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Mike Banks stepped down as head of the United States Border Patrol on Thursday, citing personal reasons and claiming credit for a recent decline in illegal border crossings since the start of President Donald Trump's second term.The Sudden Resignation of Border Patrol Chief Mike BanksThe announcement, made to Fox News, described the timing as "just time" for Banks to leave. In his statement, he praised his tenure, saying he had turned the border from "the least secure, disastrous, chaotic" to "the most secure border this country has ever seen." The resignation follows a wave of departures within the Department of Homeland Security (DHS), including former DHS secretary Kristi Noem and acting ICE head Todd Lyons.Numbers Behind the Border NarrativeTenure: approximately 1 year and 4 months as Border Patrol chief.Border crossings: Banks highlighted a decline since the start of the second Trump term, though exact figures were not disclosed.Recent DHS turnover: Kristi Noem fired in March; Todd Lyons announced departure in April; Markwayne Mullin confirmed as Homeland Security secretary on March 24.Ripple Effects Across Trump’s Immigration Enforcement TeamThe resignation underscores ongoing turbulence within Trump’s immigration apparatus. DHS, which oversees Border Patrol, Immigration and Customs Enforcement (ICE), and Customs and Border Protection (CBP), has seen multiple leadership changes, raising questions about policy continuity. Democrats on the House Committee on Homeland Security amplified the moment by resurfacing allegations of misconduct against Banks, which CBP officials say have been investigated and closed.What Comes Next for the Border Patrol Leadership?It remains unclear who will succeed Mike Banks. The administration recently appointed David Venturella, a former Geo Group executive, as acting director of ICE, indicating a continued preference for leaders with strong enforcement backgrounds. Observers expect the next Border Patrol chief to align closely with Trump’s hard‑line immigration agenda while navigating the internal scrutiny sparked by recent allegations.

Inter secures a domestic double in record time Inter Milan lifted both the Serie A crown and the Coppa Italia trophy within weeks, cementing their status as Italy's dominant side for the 2025‑26 season. Coach Cristian Chivu, a club legend, kept a low profile after the league win, focusing instead on the upcoming cup final. Coppa Italia final: Inter's 2-0 victory over Lazio The Stadio Olimpico hosted a one‑sided showdown on 14 May 2026. An early own‑goal by Adam Marušić from a Federico Dimarco corner set the tone, and Denzel Dumfries capitalised on a lapse by Lazio left‑back Nuno Tavares to feed Lautaro Martínez for the second. The match was settled by the 35th minute, with no serious threat from Lazio thereafter. Statistical dominance: Goals, assists and league records Inter finished the league with 85 goals in 36 games, compared to Lazio's 39. Lautaro Martínez topped Serie A with 17 goals, despite missing several matches. Marcus Thuram contributed 13 goals, while Dimarco recorded 18 assists, positioning him as a strong MVP candidate. Inter's defensive record featured Josep Martínez keeping a clean sheet in the final. What the double means for Italian football hierarchy Inter's triumph highlights a growing disparity between the Nerazzurri and traditional challengers. While Lazio grappled with a transfer embargo and a chaotic season, Inter benefitted from coherent long‑term planning and strategic recruitment. The victory also places Chivu alongside Roberto Mancini and José Mourinho as the only managers to deliver a domestic double for Inter, and he achieved it in his debut season. Future outlook: Inter's prospects under Chivu and the road ahead for Lazio Looking forward, Inter aims to translate domestic dominance into European success, with the Champions League quarter‑finals looming. Chivu’s emphasis on squad unity and tactical flexibility suggests continued competitiveness. For Lazio, the season ends with reflection; new signings like Kenneth Taylor offer hope, but rebuilding under Maurizio Sarri will be essential to close the quality gap.

