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The Expanded Partnership Lovable and Google announced an expanded multiyear collaboration on Wednesday. Lovable, the fast-growing Stockholm vibe-coding startup, has long been a Google Cloud user. Under the new agreement, it will be a much bigger one. The Deal Details While the companies did not disclose the dollar figure, a person with knowledge of the deal tells TechCrunch it involves a fivefold increase in Lovable’s footprint on Google Cloud, including AI usage. As part of the deal, this individual tells us, Lovable will gain expanded access to both Anthropic’s Claude — the AI model widely used for coding tasks — and Google’s own Gemini models. The Financial Impact Google invested $10 billion in Anthropic in cash and compute credits in April, promising another $30 billion if Anthropic hits certain performance targets. Lovable crossed $400 million in annualized revenue in February, having added $100 million in a single month with just 146 employees. The Strategic Implications The deal also plugs Lovable into several other parts of Google’s ecosystem. Lovable’s new agent will be available through Google Cloud’s enterprise agent marketplace, the Gemini Enterprise Agent Gallery — an arrangement the two companies first telegraphed at Google’s major U.S. cloud conference in April. And to help secure the code that both humans and agents write, Lovable will integrate with Wiz, Google’s biggest ever acquisition at $32 billion, which officially closed in March. The Future Outlook The calculus for Google is simple enough. If it can keep both Lovable and Anthropic growing by attracting deep-pocketed enterprises, the revenue helps fund the $180 billion to $190 billion in capital expenditures Google plans to spend this year.

The Lead From blacklists for UK passport holders to being asked to work illegally while on holiday, the plethora of extra costs and red tape thrown up post-Brexit are restricting opportunities for British actors seeking work in the EU. Mainland Europe has always been a springboard for those in the creative industries, from gaining crucial first credits on a TV, film or theatre production to building a marketable resume and paying the bills while attempting to make it big in the UK or US. The New Barriers for UK Performers Since Brexit, new barriers that have had a devastating effect for performers include visa rules that only allow work for up to 90 out of 180 days, inclusive of any European holiday time, and myriad customs, tax and other documents that can take an inordinate amount of time and cost to get processed, and can vary between countries. The performers' union Equity cited one common example of a member being taxed on their accommodation costs because that was classified as a "benefit in kind", which had a big impact on their net wages. Spotlight pointed out that, for UK performers, social security costs are deducted in the country where they are working – anywhere from 12% to 22% of their pay. This can be reclaimed but the process can take many months, and often requires paying accountants to chase the money. The Decline in European Opportunities Between 2016 and 2023, performing arts exports to the EU fell from £1.15bn to £929m, according to the Office for National Statistics. By contrast, figures for creative industry exports to non-EU countries show an 18% increase over the same period, from £1.57bn to £1.87bn. The National Theatre halted tours to mainland Europe in 2021 and Europe's largest educational touring company, White Horse Theatre, which has provided English-language performances to schools and theatres across Europe for almost half a century, said last year that Brexit threatened its future. In evidence provided to an investigation being conducted by the culture select committee on the impact of Brexit on performers going to the EU, Spotlight said that jobs on TV commercials were now "almost completely unavailable to UK performers". The Impact on Different Segments of the Industry While performers with star status continue to have a streamlined experience, it is jobbing actors who are often finding they are no longer on the list for parts. One past regular source of work was in adverts filmed abroad, such as the long-running "Get away!" campaign for the now defunct package holiday pioneer Lunn Poly, which featured British tourists filmed in locations such as the Balearic islands. In its written evidence sourced from the experiences of its members, Spotlight said it was "aware of named holiday companies that no longer audition UK-only passport holders" to appear in adverts filmed in the bloc. The difficulty for performers also extends to the many other crew involved. One casting director said that, pre-Brexit, one TV campaign employed 45 people based in the UK but similar campaigns are now being cast from Spain or another EU country. The paperwork involved, and the quick-turnaround nature of shooting, has meant that it is simply easier to not bother auditioning UK talent. The Growing Crisis for Emerging Talent It is young UK performers, and in particular those from a working-class background, who have been most hit by the loss of the EU for work and experience. Students and new graduates would previously have typically secured summer contracts for theme parks, tours and cruises, which are now largely closed off post Brexit because of factors such as the visa changes. According to Spotlight, casting directors have seen a significant decrease in working-class actors in particular picking up jobs in the EU. Unlike actors from wealthier backgrounds, who have access to finances to cover things such as visa costs and sometimes having to wait many months for payments relating to working in mainland Europe, they simply cannot afford to accept a job in the EU. The Future Outlook for UK Performers Agents have turned to encouraging actors to check their heritage to see if they are eligible for some form of dual citizenship, an Irish passport, for example, while some businesses based in the EU now actively blacklist UK-only passport holders. However, the "most concerning" anecdotal evidence is of UK performers being asked to skip getting a legitimate work visa if the paperwork can't be finalised in time, and to lie and work while claiming to be on holiday. Spotlight calls this practice a "ticking timebomb" that could involve the use of sanctions for performers and agents caught taking this route to secure work. The agency said this would include "deportation and potential blacklisting" from future opportunities. "The simple answer is Brexit has been catastrophic for the creative industries," says Jonathan Shalit, founder of InterTalent Rights Group. "We as a country made the decision to leave Europe. This is self-inflicted. Europe don't really want us unless they have to."

