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Wales and Ireland's hopes of qualifying for the World Cup were dashed on Friday as both teams suffered defeats in their playoff semi-finals. Wales lost to Bosnia and Herzegovina, while Ireland was beaten by the Czech Republic. The losses mean both teams will not feature in the upcoming World Cup, with Ireland facing a minimum of 28 years between appearances.The double-screening pain was palpable for fans, with both matches featuring penalty shootouts that ended in heartbreak. Dan James gave Wales the lead against Bosnia and Herzegovina, but they ultimately lost in a shootout. Ireland, on the other hand, went 2-0 up inside 23 minutes against the Czech Republic but also ended in defeat.The losses have left both teams facing a long wait for their next World Cup appearance. For Ireland, it will be a minimum of 28 years, while Wales' wait continues after their last appearance in 2022. The teams will now face friendlies, with Wales set to host Northern Ireland.In other news, Roy Hodgson's return to management with Bristol City has been hailed as 'sensational'. The 78-year-old former England manager has decided to have another crack at it after leaving Crystal Palace.Meanwhile, Iran's men's team paid tribute before their friendly against Nigeria by holding school bags in memory of the victims of a school bombing in Minab, southern Iran, which killed between 175 and 180 people, most of them girls between the ages of seven and 12.

Kimberly Belflower's revisionist take on Arthur Miller's classic The Crucible re-spins the witch-hunts for the #MeToo generation. Set in 2018, the play follows a classroom of teenagers—mostly girls—as they attempt to establish a feminist club, an effort seemingly sparked by contemporary news headlines. This original approach addresses adolescent girlhood in the direct aftermath of the Harvey Weinstein scandal, though the production takes time to build momentum.The narrative centers on Beth (Holly Howden Gilchrist), the class academic; Ivy (Clare Hughes), whose father faces workplace misconduct allegations; Nell (Lauryn Ajufo), the new student; and Raelynn (Miya James), a pastor's daughter dealing with relationship betrayal. Shelby (Sadie Soverall), though absent for much of the play, plays a crucial role in the unfolding drama.Set in a small-town Georgia high school, the feminist club concept initially proves controversial until a charismatic teacher, Carter Smith (Dónal Finn), suggests expanding it to include boys. Directed by Danya Taymor and performed continuously in under two hours, the script pivots around the students' study of Miller's play alongside their developing understanding of intersectional feminism.The production captures the girls' internalization of societal micro-aggressions with humor and pathos, incorporating pop music tributes to artists like Lorde, Taylor Swift, and Beyoncé. While the dialogue authentically portrays adolescent female relationships, the review notes these connections are sometimes flattened by their cuteness rather than reflecting the sharp edges typical of this transitional life stage.A significant parallel emerges between Miller's John Proctor—a morally complex character who ultimately maintains his principles—and the predatory male figure in the contemporary narrative. The review suggests a false equivalence between these characters, as the modern figure is portrayed as a serial abuser rather than a morally conflicted individual.The play concludes with an emotional climax as students reinterpret scenes from The Crucible through interpretive dance, symbolizing their liberation while acknowledging that the predator remains in their midst. This ending, while thematically resonant, is described as feeling neat and easy despite its powerful emotional impact.Despite these criticisms, the production effectively captures the zeitgeist of 2018 for a generation of girls coming of age in the shadow of the Weinstein scandal and the #MeToo movement, raising questions about the movement's lasting impact and current relevance.

The recent landmark decisions against Meta and YouTube by two US juries have sent a strong message to tech companies. The cases, which focused on the deliberate design of addictive products that harmed a child, have been hailed as a major victory for campaigners pushing for change.In one case, Meta was found liable for $375m in civil liabilities over the use of Facebook and Instagram for child sex trafficking in New Mexico. The state's attorney general is seeking platform changes and financial penalties.The verdicts, which are expected to be appealed, demonstrate a shifting attitude towards tech companies and their responsibility to protect users, particularly children. Internal documents revealing executives' cavalier approach to young people's safety have been made public, providing critics with valuable evidence.While it is too early to declare a reckoning similar to that faced by big tobacco in the 1990s, the current push towards stronger regulation is gaining momentum. Governments and civil society are increasingly holding tech companies accountable for their impact on public health.The precautionary approach to children's safety has been highlighted as crucial, with young minds being particularly vulnerable to the attention economy's assault. Fortunately, governments and courts are taking steps to regulate social media companies and force them to take responsibility for their impact.In Australia, social media companies have been told to leave children alone, while in the UK, the government has issued guidance on screen time and is considering restricting children's use. Design features such as infinite scroll and gaming-type rewards have been identified as key factors in the addictive nature of social media.Ultimately, a whole society approach is needed to reduce our dependence on social media and work out what safeguards are needed for adults and children alike. The events of the past week have made this goal a bit more achievable.