The Lead: A Masterful Character StudySteven Soderbergh's latest film, "The Christophers," is a witty, literate, and exhilarating exploration of contemporary art and artistic value. The film centers on Julian Sklar, an irascible, dyspeptic old English painter wonderfully portrayed by Ian McKellen, and his mysterious assistant Lori Butler, played with remarkable restraint by Michaela Coel. Their on-screen chemistry has been hailed as the best of the year, creating a dynamic that is both confrontational and deeply connected.The Artistic Vision: Soderbergh's Subversive Take on the Art WorldSoderbergh demonstrates his remarkable ability to surprise with "The Christophers," a film that breathes new life into the often-tiresome subject of movies about contemporary art. The director, working with American screenwriter Ed Solomons, creates a convincing portrayal of haughty Englishness that rivals the work of Paul Thomas Anderson and Robert Altman. The film's London setting, particularly the chaotic bohemian townhouse in Bloomsbury, serves as the perfect backdrop for this exploration of artistic decline, value, and authenticity.The Performances: McKellen and Coel's Exceptional ChemistryAt the heart of the film's success are the performances of its leads. Ian McKellen delivers a tour-de-force as Julian Sklar, capturing the character's voluble, needling, vulnerable, and pathetic qualities with remarkable nuance. Opposite him, Michaela Coel radiates mystery as Lori Butler, containing anger and passion within an opaquely polite demeanor. Their dynamic forms the film's emotional core, with Coel's character intuitively understanding Julian's decline while suggesting pathways back that he hadn't considered. Their interplay represents the best on-screen chemistry of the year.The Supporting Cast: Dickensian MediocritiesThe film's supporting characters provide essential contrast to its leads. Julian's grasping adult children, Barnaby (James Corden) and Sallie (Jessica Dunning), are portrayed as figures of Dickensian mediocrity and greed, thoroughly disliked by their father. Their motivations drive much of the plot's tension, as they seek to profit from their father's hidden works while employing Lori to help them in their schemes.The Plot: A Question of AttributionThe narrative revolves around Julian's mysterious "The Christophers" - a series of passionate studies of his former lover that he withdrew from public view and hid within his home. Lori is hired to find these paintings, but her true intentions remain ambiguous throughout the film. The story explores themes of artistic authenticity, the commodification of art, and the complex relationships between artists, their work, and those who seek to profit from them.The Impact: A Refreshing Take on Artistic Authenticity"The Christophers" arrives at a time when the art world is increasingly focused on commercial value and marketability. The film subverts these trends by focusing on the personal and artistic integrity that often gets lost in the commercialization of creativity. By centering its narrative on the relationship between an aging artist and his enigmatic assistant, the film offers a refreshing perspective on what truly gives art its value.The Future Outlook: A Strong Contender for Awards SeasonWith its exceptional performances, sharp writing, and Soderbergh's masterful direction, "The Christophers" is positioned as a strong contender for awards season. The film's exploration of artistic authenticity and its showcase of two of Britain's finest actors could make it a favorite among critics' groups and award voters. Its UK and Irish cinema release on May 15 provides an opportunity for audiences to experience what many are calling the year's most compelling on-screen pairing.

Senator Dela Rosa Leaves Senate After ICC Arrest ThreatOn May 14, 2026, Senate President Alan Peter Cayetano confirmed that the former police chief and senator was no longer inside the Senate building, where he had been taking refuge from a pending ICC arrest warrant.Senator Ronald “Bato” dela Rosa had been under Senate protection since the ICC announced a warrant for his alleged crimes against humanity.The sergeant‑at‑arms reported his departure early Thursday morning. Escalation Inside the Senate: Gunfire, Police Presence, and the Senator’s ExitWednesday’s chaos included:Gunshots that rang out inside the chamber, prompting lawmakers to scramble for cover.A heavy police and Marine presence, with armed guards stationed around the Senate.Protests outside the building and a reported arrest of one individual linked to the shooting. Human‑Rights Toll: ICC’s Estimate of 12,000‑30,000 Deaths in Duterte’s Drug WarThe ICC’s unsealed warrant cites the same crimes against humanity alleged against former President Rodrigo Duterte. The court estimates that between 12,000‑30,000 people were killed during the 2016‑2019 “war on drugs.” Political Fallout: Strain on Philippine Institutions and International ScrutinyThe incident underscores growing tension between the Philippine government and international judicial bodies:President Ferdinand Marcos Jr convened an emergency meeting with security chiefs to manage the crisis.Lawyer Jimmy Bondoc maintains that Dela Rosa had no plans to leave, highlighting a disconnect between legal counsel and on‑ground realities.Public confidence in Senate security protocols is being questioned amid the chaotic episode. What Lies Ahead: Legal Battles, Possible Extradition, and Domestic UnrestLooking forward, several scenarios could shape the next weeks:Dela Rosa may seek to “exhaust all available remedies” to block his transfer to The Hague.The Philippine government could face diplomatic pressure to cooperate with the ICC or risk further isolation.Continued protests and potential security incidents may arise if the senator’s legal status remains unresolved.