The Standout PerformanceWigmore Hall is turning 125, its director John Gilhooly was being granted honorary membership of the Royal Philharmonic Society, and everyone in the audience was shouted a free drink, but there was another cause for celebration on Sunday night. With Lise Davidsen, the world's most in-demand opera singer, giving an all-Schubert recital it was a case of standing room only.Vocal Mastery and Dramatic InterpretationThe Norwegian soprano has a Rolls-Royce instrument, more than capable of filling a house the size of the Metropolitan Opera, but up close she brought other qualities to the table. Her disarming warmth in seemingly off-the-cuff spoken introductions put the audience entirely at ease. Her ability to inhabit a character, as she does on stage, ensured songs such as Gretchen am Spinnrade and Die Junge Nonne were dramatic highlights. The former opened with a throbbing intensity and built to an eruption of volcanic proportions. Her fledgling nun seethed with a scared rapture that verged on the dangerously corporeal.Technical Brilliance and Wagnerian ElementsThe big beasts – Ganymed, for example, with its sly, priapic crescendo, or a turbulent Erlkönig, taken at an RSI-inducing lick by supportive pianist James Baillieu – hit their mark. Her voice has an extraordinary amplitude and a focused core of steel, although when pressed hard in the burgeoning upper register, the odd consonant was inclined to go astray. It was impossible to find fault, however, with Die Allmacht, surely Schubert's most Wagnerian utterance. Nailing her operatic colours to the mast, Davidsen threw caution to the wind, and unleashed her inner Valkyrie.Intimate Moments and Rare GemsIt was the more intimate songs, however, several of them welcome rarities, that brought the greatest pleasure. Du Bist die Ruh, with an imposing final diminuendo, was a masterclass in breath control; the singer's unassuming honesty tapped hidden depths in Mignon's So Lasst Mich Scheinen. Baillieu, her rock throughout, brought a tender flexibility to Goethe's heart-wrenching Nur Wer die Sehnsucht Kennt. Saving the best until last, the recital concluded with a spellbinding account of the quasi-religious Am Tage Aller Seelen. Davidsen's seamless soprano barely rose above a whisper as the voice dispensed balm to the broken-hearted, every word and emotion crystal clear.

The Lead Yard Act, a British band known for their post-punk energy and witty lyrics, has released their third LP, You're Gonna Need a Little Music. In a recent interview with The Guardian, lead singer James Smith opened up about the band's new sound, their struggles with self-doubt, and their experiences with bullying. Confronting Self-Doubt and Imposter Syndrome Smith's lyrics have always been characterized by their honesty and vulnerability. On their new album, he tackles themes of self-doubt and imposter syndrome head-on. In the opening track, Empty Pledges, Smith sings about feeling like an impostor and questioning his own abilities. This sense of uncertainty is a recurring theme in the album, with Smith frequently fluctuating between confidence and worry. The Power of Vulnerability In a conversation with bassist Ryan Needham, it's clear that the band's vulnerability is a key part of their appeal. Needham admits to having "absolutely zero" self-belief before, but notes that having a mix of self-doubt and self-belief has helped them stay on a steady path. Smith agrees, saying that it's about having self-belief without being arrogant. Exploring New Sounds You're Gonna Need a Little Music marks another evolution in Yard Act's sound. The album features a more eclectic array of influences, from Blur and the Prodigy to disco house and desert rock-era Arctic Monkeys. Smith's lyrics are also more surreal and impressionistic, with songs like Redeemer showcasing his unique wordplay. Confronting the Past One standout track on the album is Down By the Stream, which recounts Smith's experiences of childhood bullying. The song is a powerful exploration of guilt and regret, and Smith reveals that the people he sang about have been in touch and are now friends. The Future of Yard Act As Yard Act continues to evolve and experiment with their sound, it's clear that their vulnerability and honesty will remain at the heart of their music. With You're Gonna Need a Little Music, they've created an album that's both a reflection of their own struggles and a testament to the power of self-belief.

