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The Lead In a revealing interview, Mark Williams, beloved for his portrayal of Arthur Weasley in the Harry Potter films, shares candid insights about his experiences on set, his relationships with fellow cast members, and the enduring impact of his iconic roles on both his career and public recognition. On-Set Memories and Fellow Actors Williams reflects on the challenges and joys of filming the Harry Potter series, noting that the worst part was "being away from home and the long hours," while the best was "the work and talking to the other actors." He recalls the legendary storytelling abilities of his co-stars, particularly Michael Gambon and Richard Griffiths, whose backstage anecdotes were "brilliant, and completely unpublishable." One of the more unusual on-set activities involved browsing agricultural equipment magazines with Robbie Coltrane. "With Robbie Coltrane I used to like going through Plant Trader, which was a sales magazine for big stuff: cranes, tractors, earthmoving equipment. We never purchased anything, but we came close," Williams reveals. The Unexpected Recognition Williams shares an amusing anecdote about recognizing someone unexpected on the Harry Potter set. While filming in the Ministry of Magic, he spotted his accountant among the extras. "When we'd stopped shooting I went over and said: 'Harry? What are you doing?' He said: 'Oh, it's a group of us. We just come and do supporting artist extra work for a laugh. That guy over there is a high court judge, and he's a contract law specialist.'" This experience taught him to "never underestimate the extras," highlighting the diverse backgrounds of people working in the film industry. Career Highlights and Collaborations When asked about his favorite collaborations, Williams cites two distinct areas: working with Hugh Laurie in films like "101 Dalmatians" and "The Borrowers," and his relationships with costume departments. He recalls a particularly memorable meeting with costume designer Bunny Christie on "Shakespeare in Love," who looked him up and down and declared, "Hmm, a make, I think," making him feel like he'd "arrived" in the industry. Williams also discusses his role as Brian Williams in "Doctor Who," describing his character as "the sort of antihero," and expresses his fondness for the maritime culture of the British Isles, which he'd love to explore in a potential documentary series. Iconic Catchphrases and Public Perception The interview touches on Williams' most famous catchphrases from "The Fast Show," including "Suits you, sir" and "Nice." While he doesn't find himself frequently quoting these lines in everyday life, he reveals that his mother used to say "Which was nice" without acknowledging its origin. When asked if he's tired of hearing his catchphrases, Williams responds with characteristic humor: "If you can't do the time, don't do the crime." When asked which catchphrase he wishes was his, Williams singles out Catherine Tate's "How very dare you?" as "a work of genius," noting its political undertones and versatility. Life Beyond Harry Potter Williams discusses his current role as Father Brown, revealing his love for the "Britishness" of music hall traditions and the "lunacy, the madness of it." While he has an excellent voice and can perform an uncanny George Formby impression, he hasn't pursued a singing career, though he has played Doctor Dolittle on tour. He also shares his thoughts on the Harry Potter studio tour, particularly fond of "Fluffy's paw," describing it as "a giant animatronic hand" that reminds him of Ray Harryhausen's work, noting that such creations are unique to films.