The King's Speech: A Missed Opportunity for Bold Leadership Ending 14 years of Conservative rule was supposed to bring an end to dysfunctional government. However, less than two years into office, the Labour government looks no sturdier than its predecessors. The prime minister's chances of serving a full term in office appear slim. A Government Lacking Conviction The government's reforming agenda lacks coherence and radicalism, failing to instill a sense of national destination. The King's Speech contained instructive examples of this problem, including a planned law to facilitate Britain's alignment with EU single market rules and immigration reforms that will make it harder for refugees and people settled in Britain to qualify for permanent residency and citizenship. Contradictions in Sir Keir's Programme Sir Keir Starmer promises to put Britain back 'at the heart' of Europe, but limits his European ambition with a prohibition on single market membership. He pursues a migration policy that is a tribute in tone and substance to Nigel Farage's agenda. This contradiction reflects the cautious tactics employed by the party in opposition, which have set the contours of Sir Keir's project more than any ideas or arguments he has articulated. A Government Defined by What It Dare Not Do A government that allows its programme to be defined so negatively will not inspire voters. It demoralizes loyal supporters, too. Sir Keir's campaign promise of stable, non-chaotic government assumed change could be delivered cautiously, without confronting hard arguments and without bold conviction. He has instead proved that these are indispensable qualities in an effective prime minister.

Lead: Arrieta’s Late Surge Secures Stage Five Amid ChaosIn a rain‑drenched finale to Stage 5, Igor Arrieta (UAE Team Emirates‑XRG) edged out the competition in the final metres, while Afonso Eulálio (Portugal) claimed the overall lead and donned the coveted pink jersey.Stage Five Drama: Rain‑Soaked Climb and a Wrong TurnThe 203 km route tackled the steep Montagna Grande di Viggiano climb. Near the summit, Arrieta and a Bahrain Victorious rider formed a breakaway, but a navigation error by Arrieta briefly gave the impression the Spaniard would lose the win. He recovered, re‑joined Eulálio on the finishing straight, and both riders endured slips on the greasy tarmac before crossing the line.Numbers on the Road: Time Gaps and DistanceStage length: 203 kmWinning margin: a few seconds between Arrieta and EulálioGap to main peloton: roughly 7 minutesTime lost by previous pink jersey holder Giulio Ciccone: fell back to a group 7 minutes behindStrategic Implications: Eulálio’s New Pink Jersey and Team TacticsBy taking the maglia rosa, Eulálio forces the UAE Team Emirates to balance defending the overall classification with supporting Arrieta’s stage ambitions. Bahrain Victorious, having been in the break, now faces a decision: chase aggressively to protect the gap or conserve energy for upcoming mountain stages.Looking Ahead: What the Next Stages Could Hold for the ContendersThe next two stages feature longer ascents and fewer technical descents, favoring pure climbers. If the rain persists, we can expect more crashes that could reshuffle the GC. Teams will likely protect their leaders, making breakaways harder to sustain, but a rider with Arrieta’s sprint‑climbing blend could still capitalize on chaotic finishes.

