women and child affairs committee in the House of Representatives, highlighted that her connection with the club goes back to her childhood years. Her brother and uncle previously played for Darnes Club, and many of those close to her support the team. The Challenges Ahead Shanib acknowledged that her appointment may not be without criticism, but emphasized that leadership is not measured by whether a woman or a man leads, but by competencies and capabilities. She confirmed that the upcoming period will focus on rebuilding the club, which has suffered from accumulated crises, including internal and external debts, alongside the repercussions of the war against armed groups, as well as Storm Daniel, which struck the city in September 2023. Women as Leading Executives in Sports With her nomination, Shanib joins a growing list of women leading sport clubs and federations. In the Arab world, Hanan Al-Qurashi was the first woman in Saudi Arabia to become president of the Taif-based Wej sport club in June 2023. In Africa, Anisha Muhoozi has been the CEO of Kampala Capital City Authority club in Uganda since 2018.

The Lead One Nation leader Pauline Hanson has unveiled a gas policy inspired by Norway's successful model of resource management, proposing government equity stakes in oil and gas production and a sovereign wealth fund. However, experts point out that while One Nation has adopted some elements of Norway's approach, it has notably excluded the high taxation on profits that is central to Norway's success. The Norwegian Model Explained Norway's approach to managing its oil and gas resources has been globally recognized as "the gold standard." The Norwegian government holds ownership interests in approximately 30% of the nation's oil and gas reserves, with direct equity stakes in 187 production licenses, 48 producing fields, and 16 joint ventures. Crucially, the government also owns two-thirds of Equinor, Norway's largest oil and gas firm. What makes the Norwegian model unique is its combination of extensive public ownership with a 78% marginal tax rate on oil and gas company profits (resulting from a 71.8% "special" tax plus the standard 22% company tax). This approach generates approximately $100 billion annually for the Norwegian government, which is transferred to the Government Pension Fund Global, now worth $2.9 trillion—equivalent to about $500,000 per Norwegian citizen. One Nation's Policy: Selective Adoption One Nation's proposal includes two key elements from the Norwegian model: offering a 30% rebate on oil and gas exploration in Commonwealth waters in exchange for up to 30% equity in production licenses, and creating a sovereign wealth fund to reinvest profits. However, the party has notably excluded Norway's high taxation approach, instead proposing a simple 10% royalty on production to replace Australia's petroleum resource rent tax (PRRT). Pauline Hanson has criticized opponents for suggesting a 25% gas export levy, claiming it would be "industry-destroying." She argues that the Norway model has succeeded because "government and industry partner together supported by generous tax incentives," rather than through high taxation. Financial Impact Analysis Experts have raised concerns that One Nation's proposed 10% royalty may actually deliver less revenue than the current PRRT. Additionally, the opt-in approach to government partnership means only companies that choose to participate would be subject to the equity arrangement, potentially limiting the breadth of public ownership. Josh Runciman, lead gas analyst at the Institute for Energy Economics and Financial Analysis, questions whether it's ideal for taxpayers to be exposed to exploration and appraisal risk when the government lacks expertise in this area. The policy also includes a provision for the government to direct its share of oil and gas production to "Australia's greatest benefit," which could include selling to domestic industries or exporting to pay down debt. Industry and Regional Impact One Nation's policy comes amid growing public unrest over successive governments' failure to secure a "fair share" of Australia's natural resource wealth. The party positions its approach as addressing this concern by ensuring that profits from Australia's resources benefit the nation through both direct ownership and a sovereign wealth fund. The policy has sparked debate within Australia's energy sector, with some experts questioning whether the selective adoption of Norway's model without the high taxation component will actually deliver the benefits claimed. The approach could potentially lead to increased government involvement in the energy sector while maintaining relatively low tax rates on industry profits. Long-Term Outlook and Predictions According to analysts, it would likely take a decade or more before early-stage gas projects under One Nation's policy would begin generating additional revenue for Australians. If implemented after the next election, Australians would not start receiving any extra tax windfall until the late 2030s at the earliest. The timeline for the proposed sovereign wealth fund to accumulate meaningful resources could be even longer, potentially delaying any significant impact on Australia's finances. This extended timeframe raises questions about whether the policy will deliver on its promise of securing a "fair share" for Australians within a reasonable period, especially as global energy markets continue to evolve.

