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I Am Maximus is now being considered for a potential run in the Cheltenham Gold Cup next year, with its connections eager to see it compete at the highest level once again. The horse's unpredictable nature and impressive performance have made it a fan favorite, drawing comparisons to legendary horses like Red Rum and Tiger Roll.

Brian Cox’s latest live show, ‘Emergence’, draws its spark from Johannes Kepler’s 1609 treatise ‘The Six‑Cornered Snowflake’. Cox explains that Kepler’s wonder at the symmetry of snowflakes, written during a Prague snowstorm, embodies the modern scientific quest to understand the origins of patterns we observe.He says the show explores three realms: what we know, what we don’t know, and what may remain unknowable. This framework sets the stage for his reflections on the biggest unanswered questions in science.If he could answer any scientific mystery, Cox would choose the existence of life beyond Earth. He points to current missions—two spacecraft heading to Jupiter’s moons and the James Webb Space Telescope probing exoplanet atmospheres—as promising avenues that might soon reveal a biosignature.When asked about the future of technology, Cox warns that the trajectory of artificial intelligence is still opaque, making it both thrilling and potentially hazardous. He adds that quantum computing is another frontier with wildly divergent timelines—some experts see breakthroughs within five years, others doubt they’ll arrive in a lifetime—highlighting the revolutionary yet unpredictable nature of these tools.Cox also reflects on his shifting stance toward social media. He admits moving from early optimism about its democratizing power to a more critical view of its noise and misinformation, while acknowledging its complex impact on politics and public discourse.On personal advice, Cox stresses the importance of following one’s passion: “Do what you most enjoy,” he says, recalling his own journey from a teenage musician to a celebrated astronomer, supported by parents who encouraged his interests.He shares a memorable fan encounter: at an ELO concert, a man introduced himself as Paul McCartney after asking a question about Saturn’s moon Enceladus—an encounter that left Cox “overwhelmed” as a lifelong Beatles fan.When asked about a pop‑culture stance, Cox admits he is largely out of touch, but notes that musical innovation seems to have plateaued since the 1980s, contrasting the rapid evolution of earlier decades.One of his favorite astronomical facts is the staggering number of observable galaxies: about two trillion. He highlights how, within a century, humanity moved from debating whether other galaxies existed to quantifying an immense cosmos, also measuring its age at roughly 13.8 billion years.Brian Cox will tour ‘Emergence’ across Australia from 5 to 30 May 2026.

Sabrina Carpenter took the stage at Coachella, fulfilling a promise she made two years prior to headline the festival. Her set, dubbed 'Sabchella' by fans, was a maximalist production that rivaled Lady Gaga's iconic 2025 performance. The show featured a Hollywood Hills-style set, complete with big block letters in 4K vision, and a dizzying array of costume changes and performance elements. Carpenter's setlist included hits like 'Espresso' and 'Taste,' as well as new material, all delivered with her signature blend of humor and relentless energy. The production incorporated pre-filmed chapter breaks, complex choreography, and guest appearances by Will Ferrell, Susan Sarandon, and Samuel L. Jackson. While the show was sometimes overwhelming, Carpenter's live vocals shone, and her ability to slip into different characters and personas was on full display. Despite some technical issues and a few moments of overkill, Carpenter's performance was a triumph, showcasing her growth as a performer and entertainer. Her set was a testament to her dedication and creativity, with seven months of work reportedly going into the production. As she drove offstage in a vintage car, Carpenter had gloriously kept her promises to deliver a memorable Coachella performance.

