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The Leap from Ballet to New Careers Former ballet dancers share their journeys of transitioning to new careers, highlighting the challenges and opportunities they encountered. Finding New Purpose: Lana Jones' Journey to Midwifery Lana Jones, a former principal dancer at the Australian Ballet, discovered a new passion in midwifery. After the birth of her son, she felt a strong desire to pursue a career that wasn't about her, but about helping others. She enrolled in a midwifery course at medical school and now finds fulfillment in her work, particularly in making women feel safe during labor. From Ballet to the House of Lords: Baroness Deborah Bull's Story Baroness Deborah Bull, a former principal dancer at the Royal Ballet, was selected as a life peer in the House of Lords in 2018. She reflects on the similarities between performing on stage and working in the chamber, where she must prepare, research, and perform under pressure. Despite missing the physicality of ballet, she values her new role and the opportunity to contribute to important discussions. Embracing Change: Sarah Dolník's Path to Social Work Sarah Dolník, formerly a dancer with the Czech National Ballet, considered retirement during the 2020 Covid lockdown. She began studying social work and eventually left ballet at 27 to pursue a new career. Now a kindergarten teacher, she appreciates being part of decision-making conversations and values her newfound sense of purpose. Staying in the Performing Arts: Federico Bonelli's Experience Federico Bonelli, artistic director of Northern Ballet and former principal dancer at the Royal Ballet, shares his journey of staying within the performing arts while transitioning to a new role. His story highlights the importance of finding new passions and opportunities within one's existing field.

Saudi PIF Announces End of Funding After the 2026 SeasonThe Public Investment Fund (PIF) confirmed that its financial support for the breakaway LIV Golf league will stop at the close of the 2026 season. In a statement, PIF said the “substantial investment required over a longer term is no longer consistent with the current phase of PIF’s investment strategy.”New LIV Golf Board Targets a Multi‑Partner Investment ModelGene Davis of Pirinate Consulting Group and Jon Zinman of JZ Advisors have been appointed to a newly created board, with Davis serving as chair. Their mandate is to secure long‑term financial partners to replace Saudi capital, while a committee of independent directors will explore strategic alternatives beyond the PIF horizon.Financial Footprint: $5.3 bn Spent Since Launch$1 bn allocated to marquee contracts for players such as Bryson DeChambeau, Brooks Koepka, Phil Mickelson, Cameron Smith and Jon Rahm.$5.3 bn spent by LIV Golf from its 2022 launch; projected to reach $6 bn by year‑end.$30 m prize fund per tournament.Goal for 10 of 13 teams to be profitable this year.Implications for the Global Golf LandscapeThe funding withdrawal reshapes the power balance between LIV Golf and the established PGA Tour. Without PIF backing, LIV must prove its franchise‑team model can attract alternative capital, a challenge that could affect player retention, especially for top signings like DeChambeau and Rahm. The PGA Tour, meanwhile, continues to negotiate pathways for former LIV players, offering limited‑time returns but with strict conditions.Outlook: Funding Strategies and Player RetentionAnalysts expect LIV Golf to pursue a consortium of private investors, media rights deals, and possibly a public‑stock component to sustain operations beyond 2026. Success will hinge on delivering consistent profitability across its teams and maintaining the allure of its $30 m prize pools. If alternative financing falls short, the league may face a talent exodus as contracts expire, potentially accelerating a convergence with the PGA Tour’s ecosystem.

