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The Lead Nobel laureate JM Coetzee has declined to attend the Jerusalem international writers festival, citing Israel's 'genocidal campaign' in Gaza. Coetzee, who was born in apartheid South Africa and lives in Australia, wrote to organisers of the festival in November, expressing his reasons for not attending. Coetzee's Letter to the Festival Organisers In his letter, Coetzee stated that Israel's actions in Gaza have been 'vastly disproportionate to the murderous provocation of 7 October 2023.' He also mentioned that the campaign, conducted by the IDF, appears to have had the enthusiastic support of the vast majority of Israel's population. The Data Analysis Coetzee revealed that he had once been a supporter of Israel, but the campaign of annihilation in Gaza has changed his stance. He also mentioned that long-time supporters of Israel have turned away in revulsion at the actions of the Israeli military. The Impact Analysis Coetzee's decision to decline the invitation has sparked a debate about the role of literature in politics and the responsibility of writers to speak out against injustice. Julia Fermentto-Tzaisler, the festival's artistic director, responded to Coetzee's letter, stating that she respects his decision but will not stop running the festival. The Prediction The controversy surrounding Coetzee's decision is likely to continue, with some supporting his stance and others criticising his decision to boycott the festival. The incident highlights the complex and often fraught relationship between literature, politics, and social justice.

The Director's Supernatural EncountersMulti-Oscar-winning director Guillermo del Toro has revealed his lifelong fascination with the supernatural, from childhood ghost sightings to a UFO encounter at age 14. The filmmaker, currently in the UK to receive a BFI fellowship, shared his belief that these experiences 'cause a crack' in our perception, allowing 'the mystery of the universe' to rush toward us.From Family Hauntings to Hammer HorrorDel Toro's supernatural journey began at age 11 when he first sensed a spectral presence at his family home in Guadalajara, Mexico – which he believes was his late uncle keeping a promise. This experience inspired Santi, the sighing ghost-boy in his 2001 film The Devil's Backbone. The director has since encountered numerous paranormal phenomena, including surround-sound ghostly disturbances in a New Zealand hotel while scouting locations for The Hobbit.'There are certain magical lands for me,' del Toro explains, 'and the land of ghosts is England.' He is currently looking to purchase a haunted house in the UK to house his extensive collection of silicone figures and memorabilia.The Influence of British CinemaThe BFI fellowship holds special significance for del Toro, who cites British cinema as a major influence on his work. He particularly reveres the 'reveries of Powell and Pressburger or Ken Russell' and the entire Hammer horror legacy, including Terence Fisher's Frankenstein films which partly informed his own 2025 adaptation of Mary Shelley's novel.'The 1974 Hammer film Frankenstein and the Monster from Hell had the worst makeup but the most delicate Creature,' del Toro notes. 'As the movie progressed, the Creature became more of an innocent and the Baron more of a pure villain.' This approach shaped his interpretation featuring Jacob Elordi as the Creature.A Legacy of Monsters and Misunderstood BeingsDel Toro has always portrayed monsters as complex beings capable of tenderness alongside violence, reflecting his belief that 'precisely like us.' This philosophy has resonated with fellow artists, including Taylor Swift, who has cited his films as inspiration. After becoming a fan of The Shape of Water, Swift explored his back catalogue during the pandemic, declaring herself 'dazzled' by The Devil's Backbone and Pan's Labyrinth.The influence is mutual, with Swift later invoking Del Toro-esque imagery in her hit single Anti-hero, picturing herself as 'a monster on the hill … slowly lurching toward your favourite city.' This artistic connection demonstrates how del Toro's vision has permeated popular culture beyond cinema.The Future of Fantastic CinemaAs a BFI fellow – joining the ranks of Martin Scorsese, David Lean, Akira Kurosawa, and Orson Welles – del Toro continues to champion the potential of horror and fantasy genres. His teenage years saw him running a film society in Guadalajara, sourcing controversial works like Powell's 1960 serial-killer classic Peeping Tom from the BFI itself.With his upcoming projects and continued exploration of the supernatural, del Toro remains committed to expanding our understanding of the unknown, both on screen and in his personal life. As he puts it, these experiences 'dislocate your sense of self,' revealing the mysteries that exist just beyond our everyday reality.

