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The Lead The Museum of Homelessness in London is hosting an exhibition titled 'Criminal: An Untold Story of Homelessness, Resistance and Survival', which explores the criminalization of homeless people and nomadic communities over the last 400 years. The Exhibition's Powerful Message The exhibition features an installation by Romany Gypsy poet, performance artist, and journalist Gemma Lees, which includes a trim caravan with china decorated with Sun newspaper headlines criticizing Gypsy and Traveller encampments. The installation highlights the stark contrast between the cozy interior of the caravan and the harsh realities faced by nomadic communities. The History of Criminalization The exhibition takes visitors on a chronological journey through the history of criminalization, from the Egyptians Act of 1530 to the 2022 Police, Crime, Sentencing and Courts Act. It showcases how laws have been used to marginalize and criminalize homeless people and nomadic communities. The Impact on Homelessness London is currently facing a record high level of homelessness, with over 13,000 people sleeping rough in 2024-2025, a 10% increase from the previous year and a 63% rise over the past decade. The exhibition aims to raise awareness about the issue and provide a platform for discussion. The Future of Homelessness Support The Museum of Homelessness not only serves as a museum but also provides community support and acts as a cold weather shelter in winter. The exhibition 'Criminal' is a timely and powerful reminder of the need for better solutions to address homelessness and the criminalization of vulnerable communities.

The Filmmaker's Perspective on Indigenous Issues Lucrecia Martel, known for her fiction films like 'Zama' (2017) and 'The Headless Woman' (2008), has spent about 15 years working on 'Landmarks', her first documentary. The film addresses the broader and historical problem of Indigenous rights in Argentina through the case of Javier Chocobar, an Indigenous leader killed in 2009. The Event Details: The Killing of Javier Chocobar The documentary centers on the killing of Javier Chocobar, an activist and leader of the Diaguita people from the Chuschagasta community in the province of Tucumán. He was shot dead inside his territory on October 12, 2009, by Darío Luis Amín, a mining businessman, and two former police officers. Martel was present at the trial, which she described as an 'extraordinary spectacle' that highlighted racism against Indigenous peoples. The Data Analysis: A Historical Pattern of Neglect Martel believes that Argentine racism against Indigenous peoples, who make up about 3% of the population, is tied to how the country sees and projects itself: a 'white' nation shaped by European immigration. She argues that Argentina needs to end its 'fantasy of being a European country' and acknowledge its Indigenous heritage. The Impact Analysis: The Ongoing Struggle for Recognition The Chuschagasta community is still fighting for official state recognition of its land. Martel's film aims to contribute to the history of Argentina and the health of Argentine society by shedding light on the usurpation of Indigenous lands. The documentary shows moments where the centuries-long presence of the Chuschagasta community was questioned, and even the very existence of Indigenous Argentinians was denied. The Prediction: A Call for Change Martel hopes that her film will help bring about change and recognition of Indigenous rights in Argentina. She plans to hand over the rights to the Chuschagasta community, who were the first to see the completed documentary. The film's promotional cycle is coming to an end, and Martel looks forward to its continued impact on raising awareness about Indigenous issues in Argentina.

