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The Lead In a revealing interview, Mark Williams, beloved for his portrayal of Arthur Weasley in the Harry Potter films, shares candid insights about his experiences on set, his relationships with fellow cast members, and the enduring impact of his iconic roles on both his career and public recognition. On-Set Memories and Fellow Actors Williams reflects on the challenges and joys of filming the Harry Potter series, noting that the worst part was "being away from home and the long hours," while the best was "the work and talking to the other actors." He recalls the legendary storytelling abilities of his co-stars, particularly Michael Gambon and Richard Griffiths, whose backstage anecdotes were "brilliant, and completely unpublishable." One of the more unusual on-set activities involved browsing agricultural equipment magazines with Robbie Coltrane. "With Robbie Coltrane I used to like going through Plant Trader, which was a sales magazine for big stuff: cranes, tractors, earthmoving equipment. We never purchased anything, but we came close," Williams reveals. The Unexpected Recognition Williams shares an amusing anecdote about recognizing someone unexpected on the Harry Potter set. While filming in the Ministry of Magic, he spotted his accountant among the extras. "When we'd stopped shooting I went over and said: 'Harry? What are you doing?' He said: 'Oh, it's a group of us. We just come and do supporting artist extra work for a laugh. That guy over there is a high court judge, and he's a contract law specialist.'" This experience taught him to "never underestimate the extras," highlighting the diverse backgrounds of people working in the film industry. Career Highlights and Collaborations When asked about his favorite collaborations, Williams cites two distinct areas: working with Hugh Laurie in films like "101 Dalmatians" and "The Borrowers," and his relationships with costume departments. He recalls a particularly memorable meeting with costume designer Bunny Christie on "Shakespeare in Love," who looked him up and down and declared, "Hmm, a make, I think," making him feel like he'd "arrived" in the industry. Williams also discusses his role as Brian Williams in "Doctor Who," describing his character as "the sort of antihero," and expresses his fondness for the maritime culture of the British Isles, which he'd love to explore in a potential documentary series. Iconic Catchphrases and Public Perception The interview touches on Williams' most famous catchphrases from "The Fast Show," including "Suits you, sir" and "Nice." While he doesn't find himself frequently quoting these lines in everyday life, he reveals that his mother used to say "Which was nice" without acknowledging its origin. When asked if he's tired of hearing his catchphrases, Williams responds with characteristic humor: "If you can't do the time, don't do the crime." When asked which catchphrase he wishes was his, Williams singles out Catherine Tate's "How very dare you?" as "a work of genius," noting its political undertones and versatility. Life Beyond Harry Potter Williams discusses his current role as Father Brown, revealing his love for the "Britishness" of music hall traditions and the "lunacy, the madness of it." While he has an excellent voice and can perform an uncanny George Formby impression, he hasn't pursued a singing career, though he has played Doctor Dolittle on tour. He also shares his thoughts on the Harry Potter studio tour, particularly fond of "Fluffy's paw," describing it as "a giant animatronic hand" that reminds him of Ray Harryhausen's work, noting that such creations are unique to films.

The Grim Reality of China's Gig Economy Hu Anyan's memoir, 'I Deliver Parcels in Beijing', began as a blog and became a bestseller in China, selling nearly 2 million copies. It details his experiences as an internal migrant, working 19 jobs in six cities over 20 years, often in terrible conditions and for very low wages. The Daily Grind Hu's jobs included security guard, hotel waiter, delivery driver, bicycle salesman, bike courier, gas station attendant, and logistics warehouse worker. He often worked long shifts on little sleep and went without food for eight hours at a time. The Human Cost The book, translated by Jack Hargreaves and narrated by Winson Ting, conveys the dehumanizing reality of Hu's experiences and the struggles of internal migrants in China. It is a grim indictment of a system that prioritizes convenience over people's well-being. Further Listening Maybe I'm Amazed by John Harris, a moving account of a father's bond with his autistic son, narrated by the author. Creation Lake by Rachel Kushner, a novel about an American spy who infiltrates a group of eco-warriors in France, narrated by the author.

