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The Filmmaker's Foray into Documentary Lucrecia Martel, the celebrated director of films like La Ciénaga and The Headless Woman, has expanded her creative horizons with Landmarks, a documentary that scrutinizes a murder trial with far-reaching implications. The film navigates the intricate dynamics between Indigenous communities and the descendants of colonists, set against the backdrop of Argentina's Tucumán province. The Case at the Heart of the Story The documentary centers on the tragic killing of Javier Chocobar, a 68-year-old member of the Indigenous Chuchagasta people. Chocobar was fatally shot during a confrontation with men claiming rights to mine the land. Martel weaves the grainy, shaky footage of the incident into her narrative, juxtaposing it with breathtaking drone shots that capture the vast, poetic landscapes. Exploring Themes of Land and Legacy Martel's concerns extend beyond aesthetics; she places people at the core of her story. Through interviews and personal stories, the film sheds light on Chocobar's life, his family, and the struggles of the Chuchagasta community. A particularly chilling aspect of the documentary reveals how the state and local landowners have attempted to erase the Chuchagasta people, claiming they became extinct in the 19th century. A Quiet yet Powerful Testimony Martel allows the subjects of her film to present their case with quiet dignity, steering clear of strident rhetoric. The documentary is described as beautiful yet occasionally soporific, with a stately pace that allows for deep reflection on the issues presented. What's Next for Landmarks Landmarks is set to screen at Bertha DocHouse in London starting from May 29. This documentary promises to be a significant cultural and cinematic event, offering viewers a chance to engage with pressing social issues through Martel's unique lens.

The Lead E Jean Carroll, a renowned journalist and author, has come forward with her story of alleged sexual abuse and defamation against former US President Donald Trump in a new documentary titled 'Ask E Jean'. Carroll's Journey to the Courtroom Carroll, 82, alleges that Trump sexually abused her in a dressing room at Bergdorf Goodman in the mid-1990s. She initially confided in trusted friends but buried the memory deep down. However, when Trump branded her a liar and 'whack job', she decided to take him to court. In 2023, a jury found Trump liable for sexual abuse and defamation, awarding Carroll $5m. In 2024, a second jury awarded Carroll $83.3m for defamation regarding Trump's continued social media attacks. The Documentary: 'Ask E Jean' The documentary, directed by Ivy Meeropol, explores Carroll's life as a journalist, author, and advice columnist. It also delves into her experiences as a woman of strong character and deep resilience who refused to be cast in the role of victim or bit-part player in the Trump cinematic universe. The Impact Analysis Carroll's story has significant implications for the #MeToo movement and the conversation around sexual abuse and defamation. Her courage in coming forward has inspired many women to share their own stories of abuse. The Prediction As the documentary gains attention, it is likely to spark further conversation and debate about the issues of sexual abuse, defamation, and the role of women in society. Carroll's story serves as a testament to the power of resilience and determination in the face of adversity.