The UK's physics community is reeling from a devastating blow as the government slashes funding for particle theory research. Grants from 2026 to 2030 have been cut by nearly 70%, leaving fewer than 20 postdoctoral researchers to work in the field across the country. This drastic reduction has sparked fears that some physics departments may close and that the UK's reputation as a hub for physics research could be irreparably damaged.Brian Cox, a prominent TV scientist and professor at the University of Manchester, described the impact as 'unquantifiable' and warned that it amounts to the 'destruction of the future'. The cuts have been criticized by scientists around the world, with over 600 international researchers signing an open letter in support of the UK's physics community.The Science and Technology Facilities Council (STFC) has defended the cuts, citing 'particular pressures' due to inflation and higher operating and staffing costs. However, many scientists argue that the cuts are a shortsighted move that will ultimately harm the UK's scientific progress and reputation. The UK's physics community has a rich history, with notable figures such as Stephen Hawking, Peter Higgs, and Paul Dirac making groundbreaking contributions to the field.The cuts have also sparked concerns about the impact on young researchers, who are the lifeblood of scientific progress. Prof Jeff Forshaw, also at Manchester, described the cuts as 'annihilating' a field of research that inspires young people into physics and fires up the public imagination. The situation has prompted alarm around the world, with Prof Ed Witten, considered one of the greatest physicists since Albert Einstein, expressing concern that the UK is following in the footsteps of the US, which has also made major cuts to science funding.

The introduction of a commemorative gold coin featuring Donald Trump's image has sparked controversy, with many questioning the decision to put his face on a US coin. The coin, worth $1, depicts Trump sitting at the Resolute Desk in the Oval Office, a classic pose designed to make him appear intimidating. The Commission of Fine Arts recommended that the coin be 'as large as possible', which has raised eyebrows among critics. The article's author, Dave Schilling, argues that this decision is a reflection of Trump's ego and desire for attention. Schilling suggests that the coin's design could have been more creative and meaningful, paying tribute to Trump's legacy in a more nuanced way. American coins typically feature the faces of prominent individuals, such as Lincoln and Franklin Roosevelt. However, the reverse side of the coin often features symbols of American history and culture, such as the Liberty Bell or a buffalo. Schilling argues that the Trump coin's design could have followed this tradition, rather than featuring a generic bald eagle on the reverse side. Schilling proposes alternative designs that could have been used for the coin, such as: The Trump Tower in Manhattan, which was a seminal purchase for Trump and cemented his reputation as a shrewd businessman. The Central Park Five advertisement, which Trump took out in four separate New York City newspapers, although this would have been a more contentious choice. The Apprentice, Trump's popular NBC reality show that helped him become a household name. Ultimately, Schilling suggests that the defining image of Trump's presidency should be the bank statement of the average American citizen, reflecting the economic challenges faced by many during his term in office, including stagnant job growth, rising inflation, and high energy costs.

Katie Payne's raw and raucous one-woman play, 'My Mix(ed-Up) Tape', is a vivid and pacy exploration of a young woman's return to her Welsh roots for a cousin's wedding. Payne plays Phoebe, a complex and troubled character, navigating her past and present with fury and vulnerability.Directed by Stef O'Driscoll, the production is a tour-de-force performance that zips between characters and emotions, tackling weighty themes such as feeling left behind, failure, and the consequences of violence. The play's sharp edge is evident in its portrayal of Phoebe's struggles and her ultimate recognition of her anger as a human emotion.The production features a dynamic DJ set by DJ Onai, which soundtracks the night and adds to the play's energetic and immersive atmosphere. With its breakneck speed and wildly distinct physicality and voices, 'My Mix(ed-Up) Tape' is a must-see for theatre enthusiasts.

A recent jury verdict in California has held Meta and YouTube liable for the harm caused to a young woman, KGM, due to the addictive nature of their platforms. The plaintiff claimed that her social media use, which began at the age of six, led to injuries including body dysmorphia and thoughts of self-harm.The jury's decision marks a significant milestone in the ongoing debate about the impact of social media on young people. The verdict suggests that companies like Meta and YouTube, which have been accused of designing features to keep users engaged, can be held accountable for the harm caused by their platforms.Critics of the judgment argue that it could lead to a flood of lawsuits against social media companies, while others see it as a necessary step to protect young people from the potential dangers of social media. The verdict may also prompt regulatory changes and increased scrutiny of social media companies' practices.According to a report from Brown University, social media can be addictive due to its ability to activate the brain's reward system, releasing feel-good hormones such as dopamine. This can lead to a vicious cycle of use and addiction, particularly among young people who spend many hours a day on social media.In response to growing concerns, some countries have taken action to protect young people. Australia, for example, has banned children under 16 from using social media. In the US, there have been calls for social media companies to be required to put warning labels on their sites, but such proposals have yet to gain traction.The verdict is also significant given the close ties between the tech industry and the US administration. The appointment of Mark Zuckerberg to the president's council of advisers on science and technology has raised concerns about the influence of tech companies on policy decisions.Ultimately, the jury verdict sends a clear message to tech titans that they will be held accountable for the impact of their platforms on young people. As the debate about social media regulation continues, this verdict is likely to have far-reaching implications for the industry and for the protection of young people online.