US Department of Justice announced it will drop criminal fraud charges against Indian billionaire Gautam Adani after he pledged a $10 bn investment in the United States.DOJ Moves to Dismiss Fraud Charges Following $10 bn Investment PledgeThe case, originally filed under the Biden administration, accused Adani of bribing Indian officials up to $265 m to secure solar contracts and misleading US investors. In a short letter to Judge Nicholas Garaufis, the DOJ said it would not devote further resources to the prosecution, pending a judge’s sign‑off.Financial Stakes: $265 m Alleged Bribes, $10 bn Investment Promise, and Pending PenaltiesAlleged bribes: $265 m to Indian officials.Investment pledge: $10 bn to be deployed in the US, projected to create 15,000 jobs.SEC civil suit: potential penalties of $6 m for Gautam Adani and $12 m for Sagar Adani.US Treasury settlement: $275 m for alleged sanctions violations involving Iran‑origin LPG.Implications for US‑India Business Relations and Adani’s Global StrategyThe dismissal signals a shift in US prosecutorial discretion, potentially easing the path for large foreign investments amid heightened geopolitical scrutiny. It also underscores the influence of Adani’s new legal counsel, Robert J Giuffra Jr., a personal attorney to President Donald Trump. Adani’s commitment to invest may bolster US renewable‑energy capacity while mitigating regulatory risk for the conglomerate.What May Come Next for Adani and US Regulatory ScrutinyAlthough criminal charges are being withdrawn, the SEC and Treasury settlements remain pending court approval. Continued compliance measures, such as the newly created head of compliance at Adani Enterprises, suggest the group will prioritize adherence to US sanctions guidance. Future court rulings on the civil penalties and the execution timeline of the $10 bn investment will determine whether the case fully closes or re‑emerges in another regulatory arena.

The Historic 150th Test at Lord'sLord's Cricket Ground in London is making history this week by hosting its 150th Test match, becoming the first ground in the world to reach this significant milestone. While other venues like Melbourne's MCG follow with 118 Tests, Lord's has maintained its privileged position through hosting two games annually this century. Despite being a late starter to Test cricket (its first match was in July 1884), long after venues like Melbourne, Sydney, The Oval, and Old Trafford, Lord's has cemented its status as cricket's most iconic venue.The Three Lord's of LondonInterestingly, there are actually three Lord's in London. The original ground is now buried under Dorset Square near Marylebone station, while another lies beneath the Lisson Grove moorings on the Regents canal. The current world-famous ground on Wellington Road was rented in the 19th century from the Eyre family, who made their fortune in wine and slavery. This historic patch of land has remained cricket's spiritual home for nearly two centuries.The Cultural Significance of Lord'sDespite its stuffy atmosphere, expensive tickets, and sometimes stifling rules, Lord's holds a special place in cricket lovers' hearts. The venue offers a unique thrill that connects spectators with centuries of cricket history. At Lord's, fans don't just share the game with fellow spectators but with the hundreds of thousands who watched great players before them. Honours boards display heroes' names, museum exhibits showcase their bats, library shelves hold their books, and plaques commemorate their feats.The Evolution of Lord's Cricket GroundLord's wasn't always the established institution it is today. In its early years, the ground held as many pony races and stone-picking contests as cricket matches. The MCC (Marylebone Cricket Club) has faced financial challenges throughout its history, requiring bailouts from wealthier members and even considering building houses on the outfield. The venue has also had to defend against urban encroachment, with red brick walls constructed to guard against the surrounding city and developers attempting to claim the tunnels beneath the ground.Lord's: More Than Just CricketWhile known as the 'Home of Cricket,' Lord's is actually the home of the MCC, a private club that has historically governed the sport. Like Augusta National in golf, it represents a private club running a publicly beloved event. After losing its governing role in 1993, the MCC has been searching for a new identity. Today, it runs charitable programs, hosts special matches, offers tours, and even fields its own professional team in the London Spirit.Five of the Most Memorable Tests at Lord'sEngland v Australia, 1896: England won by six wickets in WG Grace's last Test at Lord's. The crowd was so packed they spilled onto the field, and Australia was skittled for 53 in just 75 minutes on the first morning.England v Australia, 1930: Australia won by seven wickets in Don Bradman's first Test at Lord's. He scored 254, which he later described as 'the best innings of my life'.England v Australia, 1981: Ian Botham's iconic performance with both bat and ball helped England win after following on, one of cricket's greatest comebacks.England v West Indies, 1984: Michael Holding's devastating spell of 6-57 destroyed England, widely regarded as one of the greatest fast bowling performances.England v Australia, 2005: The first Test of the famous Ashes series that ended Australia's reign as world champions, with England's dramatic two-run victory.