The Lead Meena Kandasamy's novel "Fieldwork As a Sex Object" tackles the terrifying reality of deepfake technology and its use in online harassment, particularly targeting women in India's complex digital landscape. Through protagonist Amy Chaturvedi, the novel explores how fabricated content can destroy lives and how internet trolls exploit such content for misogynistic and political purposes. The Digital Hell of Indian Internet Culture The novel portrays India's internet as a particularly toxic environment, far exceeding the toxicity of Western platforms like X and Facebook. Kandasamy captures a world where caste, religion, and political extremism intersect with misogyny to create a dangerous space for women. The author describes how algorithms, far-right government influence, and societal tensions combine to create a digital hellscape where women are systematically targeted and harassed. The Deepfake Crisis and Its Victims The central plot revolves around Amy Chaturvedi, a privileged student activist living in London, who becomes the victim of a deepfake sex tape. Despite her sexual liberation and experimentation, Amy must confront a world that immediately judges and shames her based on the fabricated content. The novel explores how such digital violations can be used as weapons, not just for humiliation but also for political and social control. The Anatomy of Online Trolls Kandasamy provides a sharp, humorous, yet critical examination of the Indian internet troll, exposing their motivations, insecurities, and political alliances. The author portrays trolls as a "disparate bunch of Nazi-loving, Islamophobic vegetarian dicks" who use anonymity to spread hate, promote extremist ideologies, and attack those who challenge their worldview. The novel reveals how these trolls operate in coordinated campaigns to silence dissenting voices, particularly women and minorities. Literary Merits and Political Commentary As one of India's most outspoken writers, Kandasamy blends personal narrative with political commentary, creating a work that is both entertaining and thought-provoking. While the reviewer notes some stylistic choices that could be refined—particularly the Marxist theoretical framework and excessive internet jargon—the novel's power lies in its unflinching portrayal of online misogyny and its intersection with political extremism. The author's willingness to "not pull any punches" makes her a vital voice in contemporary Indian literature. The Future of Digital Rights and Literature "Fieldwork As a Sex Object" arrives at a critical moment when deepfake technology is becoming increasingly sophisticated and accessible. The novel serves as both a warning and a call to action, highlighting the urgent need for better legal protections and digital literacy. As internet culture continues to evolve, works like Kandasamy's will play an essential role in shaping public discourse about technology, power, and gender in the digital age.

The Significance of Eid al-Adha Muslims around the world have begun celebrating Eid al-Adha, the “Festival of Sacrifice”, which falls on the 10th day of Dhul Hijjah, the 12th and final month of the Muslim lunar calendar. The Hajj Pilgrimage One of the biggest holidays in the Muslim calendar, it coincides with the last day of the annual Hajj pilgrimage in Saudi Arabia. More than 1.7 million people are taking part in the Hajj this year, slightly up from 2025. Celebrations Amid Challenges In Gaza, where Israel’s months-long offensive has devastated neighbourhoods and displaced most of the population, many families are marking Eid in tents and crowded shelters, with little meat or festive clothing. The Rituals of Eid al-Adha Eid al-Adha commemorates the Quranic story of Prophet Ibrahim’s willingness to sacrifice his son Ismail as an act of obedience to God. The day is marked with the sacrifice of an animal – usually a sheep, goat or cow – and the distribution of its meat among family, neighbours and those in need. The Global Observance On Tuesday, pilgrims prayed on Mount Arafat, where Prophet Muhammad is believed to have delivered his final sermon. They then spent the night out in the open at Muzdalifah, halfway between Arafat and Mina, where they collected pebbles for the symbolic stoning of the devil.

The Rise of AI Psychosis in Corporate Decision MakingBox founder Aaron Levie has identified a troubling trend in corporate America: what he calls "AI psychosis," where executives and decision-makers become so enamored with artificial intelligence that they believe it can replace human jobs without understanding what those roles truly entail. This overenthusiasm for AI is leading to significant workforce reductions and a growing backlash from both employees and users.Workforce Reductions Fueled by AI AmbitionThe consequences of this AI psychosis are already becoming apparent in the tech industry. Productivity software company ClickUp recently cut 22% of its workforce, citing a shift toward AI agents. This move is part of a larger trend where tech layoffs in 2026 are already nearly matching the total number of layoffs seen throughout all of 2025. These cuts suggest that companies are prioritizing AI implementation over human talent, often without fully understanding the implications.User Backlash Against Forced AI IntegrationWhile companies push AI solutions, users are increasingly resisting. DuckDuckGo has seen a surge in installations from users who want Google to stop forcing AI into search results and simply provide traditional links. This user backlash highlights a disconnect between corporate AI strategies and actual consumer preferences, suggesting that not all AI implementations are welcome or beneficial.The Duality of AI AdoptionAs TechCrunch's Equity podcast hosts discuss, both the AI-pilled (those enthusiastically embracing AI) and the AI-skeptical (those questioning its implementation) may have valid points. The challenge lies in finding a balance where AI augments human capabilities rather than replacing them entirely, and where technology serves actual needs rather than being implemented for its own sake.Future of Work in an AI-Driven EconomyAs AI continues to evolve, companies must develop more nuanced approaches to workforce planning and technology implementation. The current trend of replacing human workers with AI agents may prove shortsighted if it leads to decreased product quality, poor user experience, and loss of institutional knowledge. The future likely lies in hybrid models where AI and humans collaborate, each bringing their unique strengths to the workplace.

