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The Epstein Files Testimony Former United States Attorney General Pam Bondi has appeared before a closed-door congressional hearing as lawmakers seek answers about unreleased documents tied to the Jeffrey Epstein investigation. Bondi's Defense of the Justice Department Bondi defended the Justice Department’s approach, saying it had released nearly three million pages of records during her tenure, including photographs and video evidence. She described those efforts as an unprecedented bid to increase transparency. “This was an enormously complicated and labour-intensive process,” Bondi told the Oversight Committee in the House of Representatives. “To the best of my knowledge, the department produced everything required under the Epstein Files Transparency Act.” Criticism of the Justice Department's Handling Critics say the department failed on both fronts. They argue that Justice Department officials released the names and photographs of victims who had not been publicly identified, while continuing to redact information that should have been revealed. There has also been criticism of the timeline of the disclosures. While the law required all materials to be disclosed by December, the Justice Department said the documents were ultimately made public on January 31. Bondi's Accountability and Future Actions Bondi was fired on April 2 amid mounting criticism over her handling of the Epstein files. Some Democrats have floated the possibility of contempt charges against Bondi for her refusal to fully cooperate with the House investigation. The House Oversight Committee is expected to continue its investigation with further interviews, including with tech entrepreneur Bill Gates, departing Goldman Sachs general counsel Kathryn Ruemmler and ex-Barclays CEO Jes Staley, all of whom had ties to Epstein.

Why Fans Are the Smart Summer Cooling ChoiceThe Guardian’s award‑winning tech journalist measured 16 fans and several evaporative coolers to see how they perform against a typical portable air‑conditioner that draws 1,000W (about 26p per hour). Fans in the test consumed between 8W and 60W, delivering a far lower electricity bill and carbon footprint while still moving enough air to make a noticeable temperature drop.Power Consumption Numbers Show Fans Beat Air‑ConditionersAirCraft Lume – 18W on top setting; could run 56 hours for the cost of one hour of air‑con.Dreo TurboCool misting fan 765S – 22W, best overall cooling performance.Devola desk fan – 12W, cheapest at £64.99.Shark FlexBreeze Pro Mist – 30W, premium misting option at £249.99.Swan Nordic evaporative cooler – 15W, lowest‑energy water‑based cooler at £69.Cooling Comfort Meets Carbon Savings for UK HouseholdsRunning a fan instead of an air‑conditioner can cut summer electricity use by up to 95 %, translating into lower bills and reduced greenhouse‑gas emissions. For a typical UK home, swapping a 1,000W air‑con for an 18W fan saves roughly £23 per month and avoids about 0.12 tCO₂ of emissions.What’s Next for Home Cooling in a Warming Climate?As heatwaves become more frequent, manufacturers are likely to focus on quieter, smarter fans with integrated sensors that adjust speed automatically. Expect more hybrid designs that combine low‑energy misting with airflow optimisation, giving consumers a wider menu of carbon‑friendly cooling solutions.

Phyllida Barlow's Disruptor Exhibition at Wolterton Hall Phyllida Barlow's exhibition 'Disruptor' at Wolterton Hall in Norfolk is a thought-provoking showcase of her unconventional sculptures and installations. The exhibition challenges the traditional grandeur of the stately home, transforming it into a space for contemporary art. The Exhibition's Concept and Curation The exhibition is curated by Simon Oldfield, Wolterton's artistic director, who has reinvented the space to make room for new ideas. Barlow's works, which seem to take on a life of their own, are a perfect fit for this vision. Her exhibition begins at the entrance with the installation 'Untitled: Stacked Chairs', a cacophony of red plywood chairs that feels like a statement about throwing things out and starting again. Barlow's Sculptures and Installations Throughout the exhibition, Barlow's sculptures and installations are displayed in various rooms of the stately home. Her works are made from unconventional materials such as latex, cement, hessian scrim, plaster, and rope. One of her early works, 'Loaf', is a tar-black glass and paper coated with latex, resembling a loaf of bread. Her recent wall sculptures, cobbled together with cement, hessian scrim, plaster, and other materials, look like big gobs of bubblegum stuck rudely to the wall. The Impact of Barlow's Work Barlow's work is about what materials communicate. The house says, 'I am here, I'm important – Barlow says, everything is precarious, nothing goes as planned.' Her works are a commentary on the impermanence of things and the challenge to traditional notions of art and architecture. The Future of Wolterton Hall The exhibition is part of Wolterton Hall's ongoing transformation into a space for contemporary art. The hall's owners, the Ellis family, have been working to reinvent the space, and Barlow's exhibition is a key part of this vision. The exhibition runs until 31 October and is a must-see for anyone interested in contemporary art and the transformation of traditional spaces.