The Lead: UK Regulator's AI Content DecisionThe UK's competition watchdog has ordered Google to change how it uses publishers' content in its AI-powered search results, in a move that will have global ramifications. The Competition and Markets Authority (CMA) is using special powers to set bespoke rules for major tech firms that it deems to have 'strategic market status', with Google being one of those companies.The Regulatory Breakthrough: New Content Requirements for GoogleThe CMA has imposed a set of 'conduct requirements' on Google, which the tech firm must adhere to. It must allow publishers to block Google from using their content to power features such as AI Overviews and AI mode (an expanded version of overviews). An AI Overview is an answer to a query, produced by the search engine's Gemini AI model, that summarises material from news publishers and other websites to produce an answer.Under the current set-up, news publishers who allow their content to be listed in ordinary Google search results are defaulted into AI Overview responses as well. With this ruling, they will now be able to opt out from appearing in such responses. Google will also be required to make sure that publisher content is properly flagged and attributed in overview results, using clear links to the material.The Industry Impact: Publisher Leverage and Revenue ConcernsThe CMA hopes this will give publishers greater leverage in content deals with Google, by forcing the company to seek permission to use their intellectual property. Publishers have seen dramatic falls in Google traffic to their websites, and therefore revenue, since their content was pulled into AI summaries. However, they have not been able to negotiate AI content deals without jeopardising inclusion in traditional Google search, which has been central to online journalism since its inception.Tim Cowen, co-founder of the Movement for an Open Web (MOW) and competition lawyer at Preiskel, believes the CMA's move means publishers will now have the power to make money from Google's use of their content in AI. 'It provides a baseline that Google can't just take content,' he says. 'This provides a framework to monetisation, which is welcome, but there is a long way to go.'The Financial Analysis: Cost of Compliance and Potential Revenue ShiftsGoogle will have nine months to implement the changes but the CMA wants swift action on the most important aspects of its decision. The search company announced it was testing a new control that lets website owners manage how their links and content appear in AI features such as AI Overviews or AI Mode. Google will also give websites more information about how much their content is being used in its AI features.This will be trialled with a 'subset' of UK websites before being rolled out globally, underlining the impact of the CMA's new digital competition powers. Earlier this week, AG Sulzberger, the chairperson of the New York Times, revealed that the publisher has already spent $20m (£15m) on lawsuits against OpenAI and AI startup Perplexity over the use of its copyrighted content.The Market Transformation: Shifting Power Dynamics in Digital ContentPublishers have welcomed the CMA's move with the News Media Association (NMA), which represents UK news publishers, hailing it as a 'significant step towards levelling the playing field' in an online environment where big tech-controlled algorithms dictate how and where content appears.However, concerns remain that dealing with Google will remain a difficult proposition with the Silicon Valley company being left to provide 'periodic reporting' to the CMA, but little detail on how frequently this will be and what will be provided to prove it is remaining in compliance with its obligations.The Future Outlook: New Alliances and Content Licensing ModelsPublishers are attempting to address this through the formation of SPUR – the so-called 'Nato for news' coalition formed earlier this year that includes the BBC, Guardian, Financial Times, Telegraph and Sky. The group added another 20 major publishers this week as it seeks to strike better AI deals by agreeing common standards and content usage rights.Publishers have signed deals with AI firms. For instance the FT and Washington Post have reached agreements with OpenAI, the developer of ChatGPT, over using their content in responses. The Guardian has signed deals with a variety of businesses including OpenAI, Google, Amazon and Microsoft to allow those companies to use its journalism in some GenAI products.

