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Denis Lavant delivers a captivating performance in 'Redoubt', a Swedish film directed by John Skoog. Lavant plays Karl-Göran Persson, a farmhand from rural Sweden who becomes fixated on transforming his humble shack into a public shelter, dubbed a 'redoubt', in preparation for a potential nuclear catastrophe.The film, shot in stunning monochrome, chronicles Persson's journey as he scours the countryside for materials to fortify his shelter. His obsession is sparked by an official pamphlet warning citizens of the impending threat of nuclear war. As Persson works tirelessly on his project, he faces a mix of curiosity and hostility from the local community.Lavant's portrayal of Persson is both intriguing and vulnerable, evoking comparisons to iconic characters like Quasimodo and Nosferatu. The actor also showcases his musical talents on the accordion and even appears to hypnotize a chicken. Despite the film's static nature, which may leave viewers questioning its direction, Lavant's performance is unforgettable.'Redoubt' is a thought-provoking exploration of loneliness, fear, and community. While the film's conclusion may seem ambiguous, it ultimately presents a poignant reflection on the human condition. With its unique blend of drama and social commentary, 'Redoubt' is set to leave a lasting impression on audiences when it hits UK cinemas on March 27.

More than 250 players from the southern hemisphere are now integral to European rugby, fundamentally shaping the landscape of top-flight competitions across France, Scotland, England, Italy, Ireland and Wales. These athletes, drawn from 12 nations including Chile, Zimbabwe and the Cook Islands, have been drawn north by the gravitational pull of financial security and career opportunities, with over 60 hailing from South Africa and 56 from Argentina.Their presence has transformed European rugby, both in terms of quality and the development of local players who compete alongside and against them. This southern exodus continues despite the cultural and rugby significance of these nations, creating a complex dynamic where talent flows north while the sport's soul remains rooted in the south.Fiji exemplifies this tension. While 31 Fijian players currently compete in Europe, the Fijian Drua, with 40 players on their books, recently demonstrated the passion and potential of homegrown talent by defeating the ACT Brumbies 42-27 in front of 10,000 fans in Ba. The match, played despite challenging conditions including a previously flooded pitch, showcased rugby's authentic connection with its supporters.However, this authentic expression of rugby faces an uphill battle against commercial realities. When the Nations Championship brings hemispheres together later this year, Fiji's "home" fixtures will be staged offshore – against Scotland in Edinburgh, England in Liverpool and Wales in Cardiff. Despite Fiji Rugby Union chief executive Koli Sewabu's determination to "make it feel every bit like a home game," the relocation speaks to larger priorities.The financial imperative extends beyond Fiji. At a recent World Rugby meeting, representatives from New Zealand and Australia pushed for greater tempo and less emphasis on set-piece power, only to be blocked by France and South Africa, who possess the most intimidating packs. This diminished influence reflects a broader shift in power dynamics.South Africa, despite exporting more talent to Europe than any other nation and winning four World Cups, faces significant constraints. SA Rugby's chief executive, Rian Oberholzer, acknowledged that neither South Africa nor New Zealand are presently viable World Cup hosts because they "do not generate the revenue World Rugby requires." The Rugby World Cup, he explained, "is the only revenue stream for World Rugby that must fund the whole ecosystem."Argentina faces similar challenges. The Pumas, despite being a formidable international side, struggle to host major tournaments due to the absence of a professional domestic league and the fact that all but three of their most recent squad members play in Europe.This creates a fundamental tension in modern rugby: the sport's most compelling talent and authentic experiences emerge from the southern hemisphere, yet financial decisions increasingly favor northern markets. While rugby needs these financial resources to fund competitions and maintain grassroots development, the balance between authentic connection and commercial imperatives will ultimately determine the game's future trajectory.

The final season of Netflix's Heartbreak High has concluded, but its farewell has left much to be desired. The show, a remake of the 1990s Australian series, had potential with its fresh-faced cast and energetic tone. However, it ultimately succumbed to a polished but contrived approach, straying far from the gritty realism that made its predecessor compelling.The original Heartbreak High was praised for its near-verite realism and diverse cast, tackling tough issues with fearlessness and courage. In contrast, the new series opted for a blinged-out U-turn, adopting a jokey tone and pat writing. While it still addressed important issues like abortion, mental health, and racial tensions, it did so without the same level of authenticity.The final season follows the gang's last year at Hartley High, kicking off with a chaotic muck-up day prank. However, even this moment felt painfully contrived, lacking the realism that once defined the series. The show's approach to emotional moments was similarly forced, designed to generate feeling rather than earn it.Creator Hannah Carroll Chapman may have aimed for a show akin to Sex Education, but Heartbreak High fell short. Its colourful but contrived approach rarely achieved a strong emotional pull, instead favouring sentiment over subtlety in its conclusion.Despite its shortcomings, Heartbreak High still explored complex relationships and character aspirations. However, the show's failure to balance humour and drama, coupled with its contrived emotional moments, left this reviewer underwhelmed.