The Concept Behind the Show The small print tells us this show has no connection to the fashion house of McQueen, nor does it feature any of Alexander McQueen's designs. You could think it's a cynical attempt to get bums on seats for classical music, but it is created by McQueen's longtime musical director, John Gosling, alongside Robert Ames, conductor of the London Contemporary Orchestra. The LCO plays music that inspired the designer, all run together like a DJ mix with theatrical lighting and multi-genre guest performers. The Music and Performance Far from “unnatural”, most of the harmonies here are as concordant as Classic FM, mostly film soundtracks (The Hours, The Piano, a couple of John Williams') and tearjerkers (Dido's Lament, Barber's Adagio for Strings). The friction, however, is all in the combinations. For example: two dancers posturing in nude body stockings – one has hooves instead of hands and tights over her face – and then behind them, the cello section in formal white tie and tails. Hearing Handel cut with the Rolling Stones in a jaunty string arrangement, or a blast of Nirvana, feels like your GCSE music teacher trying to be cool, although the blaring siren of Armand Van Helden's Witch Doktor is genuinely unsettling. The Impact of the Performance Cabaret singer Le Gateau Chocolat always has presence and fabulous costumes – one here resembles a green Quality Street-wrapper – but like the rest of this show seems under-rehearsed. The two dancers, choreographed by Holly Blakey, appear in superfluous layers that exaggerate the messy world of the choreography and it is hard to tell whether it's being serious or sarcastic when the dancers shake their heads comically in time with a piano trill. The Legacy of Lee Alexander McQueen There's a superficiality to this genre clash; are these art forms really speaking to each other or is it provocation for the sake of it? But there are genuinely illuminating moments in a film choreographed by Michael Clark, a friend of McQueen's, both men steeped in classical craft and punk spirit. We see dancer Jules Cunningham in a very Isabella Blow hat, and Simon Williams dancing to Barber's Adagio, one of the most loved/hackneyed pieces of music. And yet the shocking starkness of Clark's ironed-out angles cuts through the familiarity to bring a laser focus to the music. It's a show full of contradictions, wrestling between sweet and edgy, but ending up quite middle of the road. The Show's Details At Royal Festival Hall, London, until 30 April

The Champions League Semi-Final SpectacleFootball's role as a leading hot-take commodity was taken to the nth degree after Tuesday's nine-goal slugfest between Paris Saint-Germain and Bayern Munich in Paris. The debate over whether this was the competition's best ever semi-final will continue until next Wednesday's second leg in Munich, with PSG coach Luis Enrique calling it "the best match I have ever coached," though he omitted to mention previous contenders like Barcelona's La Remontada of 2017 or last season's 7-6 semi-final double-header between Inter and Barcelona.As widely predicted, a 1-1 draw between Atlético Madrid and Arsenal on Wednesday night in Madrid did not match the previous evening for entertainment. Those who value defence over attack got their fill until Antoine Griezmann and Julián Alvarez grew in influence in the second half. The night was marked by penalty decisions and video assistant referee interventions, with Arsenal supporters raging over a decision that changed the course of the game.Tactical Approaches and Managerial ChessThe PSG-Bayern Munich encounter showcased the attacking luxury that France and Germany's dominant clubs enjoy, not being challenged in their domestic leagues so they can keep their powder dry for the latter stages of the Champions League. Bayern's approach, even when 5-2 down, revealed Vincent Kompany's philosophy as a coach – a stark contrast to his reputation as one of the finest defenders of his era.Atlético Madrid's Diego Simeone demonstrated his tactical acumen by shifting his team's formation at half-time, lifting what had previously been a moribund contest. His involvement extended to the touchline, where he orchestrated both the crowd and the officials according to some observers, including former Arsenal player Martin Keown. Simeone's approach represents one way to navigate the Champions League, contrasting with Arteta's more measured style.Statistical Highlights and Individual PerformancesThe PSG-Bayern match set records with the most goals of any 90-minute match in the Champions League last-four, reaching an incredible nine goals. This offensive showcase featured attackers at their absolute best, with Bayern Munich's Luis Díaz completing the scoring to make it 5-4. His coolness and perfectly timed run capped off a night that may prove to be the most crucial goal of the nine in Paris.Atlético Madrid's Antoine Griezmann, potentially playing his last Champions League home game, showcased the class that has many wondering if his move to MLS is premature. Meanwhile, Arsenal's attack struggled for verve, with their starting front three of Gyökeres, Gabriel