When wages have been stagnant for almost two decades and a simple tube of toothpaste now costs nearly £7 at a major supermarket, the claim that “money can’t buy happiness” feels increasingly dismissive. The argument rests on a narrow view of what money can achieve. Spending cash solely on material goods yields only short‑lived pleasure. In contrast, the ability to afford time, experiences and mental‑health support expands one’s sense of freedom and purpose. Even basic needs such as leisure have become commodified; more disposable income simply translates into more opportunities to pursue what matters. As someone diagnosed with ADHD, I have learned—through personal trial rather than formal neuroscience—how to secure a steady supply of dopamine. The cheapest route is not a quick thrill, but activities that provide lasting satisfaction, such as novel experiences and moments of awe. One vivid example came during a winter trip to rural France, where two feet of snow turned the landscape into a scene straight out of Narnia. The awe‑inspiring view was a reminder that nature’s restorative power is often accessible only to those who can afford the travel, in my case a budget flight with Ryanair. Research supports the intuition that higher income correlates with greater happiness. A 2023 study by psychologists at Princeton and the University of Pennsylvania found that people with higher earnings report higher life satisfaction, though money cannot resolve non‑financial sources of unhappiness. Even the world’s richest are not immune to the paradox. Earlier this year, Elon Musk—on track to become the first trillionaire—tweeted that anyone who says “money can’t buy happiness” must be missing something. While Musk’s wealth may not guarantee personal joy, the same resources could provide a foundation for happiness for billions facing financial strain. Nevertheless, hoarding wealth like a dragon does not equate to fulfillment. The column suggests that redirecting a portion of vast fortunes toward travel, cultural enrichment, and shared experiences could transform isolated wealth into collective well‑being. In short, financial stability reduces stress and broadens horizons. It allows individuals to invest in the intangible assets—time, relationships, awe‑inducing experiences—that truly enrich life.

The New York Times Company has launched an investigation into the coverage of New England Patriots head coach Mike Vrabel by NFL reporter Dianna Russini. This move comes after photos of Russini and Vrabel together at an Arizona resort were published, raising concerns about their relationship and potential bias in reporting.Russini, who works for The Athletic, owned by The New York Times, has been temporarily sidelined while the review is ongoing. The images, published by the New York Post’s Page Six, show Russini and Vrabel together at a luxury hotel in Sedona, including by a pool, in a hot tub, and on a rooftop deck. Some photos appear to show the pair embracing and holding hands.Both Russini and Vrabel, who are married to other people, have claimed that the interaction was platonic and taken out of context. Russini stated that the photos did not reflect that they were part of a larger group gathering, while Vrabel called any suggestion of impropriety “laughable”.The Athletic initially defended Russini, with executive editor Steven Ginsberg saying the images lacked context and depicted public interactions among multiple people. However, the outlet has since expanded its review after additional reporting raised questions about Russini’s coverage of Vrabel and the nature of their relationship.Editors are now seeking to verify claims that others were present at the gathering. Notably, no stories under Russini’s by-line have been published since the photos surfaced earlier this week. The review is ongoing and expected to take time. Russini is among the highest-paid reporters at The Times Company, and her contract is set to expire later this year.

Erling Haaland of Manchester City currently leads the Premier League scoring race, having netted 22 goals this season. His prolific form puts him in a strong position to claim the coveted Golden Boot. Hot on his heels is Igor Thiago from Brentford, who has tallied 20 goals. The Brazilian forward’s consistency makes him the most serious challenger to Haaland’s lead. Other notable contributors include Antoine Semenyo (Manchester City) with 15 goals and João Pedro (Chelsea) who sits on 14. Arsenal’s Viktor Gyökeres and Brighton’s Danny Welbeck have each added 12 to their season totals. The list of double‑digit scorers continues with Liverpool’s Hugo Ekitiké at 11, while a group of players—including Bournemouth’s Junior Kroupi, Leeds United’s Dominic Calvert‑Lewin and Fulham’s Harry Wilson—have reached the 10‑goal mark. A broader cluster of athletes sit on nine or eight goals, highlighting the depth of attacking talent across the league. Names such as Morgan Gibbs‑White (Nottingham Forest), Ollie Watkins (Aston Villa), Bruno Guimarães (Newcastle United) and Richarlison (Tottenham) illustrate the competitive nature of the race. With several clubs represented among the top scorers, the Golden Boot contest remains wide open. Should Haaland maintain his scoring pace, he could secure the award early; however, the narrow gap to Thiago and the surge of mid‑table forwards suggest a thrilling finish to the 2025‑26 campaign.

