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Gunmen Storm Mussa School, Seizing Dozens of PupilsAt about 9 am (08:00 GMT) on Friday, suspected insurgents on motorcycles entered Mussa Primary and Junior Secondary School in the Askira-Uba Local Government Area of Borno State. Ubaidallah Hasaan, a nearby resident, reported that the attackers moved swiftly while classes were in session and carried away a large number of students.Scale of Recent Kidnappings Across NigeriaCurrent incident: "dozens" of students taken (exact number not disclosed).Earlier this month: 23 children abducted from an orphanage in Lokoja, Kogi State.Recent parallel raid: students seized from Baptist Nursery and Primary School in Oyo State.These events follow a pattern of mass abductions that have become a revenue stream for armed groups, echoing the infamous 2014 Chibok schoolgirl kidnapping.Why the Northeast Is Becoming a Security Black HoleThe community of Mussa lies adjacent to the Sambisa Forest, a long‑standing insurgent stronghold. Despite ongoing military operations, repeated attacks on schools highlight persistent gaps in state presence, especially in rural zones where government services are minimal.Analysts, including writer Gimba Kakanda, note that insurgencies thrive not only on ideology but also on terrain, supply routes, and local economies that operate beyond state control.Future Outlook: Anticipated Rise in Rural AttacksSecurity experts warn that attacks could increase throughout 2026, driven by weakened government reach and the profitability of kidnappings. Policymakers face pressure to bolster protection for schools, improve intelligence sharing, and address underlying socioeconomic drivers such as chronic poverty and educational exclusion.

The Transformative Night in Blackpool Bronzed, with winged tips and doused in Le Male, I clamped the baby pink GHDs to my hair until they sizzled and singed it. Emerging from a cloud of cheap hairspray, I was ready for the dancefloor. I was 18 and had grown up in Blackpool, a place synonymous with hedonism and fun. I came out in high school at the age of 14 and from 16 I studied performing arts at a local college. Underage, I was smuggled into clubs and in my spare time I watched shows in our many beautiful theatres. The bright lights of the illuminations, the showgirls, the feathers, sequins and rhinestones were intoxicating. Blackpool really was – and still is – extraordinary. When the bar closed, a new adventure would begin. One night, as the sun was coming up (and as was I), a drag queen took me back to her place. I didn't know the significance of what I was about to experience, but I was to receive an education no university course could ever match. The drag queen was a Liza Minnelli tribute act. She knew every beat of every Liza film, every concert, every move of choreography. She performed as Liza in all the bars around town. Now I was ordained by being welcomed into her home. This moment could be the plot of a movie with Blackpool as a beautiful backdrop to my coming out/coming-of-age fantasy The Muppet Show That Changed Everything Was I ready to be indoctrinated? Very. She led me to the living room for a VHS screening of what I was told was one of Liza's finest performances. I was expecting Cabaret, the winner of eight Academy Awards, but not on this occasion. She sat me on the sofa and played Episode 414 of The Muppet Show from 1979, with special guest the one and only Liza Minnelli. The premise works so beautifully for exactly the same reason that The Muppet Christmas Carol is so beloved. In that film, Michael Caine gives the performance of his life in a movie almost entirely populated by felt characters, and in her guest episode Liza matches him in commitment. Take the musical number Copacabana she performs: the curtain goes up and Liza is smoking. She is the narrator, the storyteller, in a Funny Face-esque black polo neck that gives a real sense of gravitas to those Barry Manilow lyrics. Moments later, she is Lola, dancing with human-sized muppets. Or in another scene Liza holds Kermit while they sing A Quiet Thing together. Their connection is pure and tender, a thing of simplicity and gentleness. A Career Born from Inspiration As I reflect on this story nearly 20 years later, I