Martinelli and Noni Madueke not creating enough danger against Atléti, despite Gyökeres at least making a pest of himself and taking his penalty well.Defensive Philosophies and Refereeing ImpactThe contrasting approaches to defending were highlighted by former Birmingham City player Kenny Cunningham, who led the defensive puritans in criticizing the high-scoring match. Speaking on Irish channel Premier Sports, he compared Tuesday's thriller unfavourably to the Juventus v Milan European Cup final at Old Trafford in 2003, widely regarded as the dullest of the Champions League era.Refereeing decisions became a central talking point, particularly in the Atlético Madrid-Arsenal match. The award – and rescinding – of what initially seemed a penalty when Dávid Hancko caught Eberechi Eze in the 78th minute had Arsenal supporters raging. Manager Mikel Arteta expressed his frustration, stating: "No clear and obvious error [on the initial decision], and this changes the course of the game. And at this level, I'm sorry but this cannot happen."Looking Ahead to the Second LegsAchraf Hakimi, arguably the best attacking full-back in world football, will miss the second leg due to a hamstring injury, meaning PSG's right flank will be manned by Lucas Hernández, who won the Champions League with Bayern when they beat PSG in the 2020 final. This absence could prove crucial in determining which French side advances to the final.Arsenal's attacking concerns continue, with Bukayo Saka able to play only some part and substitute Eze lifting those around him. The unfortunate Kai Havertz is unlikely to feature in the second leg. Atlético's Julián Alvarez, recently linked with Arsenal, would be an upgrade should the Gunners fall short. Questions would then be raised about the recruitment policy of their sporting director, Andrea Berta, who once held the same role at Atlético.Bayern's Vincent Kompany has set expectations high for the second leg, declaring: "More. Even more. We're at home. We'll have 75,000 people in that stadium. The city will live it for an entire week." His refusal to apologize for his team's approach, even when 5-2 down, reveals the confidence he has in his team's ability to overturn the deficit.

The Health Crisis of a Jailed Opposition LeaderJailed Tunisian opposition leader Rached Ghannouchi has been urgently transferred to a hospital after experiencing a sharp deterioration in his health, according to his party Ennahdha. The 84-year-old former speaker of parliament and head of the Ennahdha party has been imprisoned since April 2023 in what his supporters and international rights groups describe as a politically motivated campaign to crush dissent.In a statement on Thursday, Ennahdha's media and communications office confirmed that prison authorities were forced to transfer Ghannouchi to hospital for treatment and continuous medical observation over the coming days. The party did not provide specific details regarding his current medical condition, but noted that he suffers from chronic illnesses that require constant family care and attention due to his advanced age.Multiple Prison Sentences and Arbitrary DetentionGhannouchi's hospitalization comes amid multiple prison sentences totaling over 25 years. He was initially arrested in April 2023 on charges of incitement and sentenced to one year in prison. In February 2024, a financial corruption court sentenced him to three years over accusations that his party received foreign contributions – a charge Ennahdha vehemently denied. In February 2025, he was handed a 22-year prison sentence on charges including plotting against state security."In light of this dangerous development, the movement renews its demand for the immediate release of Mr Rached Ghannouchi, considering him arbitrarily detained," the Ennahdha statement read. The party pointed to a 2024 decision by a United Nations committee of experts, which concluded that Ghannouchi is being prosecuted for his freedom of opinion and expression, and that the charges against him lack any legal or factual basis.Widening Crackdown on Political OppositionGhannouchi's situation is part of a broader crackdown on political opposition orchestrated by President Kais Saied. Elected in 2019, Saied – a former law professor – suspended the Tunisian parliament in 2021 and subsequently dissolved the legislature to rule by decree. He later pushed through a controversial referendum on a new constitution that vastly expanded presidential powers, which the opposition has described as a coup.Since consolidating power, Saied's government has targeted numerous opposition figures, journalists, lawyers, and activists. In November 2025, Jawhar Ben Mbarek, cofounder of the National Salvation Front, was hospitalised due to severe dehydration during a hunger strike protesting his detention. Shortly after, prominent opposition figure Ayachi Hammami was arrested in December 2025 to enforce a five-year prison sentence following a mass trial of opposition members.International Condemnation and Human Rights ConcernsHuman rights organisations, including Human Rights Watch (HRW) and Amnesty International, have consistently