The Unconventional Auction Artists Hilary Powell and Dan Edelstyn are auctioning off their work from the past decade and a half to help fund a community-led renewable power station in Nigel Farage's Clacton constituency. The big-ticket item going under the hammer will be the remnants of a gold Ford Transit van containing £1.2m in fake banknotes that the pair blew up in London's Docklands in 2019. The Blown-Up Van The van wreckage and charred banknotes were gathered up and reconstituted as an Alexander Calder-like mobile that, for a while, hung in Cambridge's Fitzwilliam Museum. Now, for perhaps £100,000, this sculpture could be the centrepiece of your living room. Powell hopes that the exploded van will be bought by a public institution. The Fundraising Goal The pair hope to raise at least £250,000 for the project. Alongside the in-person auction, they are hosting an online iteration that will run until 31 May. They currently have £750 and need about 250 times that to fund the project. The Purpose Behind the Project The pair call what they do Method Art. They aim to build a community-owned renewable power station in Reform's first seat as a response to the party's donations from oil and gas interests, highly polluting industries, and climate science deniers. The Future of Community-Owned Renewable Energy The proceeds from the auction will bankroll the work the pair are doing to set up in Clacton and to make a film about the project. If they sell the blown-up van, the proceeds will be core funding for their not-for-profit production company. The funding for the power station will come from issuing shares and other fund-raising to create a community benefit society.

The Lead Forza Horizon 6 is the latest installment in the open-world racing series, and it takes players on a breathtaking journey through Japan. The game offers a vast map, varied environments, and a wide range of cars, making it a must-play for fans of the series. The Event Details The game is set in Japan, with a vast map that includes iconic locations such as Mount Fuji, Tokyo, and the Japanese countryside. Players can explore the map, participate in various racing events, and collect a wide range of cars. The game also features a new progression system, where players start as a rookie and have to qualify to enter the festival. The Data Analysis The game features over 100 cars, including iconic Japanese models such as the Toyota Corolla and the Nissan GT-R. The game's map is based on real-world locations in Japan, with intricate details and scenery. The game offers various gameplay modes, including racing, exploration, and a 'Discover Japan' mode where players can take part in driving tours of beautiful areas. The Impact Analysis Forza Horizon 6 is a significant addition to the series, offering a fresh and exciting experience for players. The game's Japanese setting and attention to detail make it a standout title in the series. The game's improved progression system and accessibility options also make it more appealing to a wider audience. The Prediction Forza Horizon 6 is likely to be a major hit for Microsoft, with its stunning visuals, engaging gameplay, and faithful recreation of Japan. The game's success will likely pave the way for future installments in the series, potentially exploring other international settings.

The Struggle of Working-Class Artists The Tara Clerkin Trio, consisting of Tara Clerkin, Sunny Joe Paradisos, and Pat Benjamin, has been making waves in the underground music scene with their eclectic sound, which blends elements of minimalist jazz, avant-pop, and trip-hop. Despite their growing success, the band members, who are all working-class artists, share their struggles in the UK's music industry. The Band's Unique Sound Their music is characterized by happy accidents and incidental noises, which they incorporate into their tracks. The band's sound is shaped by their use of loop pedals, sampling, and a variety of instruments, some of which they don't play properly. This unique approach has charmed fans across the music spectrum, including jazz enthusiasts. The Challenges of Making Music The band members discuss the difficulties of making a living as working-class artists in the UK. They highlight the struggle to balance touring, working, and making music, often having to juggle multiple jobs to make ends meet. The situation is further complicated by the fact that touring three times a year doesn't pay enough to support their living expenses. The New Album: Somewhere Good Their second album, 'Somewhere Good', is their most pop-oriented record yet, featuring more structured songwriting and storytelling. The album was written and recorded in precarious circumstances, with the band members working and touring simultaneously. Despite the challenges, the album captures a sense of optimism and positivity, with songs that address themes of loss, grief, and gentrification. The Future of Independent Music The Tara Clerkin Trio's experience reflects the broader challenges faced by working-class artists in the UK. They chose to release their album on the in-house label of east London record shop World of Echo, rather than signing with a bigger label, to maintain creative control and avoid giving away their rights. As they continue to make music, they hope to inspire others to do the same, despite the difficulties.