IOC President Kirsty Coventry sparked a social‑media firestorm by declaring athletes should not be paid prize money at the Games, prompting a wave of criticism from Olympians worldwide.Coventry’s anti‑prize‑money stance fuels athlete criticismDuring an interview with New Zealand outlet Sport Nation, Coventry said, “I don’t believe in paying athletes… I come from a small country… I still don’t think we should be paying athletes at the Olympic Games.” She added that the IOC should focus on talent identification and support for athletes from smaller nations. The remarks arrived on her first Oceania visit as the first woman and first African chief of the IOC.Prominent athletes responded on Instagram, with Cameron McEvoy calling the timing “inopportune” after the controversial Enhanced Games offered lucrative payouts. Former champions Filippo Magnini, Grant Hackett, Roland Schoeman, and others echoed the sentiment that athletes sacrifice without financial reward.Financial figures underline the controversy$12.4 b – total revenue generated by the IOC in the 2021‑2024 cycle.74 % – portion of that revenue redistributed back into international sport.$250,000 – prize awarded per gold medal at the Enhanced Games.$1 m – bonus earned by swimmer Kristian Gkolomeev for a “world‑record” at the same event.$350,000 – reported annual salary for the IOC president.Broader impact on Olympic governance and athlete rightsThe backlash has revived calls for an athletes’ union and a review of the IOC’s use of athletes’ name, image, and likeness (NIL). Critics point to the World Athletics decision to award $50,000 for Olympic gold as a benchmark, while questioning why the IOC, which commands billions, does not adopt a similar model.Former champion Greg Rutherford and Paralympic star Hunter Woodhall labeled the stance “embarrassing” and urged faster formation of a union. The debate also intersects with recent controversies over gender‑verification policies and past financial scandals involving the former president Thomas Bach.What’s next for IOC compensation policies?Analysts suggest the mounting pressure could force the IOC to explore NIL‑type arrangements or introduce modest prize pools to retain athlete goodwill. If the union movement gains traction, the organization may face a governance overhaul similar to the NCAA’s 2021 NIL reforms.Until a concrete policy shift is announced, the conversation around athlete compensation is likely to dominate Olympic discourse in the lead‑up to the 2028 Los Angeles Games.

The LeadA novel featuring a protagonist whose job is taken by AI has won the Climate fiction prize. Hum by Helen Phillips, the American writer's third novel, explores themes of technological displacement and the commodification of nature in a dystopian future.The Disneyfication of Nature in LiteratureHum is about a woman, May, who loses her job to a "hum" of the title – a humanoid robot. Struggling to find work, she becomes a guinea pig for an experimental injection that alters her face so it can't be recognised by surveillance. When she gets paid for it, she splashes out on family passes to the Botanical Garden, the last remaining green space in her city. There, things take a turn for the worse.The Climate Fiction Prize RecognitionThe prize, worth £10,000, was first awarded last year to Abi Daré for And So I Roar, the follow-up to her bestselling debut The Girl with the Louding Voice. This year's judging panel was chaired by Guardian theatre critic and former literary editor of the Independent, Arifa Akbar. Alongside Kit de Waal and Friederike Otto on the panel were author Jessie Greengrass and book influencer Simon Savidge.Judges' Perspectives on the NovelJudge and writer Kit de Waal described Phillips's book as being about the "Disneyfication of nature … turning nature into a rare place that we have to pay to see". Fellow judge and climate scientist Friederike Otto added that it "tackles the central reason that nothing is done about the climate crisis – privilege", while writer Daisy Hildyard described it as "mesmerising and scary".The Author's InspirationPhillips was inspired to write the book after walking home from work one day and having the thought that she needed to buy dishcloths, before opening her computer at home and finding that dishcloths were being advertised to her. "That eerie feeling stuck with me, and I started to think about what worst-case scenarios might arise from surveillance by an algorithm."Impact on Climate AwarenessHum "helps us connect with what really matters and stops us from sleepwalking into an inevitable dystopia", said Lucy Stone, CEO of Climate Spring, which funds the prize. "In the novel, the machines themselves start to question the insane volume of advertising and the consumer treadmill, and then show the family that there are multiple different futures lying ahead of them."Future RecognitionPhillips will appear at Hay festival to discuss the book on Saturday 30 May. Alongside Phillips on this year's shortlist were Madeleine Thien for The Book of Records, Robbie Arnott for Dusk, Keshava Guha for The Tiger's Share, Susanna Kwan for Awake in the Floating City and Maria Reva for Endling.