The Vision for a Just and Sustainable FutureImagine a future in which everyone enjoys high levels of wellbeing; where 90% of the world's population doubles their income but works half the hours we work today. A world in which the bottom half of humanity sees its share of global wealth rise from just 2% today to 30%; a world where we consume enough, but nobody over-consumes. And imagine achieving this on a planet that can comfortably sustain human life without its climate breaking down.Against the bleak techno-authoritarian futures now being sold to us, a radical new vision for global progress in the 21st century feels urgently needed. The most credible vision is one in which the habitability of the planet is a precondition for human development and equality.The Three Pillars of Global TransformationOur new report examines the conditions required for the world to progress towards this ambition on an economically and ecologically compatible path, by the end of the century. Its conclusion? A global transformation that reconciles planetary habitability and high standards of wellbeing for all is possible – as long as three conditions are simultaneously met.Fast decarbonisation of energy systems is necessary. But we also need a major shift away from overconsumption towards 'sufficiency'. This would involve a sharp reduction in labour hours and the use of raw materials, along with big changes in consumption patterns, food habits, land use and forest cover. Financing and politically sustaining decarbonisation and sufficiency will require a drastic reduction in inequality of income, wealth and power, between countries and within them.Quantifying the Path to Global JusticeThe Global Justice Report is the first attempt to propose a fully quantified plan for this transition. It combines four dimensions that today's debates often treat separately: redistribution at the world scale; a deep reform of the international financial and economic order; a radical transformation of energy systems; and substantial shifts in consumption patterns. Compared with most climate scenarios (including those of the Intergovernmental Panel on Climate Change), the main novelty is that we model all four dimensions together – and place inequality and sufficiency at the centre of the analysis.The Economic Convergence by 2100What would this transition deliver? At its heart is convergence between countries. Average per capita national income, today separated by a 16-fold gap between the poorest (€290 a month in sub-Saharan Africa) and richest (€4,590 in North America/Oceania) regions of the world, would rise towards a common level of about €5,000 a month in all countries by 2100.But this convergence is not just monetary. Annual working hours per employed person would fall from roughly 2,100 to about 1,000, continuing the long shift towards shorter working time; while the share of global working hours devoted to education and health would rise from 11% to 43%. Women and men would converge on equal pay and on an equal share of economic and domestic labour.Climate and Wealth TransformationAll of this would unfold within a habitable climate. Thanks to sustainable convergence and fast decarbonisation, global heating would reach 1.8C, against more than 4C on current trends.None of this will be possible without a deep contraction of inequality. The income scale between individuals would narrow to a ratio of one to five and the wealth scale to one to 10, prolonging what western and Nordic Europe achieved over the 20th century. The share of global wealth held by the poorest half of humanity would rise from 2% to 30%, while the share held by the billionaire class would fall from 6% to 0.05%.Financing the Global Justice TransitionThese shifts would be financed and governed through new institutions. A global justice fund would spend an average of 10% of world GDP a year from 2026 to 2060 on country dividends and investment, against the less than 0.4% that aid and the combined budgets of the UN, the International Monetary Fund (IMF) and the World Bank represent today.Its resources would come from a world sovereign fund holding 10% of the world capital stock, a global wealth tax rising to 20% a year on billionaires and a global income tax rising to 90% at the very top, each touching about 1% of the world's population.The Political Path ForwardThe result is not a transfer from many to few but a gain for almost everyone. Close to 90% of the world's population would double their income between 2026 and 2100, and once leisure and a habitable planet are counted, more than 99% come out ahead.Our report is part of a broader international agenda for planetary habitability, social justice and reform of the global financial architecture – including the Bridgetown agenda launched by Barbados in 2022, the Sevilla Commitment on development finance, the UN tax convention process, and G20 initiatives led by Brazil and South Africa on global inequality.A habitable, equal and prosperous 21st century is materially possible. The carbon budget allows it and history offers precedents at comparable scales: universal suffrage, the universalisation of healthcare and education, the halving of working hours and the sharp compression of inequality over the 20th century. Technical impossibility is not what is standing in the way, but rather the absence of a shared vision of social progress, at once concrete and radical. What it will take instead is political choice, and the hard work of coalition-building behind it.

