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The LeadSam Campbell's new Channel 4 mockumentary, Make That Movie, has been crowned the funniest TV show of the year. The series, which follows a former big-shot director helping ordinary people create bizarre, low-budget films, is a chaotic celebration of 'outsider art' and unhinged creativity.The Surreal Premise of 'Make That Movie'At the heart of the show is a high-concept premise that defies logic. Campbell plays a version of himself who was once a successful director but now spends his time driving around in a van with a giant model film camera on top. His mission is to help people in need by producing bizarre low-budget productions based on their outlandish ideas.Snake Transformation Thriller: A Da Vinci Code-style story where a couple changes into snakes (but not simultaneously).Cyber-Thriller for Pensioners: A Lawnmower Man-style plot where seniors physically enter computers by singing songs and inserting USB cables into their mouths.Animated Feet: A project designed to cheer up a couple trapped in a cave.A Refreshing Pivot from Trauma to AbsurdityThe show arrives at a critical cultural moment. The review highlights a 'decade-long tailspin' where television was dominated by trauma-focused narratives. Had *Make That Movie* been attempted a few years ago, executives would likely have forced a subplot about dissociating from an abusive childhood. Instead, the show offers pure, unadulterated silliness.Celebrating the 'Outsider Art' of Bad CinemaSam Campbell is described as having an 'alien' quality, a stark contrast to the typical 'everyman' comedian. His stock in trade is looking like a frozen Paul McCartney, and this unique persona drives the show's success. By worshipping films like Birdemic: Shock and Terror, Campbell validates 'bad' cinema as a form of glorious outsider art.The Future of Sam Campbell's Comedy EmpireWhile the format is packed with content—23 minutes to meet characters, hear ideas, and watch the finished product—the sprinting pace is by design. The review suggests that nothing will kill the show faster than lapsing into formula. As long as Campbell and his uncomprehending face remain fixtures on television, the show is poised to become a lasting cult classic.

Lead: NASA’s New Moon‑Base MilestoneNASA revealed that Blue Origin will conduct the first uncrewed lunar lander mission in a series of three scheduled for 2026, marking the agency’s initial move toward a $20 bn moon base. The decision, announced by NASA Administrator Jared Isaacman, places Bezos’s company ahead of SpaceX for this critical early contract.Blue Origin Secures First Uncrewed Moon Base MissionThe award designates Blue Origin’s Endurance cryogenic cargo lander to deliver scientific payloads to the Shackleton‑de Gerlache Ridge at the lunar south pole. The mission, targeted for launch as early as fall 2026, will be the first privately funded lunar lander flight in history.Contract awarded to Blue Origin over competing bids.Mission to test critical capabilities for future human‑landing systems.Part of a broader NASA roadmap that includes more than a dozen additional lunar missions through the decade.Financial Terms and Timeline of the 2026 Lunar MissionsNASA has allocated $230.4 million for each of the first two moon‑base missions, with the agency covering the majority of operational costs.Funding per mission: $230.4 million.2026 schedule: Three uncrewed missions, followed by “more than a dozen” missions in subsequent years.Related contracts: Smaller awards to Lunar Outpost, Firefly Aerospace, and other private firms supporting lunar‑to‑Mars projects.Strategic Implications for U.S. Lunar Ambitions and Private Space CompetitionThe selection underscores the Trump administration’s push to accelerate the Artemis program and establish a permanent lunar presence ahead of China. By leveraging private industry, NASA aims to lower taxpayer costs, stimulate a space‑economy job market, and maintain U.S. leadership in deep‑space exploration.Creates a direct competitive dynamic between Blue Origin and SpaceX for future crewed lander contracts (Artemis III, Artemis IV).Supports the “blueprint for an enduring lunar presence” with a target of operational capability by 2029‑2032.Aligns with national space policy goals of a “golden age of exploration” and a semi‑permanent lunar settlement.What Lies Ahead for NASA’s Moon Base and Commercial Lander DevelopmentFollowing the 2026 uncrewed flights, NASA will evaluate the performance of both Blue Origin’s Blue Moon lander and SpaceX’s Starship HLS during the Artemis III test mission in low‑Earth orbit. Successful demonstrations are expected to pave the way for crewed landings on Artemis IV (planned for 2028) and the eventual construction of Moon Base One.Industry observers anticipate that continued private‑sector involvement will accelerate technology maturation, reduce launch costs, and expand the commercial market for lunar payload services, setting the stage for a sustained human presence on the Moon.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Archers Actors on Their Flower Power Stage Show The actors from the popular rural radio drama The Archers are set to take the stage in a special production marking the show's 75th anniversary. Susie Riddell, who plays Tracy Horrobin, Sunny Ormonde, who plays Lilian Bellamy, and Tim Bentinck, who plays David Archer, sat down with The Guardian to discuss their excitement and nerves about performing live. Characters Come to Life The actors discussed how they bring their characters to life, even in a radio drama. Riddell mentioned that she has to be careful not to betray her true levels of excitement when speaking about the show. The actors also talked about the importance of using their imagination to create the world of Ambridge, where the show is set. From Radio to Stage The actors will be performing a specially written episode, set at Ambridge's annual flower and produce show. They discussed their concerns about adapting to a live stage performance, including what to wear and how to interact with the audience. Bentinck joked about trying to look cool on stage, while Riddell expressed her worry about people reacting to her "gurning" on stage. A Community of Fans The actors emphasized the strong connection they feel with the show's fans, who have been listening for decades. They discussed how the show's characters are very much character-led, and that the listeners have a sense of ownership over the characters. The actors are looking forward to performing in front of a live audience and interacting with fans.

