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The Rise of Sam Campbell Sam Campbell's journey from Australian standup comedian to Britain's most distinctive comedic voice represents a fascinating evolution in modern comedy. Since moving to the UK in the early 2020s, the 34-year-old has carved out a unique space in the British comedy circuit with his irreverent style that swings between hammy overacting and childish belligerence. His approach forces observational comedy through an absurdist filter, with contrarian takes covering everything from hand sanitiser and dragonflies to Ferrero Rocher and Bratz dolls. This distinctive voice earned him the prestigious Edinburgh comedy award in 2022, followed by an arrogant victory lap the next year with his single 10-minute performance titled Bulletproof Ten. The Unconventional World of "Make That Movie" Channel 4's new series "Make That Movie" represents Campbell's boldest creative venture yet. The show-within-a-show format stars Campbell as an alternative version of himself: a pompous director whose creative well has run dry. He invites the public to share their bizarre movie ideas, which he and his dysfunctional crew then develop into actual feature films within the framework of a shoddy reality program. Each episode concludes with the film's premiere, creating a viewing experience that's equal parts hilarious and bewildering. The production process was remarkably hands-off, with Campbell noting that the production company was busy working on an animated Ricky Gervais series about cats, "so we sort of got left to our own devices." This creative freedom was bolstered by Channel 4's head of comedy, Charlie Perkins, a longtime champion and collaborator of Campbell's who was described as "very trusting" despite initially not fully understanding the concept. Campbell's Comedy Philosophy What sets Campbell apart in the comedy landscape is his instinctive approach to humor. As director Joe Pelling observes, "Sam doesn't really seem like someone who's prone to super analysing his stuff too much. He's just led instinctively by what's funny." This gut-driven creativity manifests in his standup material, which subverts and simultaneously adheres to observational comedy tropes. In "Make That Movie," this translates to embracing obviously "dumb" ideas with deadpan seriousness, finding humor in taking film-making too seriously, especially when disaster strikes. The series features an ensemble cast largely drawn from Campbell's friendship circle, including fellow Australian comic Aaron Chen as the nerdy yet incompetent Sebastian, whose parents fund the entire enterprise. Exuberant standup Helen Bauer plays against type as grumpy sound engineer Pat, while 86-year-old actor David Hargreaves completes the gang as cinematographer Winnie. Dressed in matching purple jumpsuits, the team's aesthetic blends Ghostbusters with Scooby-Doo, creating what Pelling describes as a "real-life cartoon feel" to prevent the show from feeling bleak and strange. Campbell's Impact on British Comedy Campbell's influence extends beyond his own series to reshape the British comedy landscape. His triumphant stint on Taskmaster led to numerous appearances as the resident oddball on panel shows like Would I Lie to You?, 8 Out of 10 Cats Does Countdown, and QI. His most high-profile gig to date was this year's series of Last One Laughing UK, where he battled established comedians like Alan Carr, David Mitchell, and Bob Mortimer with unconventional material including duck impressions and claims of dining next to "mole people" during Eat Out to Help Out. What makes Campbell particularly distinctive is his deadpan delivery that proved more than just a mask during Last One Laughing UK. His composure was so unshakable that producers eventually had to implement a rule change, with Campbell ultimately losing to David Mitchell by virtue of having made marginally fewer contestants crack up. This ability to maintain his comedic vision despite external pressures has solidified his reputation as a uniquely uncompromising comedic voice. The Future of Alternative Comedy As Campbell continues to gain prominence, his success signals a promising future for alternative comedy within mainstream media. His willingness to embrace absurdity while maintaining underlying comedic logic suggests that there's significant appetite for comedy that challenges conventional formats and expectations. The fact that Channel 4 has given him such creative freedom indicates that broadcasters are increasingly recognizing the value of distinctive voices over formulaic approaches. Looking ahead, Campbell's career trajectory suggests he'll continue to push boundaries while maintaining his unique comedic identity. Whether through more television projects, standup specials, or other creative ventures, his instinctive approach to humor and refusal to second-guess himself positions him as a comedian who will likely continue to surprise and delight audiences while expanding the possibilities of what comedy can be.