Groq's New Funding Round Groq is looking to raise $650 million in new funding from existing investors, sources tell Axios, as it leans into its inference neocloud business that relies on its homegrown AI chip and systems. The Nvidia Deal and Its Impact In December, Groq struck one of those not-an-acquisition agreements with Nvidia for a reported $20 billion, which involved the departure of some top-level senior Groq employees to the chip giant and the licensing of Groq’s hardware technology to Nvidia. The Focus on Inference Cloud Business The new direction is led right now by Groq’s interim CEO and CFO, Adam Winter and Matt Eng, respectively. The company's inference cloud business lets developers and enterprises host their inference-hungry apps. Inference is the processing that happens after an AI prompt and is currently a much bigger need in the AI world than model training. The Funding Commitment Groq's backers Disruptive and Infinitium have agreed to fill the round should other existing investors not want their pro-rata shares. The $650 million in funding is essentially guaranteed.

Groq's Ambitious Funding Round Groq, an AI chip startup, is looking to raise $650 million in new funding from existing investors, sources tell Axios, as it leans into its inference neocloud business that relies on its homegrown AI chip and systems. The Nvidia Deal and Its Implications In December, Groq struck a not-an-acquisition agreement with Nvidia for a reported $20 billion, which involved the departure of some top-level senior Groq employees to the chip giant and the licensing of Groq's hardware technology to Nvidia. The Focus on Inference Cloud Business The new direction is led by Groq's interim CEO and CFO, Adam Winter and Matt Eng, respectively. The company's inference cloud business lets developers and enterprises host their inference-hungry apps. Inference is the processing that happens after an AI prompt and is currently a much bigger need in the AI world than model training. The Funding Dynamics Groq's backers Disruptive and Infinitium have agreed to fill the round should other existing investors not want their pro-rata shares. The $650 million in funding is essentially guaranteed. The funding round highlights the ongoing investments in AI chip startups and the growing demand for inference capabilities in the AI ecosystem.

Lead: Veteran Coach Makes a Glasgow Comeback as Curaçao Prepares for World Cup Debut Dick Advocaat, aged 78, returned to Scotland for a pre‑World Cup friendly, guiding the Caribbean minnows Curaçao toward a historic appearance in the 2026 tournament. The meeting with host nation Scotland serves as both a nostalgic trip for the Dutch tactician and a strategic warm‑up before Curaçao face Germany on 14 June. Advocaat’s Glasgow Return Highlights Curaçao’s World Cup Journey During an 11‑minute press stop, Advocaat reflected on his past triumph at Hampden Park with Rangers in 1999 and outlined the challenges ahead for his side. He emphasized the amateur status of his squad, the need for sharpness, and the pride of representing a nation ranked 82nd globally. Key Numbers Shaping the Narrative Age of coach: 78 – oldest manager ever at a World Cup. World ranking: Curaçao sits at 82 in the FIFA table. Match date: 14 June 2026 – Curaçao vs Germany. Friendly venue: Glasgow, Scotland. Scotland manager contract: extended to 2030 World Cup. Impact on Caribbean Football and Scottish Aspirations The qualification of a Caribbean nation for the World Cup underscores the growing competitiveness of smaller footballing regions. For Scotland, the friendly offers a benchmark against a technically disciplined side and a reminder of the nation’s own quest to return to the World Cup after a 28‑year hiatus. Looking Ahead: What the 2026 Tournament Could Mean for Both Teams Should Curaçao hold their own against Germany, they could inspire a new wave of investment and talent development across the Caribbean. Meanwhile, Scotland’s extended contract for Steve Clarke signals a long‑term plan to secure regular World Cup qualifications, with the 2026 edition serving as a pivotal test of his squad’s depth and tactical evolution.