The Rise of Heated Rivalry: From Canadian TV to NYC StageWalking into the Culture Club in West Chelsea, New York, for a performance of Heated Rivalry: The Unauthorized Musical Parody last week, I was met by three ghosts left over from when the space was called the McKittrick hotel and it hosted the immersive spookfest, Sleep No More. The first was the phantom of clever detail: cans of Athletic IPAs for sale, a cute, non-alcoholic nod to the mega-popular series' hockey setting. The second was of unnerving fright, as I realized there would be no booze at this singing satire. Would I be able to make it through 90 minutes of jokes about an overexposed Canadian gay sports romance, with zero quality guarantee and an even lower blood alcohol concentration? At least at the downtown premiere of the popular parody Titanique, long before it proved itself worthy of a handful of Tony nominations, you could stand up and order a bucket of White Claws.But then the third specter materialized, the ghost of immersion and surrender, as this very funny production completely won me over. (I've since learned that a liquor license is forthcoming.) Heated Rivalry, for the uninitiated, is a television show adapted from a series of gay romance novels by Rachel Reid, a straight woman who unwittingly launched a thousand discussions about who gets to be horny over whom, how and when. Fans of the books petitioned for a wider release of the show produced for the Canadian streamer Crave, last November and, some six months later, its formerly unknown stars Connor Storrie and Hudson Williams are in easy contention for the most photographed people alive. Heated Rivalry: The Unauthorized Musical Parody is the latest addition to New York City's musical parody cottage industry, which has led me to a theater lobby where a woman in a branded hockey jersey is telling the stranger next to her that she's seen the series "probably not as many times as you think, but still a lot".The Unauthorized Musical: A Masterclass in ParodyThere was a communal giddiness as everyone filed into the unassuming performance space, where less than 200 folding chairs were arranged around a small stage. Super-fans were giddy that their dreams were coming true, and the more reserved types, perhaps blushing at what they deemed beneath them, were still clearly enjoying themselves. I liked the TV show just fine, a bit underwhelmed at what was broadly discussed as "softcore smut" but felt more in line with the twee "naughtiness" of the romance world. I had worried a musical parody put together in a few months would be a cash-grab; plain fan service for those who can't get enough of those six novels or episodes, not jabbing at the culture so much as stroking its ego. Impressively, as written by Dylan MarcAurele and directed by Alan Kliffer, it satisfies all three camps.Framing is everything, and this romp begins with a faux earnest number, à la Waitress, where three suburban Susans detail their newfound pastime: putting their husbands to bed with some iPad time, knocking back an "Ambien margarita" and reveling in their favorite televised "boy aquarium". From there, "Main Susan" (Ryann Redmond, glorious) recaps the years-long flirtation between the feuding players, innocent Japanese-Canadian "Shane Hollander" (Jimin Moon) and brusque Russian "Ilya Rozanov" (Jay Armstrong Johnson).The obligatory double entendres (a song titled Shane Hollander, Slap that Stick! or a line, by Shane's mom, about the "heavy load" her obviously gay son carries) are expertly delivered right between earnestness and tongue-in-cheek, but it's MarcAurele's ability to mock the story's sillier elements that clinched it for me. Shane, whose thumb-twiddling submissiveness often grated me in the TV show, is played by Moon as a dopey bottom with a hopeless romantic complex. What the series plays out as a forbidden romance writ epic across timelines and borders, MarcAurele presents as Shane's borderline delusion in dealing with an uncaring dom for years on end. "I keep replaying things he said," Shane beams after a hookup, "like, 'Ass up, little whore.'" The score's best number, certainly the one best primed for cabaret nights anywhere, is Liza Minnelli's Maybe This Time send-up where Shane croons, "This fuck felt different from the last fuck. This fuck, he asked if I would stay."If reading that inspires eyerolls – totally – Moon (and the rest of the cast, which includes Cherry Torres and Ryan Duncan) are so winning in their deliveries, so in on the joke without reducing their project into one, that it's impossible to resist. As the icy-hot Ilya, Johnson has the less showy role and plays it mostly straight, which makes his song about an outcast childhood made tragic by his impossibly "big ass, cold heart" that much funnier. And, well, let's face it: Johnson and Moon are sexy as hell, and charming to boot. Kliffer's inventive staging, with choreography by Brooke and Tiffany Engen on a resourceful set by Sully Ross, goes long on bunny-hopping glee.The Off-Broadway Parody Boom: A New RenaissanceThe Canadian Kliffer, previously artistic director of famed improv spots like Second City and Asylum NYC, where he helped launch Titanique's improbable boom, later told me that these parodies rarely come together with such speed, let alone quality. He'd loved MarcAurele's Pop Off, Michelangelo! in London and M3gan spoof stateside, and had just bought into Heated Rivalry, courtesy of its amorously optimistic fifth episode, when the writer texted him with the idea. The resulting work fits attractively between the out-and-out bawdiness of the Titanic send-up and the relentless Millennial nostalgia of Ginger Twinsies, which parodied the 90s Parent Trap remake last summer, and Kliffer notes that this very queer, very funny moment downtown – which also includes Cole Escola's Oh, Mary! – points to "a little bit of an Off-Broadway renaissance."This particular renaissance seems to be defined by parodies that are loving but not saccharine, willing to mock their source material while still celebrating what made it appealing in the first place. The success of these shows suggests a hunger for theater that doesn't take itself too seriously but still delivers genuine theatrical craft. In a city where Broadway ticket prices can be prohibitive, these intimate, affordable productions offer a different kind of theatrical experience – one that feels more accessible and immediate.Cultural Impact: Beyond the ParodyHeated Rivalry exists at the intersection of several cultural conversations. The original series, based on novels by Rachel Reid, sparked discussions about who gets to tell LGBTQ+ stories and how those stories should be represented. The parody doesn't shy away from these questions but instead uses humor to explore them. By exaggerating certain elements of the original series, the musical actually highlights what made it compelling in the first place.The show also represents the growing visibility of LGBTQ+ stories in mainstream entertainment. What began as niche content has become a cultural phenomenon, with the original series gaining international attention and its stars becoming unlikely celebrities. The musical parody capitalizes on this popularity while simultaneously commenting on it, creating a meta-narrative that appeals to both fans and newcomers.Moreover, the success of Heated Rivalry reflects a broader trend in entertainment where audiences are increasingly drawn to content that acknowledges and plays with its own artificiality. In an era of heightened awareness about media consumption, audiences seem to appreciate works that don't pretend to be anything other than what they are – crafted, performed, and enjoyed.The Future of Parody Theater: What's Next?As the Off-Broadway scene continues to evolve with these clever parodies, we can expect to see more adaptations of popular TV shows and movies hitting the small stage. The success of Heated Rivalry, following in the footsteps of Titanique and other parody hits, suggests that there's a sustainable market for this type of entertainment.What's particularly interesting is how these parodies are pushing the boundaries of traditional musical theater. They're more immediate, more self-aware, and more willing to break the fourth wall than many conventional productions. This approach seems to resonate with younger audiences who are accustomed to interactive media and meta-commentary.Looking ahead, we might see parodies of other recent cultural phenomena – perhaps streaming hits, viral social media trends, or even political events. The key to success, as demonstrated by Heated Rivalry, will be balancing genuine affection for the source material with sharp, intelligent humor that offers something new to the conversation.