The Guardian’s latest review of Beetlejuice: The Musical notes that the production has turned Tim Burton’s cult‑film into a Halloween‑like, shock‑jock musical extravaganza now playing at the Prince Edward Theatre until 17 April. The show mixes grotesque humor, topical references and high‑octane staging, delivering a wild but uneven theatrical experience.Beetlejuice Musical Reanimates Tim Burton’s Cult Classic on the West EndOriginally staged on Broadway in 2019, the London version abandons the film’s “less‑is‑more” restraint. The titular character, played by David Fynn, bursts onto the stage with a self‑aware ballad, immediately setting a tone of anarchic satire. The production leans heavily into contemporary jokes—hip‑ster vaping, six‑seven slang, and even a jab at Andrew Lloyd Webber—while preserving the film’s macabre spirit.Creative Team’s Off‑kilter Vision Drives the Show’s AestheticDirector Alex Timbers orchestrates a chaotic visual palette: Kenneth Posner’s lighting creates an uncanny glow, Peter Nigrini supplies trippy projections, and set designer David Korins transforms the theatre into a haunted house complete with a sandworm that slithers through the auditorium. Costume designer William Ivey Long delivers “toxic yet sparkly” outfits, from Miss Argentina’s glittering ensemble to Lydia Deetz’s spidery black lace. The special‑effects team—Jeremy Chernick, Michael Weber and puppeteer Michael Curry—adds a layer of tactile wonder, most memorably a roast pig that stands upright during a possession scene set to “Day‑O.”Critical Reception Highlights Strengths and WeaknessesThe review praises standout performances: Hannah Nordberg brings “drop‑dead energy” to Lydia, while David Hunter and Chelsea Halfpenny convincingly portray the newly deceased Maitlands. However, the script’s rapid swing between the Netherworld and the living world can feel “tiresome,” and the musical numbers, though varied, are described as “oddly unmemorable.” The show’s relentless gag‑fest is likened to a “Netflix megastar stand‑up desperate to cause outrage,” suggesting that the novelty may wear thin over a full run.What Lies Ahead for Beetlejuice on the London StageDespite its unevenness, the production’s bold visual identity and strong cast give it a solid footing in the competitive West End market. If the show can harness its cult‑film fanbase and attract audiences seeking a high‑energy, Halloween‑style experience, it may enjoy a sustained run beyond the current booking. Conversely, word‑of‑mouth about the “scattershot dialogue” could limit its appeal to repeat‑viewers, making the next few weeks critical for box‑office momentum.

The Lead: A Drama Reflecting Modern HateRussell T Davies's new Channel 4 drama 'Tip Toe' presents a chilling portrayal of how political rhetoric, toxic online bullying, and misinformation can escalate neighborhood conflicts into dangerous confrontations. Set on Manchester's Canal Street—the same location as Davies's groundbreaking 'Queer As Folk'—the series follows an escalating feud between gay bar manager Leo (Alan Cumming) and his reserved, judgmental neighbor Clive (David Morrissey). Unlike the hopeful future depicted in 'Queer As Folk,' 'Tip Toe' captures the current reality where increased visibility has paradoxically led to increased hostility toward LGBTQ+ individuals.The Drama's Core Message: Questioning Post-Visibility SocietyDavies explains that he has never written so furiously in his life, with the central question running through all five episodes being: if inclusion and representation are now a given, what if other people don't like what they see? The drama explores how LGBTQ+ people can find themselves in the firing line, with the election of Trump now giving permission for anyone who is angry to express their views without consequences. As Davies states, "This isn't exclusively a gay problem, but nonetheless we're an easy focus for it. Whatever this anger is, we're a target."The Digital Hate Landscape: Online Bullying and Real-World ConsequencesThe drama's title itself reflects the fear of being able to express oneself in public. "I used to walk into a room and go: 'Ta-da!'" says Melba (Paul Rhys), a close friend of Leo's, in episode one. "Now I tip toe. Just in case." Davies reveals the extent of online abuse he personally faces: "The amount of times online I'm called a groomer and a paedophile [for his support of trans rights] is shocking and maybe actionable, except I think if I took action, I'd make it even worse." This digital harassment fuels real-world tensions, as demonstrated in the escalating conflict between Leo and Clive.The Characters' Complexity: Beyond Simple VillainyUnlike typical portrayals of hate, 'Tip Toe' offers nuanced character development. "We're very, very fair to Clive in this," says Davies. "He's not just the monster next door." The series explores Clive's perspective in episode three, revealing his unhappiness in marriage, financial struggles, and isolation from colleagues. "Instead of having friends and reaching out, he finds validation online," explains David Morrissey, who plays Clive. "They go: it's those people. They're taking your job. It's reinforcing something that he had all the time. So he just becomes angrier and angrier and angrier." This complexity