condemned the arrests. In a 2025 report, HRW stated that Tunisia's government had turned arbitrary detention into a cornerstone of repressive policy."Saied's government has returned the country to an era of political prisoners, robbing Tunisians of hard-won civil liberties," said Bassam Khawaja, HRW's deputy Middle East and North Africa director. Despite international criticism, Saied has denied accusations of authoritarianism, maintaining that his actions are necessary to fight corruption, rescue the country from political chaos, and hold those he labels as "terrorists" accountable.Future Outlook for Tunisia's Political LandscapeGhannouchi's hospitalization has intensified international scrutiny on Tunisia's human rights situation. With the health of the highest-profile opposition figure deteriorating, pressure is mounting on President Saied's government to address concerns about arbitrary detention and political prisoners. The Ennahdha party has emphasized that "the natural place for Mr Rached Ghannouchi is to be free in his home among his family," citing his constitutional right to necessary healthcare and international treaties ratified by Tunisia.As Tunisia approaches potential political transitions, the treatment of opposition figures like Ghannouchi will likely remain a critical point of contention both domestically and internationally. The international community continues to monitor the situation closely, with human rights organizations likely to further document and report on developments in the coming weeks and months.

Al Pacino's Cinematic Journey The Guardian's recent article presents a ranked list of Al Pacino's films, offering a detailed analysis of his acting career. The list includes 20 films, starting from 'Manglehorn' (2014) and ending with 'The Panic in Needle Park' (1971). Standout Performances Manglehorn (2014): Pacino plays a former Little League baseball coach turned locksmith, showcasing his ability to portray complex characters. Scarface (1983): Pacino's iconic performance as Tony Montana, a Cuban refugee turned gangster, is highlighted as a testament to his powerful acting. The Godfather Part III (1990): Pacino's portrayal of Michael Corleone is noted for its emotional depth and complexity. Early Career Highlights The Panic in Needle Park (1971): Pacino's first major film role, where he plays a heroin addict, marking the beginning of his extensive career in cinema. Cruising (1980): Pacino's performance as a cop going undercover in New York's leather scene is praised for its boldness and relevance. A Diverse Filmography Al Pacino's filmography, as presented by The Guardian, showcases his versatility as an actor. From drama and crime to comedy and documentary, Pacino has explored various genres throughout his career. His collaborations with renowned directors like Francis Ford Coppola, Oliver Stone, and Christopher Nolan have resulted in some of his most memorable performances. Legacy and Impact Al Pacino's impact on cinema is undeniable. With a career spanning over five decades, he has established himself as one of the most respected and accomplished actors of our time. The Guardian's ranking serves as a testament to his enduring legacy and the wide range of his artistic contributions to film.

Aneil Karia, Oscar‑winning director, releases the 16‑minute far‑right satire “Vote Gavin Lyle” starring Jack Lowden on YouTube and WePresent, the arts arm of file‑sharing service WeTransfer.Inside “Vote Gavin Lyle”: A Satirical Short FilmThe film follows a fictional Reform‑style parliamentary hopeful, Gavin Lyle, in the imagined constituency of Fletcham and Wold. In just 16 minutes it lampoons the well‑spoken “Farageists” who dominate the far‑right’s leadership, offering a surprisingly empathetic glimpse into their vulnerabilities.Key Facts and FiguresRuntime: 16 minutesRelease date: 30 April 2026Platforms: YouTube and WePresent (WeTransfer)Lead actor: Jack Lowden as Gavin LyleCreator’s credentials: Oscar for short “The Long Goodbye” (2022)Why the Film Resonates in the Current UK ClimateKaria argues that far‑right politicians are “just as vulnerable and scared as the rest of us”, a perspective that cuts through the usual “nasty bastards” narrative. By focusing on the polished, intellectual side of the movement, the short invites viewers to consider the humanity behind the rhetoric, a timely reminder amid Britain’s polarized political discourse.WePresent’s Growing Role in Commissioned ArtsWePresent, the cultural arm of WeTransfer, has evolved from showcasing wallpapers to commissioning original films with artists like Riz Ahmed, Letitia Wright and Marina Abramović. Editor‑in‑chief Holly Fraser describes the platform as a “unicorn” for creators, and “Vote Gavin Lyle” marks its latest politically charged offering.What’s Next for Karia and Short‑Form Political CinemaKaria is set to adapt Kaliane Bradley’s sci‑fi novel The Ministry of Time for television, while “Vote Gavin Lyle” is already circulating online, likely sparking debate ahead of upcoming elections. The collaboration hints at a future where short, digitally‑native satire becomes a staple of political commentary.