Why Reducing Screen Time Has Become CriticalSmartphones have become the primary source of dopamine for many, leading to compulsive scrolling that erodes mental wellbeing. Recent legal action against major platforms underscores the urgency of adopting concrete habits to break the cycle.Legal Wake‑Up Call: Meta and YouTube Fined $6 MillionIn March, Meta and YouTube were ordered to pay a combined $6 million after a U.S. court ruled their platforms were deliberately designed to be addictive. The ruling serves as a public acknowledgment that the tech industry’s engagement loops can have harmful consequences.Numbers That Reveal the Scope of Phone AddictionSearch interest for “phone addiction” has risen steadily over the past decade, according to Google Trends data for the UK.The court‑imposed fine totals $6 million, a tangible financial penalty for design practices that prioritize user attention over health.Experts cite parallels between substance addiction and app usage, noting similar patterns of positive and negative reinforcement.How Excessive Screen Use Is Reshaping Mental Health and Tech DesignProf Marcantonio Spada, emeritus professor of addictive behaviours at London South Bank University, explains that intermittent rewards—likes, notifications, short videos—keep the brain in a state of anticipation, amplifying the “hangover” effect after prolonged scrolling. Psychotherapist Hilda Burke observes that patients often experience low mood, sleep disruption, and concentration problems linked to phone overuse.Both experts stress the importance of conscious choice: moving from passive “I found myself scrolling” to active “I chose to open Instagram.”Practical Steps to Reclaim Control Over Your DeviceTrack your time: Use built‑in tools like Android’s Digital Wellbeing or iOS’s Screen Time to monitor app usage and set limits.Schedule screen‑free periods: Implement “wait training” by leaving the phone behind during walks or designating a full screen‑free day (e.g., Sundays).Change your lockscreen: Replace distracting widgets with neutral images or information that discourages immediate checking.Set clear boundaries: Turn off non‑essential notifications, especially for messaging apps, to reduce the urge to respond instantly.Create physical distance: Keep the phone in another room during meals or focused work sessions.What the Future Holds for Digital Wellbeing Tools and RegulationAs courts continue to hold platforms accountable, we can expect tighter scrutiny of design features that exploit attention. Meanwhile, operating‑system providers are likely to expand Digital Wellbeing and Screen Time functionalities, offering more granular controls and proactive alerts. Users who adopt the outlined habits now will be better positioned to benefit from these upcoming enhancements while safeguarding their mental health.

The Leap into Opera Direction Danielle de Niese, a renowned singer, has taken on a new challenge by directing her first opera, The Marriage of Figaro. In an interview, she shares her thoughts on what inspired her to make this career shift and how she approached the project. An Unexpected Opportunity de Niese explains that she was approached by Wild Arts' producer Max Parfitt to direct a new production of Figaro. With a gap in her schedule, she decided to take on the challenge. Her deep familiarity with the opera, having performed in it multiple times, made her a suitable candidate for the task. A New Perspective on a Classic de Niese aimed to bring a fresh perspective to the classic opera. She set her production in the 18th century, the time it was written, and focused on creating realistic characters and believable plot actions. Her goal was to make the opera feel less pantomimic and more coherent, with every moment having tension and plausibility. Breaking Away from Tropes de Niese wanted to avoid common tropes in Figaro productions. She sought to portray the Count as more than just a buffoon and Cherubino as a young page with more depth. By doing so, she aimed to create a more nuanced and engaging performance. The Importance of Character Development As a performer, de Niese understands the importance of character development. She emphasized that every character's actions must make sense and be believable. This approach allowed her to create a cohesive and engaging production. A New Chapter in Her Career Directing Figaro marks a new chapter in de Niese's career. While she loves her day job as a performer, she sees directing as an opportunity to explore new skills and challenge herself. With this experience, she has proven that she is capable of taking on new roles and pushing her creative boundaries.

The Miraculous Discovery A Nepali Sherpa guide who went missing on Mount Everest six days ago has been found crawling alone to base camp after fears that he had died. According to Pemba Sherpa of 8K Expeditions, which was coordinating the search for the missing guide, Dawa Sherpa was found by a clearing crew on Thursday morning as he was crawling down snowy slopes around the Khumbu Icefall. The Dramatic Rescue Operation Dawa, 52, was carried down to safety and given food and water. A rescue helicopter flew him to HAMS Hospital in the capital, Kathmandu, where his wife and daughter, who had already begun funeral rituals, were waiting. "We first heard that he was still alive on the local news and from a person we know who called with the news that … he is being brought down," his wife, Damu Sherpa, said. The Timeline of Events Dawa was last seen around May 29 descending the mountain He did not reach base camp, although his client, a Polish climber, did There was a delay in organizing a search team When rescue helicopters were finally sent, they could not locate him He was found by a clearing crew from the Sagarmatha Pollution Control Committee Family's Emotional Journey For Dawa's family, hope of seeing him again was all but gone. His teenage daughter, Mendo Lhamu Sherpa, said they were already on the second day of a funeral ritual, which lasts for several days. "When we first heard about it, we could not be sure if that person was indeed our father," Mendo Lhamu said. "So to be certain, we asked for photos to be sent, and then only we were sure and very happy." Everest's Busiest Season The team that spotted him was part of the Sagarmatha Pollution Control Committee, which lays ladders and ropes on the route at the start of each climbing season and then removes the equipment and cleans up the site after the climbers have left. Last month, more than 1,000 climbers and their guides scaled Everest during the busiest climbing season ever on the world's highest mountain. At least five people have died this season.

