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The Unlikely Motivation At 56, I am running my first marathon, an old, fat, bald dad surrounded by millennials in body-hugging Lycra and smiles that look AI-generated. But I am ahead of them. For they are only competing for positions and personal bests, and I am being chased by zombies. The Event Details I started off accompanied by audiobooks, but when Ben Elton’s autobiography got a bit whiny, I remembered Zombies, Run! – an interactive running game for smartphones that came out years ago. That became my running companion. The Data Analysis I am doing the Hal Higdon Novice Marathon Training Program, involving three “short” runs during the week and a “long” run at weekends. The distances slowly increase over 18 weeks. For the first few weeks, I am doing three- or four-mile runs during the week and six- to 10-mile runs at the weekend. The Impact Analysis Unfortunately, I spent the 90s playing football on hangovers and Red Bull without stretching once. My glutes and hamstrings give me constant pain after 10km, and the story is no longer enough to distract me. Luckily, the best bit about Zombies, Run! is that you can link the game to a playlist on your phone, so you get a minute of narrative, then the music fades up for a bit before returning to the story. The Prediction I ran the first half in two hours and 10 minutes and the second half in three-and-a-half hours. Now I have to train for another one so I can try to beat five hours – because that is what dafties like me do. Luckily, Zombies, Run! is now up to season 11, and I only got as far as the end of season 2.

The Revival of Motion Gaming For a wonderful moment in the noughties, video games became a truly universal pursuit. The Nintendo Wii flew off the shelves, inspiring a wave of competitors such as the Xbox Kinect camera that encouraged people to play games by moving their bodies. But the tide turned: outside of still-niche VR gaming and the odd controller-waggler on the Switch, motion-controlled gaming has barely been seen for more than a decade. Nex Playground Enters the Scene Now, 20 years later, a new console is aiming to get the whole family flailing in front of the TV once again: the Nex Playground. Launching in the UK later this month, the first thing that struck me about this family-friendly device is just how tiny it is. The size of two and a half Rubik’s Cubes taped together, this impressively unintrusive device swaps cumbersome controllers for camera-controlled minigames, putting you and your family directly in the game. The Technology Behind Nex Playground Using a wide-angle lens and AI-powered tracking tech, the Nex Playground offers over 50 games that track players’ bodies as they leap, flail and dance about the living room. It’s not hard to see the appeal. Physically leaping through puddles in Peppa Pig: Jump and Jiggle, dancing in time to Rick Astley on Starri and slicing up watermelons with my hands in the perennial hit Fruit Ninja, I’m impressed by how seamlessly – and accurately – the tech works. Market Performance and Pricing The Playground retails at £269 ($299) – significantly less than any other games console at the moment. But it comes with just five free games. The rest of its library is locked behind an eye-watering £90 annual subscription. In the US, where it launched in 2023, the Playground has sold over a million units, even outselling Microsoft’s Xbox consoles during 2025’s Black Friday week. Safety and Future Plans Nex appears to be taking great care to earn families’ trust. None of the camera data from Nex play sessions is saved – either offline or online – meaning that families can happily embarrass themselves without worrying that an omniscient tech firm is tracking their every movement. Online multiplayer is coming to Playground soon, via parent-controlled “playdates”, and Lee hopes that this will also help older relatives stay connected with their families. The Future of Family Gaming Game publishers who’ve previously made games for Kinect and VR are already coming to Nex, Kang says. Child-focused brands such as Hasbro, DreamWorks and Mattel have already licensed games for it, perhaps seeing it as a safer alternative to social media and smartphone platforms – a view that most parents are likely to share. The most family-friendly dedicated games console currently available, Nintendo’s Switch 2, recently raised its price to £395.99, with new games at £50+ each; a lot of families are looking for a more affordable option. Nex Playground launches in the UK on 22 June.