am now 10 years sober and while life might well be a cabaret, the decadence of my early youth is firmly in the past. But I think back to this moment, which could be the plot of a movie with Blackpool as a beautiful cinematic backdrop to my coming out/coming-of-age Technicolor fantasy. I didn't know at the time, but this incident set me on the path to my current profession. Four years later, in 2011, I started making cabaret performances in south London at the famed Royal Vauxhall Tavern at nights such as Duckie, where my turns were packed full of wigs and jockstraps, fake blood and mascot costumes. In 2015, I joined the international circuit when I became part of big touring pieces of variety and circus spectacle, showing off in the US, Australia, New Zealand and London's glittering West End. I once performed a 107-hour durational piece in drag at Glastonbury and at the Adelaide fringe, as a teenage girl who wouldn't leave her bedroom. A Lifelong Dedication to Liza's Legacy Ever since that fateful night back in Blackpool in the 2000s, Liza has been a hero of mine. I saw her live in concert at the Royal Festival Hall in London in 2013. I have a Liza tattoo on my right thigh. Back in 2019, I did an eight-hour performance in an old deconsecrated church in Brighton, dressed as Liza Minnelli, performing her album Results in full, emulating through endurance art Liza's beautiful commitment to performance. Pet Shop Boys, who produced Liza's Results album, even heard about what I was up to and said my performance sounded great. The Enduring Impact of a Single Performance And if you ever see one of my shows, please understand that the technical foundation of my performances isn't drama school training or Stanislavski; it's Liza on The Muppets. Truth be told, I don't know where the drag queen in the story is now. I hope she's OK, but if I did see her I'd say: "Thank you for changing my life." Harry Clayton-Wright's show Mr Blackpool is at the Grand theatre, Blackpool, 20 May.

The GoSun Sport‑E Brings Hybrid Solar Cooking to CampersThe Guardian’s review highlights the GoSun Sport‑E as a portable oven that captures sunlight for heat while providing an electric fallback when clouds roll in. This dual‑mode design aims to replace gas or charcoal grills for short‑duration outdoor meals, positioning solar cooking as a practical, low‑emission alternative.Design and Hybrid Functionality of the Sport‑EThe oven resembles a glass tube flanked by two wing‑like mirrors that unfold to capture sunlight. The outer wall is clear, while the inner surface is coated with blackened copper to absorb heat. A built‑in electric heating element in the tray supplies supplemental heat, turning the device into a true hybrid cooker.Key accessories include a sundial, cleaning brush, power cord, carrying case, and eight silicone baking cups, making the unit ready‑to‑use straight out of the box.Performance Metrics and Pricing BreakdownPrice: $229 (discounted from $349)Maximum heat: 550 °F (reviewer found 350 °F realistic in Canada)Weight: 7 lbsDimensions: 29 in × 12 in × 6 inCooking capacity: 36 oz tray (feeds two people)In full sun the reflectors capture 338 sq in of light, roughly two‑thirds the area of the reviewer’s previous 26‑in parabolic mirror, yet the Sport‑E proved more reliable and easier to transport.Implications for Sustainable Outdoor CookingThe hybrid approach shifts solar ovens from novelty experiments to viable, everyday tools for beach trips, road trips, camping, and even power‑outage scenarios. By eliminating the need for propane or charcoal, the Sport‑E reduces carbon emissions and eliminates fire‑hazard concerns, aligning with broader trends toward low‑impact recreation.However, performance is weather‑dependent; cloudy conditions can double cooking times, and wind can sap heat. Users must plan ahead and may need to start meals earlier than usual.Future Outlook for Solar‑Powered Kitchen GearAs renewable‑energy awareness grows, hybrid solar appliances like the Sport‑E could see wider adoption, especially if manufacturers improve heat‑capture efficiency and integrate larger capacity models. Expect more outdoor brands to explore solar‑electric hybrids, potentially expanding the market beyond niche enthusiasts to mainstream outdoor consumers.