prevents the drama from reducing its characters to simple archetypes.The Cultural Context: From 'Queer As Folk' to 'Tip Toe'The location of 'Tip Toe' on Manchester's Canal Street won't be lost on viewers of Davies's 1999 classic 'Queer As Folk,' which regularly featured scenes shot in the same area and followed the lives of three gay men in a way that not only made being gay seem cool but also reflected a new era of tolerance. Viewers took from it that the future could only be bright. Now, as Davies observes, "We've got this slide back into something as bad as I can remember, if not worse, because now people know what they're doing. In the old days when we used to preach about visibility, if someone punched you in the face, or excluded you... you had the excuse of saying they were ignorant. They were in the dark and we must be visible. And now they've seen us, and now I think that anger and that violence is on the rise."The Future of Representation: Why Dramas Still MatterAlan Cumming defends the need for dramas that remind people of ongoing challenges. "No, because I think that's what dramas are for," he says. "Why do we do the Greeks? Why do we read Shakespeare? They have things to say, and we need to keep hearing the same stories and allegories, because they're important for us as a culture, to hear and to understand and to reinterpret." The series was inspired by Davies's personal experiences of feeling unsafe in his own home after a fan recognized his address from a BBC documentary. "I was fascinated by how startling that was, how porous your house feels," he says. "If it's reaching me, what the fuck is it like on levels where you have less defence and less ability to move and less money, frankly?" This personal concern elevates 'Tip Toe' beyond mere entertainment into a vital cultural commentary on the state of modern society.

The Lead: Bengaluru's Historic Back-to-Back TriumphVirat Kohli's masterclass unbeaten 75 and inspired bowling performance led Royal Challengers Bengaluru to their second consecutive Indian Premier League title, defeating Gujarat Titans by five wickets in a lopsided final at the Narendra Modi Stadium. The victory cements Bengaluru's position as the current powerhouse of the IPL, with Kohli delivering once again when it mattered most.The Event Details: A Clinical Championship PerformanceBengaluru put Gujarat into bat and their bowlers delivered a disciplined performance, restricting the opposition to 155 for eight. The trio of Rasikh Salam (3/27), Josh Hazlewood (2/30), and Bhuvneshwar Kumar (2/32) justified the captain's decision to field first, striking early and regularly. Washington Sundar's defiant 50 not out was the only significant resistance from Gujarat's batting lineup.Chasing the target, Kohli and fellow opener Venkatesh Iyer (32 off 16 balls) got Bengaluru off to a flying start with a 62-run partnership. Despite some middle-order hiccups with the fall of key players, Kohli's composed 42-ball innings featuring nine fours and three sixes, along with Tim David's 24, ensured the team crossed the line with 12 balls to spare. Kohli sealed victory with a six, pointing to the stands as teammates sprinted out to celebrate.The Data Analysis: Statistical Highlights of the FinalBengaluru's total of 156/5 chased down Gujarat's 155/8Kohli's unbeaten 75 was his fifth half-century of the seasonNarendra Modi Stadium recorded an official attendance of over 90,000 spectatorsGill (732) and Sudharsan (722) finished second and third in the Orange Cap raceKohli ended fourth with 675 runs, including one centuryRajasthan Royals' 15-year-old Vaibhav Sooryavanshi topped the Orange Cap list with 776 runsThe Impact Analysis: Bengaluru's Rise to DominanceThis victory places Bengaluru in an elite group of IPL teams to achieve back-to-back titles, joining Chennai Super Kings (2010-2011) and Mumbai Indians (2019-2020). Captain Rajat Patidar has now established himself as one of the most successful leaders in the tournament's history. The team's consistent performance across two seasons demonstrates their strategic planning, player development, and ability to handle pressure situations.The win also underscores Virat Kohli's enduring value to the franchise. At 37 years old, his leadership and batting prowess remain central to Bengaluru's success. The team's ability to finish top of the 10-team table after this season's league stage before winning the final demonstrates their comprehensive superiority throughout the tournament.The Prediction: Building on IPL DynastyWith this victory, Bengaluru has sent a clear message to the rest of the IPL: they are the team to beat in the coming seasons. Their core group of players, including young talents and experienced campaigners, appears well-positioned for continued success. The franchise's focus on developing a balanced team with both explosive batting and disciplined bowling has proven to be a winning formula.As the IPL continues to grow in global popularity, Bengaluru's back-to-back victories will likely attract more attention and potentially increase the franchise's market value. The question now is whether they can achieve a three-peat and join the most dominant teams in IPL history, or if other franchises will rise to challenge their supremacy in the next season.