The LeadIga Swiatek has called for the French Open to make changes to the layout of their courts after multiple players were forced to withdraw this week having been injured when tripping over obstacles at the back of the Roland Garros courts. The world number one player expressed concern that the current setup is not safe for competitors.The Court Safety CrisisThe most recent incident occurred on Friday when Turkish player Zeynep Sonmez ran into one of the Lacoste advertising boards placed at the back of the court and fell to the floor. After a medical time out, Sonmez, alongside her partner Tatjana Maria, was forced to retire from her second round doubles match while trailing 2-0.Earlier in the week, Belgian player Alexander Blockx was forced to withdraw after injuring himself on the rain covers at the back of a practice court. In a statement on Instagram, Blockx revealed: "Unfortunately during today's practice I heard a snap in my ankle while I sprained it thanks to the 'really necessary' covers at the back of the court at Roland Garros, which is why I had to withdraw from tomorrow's match."Great Britain's Katie Boulter also had a near miss, saying the boards need to be removed after she tripped on one during her second-round match. "THESE THINGS HAVE TO GO. Got lucky last night but next time I might not be…" she wrote on social media.Historical ContextThis is far from a new issue at Roland Garros, which uses these panels towards the back of the court to advertise their sponsors. In 2017, David Goffin was forced to retire from his third round match due to a similar incident. No other grand slam tournament places their rain covers behind the baseline, making the French Open unique in this aspect.The issue is particularly problematic on clay courts due to the tendency for players to move and defend from deeper positions on the surface. This increases the likelihood of players running into the obstacles at the back of the court during extended rallies.Tournament UniquenessThe French Open is the only big tournament that still uses line judges, with the tournament placing their boards next to lines people in the court. Arthur Ashe Stadium at the US Open is the only other grand slam court with advertising hoardings on the court, but those boards are pressed directly to the back wall, not placed in the playing area.This design choice has been a point of contention for years, with players consistently raising concerns about the safety implications of having obstacles in the playing area. Despite these concerns, the tournament has maintained this setup, citing tradition and sponsorship requirements.Player Reactions"I didn't see the incidents, but I heard about them," said Swiatek. "Obviously if these things happen, there needs to be a reaction, because there are other ways for us to be visible for sure, you know? It's a shame, and it shouldn't – I hope they're going to put them in a different place or just put the advertising in a different way there, because it's not safe for sure."After her straight sets win over Viktorija Golubic, Marta Kostyuk expressed skepticism that the tournament would make changes: "Honestly, I feel like there are some rules that no matter what happens, they just cannot be changed, and no matter how much you speak about it or how much you fight over it, it's just the rules. I don't know."Swiatek's Path ForwardDespite the concerns about court safety, Swiatek continues to build confidence and momentum in her first major tournament alongside her new coach, Francisco Roig. After projected tough opponents like Jelena Ostapenko and Elena Rybakina were eliminated in round two, Swiatek now faces a different challenge in the form of Marta Kostyuk.Kostyuk is on a 15-match winning streak and has not lost on clay this year after winning titles in Rouen and Madrid. "I definitely have a different feeling going into this match, because I feel like last time that I played her in Cincinnati, I lost this match way before it even started, and I don't feel the same this time," said Kostyuk.