Visual Overview of the Biennial’s Core NarrativeThe Guardian’s picture‑rich report presents a snapshot of the Upstate Photography Biennial, emphasizing three intersecting motifs: lesbian rebels challenging gender norms, exotic dancing as a form of bodily expression, and domestic scenes that foreground everyday intimacy.Exploring the Three Narrative ThreadsLesbian rebels: Photographs showcase queer subjects asserting agency through bold poses and activist symbolism.Exotic dancing: Images capture kinetic performances that blur the line between art and ritual, highlighting movement as narrative.Domesticity: Intimate home settings reveal the quiet power of routine, contrasting the overt rebellion of the other themes.Why These Themes Resonate in Contemporary PhotographyBy juxtaposing radical queer visibility with sensual performance and ordinary life, the Biennial reflects a broader cultural appetite for nuanced representation. The curatorial choice underscores a move away from singular aesthetic statements toward layered, socially aware storytelling.Implications for Regional Art PlatformsHighlighting such diverse subject matter positions Upstate New York as a fertile ground for experimental photography, potentially attracting wider curatorial interest and funding. The exhibition may encourage other regional festivals to adopt similarly inclusive programming.Looking Ahead: The Next Chapter for the BiennialFuture editions are likely to build on this momentum, inviting more artists who explore identity, performance and the private sphere. Continued media coverage, like the Guardian’s visual essay, will be crucial in amplifying the Biennial’s impact beyond its geographic locale.

The Vision for a Just and Sustainable FutureImagine a future in which everyone enjoys high levels of wellbeing; where 90% of the world's population doubles their income but works half the hours we work today. A world in which the bottom half of humanity sees its share of global wealth rise from just 2% today to 30%; a world where we consume enough, but nobody over-consumes. And imagine achieving this on a planet that can comfortably sustain human life without its climate breaking down.Against the bleak techno-authoritarian futures now being sold to us, a radical new vision for global progress in the 21st century feels urgently needed. The most credible vision is one in which the habitability of the planet is a precondition for human development and equality.The Three Pillars of Global TransformationOur new report examines the conditions required for the world to progress towards this ambition on an economically and ecologically compatible path, by the end of the century. Its conclusion? A global transformation that reconciles planetary habitability and high standards of wellbeing for all is possible – as long as three conditions are simultaneously met.Fast decarbonisation of energy systems is necessary. But we also need a major shift away from overconsumption towards 'sufficiency'. This would involve a sharp reduction in labour hours and the use of raw materials, along with big changes in consumption patterns, food habits, land use and forest cover. Financing and politically sustaining decarbonisation and sufficiency will require a drastic reduction in inequality of income, wealth and power, between countries and within them.Quantifying the Path to Global JusticeThe Global Justice Report is the first attempt to propose a fully quantified plan for this transition. It combines four dimensions that today's debates often treat separately: redistribution at the world scale; a deep reform of the international financial and economic order; a radical transformation of energy systems; and substantial shifts in consumption patterns. Compared with most climate scenarios (including those of the Intergovernmental Panel on Climate Change), the main novelty is that we model all four dimensions together – and place inequality and sufficiency at the centre of the analysis.The Economic Convergence by 2100What would this transition deliver? At its heart is convergence between countries. Average per capita national income, today separated by a 16-fold gap between the poorest (€290 a month in sub-Saharan Africa) and richest (€4,590 in North America/Oceania) regions of the world, would rise towards a common level of about €5,000 a month in all countries by 2100.But this convergence is not just monetary. Annual working hours per employed person would fall from roughly 2,100 to about 1,000, continuing the long shift towards shorter working time; while the share of global working hours devoted to education and health would rise from 11% to 43%. Women and men would converge on equal pay and on an equal share of economic and domestic labour.Climate and Wealth TransformationAll of this would unfold within a habitable climate. Thanks to sustainable convergence and fast decarbonisation, global heating would reach 1.8C, against more than 4C on current trends.None of this will be possible without a deep contraction of inequality. The income scale between individuals would narrow to a ratio of one to five and the wealth scale to one to 10, prolonging what western and Nordic Europe achieved over the 20th century. The share of global wealth held by the poorest half of humanity would rise from 2% to 30%, while the share held by the billionaire class would fall from 6% to 0.05%.Financing the Global Justice TransitionThese shifts would be financed and governed through new institutions. A global justice fund would spend an average of 10% of world GDP a year from 2026 to 2060 on country dividends and investment, against the less than 0.4% that aid and the combined budgets of the UN, the International Monetary Fund (IMF) and the World Bank represent today.Its resources would come from a world sovereign fund holding 10% of the world capital stock, a global wealth tax rising to 20% a year on billionaires and a global income tax rising to 90% at the very top, each touching about 1% of the world's population.The Political Path ForwardThe result is not a transfer from many to few but a gain for almost everyone. Close to 90% of the world's population would double their income between 2026 and 2100, and once leisure and a habitable planet are counted, more than 99% come out ahead.Our report is part of a broader international agenda for planetary habitability, social justice and reform of the global financial architecture – including the Bridgetown agenda launched by Barbados in 2022, the Sevilla Commitment on development finance, the UN tax convention process, and G20 initiatives led by Brazil and South Africa on global inequality.A habitable, equal and prosperous 21st century is materially possible. The carbon budget allows it and history offers precedents at comparable scales: universal suffrage, the universalisation of healthcare and education, the halving of working hours and the sharp compression of inequality over the 20th century. Technical impossibility is not what is standing in the way, but rather the absence of a shared vision of social progress, at once concrete and radical. What it will take instead is political choice, and the hard work of coalition-building behind it.