The Convergence of Faith and Foreign PolicyActing President Delcy Rodriguez’s first visit to India since assuming office represents a strategic convergence of spiritual devotion and critical energy diplomacy. Her five-day trip is not merely a ceremonial state visit but a calculated maneuver to secure Venezuela’s vast oil reserves for India's energy security, while simultaneously honoring her personal spiritual lineage.From Puttaparthi to New Delhi: A Dual MissionRodriguez’s itinerary is uniquely bifurcated between the sacred and the secular. She is expected to visit the birthplace of her spiritual mentor, Sathya Sai Baba, in Puttaparthi, a pilgrimage she has undertaken previously. This spiritual connection is not new; her predecessor, President Maduro, was also a devotee, and the Venezuelan government has long utilized the spiritual network to foster soft power. However, the timing of this visit coincides with a critical shift in Venezuela's oil production and export capabilities.Venezuela’s Oil Resurgence: Key MetricsAmidst the ongoing energy crisis in the Middle East, Venezuela has rapidly emerged as a vital alternative supplier for India, filling the gap left by disrupted Gulf supplies.Global Reserves: Venezuela holds approximately 17% of the world's known oil resources (303 billion barrels), making it the holder of the largest reserves globally, surpassing Saudi Arabia and the US.Import Surge: Shipments to India have jumped from 283,000 barrels per day (bpd) in April to 417,000 bpd this month, marking a significant increase in trade volume.Total Imports: As India's total crude imports rise to nearly 5 million bpd, Venezuelan oil is becoming a critical component of the nation's energy mix.Navigating Sanctions and Supply ChainsThe deepening ties between India and Venezuela highlight a sophisticated bypass of US sanctions. By signing new oil supply agreements, Rodriguez’s government is facilitating direct sales to Indian firms, specifically Reliance Industries, which possesses the rare infrastructure capable of processing ultra-heavy crude efficiently. This partnership allows India to secure energy independence without relying on the volatile Strait of Hormuz, which has been under effective blockade since March.The Long-Term Energy AllianceThe visit signals a durable shift in geopolitical alignments. With the US allowing limited waivers for Venezuelan oil sales, the Rodriguez administration is leveraging its spiritual and political capital to secure a long-term energy lifeline. As India continues to seek alternatives to Russian and Middle Eastern oil, the Rodriguez government views India as a stable, long-term partner capable of revitalizing Venezuela's crippled oil sector.

The Call for Energy Stability Saudi Arabia's Minister of Energy, Prince Abdulaziz bin Salman Al Saud, has met his Russian counterpart in St Petersburg and called for stability in global energy markets as OPEC+ grapples with disruptions caused by the wars in Iran and Ukraine, which have sent oil prices skyrocketing. OPEC+ Challenges OPEC+ has been mired with unprecedented challenges, with slashed oil exports, and the United Arab Emirates, an OPEC powerhouse for almost 60 years, left the oil cartel in April. Uncertainty in the Energy Sector “The situation we’re going through now does make a point here, which is the world needs every molecule of energy, and every form of stabilisation to this energy, because without energy security, you will lose sustainability,” the minister said. “There are so many moving parts, there are so many unknowns, there are things that you think have become a reality, but then you wake up the next morning, and the reality is no longer a reality.” Russia's Low Oil Production Russian counterpart and Deputy Prime Minister Alexander Novak echoed his views, adding that OPEC+ was able to offset global changes in the energy sector. Novak also mentioned that Russian oil production has fallen since the start of the year, blaming the decline on unplanned maintenance at refineries. Future Outlook Reuters reported that Saudi Arabia, Russia, and five other OPEC+ countries would likely agree to a further hike in their output target for July when they meet on Sunday, quoting unnamed sources.