The Lead: Player Pressure Mounts on Wimbledon The world's leading tennis players have told Wimbledon officials they expect a substantial increase in prize money at this year's Championships, as part of their ongoing push for grand slams to match the revenue share offered by the ATP and WTA Tours. The Grand Slam Revenue Dispute At a meeting involving representatives from Wimbledon, the US Open, and Roland Garros, players called for a bigger increase than last year's 7% rise. They are seeking to raise the current 15% prize money share to match the 22% of tournament revenue paid by the ATP and WTA Tours. Many top players, including world No 1s Jannik Sinner and Aryna Sabalenka, recently staged a public protest by limiting their media activity to 15 minutes, symbolizing the current 15% revenue share. Financial Context and Current Figures Wimbledon already pays more in prize money than Roland Garros, with a total fund of £53.5m—double what was offered a decade ago. However, the All England Club's revenues have increased from £170m to £406.5m over the same period. The French Open recently increased its prize money by 9.5% to a total fund of £52.6m, which disappointed players and led to their first public protest. Shifts in Tennis Governance The discussions reflect a broader shift in tennis governance, with the French Tennis Federation promising to return with concrete proposals about increased prize money, player welfare, and representation within a month. A source described the recent talks as "direct and productive," with slam officials demonstrating understanding of players' demands for fairer revenue allocation, meaningful welfare contributions, and genuine consultation processes. Wimbledon's Pivotal Announcement Wimbledon's prize money announcement on June 11 is now seen as a pivotal moment in a dispute that has rumbled on for over a year. Players will be looking for double-digit increases, and the outcome could influence future negotiations with all grand slam tournaments. The situation is complicated by Tennis Australia's alignment with the Professional Tennis Players' Association, which is suing the other three grand slam governing bodies in a separate dispute over alleged restrictive practices.

A Claustrophobic Vision of Near-Future EnglandRosa Rankin-Gee’s highly anticipated follow-up to Dreamland (2021), titled My Only Boy, delivers a darkly funny and politically charged dystopia. The novel paints a terrifyingly familiar picture of an England that has just elected a far-right populist government. For the reader, the gap between current reality and the novel's fiction feels increasingly suffocating, making the narrative function as both a gripping story and a stark warning.The Exploitative Mechanics of 'Gigr'At the heart of the narrative is Elle, the communications director for a gig-economy behemoth aptly named Gigr. The company connects desperate workers with immediate shift labor. The novel opens with Elle managing the reputational fallout of a worker's suicide—a tragic but common occurrence, as public sector wages no longer cover basic survival. Gigr's algorithms ruthlessly calculate the absolute minimum a desperate person will accept to pay for emergency healthcare or food, highlighting a brutal new era of automated exploitation.Moral Decay and the Human Cost of Algorithmic LaborThe narrative engine is driven by a tangled web of romance and corporate corruption. Elle, historically secure in her lesbian identity, begins a confusing romance with Ed, a newly famous gay author, while simultaneously engaging in a questionable affair with her much younger subordinate, Luisa. This power dynamic forces the reader to grapple with Elle’s increasingly loathsome, yet understandable, moral compromises. As environmental degradation worsens and white-collar crime deepens, the characters survive on a brittle diet of dark humor, alcohol, and repression.Setting: A near-future England plagued by extreme weather, violent crime, and massive wealth inequality.Core Conflict: Elle's internal justifications for violating labor laws versus her crumbling personal relationships.Thematic Tone: Cynical, flippant, and darkly comedic, contrasting sharply with the grim reality of the plot.The Enduring Relevance of Political DystopiaWhile the novel's final third occasionally struggles to balance its cynical humor with the intricate realities of corporate crime, Rankin-Gee’s sharp prose remains a standout. My Only Boy serves as a brilliant, albeit unsettling, mirror to our current socio-economic anxieties. It predicts a future where human rights are continually eroded by corporate efficiency, cementing its place as a vital read for understanding the psychological toll of modern political despair.