The New Contract Kobbie Mainoo has signed a new contract at Manchester United that will keep him at the club until 2031, bringing an end to months of uncertainty over his future. Mainoo's Rise to Prominence The 21-year-old midfielder, who joined United's academy in 2014, has already made 98 appearances for the club, scoring the decisive goal in the 2024 FA Cup final and representing England in the Euro 2024 final. The Player's Reaction “Manchester United has always been my home – this special club means everything to my family,” said Mainoo. “I have grown up seeing the impact that our club has on our city, and I relish the responsibility that comes with wearing this shirt.” The Club's Perspective Jason Wilcox, United's director of football, hailed Mainoo as one of the most “naturally gifted young footballers in the world”. “His technical ability, dedicated professionalism and humble personality make him the perfect role model for our young players and a true credit to our outstanding academy system,” he said. The Future Outlook “We are delighted that Kobbie has extended his stay here and have full confidence that he will develop into one of the best players in the world, ready to play a pivotal role in a Manchester United team challenging for the biggest honours.”

The Enduring Appeal of Highlander The sheer barking madness of this fantasy time-travel adventure from co-writer Gregory Widen and director Russell Mulcahy, now on re-release for its 40th anniversary, can best be described as Terry Gilliam meets James Cameron. The chiselled features of its Franco-American star Christopher Lambert – a kind of VHS Marlon Brando – are a minor source of diversion on their own and his Scottish accent has to be heard to be disbelieved. And Celia Imrie’s small role as the sexy but duplicitous 16th-century Scottish villager seals the deal on Highlander’s cult status. A Wacky Story of Immortals Forty years on, this depends more than ever on appreciating its trace of deadpan black comedy. Highlander’s wacky story concerns Connor MacLeod, smoulderingly played by Lambert, a fiery young warrior in the Scottish Highlands in the 1530s, who appears to have been killed during a war with the opposing Fraser clan. But he comes back to life, leading the excitable community to think he’s possessed by the devil. Driven out of the village, his only ally is his great love Heather (Beatie Edney), but the couple are astonished to encounter what appears to be an effetely dressed Spanish nobleman, played by Sean Connery, who incidentally displays in this film some very useful horsemanship. A Legacy of Action and Adventure But Connor has no choice but to accept his destiny, living on through the centuries. He fights a duel in 18th-century Europe, and during the second world war saves a child from the Nazis, who grows up to be Rachel (Sheila Gish), his secretary in an antiques business he runs in present-day New York under the name of Russell Nash. Every 40 or 50 years, he has to keep changing his identity using misappropriated death and birth certificates, meaning that Highlander can be added to the long list of movies and books who have borrowed Frederick Forsyth’s fake ID scam from The Day of the Jackal. A Cult Classic Reborn But NYPD officer Brenda (Roxanne Hart) has figured out that something is off about Mr Nash, who is preparing for a grand showdown with an evil immortal called the Kurgan, played by Clancy Brown; like Connor he is a great swordsman, and immortals can only be killed by being beheaded. The film’s galloping silliness never lets up, though it is perhaps an acquired taste: those who can’t indulge it may find themselves reminded of Quentin Tarantino’s belief that the 1980s were one of cinema’s worst decades. But those who can indulge it will find it uniquely quirky, funny and eccentrically ambitious. Release and Re-release Highlander is in UK cinemas from 4 May and on UHD and Blu-ray from 29 June.