Following Donald Trump's recent claims that the US is engaged in 'strong talks' to end the war with Iran, Qatar took the unusual step of publicly distancing itself from any alleged diplomatic negotiations. The Gulf state's government spokesperson Majed al-Ansari explicitly stated, 'Qatar was not involved in any mediation efforts,' adding pointedly, 'If they exist.'This represents a significant departure from Qatar's traditional role as a chief mediator in Middle East conflicts, having previously facilitated negotiations between Israel and Hamas, the US and the Taliban, and peace deals in Lebanon and Sudan.Over the past three weeks, Gulf states have found themselves on the frontlines of the conflict after their mediation efforts to prevent war were ultimately rejected by the US. The pattern of broken negotiations is particularly telling: the US attacked Iran twice during talks aimed at halting the Iranian nuclear program, which were championed by Oman. Discussions last June were halted as the US and Israel conducted strikes on Iran's nuclear facilities, and revived talks in February were similarly undermined when Trump began bombing Tehran before the final round of meetings.Since the war began, Gulf states have been forced to spend billions defending against daily Iranian missile and drone attacks, with their economies and sovereignty suffering substantial damage. Analysts suggest their reluctance to engage with the alleged ceasefire efforts reflects both the heavy toll of continued warfare and lingering suspicion about whether Trump's peace initiatives are genuine or merely a pretext for further escalation.As Bilal Saab, senior managing director of advisory group Trends US and former Pentagon official in the first Trump administration, explained: 'They've been burned by their previous experience. They previously thought they played a useful mediating role – until they realised that it was all for naught. Not to mention that they have been directly implicated in the war and are still being attacked by the Iranians. So there's a lot of pent-up frustration and disappointment.'By Wednesday night, the Iranian regime had outright rejected Trump's 15-point plan to end the war, submitted to Tehran via Pakistani generals, as 'extremely unreasonable' and presented their own substantially different proposal.The concern among Gulf states is that any negotiations could become a front for military escalation or even the assassination of additional Iranian leaders. This anxiety is compounded by the simultaneous deployment of thousands of US troops to the region and the persistent fear of being used as pawns in the US and Israel's Middle East strategy.Professor Bader al-Saif of Kuwait University noted: 'Whenever the word negotiation was used by the Trump administration, we unfortunately ended up under the rubric of war.' He emphasized that while Gulf states are reluctant to engage with what they perceive as a potential Trumpian charade, they recognize the critical importance of shaping any realistic peace negotiations that could affect their future.The existential threat to Gulf economic ambitions is particularly concerning. The prospect of Trump ending the war with the current Iranian regime still in place—potentially more vengeful than before and acutely aware of the damage its missiles can inflict on multi-billion-dollar infrastructure—poses significant risks. Additionally, there remains no clear solution to Iran's effective control over the Strait of Hormuz, through which most of the region's oil and gas exports flow.Analysts suggest that beyond relying on US-led negotiations, Gulf states should pursue their own separate dialogue with Iran. As al-Saif stated: 'They shouldn't only count on the US to do the negotiation. They should go and strike a deal with Iran for themselves. This was not our war, and if we can shield ourselves from being impacted any further, we should do it to protect our own national interests.'

Castleford Tigers produced a stunning performance to defeat Bradford Bulls in a highly entertaining Super League match. The Tigers' attack clicked into gear, with Jason Qareqare scoring a hat-trick and leading his team's charge to a convincing victory.The match was a West Yorkshire derby that lived up to expectations, with both teams showing flashes of brilliance. However, it was Castleford who ultimately dominated the game, scoring 28 unanswered points in a 10-minute period either side of half-time to transform a nervy contest into a decisive win.Ryan Carr's Castleford side had been under pressure after a heavy defeat last week, but they responded with a confident display. Carr praised his team's performance, saying, “How we played tonight is how we want to play our rugby.”In contrast, Bradford Bulls' coach Kurt Haggerty was left to ponder what might have been, saying, “You shouldn’t score 28 points in a game and lose.” The Bulls' defensive frailties were exposed, and they will need to address these issues if they are to exceed expectations in 2026.The win for Castleford was a significant one, as it moved them up the table and gave them a much-needed boost in confidence. For Bradford, the loss was a disappointing one, but they will look to bounce back in their next match.