Germany's World Cup ComebackGermany are desperate for a successful World Cup after two spectacular failures – they were knocked out in the group stages in 2018 and 2022. They certainly look improved under coach Julian Nagelsmann, who took over in September 2023 and has restored some national pride. Germany eased through their World Cup qualification group with five wins from six matches.The Squad: Youth Meets ExperienceThe squad blends the youthful brilliance of Jamal Musiala and Florian Wirtz with the experience of Joshua Kimmich, Antonio Rudiger and veteran goalkeeper Manuel Neuer, who surprised many by coming out of international retirement for the tournament. However, whether the team as a whole is talented enough to pose a serious threat to the favourites and whether all the pieces really fit together under the pressure of a tournament remain to be seen.Group Stage ChallengesIn 2018, Germany crashed out after losing to South Korea. In 2022, they were defeated by Japan en route to being eliminated on goal difference. Nagelsmann has restored some national pride, and Germany looked decent as the host nation at Euro 2024 and were perhaps unlucky to lose to Spain in the quarterfinals. The mood around the squad seems optimistic, and they will expect to go deep in the tournament.Key Players to WatchAt the heart of Germany's ambitions are gifted young attackers in Musiala, Wirtz and Lennart Karl. Musiala, 23, was the standout performer at Euro 2024 and gives the team an individual spark of genius. However, he suffered a horrific injury in July, breaking his leg and dislocating an ankle. Wirtz, meanwhile, has endured a difficult season after his big money move to Liverpool but seems to have found his feet in the Premier League. Karl is another exciting prospect who became Bayern's youngest scorer in the UEFA Champions League and third youngest in the Bundesliga.Neuer's Shock ReturnThe 40-year-old goalkeeper was a surprise inclusion in Nagelsmann's 26-man World Cup squad. Neuer retired from international play after Euro 2024, but the Bayern keeper is now set to make his fifth World Cup appearance with Nagelsmann saying he is the first choice ahead of Oliver Baumann and Alexander Nubel. "Everyone knows the aura and quality Manu has, what he brings to a team," Nagelsmann said as he announced the squad.Questions for NagelsmannSeveral players look nailed on to start – think Leon Goretzka alongside Aleksandar Pavlovic as a double pivot in midfield and Kimmich at right back. But other positions are less settled, not least up front, where Germany lack a world-class out-and-out striker. Niclas Fullkrug is a traditional number nine but did not make the cut after a terrible season in front of goal for AC Milan. Newcastle's Nick Woltemade did make the squad despite a mixed season for his club. Kai Havertz can be used as a false nine, but it is not his most natural position.Group Stage OutlookNo disrespect to the other teams, but Germany will likely have breathed a sigh of relief when the draw for Group E was made. On paper, they will expect to progress comfortably. They open their campaign on June 14 against Curacao, the smallest nation ever to reach a World Cup. Their second game on June 20 against Ivory Coast should provide a stiffer test as the Ivorians, who are returning to the World Cup for the first time in 12 years, are a dangerous side. The final group game is on June 25 against Ecuador, who finished second in qualifying ahead of Brazil, Colombia and Uruguay.Germany's World Cup SquadGoalkeepers: Manuel Neuer (Bayern Munich), Oliver Baumann (Hoffenheim), Alexander Nubel (Stuttgart)Defenders: Joshua Kimmich (captain, Bayern Munich), Nico Schlotterbeck (Borussia Dortmund), David Raum (RB Leipzig), Jonathan Tah (Bayern Munich), Waldemar Anton (Borussia Dortmund), Antonio Rudiger (Real Madrid), Nathaniel Brown (Eintracht Frankfurt), Malick Thiaw (Newcastle United)Midfielders: Jamal Musiala (Bayern Munich), Florian Wirtz (Liverpool), Lennart Karl (Bayern Munich), Angelo Stiller (Stuttgart), Aleksandar Pavlovic (Bayern Munich), Leon Goretzka (Bayern Munich), Leroy Sane (Galatasaray), Felix Nmecha (Borussia Dortmund), Nadiem Amiri (Mainz), Pascal Gross (Brighton and Hove Albion)Forwards: Kai Havertz (Arsenal), Deniz Undav (Stuttgart), Jamie Leweling (Stuttgart), Nick Woltemade (Newcastle United), Maximilian Beier (Borussia Dortmund)