The Belfast-set true-crime thriller 'No Ordinary Heist' is based on real-life events from 2004, but the film feels underpowered and apologetic, clumsily assembled and blandly directed by Colin McIvor. The two main male headliners, Eddie Marsan and Éanna Hardwicke, deliver fine performances, although Marsan's casting raises questions.Marsan does a good job nailing the Belfast accent, but his presence is recessive, making him an odd choice for the role of Richard Murray, an uptight bank manager. The bank robbers are fairly undifferentiated, apart from a skeevy character played by JB Moore. The film touches on the tension between past and future Northern Ireland, but this rich seam is not thoroughly mined.The film also explores a subplot about Murray being pressured by the bank's owners to make half the staff redundant, which is of particular interest to security chief Mags (Michelle Fairley). However, this strand is left hanging, wasting Fairley's talent. Ultimately, the film feels like the makers had neither the budget nor the vision to make the material sing, resulting in a most ordinary work.No Ordinary Heist is set to release in UK and Irish cinemas from 27 March.

David Squires presents his unique visual perspective on the recent Carabao Cup final, where Manchester City emerged victorious over Arsenal in a compelling showdown at Wembley Stadium. The acclaimed cartoonist captures the essence of the match through his distinctive artistic style, focusing on pivotal moments that defined the contest.In his latest work, Squires examines the significant decisions that influenced the outcome, offering insightful commentary that resonates with football enthusiasts. The cartoon strips showcase the tactical battle between the two Premier League giants, with particular attention to the master-apprentice dynamic between the respective managers.One notable highlight featured in Squires' cartoon is the audacious performance of a young player whose cheeky antics and skillful play caught the attention of spectators and critics alike. The cartoonist effectively immortalizes these moments through his signature visual storytelling approach.The artwork provides a lighthearted yet perceptive take on the competitive nature of the cup final, illustrating how Manchester City ultimately secured their triumph over their London rivals. Squires' ability to distill complex match dynamics into accessible and entertaining visuals continues to make his work a favorite among Guardian readers.For those interested in exploring more of Squires' football commentary, the article includes links to purchase his cartoons and his latest book, 'Chaos in the Box,' which showcases his collection of sports-related artwork.

The documentary 'Transforming the Beautiful Game: The Clyde Best Story' tells the uplifting story of Clyde Best, a trailblazing black footballer who played for West Ham in the early 1970s. Best's journey from Bermuda to London at 17, and his experiences with racism in the sport, are highlighted in the film.The documentary features a stellar lineup of talking heads, including Geoff Hurst, Harry Redknapp, Viv Anderson, John Barnes, Les Ferdinand, Shaka Hislop, and Garth Crooks, who discuss Best's significance and impact on the game. The film also explores Best's pioneering role as one of English elite football's first black players and his influence on succeeding generations of black footballers.Best's story is one of resilience in the face of racism, including virulent abuse from fans and players. However, he also experienced acceptance and support from teammates, such as at West Ham, where he played alongside Clive Charles and Ade Coker. The film notes that in 1972, West Ham became the first top-flight team to field three black players in the same match.After leaving West Ham in 1976, Best played for Tampa in the North American Soccer League (NASL), where he encountered a different cultural environment, free from the racism he faced in England. The documentary also touches on the NASL's attempt to establish itself as a mainstream sport in the US, although it ultimately failed.The film concludes with Best emerging with considerable dignity, reflecting on his legacy and the importance of blazing a trail for future generations. As Best himself says, 'My father taught me: 'Clyde, when you go out there and play, you're not playing for yourself, you're playing for the people coming after you.''