The Scottish FA's Scathing Response to a Safety CrisisThe Scottish Football Association (Scottish FA) has launched a vehement attack on what it describes as a "hysterical media narrative," directly targeting Derek McInnes and the broader football community. The association revealed that match official John Beaton and his family spent Thursday night under police protection after personal details were leaked online following a series of controversial decisions.Controversy and Consequences: The Beaton IncidentThe safety crisis stems from a cluster of high-stakes refereeing decisions that have dominated the conclusion of the Scottish Premiership season. The incidents occurred during the Motherwell vs Celtic match and the Hearts vs Falkirk fixture.Wednesday's Match: Beaton awarded a penalty to Celtic in stoppage time, which McInnes described as "disgusting."Earlier Incident: A penalty appeal for Hearts was denied during the same stadium fixture days earlier.Security Response: Following the intense backlash, Beaton's personal details were leaked, necessitating police surveillance to ensure the safety of his family.The "Inconvenient Truth" of a Toxic EnvironmentIn a lengthy statement, the Scottish FA condemned "vigilantism" and argued that the current environment is a direct result of heightened criticism from media pundits, supporters, and clubs. The association stated that apportioning blame to officials to deflect from defeats has created a "scourge on our national game."The FA emphasized that this is not an isolated incident, warning that officials are now adopting coping strategies like staying home with locked doors. The association called on those responsible for "incendiary statements" to reflect on their contribution to an atmosphere of intimidation.Title Race Intensifies Amidst Safety ConcernsAs the season finale approaches, the focus remains on the title race, where Hearts visit Celtic on Saturday needing a draw to become the first non-Old Firm winner in 41 years. While McInnes continues to voice frustration, Celtic manager Martin O'Neill dismissed the noise, suggesting that neutral support for Hearts is simply a reflection of the nation's desire for a new champion.

The Lead Iran's Foreign Minister Abbas Araghchi has expressed doubt about the US's "seriousness" regarding talks to end the war in the region, despite receiving messages from President Donald Trump's administration indicating openness to new negotiations. The nuclear program deadlock remains unresolved, with Iran considering Russian proposals and seeking support from China and other BRICS nations. The Diplomatic Stance in New Delhi Araghchi made these statements during a media conference at a key BRICS meeting in India's capital, New Delhi. He emphasized that while Iran is open to negotiations, there remains significant distrust about US intentions. "We are in doubt about their seriousness, but the moment we feel that they are serious and they are ready for a fair and balanced deal, we will certainly proceed in the course of negotiations," Araghchi told reporters. The Nuclear Program Impasse The Iranian foreign minister confirmed that the issue of Iran's "enriched material" remains in deadlock, with the nuclear program likely to be "postponed" until later stages of any future talks. "For the time being, it is not under discussion, it's not under negotiation, but we will come to that subject in later stages," Araghchi stated. He confirmed having spoken with Russian officials about Moscow's offer to store Iran's enriched uranium, saying Iran may consider the proposal at an appropriate time. Regional and International Dynamics The Iranian foreign minister expressed openness to support from other countries besides Russia, particularly China, which has been affected by the closure of the Strait of Hormuz. "We appreciate any country who has the ability to help, particularly China," Araghchi said. "We have very good relations with China, we are strategic partners to each other, and we know that [the] Chinese have good intentions, so anything that can be done by them to help diplomacy would be welcomed by the Islamic Republic." Meanwhile, President Trump has been in Beijing for talks with Chinese President Xi Jinping, with few signs of a breakthrough in resolving the conflict with Iran. BRICS Tensions and Geopolitical Fault Lines Araghchi also appeared to single out the UAE for blocking parts of a BRICS ministerial statement, blaming a member state that has "its own special relationship with Israel". "The only reason they stopped the final statement was their support for Israel and the United States in their aggression against Iran, which is very, very unfortunate," Araghchi said, highlighting the geopolitical divisions within the BRICS nations regarding the Iran conflict.