The United States Department of Justice has opened an investigation into whether the National Football League (NFL) has engaged in anticompetitive tactics that harm consumers. This probe comes amid concerns over the difficulties consumers face in watching sports games and the growing trend of selling broadcast rights to streamers.Major broadcast station owners, US regulators, and senators have raised concerns about the increasing costs for consumers to access sports games, with estimates suggesting it could cost over $1,500 to watch all NFL games last year. The Federal Communications Commission (FCC) has also opened a review into the shift of live sports away from free broadcast TV to pay TV and subscription services.The NFL has responded by stating that more than 87 percent of its games are aired on free broadcast TV and that all games are available on free broadcast television in markets of participating teams. However, the investigation's nature and scope are still unclear.A 1961 law exempts major sports leagues from antitrust laws, allowing them to pool their individual teams' television rights and sell them as a package. This has led to concerns about the NFL's dealings with streaming platforms and potential anticompetitive practices.

London-based musician Alex Peringer, known as Reckonwrong, has released his self-titled debut album 'How Long Has It Been?' after years of near silence. The record marks a departure from his early work, characterized by dizzying time signatures and wry tales, instead embracing warm, tinkering sounds and earnest sentiment.The album's theme of winter is reflected in its introspective stories and soft arrangements, punctuated by subtly wonky elements that prevent it from sounding overly polished. Tracks like 'Before and After' and 'Two Lovers' showcase Peringer's ability to blend atmospheric bedroom-pop with left-field flourishes.Influences from Arthur Russell and Robert Wyatt are evident in the album's use of echo and melancholy. Peringer's delightfully off-kilter vocals add to the charm, as he navigates themes of love, loss, and introspection. The album's eclectic sound is both captivating and emotionally resonant.In addition to Reckonwrong's album, other notable releases include Index for Working Musik's 'Bunker Intimations II' and Inrain's 'Rise', showcasing a range of experimental and shoegaze-inflected sounds.

Oppdal, a mountain village in central Norway, hosted its first interspecies council on a snowy morning at the Bjerkeløkkja conference centre. Thirty‑eight local participants each represented a different species – from a northern bat to a birch tree – and voiced the needs of the natural world in a structured decision‑making process.The council draws on the legacy of the Council of All Beings, a practice created in the 1980s by environmentalists John Seed and Joanna Macy. Phoebe Tickell, a scientist and “moral imagination” activist mentored by Macy, adapted the ritual into a governance methodology that expands representation beyond humans.Facilitators first identified the multispecies stakeholders in the region, then briefed human representatives – chosen either randomly or for expertise – on the perspectives they would embody. The session concluded with a manifesto of principles for human governance and an impact‑evaluation plan to track participants’ connection to nature six months later.Oppdal’s mayor, Elisabeth Hals, noted that the village’s population swells from 5,000 to over 30,000 in winter as tourists flock to private cabins (hytter). The municipality plans to add 1,000 new apartments by 2035 to promote year‑round tourism, a move that has sparked debate over land use, farming, and conservation.During the council, a birch “worried there’s too much of me,” while a rockfoil flower urged humans to “slow down and listen to where nature can tolerate more activity.” The River Driva lamented being treated as a mere resource, and a fox enthusiastically pointed at a wader, highlighting the emotional range the exercise seeks to capture.Proponents argue that such empathy‑building exercises are crucial as wildlife populations have fallen by roughly 70 % over the past 50 years. Tickell contends that “imperfect representation beats exclusion” and envisions interspecies councils becoming as routine as environmental impact assessments.Across the UK, 13 councils have recognised river rights since 2023, and a coalition of artists, ecologists, lawyers and policymakers is exploring similar biodiversity governance around the North Sea. In London, multispecies assemblies have already informed stewardship of the River Roding and land‑use consultations.Oppdal’s experiment aims to create “institutional trace” – genuine decision‑making power backed by robust methodology and longitudinal research – rather than a tokenistic green‑washing exercise. If successful, the model could be replicated internationally, giving non‑human nature a formal seat at the policy table.