The Lead The Edinburgh Festival 2026 promises to be an exciting event with a wide range of theatre productions. From feminist explorations to epic dramas, there's something for everyone. Roleplay and Mayflies Producer Francesca Moody brings 'Roleplay', a new offering by Australia's Hannah Reilly, about a feminist podcaster who becomes an online 'slutfluencer'. Meanwhile, Andrew O'Hagan's coming-of-age novel 'Mayflies' is adapted by Ben Harrison and directed by Grid Iron. 'Roleplay' - Summerhall, 6-31 August 'Mayflies' - Brown's of Leith, 7-30 August Epic Dramas Paines Plough's Katie Posner directs 'After Party', an epic drama by Morna Young, which explores family secrets on the night of an actor's 80th birthday celebrations. Additionally, Internationaal Theater Amsterdam revives Tony Kushner's 'Angels in America', a masterpiece about AIDS in the 1980s, directed by Ivo van Hove. 'After Party' - Traverse, 6-30 August 'Angels in America' - King's theatre, 15-20 August Unique Performances Other notable productions include '116 Grams: A Play to Lose Weight' by Letícia Rodrigues, 'Cathy' starring Elaine C Smith, and 'The Jolly Fisherman' by John Dinneen. '116 Grams: A Play to Lose Weight' - Zoo Southside, 7-30 August 'Cathy' - Traverse, 31 July-30 August 'The Jolly Fisherman' - Underbelly, 5-31 August Experimental and Innovative The festival also features experimental and innovative productions like 'Bigfoot Ripped My Dog in Half I Saw It' by Xhloe and Natasha, 'The Singer' with music and lyrics by KT Tunstall, and 'Concerts of the Future' by Ciaran Frame. 'Bigfoot Ripped My Dog in Half I Saw It' - Summerhall, 6-30 August 'The Singer' - Traverse, 4-30 August 'Concerts of the Future' - Summerhall, 6-31 August Powerful Messages Lastly, productions like 'Hang Time' by Zora Howard and 'A Trial – After An Enemy of the People' tackle serious issues like racialised violence and social justice. 'Hang Time' - Royal Lyceum, 20-23 August

The Revival of a Spoof Classic The Scary Movie series has made a comeback with its sixth installment, bringing back original cast members Anna Faris and Regina Hall, as well as creators Marlon and Shawn Wayans. The film aims to revive the spoof comedy genre, which was popular in the 2000s. The Challenges of Timing The release of Scary Movie comes at a time when horror movies are thriving, with recent hits like Backrooms and Obsession dominating the box office. However, Scary Movie's reliance on outdated references and gags makes it feel less relevant. The Data Analysis The film's attempt to parody recent horror movies, including the Scream series, falls flat due to its lack of originality and sharpness. The Wayans brothers' approach to comedy seems to prioritize broad, shallow jokes over clever satire or insightful commentary. The Impact Analysis The Scary Movie series has always depended on timing, and this installment's release feels poorly timed. The film's failure to effectively parody modern horror movies may indicate that the spoof comedy genre is no longer viable. The Prediction While Scary Movie may still appeal to fans of the series, its lack of originality and impact may signal the end of the franchise. The film's reliance on nostalgia and familiar gags may not be enough to sustain its popularity in the long term.

The Lead In a revealing interview, Mark Williams, beloved for his portrayal of Arthur Weasley in the Harry Potter films, shares candid insights about his experiences on set, his relationships with fellow cast members, and the enduring impact of his iconic roles on both his career and public recognition. On-Set Memories and Fellow Actors Williams reflects on the challenges and joys of filming the Harry Potter series, noting that the worst part was "being away from home and the long hours," while the best was "the work and talking to the other actors." He recalls the legendary storytelling abilities of his co-stars, particularly Michael Gambon and Richard Griffiths, whose backstage anecdotes were "brilliant, and completely unpublishable." One of the more unusual on-set activities involved browsing agricultural equipment magazines with Robbie Coltrane. "With Robbie Coltrane I used to like going through Plant Trader, which was a sales magazine for big stuff: cranes, tractors, earthmoving equipment. We never purchased anything, but we came close," Williams reveals. The Unexpected Recognition Williams shares an amusing anecdote about recognizing someone unexpected on the Harry Potter set. While filming in the Ministry of Magic, he spotted his accountant among the extras. "When we'd stopped shooting I went over and said: 'Harry? What are you doing?' He said: 'Oh, it's a group of us. We just come and do supporting artist extra work for a laugh. That guy over there is a high court judge, and he's a contract law specialist.'" This experience taught him to "never underestimate the extras," highlighting the diverse backgrounds of people working in the film industry. Career Highlights and Collaborations When asked about his favorite collaborations, Williams cites two distinct areas: working with Hugh Laurie in films like "101 Dalmatians" and "The Borrowers," and his relationships with costume departments. He recalls a particularly memorable meeting with costume designer Bunny Christie on "Shakespeare in Love," who looked him up and down and declared, "Hmm, a make, I think," making him feel like he'd "arrived" in the industry. Williams also discusses his role as Brian Williams in "Doctor Who," describing his character as "the sort of antihero," and expresses his fondness for the maritime culture of the British Isles, which he'd love to explore in a potential documentary series. Iconic Catchphrases and Public Perception The interview touches on Williams' most famous catchphrases from "The Fast Show," including "Suits you, sir" and "Nice." While he doesn't find himself frequently quoting these lines in everyday life, he reveals that his mother used to say "Which was nice" without acknowledging its origin. When asked if he's tired of hearing his catchphrases, Williams responds with characteristic humor: "If you can't do the time, don't do the crime." When asked which catchphrase he wishes was his, Williams singles out Catherine Tate's "How very dare you?" as "a work of genius," noting its political undertones and versatility. Life Beyond Harry Potter Williams discusses his current role as Father Brown, revealing his love for the "Britishness" of music hall traditions and the "lunacy, the madness of it." While he has an excellent voice and can perform an uncanny George Formby impression, he hasn't pursued a singing career, though he has played Doctor Dolittle on tour. He also shares his thoughts on the Harry Potter studio tour, particularly fond of "Fluffy's paw," describing it as "a giant animatronic hand" that reminds him of Ray Harryhausen's work, noting that such creations are unique to films.