The Crisis Facing Young People in the UK Alan Milburn's report paints a grim picture of the lives and chances of young people in the UK. The diagnosis is dire, with over 1 million young people not in work, education, or training (Neets), and this number expected to rise to 1.25 million without radical change. The Extent of the Problem Milburn's report reveals a catastrophic failure in the support systems for young people. There has been institutional neglect, loss of youth and careers services, and chaotic communication between dislocated silos. The result is a 'moral crisis' that requires a 'big idea' and a 'system reset'. The report highlights that: 1.6 million first-rung jobs have vanished in the past 20 years. There has been a 35% fall in apprenticeship starts in the past decade. 60% of Neets have never had a job before. The Impact on Young People's Lives The report captures the misery of young people applying for jobs, facing rejection, and struggling with mental health issues. Many young people are eager to work or pursue apprenticeships, but face significant barriers. For example: 84% of those surveyed wanted to work or do an apprenticeship. 19% wanted to enter education or training. 15% have degrees. 30% have five good GCSEs or equivalent. The Way Forward Milburn's report calls for a comprehensive overhaul of the systems failing young people. He criticizes the current education system, which prioritizes exam results over outcomes and destinations. He also highlights the need for better support for young people with troubled families or poor mental health. The report's recommendations are expected to be released in a future publication, just before the Labour conference. A Call to Action for Labour The report presents a challenge to the Labour party to take action and address the crisis facing young people. As Labour strives for renewed purpose, Milburn's report provides a roadmap for change. The government is urged to ignore previous interventions, such as Tony Blair's recent essay, and instead focus on implementing the recommendations outlined in Milburn's report.

What sparked the latest anti‑migrant unrest in South Africa?In late May 2026, demonstrations erupted in Johannesburg, Cape Town and Durban, quickly turning violent as crowds targeted foreign nationals from other African countries. Protesters cited soaring unemployment, perceived competition for jobs and a surge in crime as justification for their anger.Key statistics behind the tensionUnemployment: The national unemployment rate remains above 34%, the highest in decades.Crime perception: Recent surveys show that 68% of South Africans believe crime has increased over the past year.Foreign‑born population: Approximately 2.5 million migrants reside in South Africa, many employed in informal sectors.How the protests are reshaping South Africa’s social landscapeThe unrest has reignited long‑standing xenophobic sentiments, prompting community leaders to call for dialogue while businesses warn of a decline in tourism and foreign investment. Police have deployed additional units and declared a temporary state of emergency in affected municipalities.What the government and civil society are doing nextPresident Cyril Ramaphosa’s administration announced a task force to address the root causes of xenophobia, focusing on job creation, crime reduction and public education campaigns. NGOs are mobilising volunteers to protect vulnerable migrants and to mediate between communities.Outlook: Can South Africa defuse the crisis?Analysts suggest that lasting stability will depend on tangible economic improvements and a coordinated effort to counter hate rhetoric. If the government can deliver measurable job growth and enforce law‑and‑order measures, the risk of further anti‑migrant violence may diminish; otherwise, the country could face prolonged social unrest.