The Lead: A Midlife Comedy Triumph Middle age is a brutal time of life, perfectly suited for mining laughs that are bound up with tears, crisis, and death. Tina Fey's The Four Seasons returns for a second season that is even more perspicacious, poignant and hilarious than the first, proving once again why Fey remains one of comedy's most insightful voices. The Event Details: Season Two's Narrative Structure The second season continues with four fancy holidays split across the seasons, each given two gag-packed episodes. This rigid but neat structural device allows big moments to happen off-screen while we experience the aftermath soundtracked by an avalanche of Vivaldi and bracing jokes about sad lonely donkeys, secret vapes mistaken for thumb drives, and the tragicomedy of being an angry, unravelling fiftysomething man. The three couples have been reconfigured after the death of Nick (Steve Carell) at the end of season one. We follow Kate (played by Fey) and Jack as they workshop their marriage, Danny and Claude as gay, unbearably chic, forever bickering couple, and Nick's ex-wife Anne and the much younger woman for whom he left her, Ginny – now heavily pregnant with his baby. By summer, Anne and Ginny have moved in together with the baby, creating an unconventional but loving family unit. The Critical Analysis: Why This Season Excels The Four Seasons season two delivers moments so hilarious they rival Fey's previous masterpiece, 30 Rock. The show's strength lies in its ability to balance absurd humor with genuine emotional depth. The conversations between Danny and Claude are particularly funny, moving, and sensitively wrought, while Kate and Jack's "freeballing" – their decision to "grow apart on purpose" – evolves into a beautiful meditation on the endurance test of long-term relationships. This season belongs to Anne, who makes a joyous transition from lonely, fearful ex-wife to contented (enough) single woman willing to dress up as a folkloric old witch at an Italian Christmas pageant. She delivers many of the best lines and sports the most fabulous wardrobe, proving that middle-aged women can be both hilarious and fashionable. The Impact Analysis: Redefining Midlife Comedy The Four Seasons stands out in today's television landscape by tackling middle age with honesty and humor. Unlike the aspirational settings of Nancy Meyers movies that the show lovingly mocks, The Four Seasons presents a more realistic – though still beautiful – vision of midlife. The lush lakeside lawns and lobster rolls serve as a lure to reel viewers into the murky depths of actual midlife experience, where good men smash up vintage snack shacks, regrets must be lived with, and people who love each other want completely different things. Fey's special power lies in creating jokes so specific they feel personally tailored to the middle-aged experience. The show's ability to make viewers laugh while simultaneously acknowledging the existential dread that comes with this life stage represents a significant contribution to the comedy genre. The Prediction: The Future of The Four Seasons Given the critical acclaim and the rich narrative possibilities still available, The Four Seasons seems poised for additional seasons. The show has established itself as a worthy successor to Fey's 30 Rock, with the potential to become a modern classic of television comedy. Its unique blend of high-concept settings and low-stakes domestic problems, combined with Fey's signature wit and emotional intelligence, suggests the series will continue to resonate with audiences navigating the complexities of middle age. As streaming platforms increasingly compete for quality content, The Four Seasons represents the kind of smart, character-driven comedy that awards seasons and cultural conversations are built around. If the show maintains this level of quality, it may not only extend its own run but also inspire more television creators to tackle middle age with the same honesty, humor, and heart.

The Charges and Investigation Australia has charged a woman with alleged links to the ISIL (ISIS) group after she returned from Syria, as authorities intensify investigations into nationals repatriated from detention camps. Police said the 34-year-old arrived in the country in September alongside another woman and is due to appear in a Melbourne court on Thursday. She faces charges of being a member of a “terrorist” organisation and entering a declared conflict zone. Federal police Assistant Commissioner Hilda Sirec said both offences carry potential sentences of up to 10 years in prison. The Woman's Background and Detention Sirec said the woman travelled to Syria in 2013 or 2014 and was later detained by Kurdish forces in 2019 before being held in al-Hol camp along with her family. Authorities announced the charges as more women and children returned to Australia this month after years in Roj camp in northeast Syria, where families of ISIL fighters have been held since 2019 without a formal legal process. Additional Charges and Investigations Among the latest arrivals, three women face additional charges, including crimes against humanity. Police have also charged Kawsar Ahmad and Zeinab Ahmad, a mother and daughter who arrived earlier this month, with enslavement-related offences. Another returnee, Janai Safar, has been charged with entering a declared conflict zone and joining ISIL. The Repatriation Debate The repatriations have caused political debate, with Prime Minister Anthony Albanese saying the government did not assist their return and warning, “If you make your bed, you lie in it.” Advocacy groups argue Australia must uphold the right of its citizens to return, particularly for children who, they say, should not bear responsibility for their parents’ actions.