Smithsonian's Monumental Celebration of America's 250 Years To paraphrase the musical Rent, 131,487,300 minutes – how do you measure, measure 250 years? Especially in a country navigating an election year fraught with divisions and disagreements over basic facts? That is the challenge facing the Smithsonian National Museum of American History in Washington DC as it marks the semiquincentennial of US independence. The museum's answer is with 250 objects that tell the American story, ranging from a revolutionary war-era gunboat to gloves worn by a "Miracle on Ice" hockey player, from Thomas Jefferson's desk to a Donald Trump fan's "Make America great again" hat. A Museum-Wide Journey Through American History Opening on 14 May, "In Pursuit of Life, Liberty & Happiness" will display 250 objects encompassing 250,000 sq ft across all three floors of the museum. They range from old to new, from big to small and from sublime to mundane. Seventy-six of them – many rarely or never seen by the public – will be concentrated in cases lining the entry halls, while the remainder will be embedded throughout the museum's existing galleries, connected by a "ribbon" design to guide visitors on a historical treasure hunt. Each is paired with an action verb to underscore the view of democracy as a "highly participatory sport." Among the star attractions is the Philadelphia, a 53ft, flat-bottomed wooden gunboat constructed in the chaotic, sweltering summer of 1776. On a recent preview tour, visitors stepped into a climate-controlled enclosure at the museum where the air was thick with the scent of 100% acetone. Behind viewing windows that allow the public to see the work in progress, two conservators clad in headlamps and respirators were meticulously wielding soft and stiff bristle brushes, dental picks and wooden dowel rods to strip away decades of accumulated lacquer from a rusted iron cannon and its surrounding timber. By the Numbers: The Scale of the Exhibition The exhibition features 250 objects spread across 250,000 square feet of museum space. Seventy-six of these objects – many rarely or never seen by the public – will be concentrated in cases lining the entry halls. The Philadelphia gunboat itself weighs 16,000 pounds and was constructed in 1776. The wreck languished underwater for 159 years before being salvaged in 1935, fully intact with its armament and hundreds of artifacts scattered across its deck. When raised, the boat revealed about 600 to 800 items, including cannons, carriages, wheels, a stew pot, a melting pot for pitch, shoe leather, buttons from regimental coats, and even a leather button that was probably from someone's breeches. Reframing America's Complex Narrative "How do you structure a commemoration, celebration and time for reflection?" asks Anthea Hartig, the museum's director. "What we landed on were those moments where individuals or communities had fought for recognition and advocated for their own sense of identity and self in their role in creating and becoming a part of the United States. But we also wanted to do the playful." Hartig describes the US as "amazing, beautiful, complicated", and cites the African American writer James Baldwin's celebrated observation: "American history is longer, larger, more various, more beautiful, and more terrible than anything anyone has ever said about it." The exhibition captures both the monumental and the intimate aspects of American history. Alongside iconic items like Thomas Jefferson's portable desk on which he drafted the Declaration of Independence, the Star-Spangled Banner that inspired the national anthem, and George Washington's military uniform, are personal artifacts like a faux-pearl necklace worn by Abigail Adams in the mid-18th century. The Future of Historical Commemoration Hartig adds: "We believe that this anniversary is so important not only to the nation but the world, and that our past 250 years are filled with so much history that it takes an entire museum to do it justice." The exhibition also incorporates modern technology to enhance the visitor experience, including a virtual reality experience that transports visitors back to the Philadelphia's construction 250 years ago. As the museum continues to preserve and interpret America's complex past, the exhibition represents a new approach to historical commemoration – one that embraces the full spectrum of American experiences, from the revolutionary to the contemporary, and from the sublime to the mundane.

The Cartoonist's TakeOur cartoonist on the Premier League title potentially being decided by a lengthy VAR check after grapplingBuy this cartoon here | His favourites from 2025And his latest book, Chaos in the Box: get it nowThe Royal RumbleDavid Squires' cartoon depicts a chaotic scene between Arsenal and West Ham, highlighting the intense Premier League action.