The Historic SpaceX ValuationElon Musk's rocket company SpaceX is targeting a valuation of nearly $1.77 trillion in its blockbuster initial public offering (IPO), paving the way for the largest stock market debut in history. In a filing with the US Securities and Exchange Commission, SpaceX announced plans to sell 555.6 million shares at $135 apiece, raising approximately $75 billion.Market Position and Financial ImpactThe eye-popping valuation would make SpaceX the world's seventh-largest company by market capitalization, ahead of Musk's electric vehicle maker Tesla and social media giant Meta, and just behind Taiwanese chipmaker TSMC. This would eclipse energy giant Saudi Aramco's 2019 debut, which raised $26 billion at a valuation of $1.7 trillion.Despite the public listing, Musk will retain effective control of SpaceX with more than 82% of voting rights, the result of a dual-class stock structure that grants certain shares 10 votes instead of one.Industry Transformation and Investor ConfidenceSpaceX's listing will be a test of investors' confidence in Musk's vision, which has yet to translate into profits at the company. SpaceX reported a net loss of $4.9 billion on revenue of $18.7 billion in 2025, followed by a $4.3 billion loss in the first quarter of this year.Despite SpaceX's lack of profitability, market sentiment is strong, with buyers of investment products linked to the listing pricing the company's end-of-first-day market capitalization at $2.2 trillion. The Tesla parallel is perhaps worth drawing: It debuted in 2010 as a loss-making company and largely tracked the S&P; 500 for years, only breaking away decisively once it turned profitable for the first time in Q1 2013.Future Outlook and Market ImplicationsSpaceX's debut is the first of three mega-IPOs expected this year, along with AI startups OpenAI and Anthropic. The listings are poised to add trillions of dollars in value to the US stock market, which is already hovering at record highs on the back of the AI boom.Founded by Musk in 2002, SpaceX is best known for designing and launching rockets, spacecraft and reusable launch vehicles on behalf of NASA and private companies. The company also provides internet services and artificial intelligence models through its Starlink and xAI divisions.Musk has outlined lofty ambitions for SpaceX, including to establish a "self-sustaining" city on Mars, "make life multiplanetary", and "extend the light of consciousness to the stars." With SpaceX, there is a risk that cash flows will be used to send hundreds of thousands of people to Mars, at a loss, according to Jay R Ritter, an emeritus professor at the University of Florida who specialises in IPOs.

A Fresh Chapter for Rufus NorrisRufus Norris reflects on the relief of stepping away from the National Theatre, describing his post‑NT life as “irrelevant” in a liberating sense. Following his mother’s death and his 60th birthday, he embraced DIY projects, kayaking, and a house move before returning to directing.Directing Death of a Salesman in Istanbul’s Zorlu PACNorris was invited by Filiz Ova, general manager of Istanbul’s Zorlu Performing Arts Centre (PAC), to helm a Turkish‑language version of Arthur Miller’s classic. The production assembles a hybrid team:Es Devlin – celebrated set designerJavier de Frutos – Olivier‑award‑winning choreographerOğuz Kaplangı – renowned Turkish composerLerzan Pamir – Turkish associate directorThe cast features Turkish mega‑stars Halit Ergenç (Willy Loman), Zerrin Tekindor (Linda Loman), Fatih Artman and Kerem Arslanoğlu as the Loman sons.Numbers That Shape the ProductionVenue capacity: 2,300 seats, unusually large for the intimate drama.Departure from the National Theatre: 1 April 2025.Norris’s age at the time of the new project: 60.Time between invitation and rehearsals: roughly six weeks.Impact on British Theatre and International CollaborationThe move signals a shift for established UK directors toward global stages, highlighting the growing appetite for cross‑cultural reinterpretations of canonical works. Norris’s informal, “collegiate” style resonates with Turkish artists, suggesting a model where personal freedom fuels artistic exchange.Looking Ahead: Norris’s Future TrajectoryHaving settled in Fife with partner Tanya Ronder, Norris emphasizes a desire to read, create without institutional pressure, and choose projects that feel personally alive. His success in Istanbul may open doors for further collaborations across Europe and the Middle East, reinforcing a post‑institutional era for veteran theatre makers.