A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

The Pentagon's Latest Move to Restrict Media Access The United States Department of Defense has barred journalists from its press office, the latest move by the Pentagon to restrict media access since President Donald Trump’s return to the White House. Reasons Behind the Restriction Acting Pentagon Press Secretary Joel Valdez said on Monday that the administration had re-designated the office as a “Sensitive Compartmented Information Facility” due to its use by speechwriters with access to classified government information. “These speechwriters routinely handle classified material and require SIPRNet access,” Valdez said in a statement provided to Al Jazeera, referring to the secure computer network used by the Pentagon to share classified information. Impact on Media Access “As a result, journalists will no longer be permitted to enter the office space. Access to the office of the Assistant to the Secretary of War for Public Affairs and to the Press Secretary remains available by appointment only,” Valdez added, using the Trump administration’s preferred title for Defense Secretary Pete Hegseth. The Washington Post first reported the change. A Pattern of Restrictions The move follows a slew of steps by the Trump administration to curtail the ability of US media outlets to report on the military and other areas of the government. In March, the Defense Department said it would no longer allow media outlets to maintain offices at the Pentagon after a judge sided with The New York Times in a lawsuit challenging the imposition of new rules for obtaining press credentials. The Pentagon also announced that journalists would require an official escort while inside the complex, a policy that The New York Times is seeking to overturn in a separate lawsuit filed in May. Criticism from Journalism Organizations The National Press Club, the main professional organisation for journalists in the US, condemned the latest restrictions as a “troubling escalation” in the Trump administration’s efforts to curtail media scrutiny of the Pentagon. “Independent reporting on the US military is not optional,” National Press Club President Mark Schoeff Jr said in a statement. “When journalists are pushed farther from the institutions they cover, the American people are left with less information, less transparency, and less oversight. Any effort to restrict that access should alarm everyone who values a free and informed society.” The Freedom of the Press Foundation, a nonprofit advocacy organisation, also criticised the move. “It’s rare for anything other than disingenuous spin and outright lies to come out of the Pentagon’s press office these days, so it’s hard to imagine what basis they have to call the space classified,” Seth Stern, chief of advocacy at the organisation, told Al Jazeera. “The only thing sensitive or confidential about the information released by Pete Hegseth’s Pentagon is that it’s not true.”

The Power of Television in Understanding Dementia A longtime fan of Jilly Cooper's works, the author was drawn to the TV adaptation of Rivals, enjoying its lighthearted moments and memorable characters. However, one scene stood out to them - a character named Charles Fairburn reuniting with his partner and sharing the joy of his mother recognizing him despite her dementia. A Personal Connection to Dementia The author's mother was diagnosed with Alzheimer's disease in January 2025, and they struggled to cope with the changes in her behavior and cognitive function. They recall filling out assessment forms for the memory clinic, noting changes in her daily habits and interactions. The author admits to feeling overwhelmed, snappy, and enraged during this period, finding solace only in watching TV. A Moment of Connection The scene from Rivals resonated deeply with the author, who realized that their happiness is closely tied to their mother's wellbeing. They began to seek moments of connection with their mother, whether it's discussing daily life, sharing laughter, or simply being together. These interactions bring the author joy, relaxation, and a sense of normalcy. The Impact of Dementia on Relationships The author's experience highlights the challenges of caring for a loved one with dementia. They note that their mother's orientation to people she has always known is still intact, but she struggles to recognize new individuals, including carers she sees daily. The author emphasizes the importance of finding ways to connect with loved ones with dementia, even in the face of cognitive decline. A Call to Share Experiences The article concludes with a call to action, inviting readers to share their own experiences of how popular culture has prompted them to make significant life changes. The Guardian provides a form for readers to submit their stories, which can be anonymous if desired.

The Demolition Drive India's interior minister has ordered the demolition of buildings along the border with Pakistan, as well as actions to combat a variety of "trans-border crimes". Home Minister Amit Shah announced on Wednesday that buildings deemed "illegal" would be destroyed. In a statement, he explained that means that buildings within 15km (nine miles) of the border will be torn down. Reasons Behind the Order The order builds on the deepened tension between the South Asian neighbours. Relations hit new lows last year when India accused Pakistan of being behind a deadly attack in Kashmir, setting off a four-day war that killed more than 70 people, their worst conflict in decades. "Amit Shah stressed the need for strict enforcement of a zero-tolerance policy against illegal constructions, particularly within 0-15 km of the international border," the Ministry of Home Affairs statement read. "He directed the concerned authorities to demolish all such unauthorised constructions." The Impact on India-Pakistan Relations Shah also urged officials to boost efforts "to effectively address infiltration, narcotics smuggling, encroachment, terror financing, and other trans-border crimes", according to the statement. New Delhi has accused Islamabad of aiding narcotics and weapons smuggling into India, and has spent heavily on reinforcing its highly patrolled borders. The Future Outlook Shah is known for his hardline stance on national security, irregular migration and transnational crimes. He unveiled the order while in the western state of Rajasthan, which borders Pakistan. India's frontier with Pakistan, including the de facto border through the disputed Himalayan territory of Kashmir, stretches for 3,300km (2,050 miles).