The Rise of a Provocative Comedy StarOnce in a while, you get to see a legend at the absolute top of their game," booms a voice at the beginning of Robby Hoffman's Netflix special, Wake Up, welcoming her to the stage. High praise indeed – especially since the voice is that of the leading US comedian John Mulaney, who directed the special, and who clearly thinks this 36-year-old New Yorker is one of the hottest talents around.Over the last year, Hoffman's star has risen at a stunning pace. She is currently on TV in Rooster, a college campus comedy starring Steve Carell, as well as the fifth season of the critically acclaimed sitcom Hacks. This is only her second season as talent agency assistant Randi, but last year the role earned her an Emmy nomination.From Religious Upbringing to Hollywood Success"Last week, I was a Hassidic Lubavitch Jew living in Crown Heights, New York," was Hoffman's first line as Randi. "Now I'm in LA, I'm gay and probably an atheist." Hoffman's own life has taken a similar about-turn after being thrust into the spotlight. Randi, a role that was created for her by writers Lucia Aniello, Paul W Downs and Jen Statsky and draws on Hoffman's own background, has been "a life-changing part," she says on a video call from the home in Los Angeles that she shares with her wife, the reality TV star Gabby Windey.Home life in Montreal was chaotic, living in a house that was "so packed with so many people," Hoffman says. She would frequently get into physical fights with her brothers and "cried every single day … sometimes I was kicking and screaming on the floor." She got out as soon as she could, at 17, when she began renting a place of her own, taking on a part-time job to support herself through her Cégep, a type of pre-university college unique to Quebec.Awards, Recognition, and Controversial Comedy StyleAlthough Hoffman insists she isn't trying to offend ("I do think that a lot of my jokes are misinterpreted"), she also doesn't think being offended is the worst thing: "Being poor is." She's speaking from experience: she grew up in a family that relied on welfare payments, the seventh of 10 children.Wake Up includes gags about "disgusting" women ("always the hottest ones are sickest") and abortion ("we raise the age of abortion till 10, we got a lot of well-fucking-behaved kids on our hands"). Not to mention the jokes about paedophilia. But although her punchlines make some audience members bristle, "I just don't get to choose my thoughts," the comedian says. "I'm just sharing it with you. I wish I didn't know some of these things. I truly wish paedophilia was not something that I was introduced to or heard about. I think it's more democratic that I joke about everything, you know?"The Changing Landscape of ComedyThe comedian's proclivity for referring to women, including herself and her mother, as "bitches" is an aspect of her onstage coarseness that carries over into our call, in which she is otherwise much more mellow and thoughtful. Sure, she doesn't follow the typical Hollywood script of simpering self-deprecation, instead unapologetically backing herself and frequently talking about how great it is to be rich. But you get the impression that this is self-conscious gaucheness, a send-up of convention rather than outright rudeness."I come in hot," Hoffman admits – especially on stage. But she is not pretending to be something she's not – unlike, she says, supposedly "kind and nice" figures such as Will Smith, who was banned from the Oscars after slapping the comedian Chris Rock, or Ellen DeGeneres, whose talk show was cancelled after allegations that junior staff had been bullied.Future Prospects and Industry ImpactHoffman is endearingly grateful for her success. "Am I not living one of the greatest lives you've heard about?" she said during her recent appearance on Late Night With Seth Meyers. "I really do feel that," she says. When she started out in comedy, it felt like "such a risk" to pursue a career with no promise of financial stability: "It's becoming harder and harder to go from no money to money, so when we get one of our guys in, it always feels miraculous."She wishes it wasn't so miraculous – Hoffman is a Bernie Sanders supporter and believes "everybody's entitled to dignity." She resents being an example of someone who "did it" – got herself out of poverty via talent and determination. "You shouldn't have to be this special, you shouldn't have to be this talented," she says. Throughout her adolescence, she was "so sick of being poor," so focused on working hard at the Jewish private school for which her grandfather had helped her win a scholarship, then pursuing a degree in accounting.