The Lead: Qatar's World Cup JourneyFour years on from their FIFA World Cup debut on home soil, Qatar are gearing up for a new "dream." The reigning – and back-to-back – Asian champions head to the June 11-July 19 football tournament in North America, having qualified outright for the first time in the Arab nation's history.The Event Details: Qatar's Group B ChallengeMaking their way to the showpiece after three successful rounds of qualifiers, the Qataris find themselves in an interesting, and potentially inviting, Group B, facing Switzerland, Canada and Bosnia and Herzegovina. The prospect of reaching the knockout stages for the first time appears a realistic target.The Data Analysis: Opponent Rankings and Historical ContextIn Switzerland and Bosnia and Herzegovina, Qatar face two strong teams from Europe. Switzerland are making their 13th appearance at the finals, having reached the knockouts in each of their last three campaigns. The 19th-ranked Swiss, whose best finish has been the quarterfinals on three occasions, are frontrunners to finish as table toppers of Group B.At number 65 in the FIFA rankings, Bosnia and Herzegovina are placed lower than Qatar, but it would be foolish to write them off based on that alone. Returning to the World Cup for the first time in 12 years, Bosnia and Herzegovina pulled off one of the biggest upsets of the qualifiers when they knocked out four-time world champions Italy on penalties.Qatar can expect a tough challenge from both European teams, but the two-time Asian champions could take a point or three against Canada, the number 30 team in the world and the co-hosts of the tournament, alongside the United States and Mexico.The Impact Analysis: Lopetegui's Philosophy and Qatar's DevelopmentTalking to Al Jazeera ahead of the tournament, Qatar's Spanish coach Lopetegui said the team achieved a "big goal" by qualifying for the 48-team World Cup on merit. While the achievement is momentous for all of Qatar, it also holds special importance for Lopetegui, who is heading to his first World Cup as a coach.Lopetegui, who took over in May 2025, admitted that while Qatar are weaker than their opponents, there is no shortage of ambition among his players. "Each moment that you have at the World Cup is top," he added. "So in this case, you analyse each country, talking about each player and which competition they are playing… you're playing against the best players in the world. Now, we have to be ready and prepare ourselves to be competitive."Qatar's squad remains built around a domestically developed core shaped through the Aspire Academy system that underpinned their rise over the past decade. Many of the squad have progressed through the same development pathway, giving Qatar continuity and cohesion, though questions remain over whether a group drawn largely from the domestic league has the depth and experience required to compete consistently with elite opposition.The Prediction: Qatar's Path to the KnockoutsQatar have a chance, even if it is a slim one, of reaching the knockouts. Their best bet for collecting points is against Canada. Should Qatar beat Canada, they will have three points, which should be enough to qualify for the round of 32 as one of the eight best third-placed teams.If Qatar draw all three games – which is less likely than the above scenario – even that could see them through to the knockouts for the first time in history. Simply put, the game against Canada is a must-win for Qatar if they dream of a deep run.Key Players to WatchIf Qatar are to crush Canadian hopes in Vancouver, the Gulf country will have to rely on the goal-scoring prowess of striker Almoez Ali, Qatar's all-time marksman with 60 goals, and star winger Akram Afif, the two-time Asian player of the year and the team's main source of creativity.Having played every minute of Qatar's last World Cup campaign, Afif shares the record for most appearances at the tournament (three) alongside defenders Boualem Khoukhi and Abdelkarim Hassan. Captain Hassan Al-Haydos, who came out of retirement in June 2025 at Lopetegui's request, is another fan favourite and holds the record of being Qatar's most-capped player with 188 appearances.Qatar's World Cup 2026 ScheduleAll times in local timeJune 13, 12pm PDT (19:00 GMT) – Qatar vs Switzerland – Santa Clara, California (US)June 18, 4pm PDT(23:00 GMT) – Canada vs Qatar – Vancouver (Canada)June 24, 12pm PDT (19:00 GMT) – Bosnia and Herzegovina vs Qatar – Inglewood, California (US)

The Job Cut Controversy City & Guilds is facing potential legal and industrial action over claims it has been 'dishonest' over plans to shed about 400 UK staff. Officials at the Unite union allege the owner of the training and qualifications body has been 'unlawfully withholding key information during transfer consultations', while also 'advertising for new recruits when it is legally required to give staff at risk of redundancy first refusal'. Background of the Dispute The row represents yet another crisis at the embattled former vocational charity, whose business was acquired by the private company PeopleCert last autumn in a controversial deal that went on to trigger a statutory inquiry by the Charity Commission in January, as well as PeopleCert commissioning its own internal investigation. The Data Analysis The union predicted that the round of about 75 redundancies will only be the first wave of job losses and that PeopleCert is ultimately planning to shed about one-third of its 1,300 strong UK workforce. PeopleCert said in January that: 'There are no plans for compulsory redundancies in the UK.' The Impact Analysis Unite regional officer Peter Storey said: 'PeopleCert has been dishonest [about its staffing plans] from the moment it took over City & Guilds. Without significant movement from the company, this dispute will continue to escalate, including through potential legal and industrial action.' The Prediction The dispute is likely to continue, with the union pushing for better treatment of staff and more transparency from PeopleCert about its plans for City & Guilds. The outcome will depend on the company's response to the union's concerns and the ongoing consultation process.