The Launch of Recap Newsletter The Guardian has announced the launch of its new daily sports highlights email, the Recap newsletter. This free service aims to provide subscribers with a concise overview of the day's major sports events and highlights. Key Features of the Recap Newsletter Daily delivery of sports highlights Free to sign up Concise overview of major sports events The Impact on Sports News Consumption The introduction of the Recap newsletter by the Guardian is set to change the way sports enthusiasts consume news. By offering a daily digest of highlights, the newsletter provides an easily accessible way for readers to stay informed about the latest developments in the sports world without having to constantly check multiple sources. The Future of Sports Newsletters With the launch of the Recap newsletter, the Guardian is poised to capture a significant share of the sports news market. As more news outlets explore email newsletters as a means of engaging with their audience, the Recap newsletter may set a new standard for sports journalism in the digital age.

The Leap into Opera Direction Danielle de Niese, a renowned singer, has taken on a new challenge by directing her first opera, The Marriage of Figaro. In an interview, she shares her thoughts on what inspired her to make this career shift and how she approached the project. An Unexpected Opportunity de Niese explains that she was approached by Wild Arts' producer Max Parfitt to direct a new production of Figaro. With a gap in her schedule, she decided to take on the challenge. Her deep familiarity with the opera, having performed in it multiple times, made her a suitable candidate for the task. A New Perspective on a Classic de Niese aimed to bring a fresh perspective to the classic opera. She set her production in the 18th century, the time it was written, and focused on creating realistic characters and believable plot actions. Her goal was to make the opera feel less pantomimic and more coherent, with every moment having tension and plausibility. Breaking Away from Tropes de Niese wanted to avoid common tropes in Figaro productions. She sought to portray the Count as more than just a buffoon and Cherubino as a young page with more depth. By doing so, she aimed to create a more nuanced and engaging performance. The Importance of Character Development As a performer, de Niese understands the importance of character development. She emphasized that every character's actions must make sense and be believable. This approach allowed her to create a cohesive and engaging production. A New Chapter in Her Career Directing Figaro marks a new chapter in de Niese's career. While she loves her day job as a performer, she sees directing as an opportunity to explore new skills and challenge herself. With this experience, she has proven that she is capable of taking on new roles and pushing her creative boundaries.