The Masterpiece of John Woo The title of this 1990 John Woo extravaganza might lead the uninitiated to expect a chillingly focused, targeted assassination. Actually, there are innumerable bullets and innumerable heads in this over-the-top gonzo spectacle. It is a crime thriller, a wartime action film set in Vietnam, but it offers something other than the usual Hollywood perspective; it is a parable of greed comparable to The Treasure of the Sierra Madre, and even a kind of romantic melodrama. The Symbolic Bullet There is, however, one key bullet in a head, a literal bullet lodged in the skull of someone who achieves a macabre zombie-like semi-survival, the bullet being symbolic of the way violence takes root in the brain, dehumanising its victim. The final “boardroom” scene disclosing this image is toweringly mad and strange. Yet in this movie, as in so many other Woo films, we can see how the director counterintuitively uses sad music – harmonica, woodwind – over grisly, brutal action sequences, as if what he wants us to register is not the violence or the shock but just how poignantly futile and pathetic it all is. The Plot Unfolds The setting is – initially – late 60s Hong Kong; Tony Leung plays Ben, a young guy getting married to his sweetheart Jane (Fennie Yuen), and on hand are his buddies Frank (Jacky Cheung) and Paul (Waise Lee). This trio are involved in a gang war with a rival mob who corner Frank when he has gone to get cash from the local moneylender to pay for the wedding. The confrontation ends in violence and, simply to get away and avoid the heat – Woo has a cameo as a police inspector – the three guys accept a crooked job from a local gang boss smuggling contraband pharmaceuticals in Vietnam. The Climax In Saigon, all their plans explode in pure anarchy; they are at first arrested under suspicion of working for the Vietcong, then upgrade their strategy to cynical arms smuggling for the North Vietnamese, and stealing the gold belonging to the local wiseguy who was supposed to be distributing their drugs. They make contact with a worldly fixer called Luke (Simon Yam), who has a Catherine Deneuve poster in his apartment, and also gallantly undertake to rescue a Hong Kong singer Sally (Yolinda Yam), who has been trafficked to Vietnam to sell sex. They end up on the spectacular field of battle itself (with helicopters, explosions, burning villages), where Paul, increasingly obsessed with the gold, finds himself at a key moment at mortal risk of detection if he cannot keep the wounded Frank quiet, whose cries of pain might alert the enemy to their position. The Legacy It’s an extraordinary, uninhibited barnstormer from Woo, who takes us from regular, domestic crime to military chaos with confidence and sweep. One moment, in which someone stands in front of a tank, even appears to echo the Tiananmen Square protests. No one else could have made it. The Release Bullet in the Head is in UK cinemas from 1 June, and on 4K UHD and Blu-ray from 22 June.

The Lead Irish writer-director John Carney delivers a terrific comedy of bromance and betrayal in the world of music with 'Power Ballad', starring Nick Jonas as Danny Wilson, a preeningly insecure ex-boyband superstar trying to go solo, and Paul Rudd as Rick Power, a washed-up wedding singer. The Event Details The film revolves around the unlikely friendship between Danny and Rick, who bond over music and creativity. Rick plays Danny a catchy song he's been working on, which becomes a hit. The movie explores the themes of success and failure in the music industry, highlighting the struggles of those who don't make it big. The Impact Analysis 'Power Ballad' offers a fresh take on the music industry, focusing on the often-overlooked stories of those who don't achieve stardom. The film features a standout performance by Paul Rudd, who brings depth and nuance to his character. The movie's portrayal of the music industry is both humorous and poignant, making it a compelling watch. The Prediction With its talented cast and insightful direction, 'Power Ballad' is set to resonate with audiences. The film's release on May 28 in Australia and May 29 in the UK and US is expected to generate buzz in the entertainment industry. As a comedy about music, 'Power Ballad' has the potential to strike a chord with viewers and leave a lasting impression.

The Filmmaker's Perspective on Indigenous Issues Lucrecia Martel, known for her fiction films like 'Zama' (2017) and 'The Headless Woman' (2008), has spent about 15 years working on 'Landmarks', her first documentary. The film addresses the broader and historical problem of Indigenous rights in Argentina through the case of Javier Chocobar, an Indigenous leader killed in 2009. The Event Details: The Killing of Javier Chocobar The documentary centers on the killing of Javier Chocobar, an activist and leader of the Diaguita people from the Chuschagasta community in the province of Tucumán. He was shot dead inside his territory on October 12, 2009, by Darío Luis Amín, a mining businessman, and two former police officers. Martel was present at the trial, which she described as an 'extraordinary spectacle' that highlighted racism against Indigenous peoples. The Data Analysis: A Historical Pattern of Neglect Martel believes that Argentine racism against Indigenous peoples, who make up about 3% of the population, is tied to how the country sees and projects itself: a 'white' nation shaped by European immigration. She argues that Argentina needs to end its 'fantasy of being a European country' and acknowledge its Indigenous heritage. The Impact Analysis: The Ongoing Struggle for Recognition The Chuschagasta community is still fighting for official state recognition of its land. Martel's film aims to contribute to the history of Argentina and the health of Argentine society by shedding light on the usurpation of Indigenous lands. The documentary shows moments where the centuries-long presence of the Chuschagasta community was questioned, and even the very existence of Indigenous Argentinians was denied. The Prediction: A Call for Change Martel hopes that her film will help bring about change and recognition of Indigenous rights in Argentina. She plans to hand over the rights to the Chuschagasta community, who were the first to see the completed documentary. The film's promotional cycle is coming to an end, and Martel looks forward to its continued impact on raising awareness about Indigenous issues in Argentina.