The Unlikely Revival of Mr Blobby Margaret Thatcher wasn’t to blame for the closure of Britain’s coalmines. Mr Blobby was. A harrowing spoof documentary exposed this horrific truth during the finale of Saturday Night Live UK’s debut season. Back in 1992, drilling activity at Nottinghamshire’s Grumthorpe Colliery awoke an evil entity buried underground. Mr Blobby promptly went on an unstoppable murderous rampage, ripping off miners’ limbs and becoming “an atom bomb made flesh”. The Event Details Mr Blobby being disinterred is an apt metaphor. Recent months have seen the pink-and-yellow agent of chaos unearthed and on the comeback trail. He has appeared on primetime TV shows, duetted with popstars, and convinced nostalgic punters to part with a surprising amount of cash to get their hands on Blobby-themed merchandise. What has prompted the comeback of a character once considered irredeemably naff? The Data Analysis Blobby costumes change hands for thousands of pounds on eBay. In Scotland, the Blobby-shaped iced biscuits at Bayne’s bakers (“made with natural colouring”) have become a cult bestseller to rival Gregg’s sausage rolls. The Impact Analysis For cultural historian Dr Matthew Sweet, his revival is a sign of idiotic times. “Mr Blobby is a creation of breathtaking stupidity,” he says. “His stupid name, his stupid appearance, his stupid voice and its ceaseless repetition of his own stupid name are unimaginative to the point of atavism. Somehow, his dumb relentlessness has allowed him to push through into some other territory. Maybe his blundering, lobotomised qualities strike a chord in a world that’s commonly said to be getting more stupid.” The Prediction With renewed interest and rumours afoot of further Blobby antics, don’t be surprised to see more pink-and-yellow chaos coming our way. After all, 2026 is the year of the Blobaissance. Resistance is futile. We might as well say it: blobby, blobby, blobby.

Visual Overview of the Biennial’s Core NarrativeThe Guardian’s picture‑rich report presents a snapshot of the Upstate Photography Biennial, emphasizing three intersecting motifs: lesbian rebels challenging gender norms, exotic dancing as a form of bodily expression, and domestic scenes that foreground everyday intimacy.Exploring the Three Narrative ThreadsLesbian rebels: Photographs showcase queer subjects asserting agency through bold poses and activist symbolism.Exotic dancing: Images capture kinetic performances that blur the line between art and ritual, highlighting movement as narrative.Domesticity: Intimate home settings reveal the quiet power of routine, contrasting the overt rebellion of the other themes.Why These Themes Resonate in Contemporary PhotographyBy juxtaposing radical queer visibility with sensual performance and ordinary life, the Biennial reflects a broader cultural appetite for nuanced representation. The curatorial choice underscores a move away from singular aesthetic statements toward layered, socially aware storytelling.Implications for Regional Art PlatformsHighlighting such diverse subject matter positions Upstate New York as a fertile ground for experimental photography, potentially attracting wider curatorial interest and funding. The exhibition may encourage other regional festivals to adopt similarly inclusive programming.Looking Ahead: The Next Chapter for the BiennialFuture editions are likely to build on this momentum, inviting more artists who explore identity, performance and the private sphere. Continued media coverage, like the Guardian’s visual essay, will be crucial in amplifying the Biennial’s impact beyond its geographic locale.