Lead: Marsch’s Final 26‑Man Roster Emphasises Speed and HealthCanadian head coach Jesse Marsch announced a 26‑player squad for the 2026 World Cup, trimming six names and placing a premium on fitness, especially in defence, while keeping attacking talent intact.The Squad Selection Focuses on Speed and HealthIn a primetime TV address, Marsch highlighted speed as the decisive factor, bringing in winger Jacob Shaffelburg as the last addition. The coach explained that the health of key players, notably captain Alphonso Davies, will dictate the team’s performance.The Numbers Behind the Roster26 players selected (3 goalkeepers, 9 defenders, 4 midfielders, 6 attacking midfielders/wingers, 4 strikers)Defensive injuries: Moïse Bombito (broken leg), Derek Cornelius (hamstring), Alfie Jones (ankle ligament)Captain Alphonso Davies – 58 caps, 15 goals for Bayern Munich, still recovering from a muscular issueTop scorer Jonathan David – 75 caps, 39 goals for JuventusGoalkeeper indecision: Maxime Crépeau vs Dayne St Clair, both to share minutes in the first pre‑tournament testImplications for Canada’s 2026 CampaignThe emphasis on fitness aims to mitigate a defence that has missed its first‑choice back four for the past 15 months. With the tournament set to be co‑hosted on Canadian soil, a healthy back line and a fit Davies are seen as essential for a historic group‑stage performance.Offensive concerns remain, as the attack is described as “fully‑healthy but mostly anemic.” Marsch’s confidence in Jonathan David and the revived Cyle Larin will be tested against strong group opponents.Outlook Ahead of the TournamentCanada will face Uzbekistan in Charlotte on Monday, giving both goalkeepers a 45‑minute run‑out. The results will inform the final starting XI for the opening match against Bosnia & Herzegovina. If key injuries resolve, Marsch believes the squad is “the best 26 players this country has ever assembled.”

The Schreiber family, presiding over a nationwide commercial portfolio via the Midos Group, is at the center of a growing controversy involving two distinct business models: aggressive tax avoidance and the profiteering from the UK's housing crisis. The Dual Nature of the Schreiber Business Empire The investigation reveals a complex web of family-owned entities that appear to operate on opposite ends of the social spectrum. On one side, the Midos Group is accused of exploiting a controversial tax scheme to avoid business rates on empty commercial properties. On the other, a similarly named but ostensibly separate entity, Midos Management Co, is profiting from the UK's chronic shortage of social housing by arranging temporary accommodation for homeless residents. Midos Group: Accused of using the 'faith room' scheme to avoid rates on empty units. Midos Management Co: Collecting fees for arranging temporary accommodation for councils. Key Figures: David Schreiber (Midos Group) and Elizabeth Endzweig (Midos Management Co). Financial Impact of the 'Faith Room' Tax Loophole The core of the tax avoidance allegations centers on a provision that exempts property owners from paying business rates if the space is made available for religious worship. The 'faith room' scheme, marketed by Verity, allegedly involves minimal activity—such as placing a notice and a staff member reading scripture—to create the appearance of worship. Total Savings: Landlords have saved at least £18m through this scheme. Specific Case: Dover District Council is suing for £1.7m of unpaid tax. Properties Involved: Discovery Park in Kent and a disused pub in Clapham, London. Profiting from the Homelessness Crisis While the family allegedly avoids taxes on empty buildings, they are simultaneously capitalizing on the housing emergency. Midos Management Co acts as an intermediary, matching councils with private landlords to house homeless residents. Despite claims of separation, evidence suggests significant overlap between the two entities. Revenue Collected: At least £43m collected on behalf of landlords since 2019. Client Base: Lambeth council and at least four other councils. Directorship Overlap: Elizabeth Endzweig, daughter of David Schreiber, is a co-director of multiple companies sharing the same address as Midos Group. The Future of UK Property Tax Compliance The revelations highlight a growing tension between private profit and public service obligations. With MPs and councils increasingly scrutinizing these arrangements, the 'faith room' exemption is likely to face tighter regulatory oversight. The case sets a precedent for how closely connected family businesses can be without violating anti-avoidance rules, potentially leading to stricter audits of corporate structures in the property sector.