Iran has granted safe passage through the Strait of Hormuz to ships from select countries, including Pakistan, India, and Turkey, despite its ongoing war with the United States. The strait, a vital waterway for global oil shipments, has been effectively blocked since the conflict began on February 28, causing oil prices to skyrocket above $100 per barrel.On March 2, Ebrahim Jabari, a senior adviser to the commander-in-chief of Iran's Islamic Revolutionary Guard Corps (IRGC), announced that the strait was 'closed' and warned that any vessels attempting to cross would be 'set ablaze' by the IRGC and the navy. This move led to a significant increase in oil prices, with Brent crude rising 2.5 percent to $105.70 on Monday, more than 40 percent higher than before the war began.Iranian Foreign Minister Abbas Araghchi revealed that Tehran had been approached by several countries seeking safe passage for their vessels, with the decision ultimately resting with the military. He confirmed that a group of vessels from 'different countries' had been allowed to pass through, although details were not provided.Pakistan was one of the first countries to have a ship pass through the strait, with a Pakistani-flagged Aframax tanker called Karachi sailing out of the Gulf on Sunday. India also secured permission for some of its vessels to pass through, with two Indian-flagged tankers carrying liquefied petroleum gas safely crossing the strait on Saturday.In addition, Turkey obtained permission for one of its ships to pass through the strait after authorities received approval from Tehran. China is reportedly in talks with Iran to secure safe passage for its crude oil and Qatari liquefied natural gas carriers, with 45 percent of China's oil imports passing through the strait.Meanwhile, France and Italy have requested talks with Iran regarding safe passage for their ships, according to reports. The US has proposed a naval coalition to secure the strait, but countries such as Germany and Greece have ruled out military involvement.

The women's tennis landscape has undergone a significant transformation in recent years, with a new generation of players emerging as top contenders. Victoria Mboko and Mirra Andreeva, currently ranked No 9 and No 10 in the world, respectively, are leading the charge. These two teenagers, who are not only fierce rivals but also close friends, recently faced off in a highly anticipated Miami Open fourth-round match.Before their big match, Mboko and Andreeva demonstrated their camaraderie by competing together in doubles on the same side of the net. This lighthearted approach helped them relax and enjoy each other's company, showcasing a refreshing dynamic in professional tennis. Despite their friendly rapport, both players are fiercely competitive and determined to win every match.The emergence of Mboko and Andreeva, along with other young players, marks a departure from previous eras of women's tennis, which often featured tension and rivalry between top players. The current crop of teenagers, including Iva Jovic, Maya Joint, and Alexandra Eala, is steadily rising through the rankings and supporting each other both on and off the court.This new generation of players is characterized by their friendliness and camaraderie, which is a significant shift from the past. Players like Aryna Sabalenka, Iga Swiatek, and Elena Rybakina regularly train together, demonstrating that it's possible to maintain friendships while still competing fiercely on the court.In their recent match, Mboko and Andreeva engaged in a tense and bruising tussle, with Mboko ultimately emerging victorious with a 7-6(4), 4-6, 6-0 win. Despite the intensity of the match, the two players showed respect and sportsmanship, with Andreeva apologizing to Mboko after the match and the pair hugging warmly.The evolving dynamics of women's tennis are exciting to watch, with a new generation of players bringing a fresh perspective to the sport. As Mboko and Andreeva continue to compete and grow as players, their friendship and rivalry will undoubtedly be a key part of the sport's future.

The recent arson attack on Jewish ambulances in London's Golders Green and the escalating violence against Palestinian communities in the West Bank are stark reminders of the dangers of unchecked hatred and intolerance. In Golders Green, a center of Jewish life in London, masked attackers set fire to four ambulances belonging to Hatzola, a volunteer emergency service. This antisemitic hate crime has left the community shaken and highlights the growing concern about safety and security. Meanwhile, in the West Bank, Israeli settlers have been attacking Palestinian villages, torching homes and cars, and forcing families to flee. This cycle of violence is not only devastating for those directly affected but also has far-reaching consequences for the entire region. The author, David Davidi-Brown, argues that these incidents are interconnected by a growing lack of empathy and understanding between communities. He emphasizes that silence in the face of injustice is complicity and that it is essential to challenge hate and violence wherever it occurs. The article also highlights the importance of solidarity and cooperation in the face of adversity. The author cites the example of the Vivian Silver awards, which honor individuals who refuse to give in to hatred and division. The awards were established in memory of Vivian Silver, a lifelong peace activist murdered by Hamas on October 7. Ultimately, the article concludes that we have a choice about how we respond to these incidents. We can choose to let hatred and fear consume us or refuse to let them shape our actions. By refusing to give in to hatred and instead choosing empathy and understanding, we can work towards a more just and peaceful future.