The LeadClashes that erupted after a football match in a western Libyan town left several people injured, while a government building was set on fire in the capital, Tripoli.The Event DetailsFights began in the town of Tarhuna, some 80 kilometres (49 miles) south of the capital, after a match between Tripoli's Al-Ittihad SCSC and Misrata's Asswehly SC on Thursday.The game, which was held behind closed doors, was suspended shortly before the final whistle after Al-Ittihad's players protested over a penalty kick they believe should have been awarded, Libyan news agency LANA reported.The incident led to fights between supporters and security forces outside the stadium, LANA said.The Impact AnalysisThe Libyan Presidential Council said people attacked the council of ministers' headquarters in capital Tripoli "with acts of sabotage and arson".The fire was quickly contained, LANA said.The council called for an investigation into the "unfortunate events", saying that feelings of injustice must be addressed legally and "not through violence".The PredictionGiven the volatile political situation in Libya and the passion surrounding football matches, further incidents of violence remain a concern unless authorities implement stricter security measures and address the underlying grievances that fuel such unrest.

The Lead: A Beethoven Performance Like No OtherOn the face of it, Beethoven's Violin Concerto, the opening work of this BBC National Orchestra of Wales concert, might have seemed unexceptional. Soloist Veronika Eberle immediately proved it otherwise. Sweet, pure tone, clarity of line and an almost reverential approach with not a trace of bombast distinguished her playing from the outset. The rapport with conductor Alexandre Bloch was implicit and, in the deeply reflective central Larghetto, the music was imbued with an air of serenity.The Innovation: Widmann's Revolutionary CadenzasYet what made for a wholly different experience here was Eberle's use of new cadenzas in all three movements, boldly commissioned from her fellow German, Jörg Widmann. Widmann realised a balance between the expected virtuosity and a highly imaginative, improvisatory feel, references to key Beethoven motifs tightly embedded. Moreover, bringing first the timpanist then the principal double bass to collaborate with the soloist threw further elements into the dynamic mix, with Tom Aldren – leading the orchestra in this work – also duetting with Eberle. This verging on the subversive – interventions that extended an already long concerto – could have have been bothersome but, overall, the sheer bravado and vibrancy spelled riveting listening.The Artistry: Benjamin's Homage to KnussenThe BBCNOW players got to display considerable virtuosity and to have their own moments in the limelight in George Benjamin's Concerto for Orchestra. A heartfelt tribute to the genius of Benjamin's close friend and collaborator, the late Oliver Knussen, this 18-minute piece was originally written for the crack ensemble that is the Mahler Chamber Orchestra. But there was no compromise on technical brilliance here. The ear was beguiled by the finesse and intricacies of the textures, particularly in woodwind and brass, with the unusual prominence of solo lines for tuba, two timpanists and, finally, the first violins offering teasing, playful elements in the spirit of the inimitable Knussen.The Climax: Strauss's Death and TransfigurationRichard Strauss's tone poem Tod und Verklärung (Death and Transfiguration) brought the evening to a thrilling climax. Bloch, whose energetic conducting style embraces expressive detail and warmly expansive gestures, inspired a performance that was both sensuous and sumptuous, underlining the remarkable vision of the 25-year-old Strauss. It crowned a fine night for timpanist Steven Barnard, the players all clearly in their element.Broadcast on BBC Radio 3 on 29 June.