The Lead This week, several podcasts have caught attention, particularly those involving popular TV personalities and thought-provoking themes. Judgemental: Anton and Craig's Strong Opinions The freshly announced Strictly Come Dancing hosts, Anton Du Beke and Craig Revel Horwood, have been generating huge online chatter. Their podcast, Judgemental, ensures that they prove they have strong opinions on more than just dance performances. They trade verdicts on everything from pop culture to sartorial dilemmas to listeners' workplace dramas. The Data Analysis Judgemental: Widely available, episodes weekly from Tuesday 9 June Manosphere Messiahs: Widely available, episodes weekly Who's With Me? With W Kamau Bell: Widely available, episodes weekly Love What You've Done With the Place: Widely available, episodes weekly from Wednesday 3 June Fighting Crime: Audible, episodes weekly The Impact Analysis These podcasts cover a range of topics from toxic masculinity to interior design and crime prevention. They showcase the diversity of themes and issues being discussed in the podcasting world. The Prediction As podcasting continues to grow, we can expect to see more niche topics and popular personalities entering the space. Shows like 'Judgemental' and 'Who's With Me? With W Kamau Bell' are likely to attract large audiences and set trends for future podcasts.

The Miraculous Discovery A Nepali Sherpa guide who went missing on Mount Everest six days ago has been found crawling alone to base camp after fears that he had died. According to Pemba Sherpa of 8K Expeditions, which was coordinating the search for the missing guide, Dawa Sherpa was found by a clearing crew on Thursday morning as he was crawling down snowy slopes around the Khumbu Icefall. The Dramatic Rescue Operation Dawa, 52, was carried down to safety and given food and water. A rescue helicopter flew him to HAMS Hospital in the capital, Kathmandu, where his wife and daughter, who had already begun funeral rituals, were waiting. "We first heard that he was still alive on the local news and from a person we know who called with the news that … he is being brought down," his wife, Damu Sherpa, said. The Timeline of Events Dawa was last seen around May 29 descending the mountain He did not reach base camp, although his client, a Polish climber, did There was a delay in organizing a search team When rescue helicopters were finally sent, they could not locate him He was found by a clearing crew from the Sagarmatha Pollution Control Committee Family's Emotional Journey For Dawa's family, hope of seeing him again was all but gone. His teenage daughter, Mendo Lhamu Sherpa, said they were already on the second day of a funeral ritual, which lasts for several days. "When we first heard about it, we could not be sure if that person was indeed our father," Mendo Lhamu said. "So to be certain, we asked for photos to be sent, and then only we were sure and very happy." Everest's Busiest Season The team that spotted him was part of the Sagarmatha Pollution Control Committee, which lays ladders and ropes on the route at the start of each climbing season and then removes the equipment and cleans up the site after the climbers have left. Last month, more than 1,000 climbers and their guides scaled Everest during the busiest climbing season ever on the world's highest mountain. At least five people have died this season.

The Layoff Details Meta has launched a wave of layoffs that will affect 10 percent of the company’s global workforce, representing about 8,000 people. The cuts, which began on Wednesday, are planned to occur in three waves, beginning at 4am local time for those affected. Severance Packages and Company Restructuring Workers in the United States will receive 16 weeks of severance pay, in addition to an extra two weeks for every year they have been employed at the company. In addition to the cuts, the parent company of WhatsApp, Facebook and Instagram said it would cancel plans to hire 6,000 people and shift 7,000 other employees into artificial intelligence (AI) workflow-related roles. The Impact on Morale and AI Development This comes amid reports of declining morale at the Mark Zuckerberg-led company following the launch of an AI tracking programme for workers. According to the Wall Street Journal, more than 1,500 people signed a petition demanding that the company not collect their data. Investing in AI Zuckerberg, who is the world’s sixth-richest person according to the Bloomberg Billionaires Index, is not averse to investing in the business. However, that spending has focused on AI development, including the Meta Superintelligence initiative. Capital expenditures are forecast to hit $125bn to $145bn for the year, an increase of more than double since 2025.