In June 2026, Costa Rica’s constitutional court ordered the state‑run electricity company ICE and the Ministry of Environment and Energy (MINAE) to insulate bare power lines in the Nosara district within six months, after a sharp rise in wildlife electrocutions that left more than 100 animals dead, the majority of them howler monkeys.Constitutional Court Mandates Immediate Safety MeasuresThe court found that ICE and MINAE had failed to implement effective safeguards on uninsulated lines, violating obligations to protect wildlife. The ruling follows a coordinated campaign by twenty conservation groups, including International Animal Rescue Costa Rica (IARCR), under the banner “This Is NOT Pura Vida.”Escalating Toll on Howler Monkeys: Recent StatisticsThe rescue centre reported 108 electrocuted animals in 2025, with howler monkeys accounting for up to 90% of cases.National data show 6,262 wildlife electrocution incidents between June 2022 and June 2023.Development pressure—new houses, restaurants and hotels—has created fresh “electrocution hotspots” deeper in the forest.Broader Environmental and Development ImplicationsThe surge highlights a clash between Costa Rica’s booming eco‑tourism sector and its reputation as a biodiversity haven. While MINAE claims to have introduced a “broad range of measures” to curb electrocutions, critics argue that without insulated wiring the problem will persist nationwide, not just in Nosara.What the Next Six Months Could Mean for Wildlife SafetyImplementation will be closely monitored by IARCR’s chief executive, Gavin Bruce, who sees the ruling as a potential catalyst for country‑wide standards. If ICE complies, the number of monkey fatalities could drop sharply, and the case may set a precedent for other Latin American nations grappling with similar infrastructure‑wildlife conflicts.

The Lead At first, the small purple flowers are hard to spot in the weak May sunshine. Slowly the drifts of delicate mountain pansies, along with the white rosettes of alpine pennycress, begin to jump out, scattered across an area little bigger than a football pitch, on the banks of the River Allen in Northumberland. The Metal-Tolerant Ecosystem This is a pocket of calaminarian grassland, an increasingly rare habitat where specialist plants called metallophytes have adapted to live in soils deeply contaminated by heavy metals, the legacy of more than 1,000 years of lead mining. "This is absolutely a case of nature responding to pollution caused by humans," says Geoff Dobbins, estates manager for the Northumberland Wildlife Trust, who is passionate about saving these grasslands. The Evolution of Metallophytes The grasslands originally evolved in small patches around rocky upland outcrops, where veins of lead, cadmium and zinc had been exposed by the elements. As these began to be mined, according to Dr Ruth Starr-Keddle, a botanist at the North Pennines National Landscape, a biocrust of lichens and mosses developed that could tolerate toxic wastewater washing over them. The Natural Cleanup Process Despite their delicate appearance, these specialist plants can live in soils 30 times more toxic than most other species can tolerate. As they grow, metallophytes act as "hyper-accumulators," cleansing the soils that feed them through a process called phytoremediation. This turns the metals they absorb through their roots into complex organic compounds, which are locked away below the surface once the plants die. The Mining Legacy The barren, rocky uplands of the northern Pennines were first mined by the Romans, but the industry reached its peak in the mid-18th century. Today, the landscape is dotted with abandoned workings and spoil heaps; some high up on the moors, others closer to the rivers and the water the industry needed. "If you took samples from most of the rivers in the North Pennines, most have got contamination from lead mining in them," says Dr Starr-Keddle. The Future of These Unique Habitats As they become cloaked in more thuggish plants such as gorse and broom, and the zinc and lead brought by mine-wash became slowly buried beneath a blanket of humus, there is a growing debate about whether these human-made meadows should be protected or allowed to gently fade away. About 30% of Europe's calaminarian grasslands are found in the UK, although they are scarce, covering just 450 hectares (1,100 acres), with pockets in northern England, mid-Wales and the Highlands of Scotland.