The Comedy LineupChannel 4 presents 'Make That Movie' at 10pm, created and written by Sam Campbell and directed by Joe Pelling. This new comedy follows a director who turns ordinary people's movie ideas into reality, beginning with Mick's pitch about a man and woman who can turn into snakes, featuring real snake auditions and a creepy intimacy coordinator.Home Renovation DramaAt 8pm, Channel 4's 'George Clarke's Beautiful Builds' returns with architect George Clarke and garden designer Luke Millard helping people realize their renovation dreams. The premiere episode features couple Mitch and Elliot in Bromley, whose plans for a curve-arched kitchen are threatened by a house flood.Real-Life MysteryBBC One's 'Reported Missing' begins its fifth series at 9pm with the story of Larissa, a 16-year-old runaway from Glasgow living with bipolar disorder. The episode explores how lockdown has contributed to mental health issues among young people, as police try to track her down.Political ProfileBBC Two airs 'Putin: In Ten Pictures' at 9pm, a documentary that explores Russia's president through 10 key photographs. Observers and exiled former insiders psychoanalyse Putin, describing him as an overlooked weakling who vowed to change how the world saw him, with everything else being one long PR stunt.Period Drama ContinuesChannel 5's 'The Hardacres' at 9pm continues the story of Mary and Sam, whose house is put in quarantine due to fears Sam has caught the deadly Russian flu. As symptoms worsen, Lady Imelda sees an opportunity in this perfect dose of period drama.Music DocumentarySky Documentaries presents 'One to One: John & Yoko' at 9pm, a documentary covering 18 months in the lives of John Lennon and Yoko Ono after they moved to New York in 1971. The film mixes home movies, contemporary TV footage, and private phone calls to follow the couple as they engage with political causes, fashion, and their new life away from Britain.Live Sports CoverageSky Sports Cricket broadcasts the first match in a three-match Women's T20 cricket series between England and India at 6pm from Chelmsford.

The Sentencing of Matthew Perry's Former Assistant Kenneth Iwamasa, the former personal assistant to actor Matthew Perry, has been sentenced to 41 months in prison in connection with the television star's death from a fatal dose of the hallucinogenic drug ketamine. The Events Leading to Matthew Perry's Death Iwamasa had testified, as part of a plea agreement, that he injected Perry with ketamine at the actor's request on October 28, 2023, before leaving to run errands. He had no medical training. When Iwamasa returned, he found Perry's lifeless body floating in a hot tub at his home in Los Angeles's Pacific Palisades neighbourhood. Perry was 54 years old at the time. The Impact of Iwamasa's Actions Iwamasa allegedly gave Perry more than 25 shots of the drug in the days leading to his death, including three on the day he died. Court papers state that the Friends star had asked Iwamasa to 'shoot me up with a big one' in his final moments. An autopsy report found that Perry died from the 'acute effects of ketamine'. Prosecutors describe Iwamasa as Perry's 'enabler and supplier', continuing to give him injections despite troubling incidents. The Broader Investigation and Additional Convictions The sentencing of Iwamasa concludes the prosecution of five people alleged to have facilitated the actor's death by helping him access the drug without proper medical supervision. Erik Fleming, a certified drug counsellor, was sentenced to two years in prison for acting as a middleman to help supply Perry with controlled substances. Doctors Mark Chavez and Salvador Plasencia, who allegedly profited from Perry's addiction, were also convicted and sentenced in December. Jasveen Sangha, a British American woman who sold drugs to wealthy customers, was given a lengthy sentence of 15 years in prison. The Future Implications This case highlights the severe consequences of enabling and supplying controlled substances to individuals struggling with addiction. The sentencing serves as a warning to those who would seek to profit from or facilitate drug use.