Sky announced it will exit its 24‑hour Arabic news joint venture with the United Arab Emirates, Sky News Arabia, following intense criticism over the channel’s coverage of the Sudan war and accusations of genocide denial. Under a new commercial agreement, Sky will give up all strategic and operational control but will continue to license the Sky News brand to the outlet. Strategic Withdrawal and New Licensing Arrangement The exit sees Sky handing over full ownership to IMI, the investment vehicle controlled by Sheikh Mansour bin Zayed al‑Nahyan, UAE vice‑president and Manchester City owner. In a statement, David Rhodes, executive chairman of Sky News Group, said the partnership had built a significant regional presence and that the timing was right for a change. IMI will now steer the platform’s future, while Sky secures a multi‑year brand‑licensing deal that lets the channel retain the Sky News Arabia name. Timeline of Sky News Arabia’s Decade‑Long Presence 2010: Channel launched in Abu Dhabi as a rival to Al‑Jazeera and BBC Arabic. 2012: Joint venture began broadcasting across the Middle East and North Africa. November 2025: Sudanese government banned the channel after a report claimed stability in El Fasher. February 2026: UN fact‑finding mission identified “hallmarks of genocide” in the RSF siege of El Fasher. May 2026: Sky announces exit and new licensing deal. Reputational and Regional Implications of the Sudan Coverage Controversy Internal Sky executives grew uneasy about the editorial line taken by Sky News Arabia, which was accused of whitewashing atrocities committed by the UAE‑backed Rapid Support Forces (RSF). Specific concerns included a report that downplayed the humanitarian crisis and the fact that the channel’s reporter in El Fasher was married to a senior RSF official. The controversy prompted Sudan to ban the channel and heightened scrutiny of the venture’s credibility across the Arab world. Future Outlook for Sky’s Middle‑East Footprint Nakhle ElHage, chief transformation officer at IMI, said the next phase will focus on building the platform into the leading multi‑media news destination for the Arab world. For Sky, the move mirrors a similar decision in Australia, where a licensing agreement for the Sky News brand is ending and the channel will rebrand as News24. The brand‑licensing arrangement allows Sky to maintain a presence without direct editorial responsibility, while IMI gains full control to shape content and investment strategy.

The Connection to Nature As a recent study revealed almost half of UK adults now spend less than three hours a week in natural settings such as gardens, parks, fields or woods, we asked readers to tell us about what being outside means to them. Personal Stories of Healing The replies – heartfelt and passionate – came flooding in, with some admitting they just did not have the words to say how important it is. “It’s my happy place, my therapy and a reason to slow down and pause during my busy week,” wrote Hannah Powell from Perrywood garden centres. “I HAVE to look at plants every day. I notice every change in the garden. I sit facing the garden for my breakfast. I look out for nature on the way to work (recently seeing a little owl, red kites, foxes, hares, and more). It helped me get better when I had burnout and FND in London. I wouldn’t (couldn’t) be without it.” The Science Behind Nature's Benefits David Lynch esaid about his love of being outside. “Anxiety levels drop, all worldly concerns are put in perspective and [I] feel younger.” He agreed with others that there was plenty of recent science explaining the health benefits, but added: “I also read about ancient wisdom of Buddhism, which advocates solitary time in nature. All sources uphold the truth that better connection with nature brings better self-awareness and increased sensitivity to the needs of our ecosystem, plus better connection with each other.” The Impact on Mental Health Isabel Romaniw, who is working towards becoming a forest bathing guide, wrote passionately about the basic human need to be outside and to connect with nature. “We are animal, a simultaneously ordinary and yet utterly remarkable part of the great, miraculous tapestry of life on Earth. We have done much to shape our world and influence the fates of almost all other species we share our world with, but we must remember that we are but a tiny chapter, perhaps a footnote, in the ongoing story of the universe, in order to start to heal the damage and repair our relationships with ourselves, with each other, with our other-than-human kin, and with our one precious home.” For Romaniw, as for many others, our disconnection with nature is closely linked to “the worsening physical, mental and spiritual health crises that seem to be going on”. Cherished Memories of Nature Many of you had wonderful memories of times outside. “I was a sickly, pasty, shy, anxious kid,” wrote Mat Jordan. “In the early 70s my parents couldn’t afford to take us to the seaside one year so we went camping in the Peak District instead. It was a revelation. I absolutely loved it. The landscape and dry-stone walls of the white peak are still a favourite, although I spent some years in my 20s living in the Lake District too. One of my favourite memories is driving out of Sheffield into the Peaks with my then baby son to get him to fall asleep and still being awe-struck at the beauty on our doorstep.”