The Artist's Background and Achievements At 29, Rene Matić is the youngest ever person to win the £30,000 Deutsche Börse Photography Foundation prize. They were nominated for their solo exhibition As Opposed to the Truth at CCA Berlin – there is currently a much smaller reconfiguration representing part of the show at the Photographers' Gallery in London. Matić was also the youngest artist ever to be nominated for the Turner prize last year. Notable Works and Artistic Approach There are things I like about Matić. I like the way they challenge what counts in life and art, and what counts as British. Their 2022 work, Upon This Rock – a photographic installation and a film exploring the artist's father, Paul, and his involvement with the skinhead movement – felt like it was breaking new ground, conceptually and materially. Matić's yearning to understand masculinity and fatherhood as forces shaping national identity, and the way they incorporate new stories into the folds of Britain's historical fabric, felt original and exciting. Prize Recognition and Its Significance The Deutsche Börse Photography Foundation prize is one of the most prestigious awards in contemporary photography, carrying a £30,000 prize. Matić's win at such a young age marks a significant moment in the art world, particularly as they identify as a queer, working-class person of colour. The fact someone from this background won this award is good as a statement for what the Deutsche Börse prize can stand for in terms of diversity and representation. Critical Assessment of Current Exhibition Yet a lot of Matić's other work doesn't feel mature enough for the photographer to have taken the prize so early in their career. The installation Feelings Wheel, a series of diaristic snapshots which is shown at the Photographers' Gallery, feels like something you'd paste on your wall or Tumblr at university. They are pretty mediocre pictures, safe from Instagram censorship, and arranging them in Perspex doesn't make them more interesting. I find there is an annoying insularity, a sense of preaching to the converted, whereas the most effective art builds bridges between artist and viewer, allowing people who aren't part of the gang to understand it and be moved by it, too. Comparisons to Influential Photographers Too often, Matić's images are only made interesting by the different ways they display them in assemblages, spatial and sculptural configurations. Their work draws comparisons with Wolfgang Tillmans or Nan Goldin, who both photographed their own subcultures and communities, but with more edge and verve. With slideshows to music (in the case of Goldin's The Ballad of Sexual Dependency) and multi-format installations responding to the space (Tillmans), both photographers cast aside the traditional focus on a single image, creating new ways of looking at multiple photographs that Matić adapts but doesn't quite move forward. Broader Implications for Contemporary Photography There's nothing wrong with art that focuses on identity – especially identities that have been consistently erased and ignored in this country. But based on what Matić has done for photography, I don't think they should have won. Autobiography can't be the only thing a work has to offer. I am not sure what's really radical or nuanced about Matić's photographs of flags and tattoos, or people kissing at Glastonbury. At times, the vulnerability and compassion seems performative rather than sincere, and there's not enough tension – questions in the work for the viewer to resolve. The Future of Matić's Artistic Development Leaving the exhibition, I felt flat – though there are ideas, they need more time to percolate. What this win seems to tell us about photography now is that how you market yourself is possibly more important than the work you make. Matić clearly has potential, as evidenced by their more conceptual works like Upon This Rock, but the current exhibition suggests they may have been recognized before their artistic voice has fully developed. The challenge for Matić will be to build on the conceptual foundations of their strongest work while developing a more distinctive photographic language that doesn't rely solely on presentation techniques to generate interest.

A vehicle laden with explosives rammed the gate of a Pakistani security compound in Bajaur district on Thursday, killing eight to nine paramilitary officers and wounding dozens. The attack, claimed by the Afghan‑based Pakistan Taliban (TTP), revives fears that the fragile ceasefire between Islamabad and Kabul could collapse.The Suicide Vehicle Bomb at Bajaur OutpostSecurity sources said an armed group drove an explosive‑filled vehicle into the gate of the outpost, detonated a "huge explosion," and then opened indiscriminate fire on the compound. The blast was felt in markets more than 20 kilometres (12 miles) away, and most of the outpost’s structures were destroyed or charred.Casualties and Material Damage: Numbers from the Blast8‑9 Pakistani paramilitary officers killed.~35 security personnel wounded.At least 10 attackers killed.Roads around the compound were shut down and the area was surrounded by Pakistani troops.Escalating Tensions Between Islamabad and KabulThe attack adds to a string of recent cross‑border incidents that have already claimed more than 20 lives in the region. Since February, friction has escalated into open clashes, a temporary Eid‑al‑Fitr pause in March, and renewed violence despite China‑brokered talks in April. The United Nations reports that the conflict has killed at least 372 Afghan civilians and injured nearly 400 in the first three months of 2026, underscoring the humanitarian toll.What the Next Weeks Could Hold for the CeasefireBoth governments have reiterated a desire to avoid further escalation, but the lack of a formal ceasefire agreement leaves the border volatile. If diplomatic channels fail to produce a binding pact, the region could see a resurgence of larger‑scale attacks, prompting heightened military deployments and potentially drawing regional powers into mediation efforts.