The Guardian editorial argues that the UK must treat the plight of NEETs as a national priority, linking rising youth unemployment to inadequate training, housing costs and a fragmented policy framework.Milburn Commission Highlights Over 1 Million UK NEETsThe commission’s report, due in the autumn, shines a bright light on the 1 million young people aged 16‑24 who are not in education, employment or training. It criticises political attacks on welfare and “kids‑these‑days” rhetoric, insisting that the problem is fundamentally a policy failure.The Scale of the Crisis: Over 1 Million Young People Out of Work or Study1 million NEETs – roughly one in eight of the 16‑24 cohort.60 % are economically inactive, meaning they are not actively seeking work.Health‑related universal credit claims have risen in regions with fewer entry‑level jobs.Apprenticeship starts have fallen 35 % over the past decade.Why the UK Is Falling Behind Europe on Youth EmploymentCompared with other wealthy European nations, the UK records one of the highest rates of young people not in work or study. Contributing factors include:Housing inflation limiting independent living for young adults.Restrictive GCSE combinations that disadvantage less academic pupils.Chaotic further‑education reforms and the poorly‑implemented apprenticeship levy.Automation and AI‑driven profit growth that do not translate into entry‑level opportunities.A National Participation System: Pathway to Re‑engaging Young WorkersThe report proposes a new “participation system” that would coordinate work and pensions, health, education and business departments to pull young people into the labour market. While ambitious, the editorial stresses that without a clear, cross‑departmental mission the UK will continue to lose a generation to inactivity.

The Rising Tensions Between the US and Cuba US President Donald Trump is taking a harder stance on Cuba, with an indictment against former Cuban President Raul Castro and military threats reminiscent of Washington's approach in Venezuela. The US Playbook Applied to Cuba Trump's strategy towards Cuba seems to mirror the US approach in Venezuela, suggesting a broader regional strategy. This has raised concerns about the potential for increased conflict and instability in Latin America. Cuba's Preparedness and Response Despite decades of pressure from the United States, Cuba appears to be preparing for a potential major confrontation. The country is experiencing blackouts and rising tensions, which could escalate into a larger crisis. The Implications of Trump's Actions The question remains whether Trump's actions are merely political theatre or the beginning of a significant escalation. The international community is watching closely as the situation develops. Expert Insights and Analysis Lucia Newman, Al Jazeera Senior Latin America Correspondent, provides expert analysis on the situation. Episode credits: This episode was produced by Marcos Bartolomé and Sarí el-Khalili with Catherine Nouhan and our guest host, Tamara Khandaker. It was edited by Alexandra Locke. Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer.

The Road to Wembley Wigan Warriors are gearing up for a big presence at Wembley as they compete in the Challenge Cup finals on Saturday. The club has selected two players, Liam Farrell and Jenna Foubister, to represent them at a Wembley photoshoot, showcasing the team's strong squad and dedication to the sport. Wigan's Successful History Wigan have a remarkable record in finals, rarely losing two on the bounce. With 21 Challenge Cups under their belt, the team is driven by a strong mentality and a rich history of success. According to Farrell, 'There's a bit of outside pressure, an expectation from fans in the town to win. There's also a strong mentality at the club of Wigan lads, who have grown up watching us win finals, wanting to reproduce that themselves.' The Next Generation The club's academy graduates account for 20% of all Super League players, demonstrating Wigan's commitment to developing young talent. Foubister, a 19-year-old player, has already made her England debut and won the quadruple, highlighting the club's ability to nurture and support its players. 'The club put a lot into the youth system,' she says. 'They are very supportive in the way they shape players for the future.' A New Era for Women's Rugby Wigan have taken a proactive approach to providing for their female players, with the women's team having sole use of the revamped Edge Hall Road site. This move has helped to increase the team's fanbase and provide a platform for players like Foubister to develop their skills. 'It is a privilege having our own ground,' she says. 'We can go up whenever we want and have the freedom to train, whereas at Robin Park you got slotted in at a certain time.' Building a Legacy As Farrell's career enters its final phase, Foubister aims to become a hero in her hometown and build a legacy for the women's team. 'The men have a lot of history behind them, but the women's team has to build a history of our own now,' she says. With the support of the town and the club, Foubister and her teammates are well on their way to achieving their goals.