The Paradox of a Banned BestsellerWhile DH Lawrence intended *Lady Chatterley's Lover* to be a serious exploration of the 'sacred nature of sex,' the novel's legacy has become inextricably linked to farce and cultural upheaval. Guy Cuthbertson’s new book, 'Lady C,' argues that the text created laughter not just through its explicit content, but through the absurdity of the reaction it provoked—from customs seizures to endless parodies. The novel’s journey from a literary taboo to a ubiquitous cultural touchstone offers a unique lens into the shifting moral landscape of the 20th century.The 1960 Trial and the VerdictThe legal battle over the book, Regina v Penguin Books in 1960, stands as a watershed moment in publishing history. The prosecution's attempt to ban the novel relied on a provocative question from Mervyn Griffith-Jones: 'Is it a book that you would even wish your wife or your servants to read?' The defense, bolstered by an impressive roster of witnesses including EM Forster and Rebecca West, successfully challenged the obscenity laws.The Jury's Role: Members of the jury spent a week reading the book at the Old Bailey before reaching a verdict that defied the judge's inclination.The Verdict: The acquittal was a landmark victory for literary freedom.From Courtroom to Commerce: The Cultural FootprintThe data surrounding the novel's release and aftermath reveals a staggering commercial and cultural penetration. The paperback edition did not just sell; it exploded.Sales Figures: The book sold approximately 2 million copies in its first run.Cultural Ubiquity: The title permeated every aspect of British life, from steam railway carriages to 'Lady Chatterley's Loofah' and 'Lady Chatterley's Pullover.'Celebrity Endorsement: The novel became a badge of cultural cool, endorsed by figures like David Bowie (who wore red trousers as recommended by the character Mellors) and Philip Larkin.Shifting the Moral Compass: From Sex to SensitivityThe impact of *Lady Chatterley's Lover* extends beyond the legal realm; it fundamentally altered the criteria for social acceptability. Cuthbertson notes that the offense has shifted over time. Where once the four-letter words and sexual candor caused outrage, modern readers are more likely to be offended by the novel's homophobic and antisemitic undertones. This shift highlights how the definition of 'obscenity' is fluid, moving from physical acts to social attitudes.Lady C as a Mirror of Social EvolutionLooking forward, Guy Cuthbertson’s work serves as a vital historical document. By framing the novel through the lens of social history rather than heavy moralizing, the book ensures that the legacy of the 1960s trial is preserved not as a relic of censorship, but as a testament to the resilience of free expression. The enduring presence of the book in modern media—from 'Mad Men' to film adaptations—suggests that its role as a cultural provocateur is far from over.

The Lead Imagine stepping into the colorful world of Something Special, a beloved children's TV show that has been entertaining and educating kids for over two decades. The show, specifically designed for children with delayed learning and communication skills, has become a staple on CBeebies and BBC iPlayer. At the heart of the show is Mr. Tumble, aka Justin Fletcher, a charismatic performer who has captured the hearts of children and parents alike. A Behind-the-Scenes Encounter We recently had the opportunity to visit Mr. Tumble's set, located in rural Oxfordshire, where we witnessed the filming of the latest series. As we arrived, we were greeted by the iconic Mr. Tumble in his signature orange shirt, stripy yellow trousers, and red nose. The set was filled with familiar props, including the Tumble Tapp and Spotty Bag. Our 11-year-old daughter, Molly, who has special educational needs and disabilities, was overjoyed to meet her hero. The Power of Makaton One of the key elements that makes Something Special so compelling is its use of Makaton, a sign language that replaces words with simple hand gestures. The show's creator, Allan Johnston, a former Send teacher, developed the show to cater to children with communication delays. Makaton has become an integral part of the show, making it accessible and enjoyable for children with special needs. The Impact on Families Raising a child with special educational needs and disabilities can be challenging, especially in the current political climate. The article highlights the struggles faced by families, including the soaring number of Send tribunals and the concerns about proposed reforms. Something Special provides a much-needed respite for these families, offering a sense of community and support. The Future of Something Special As we look to the future, Something Special continues to evolve, introducing new presenters, including Maddie Moate, Ben Cajee, and George Webster. The show's commitment to inclusivity and accessibility ensures that it will remain a beloved favorite among children and families for years to come.

The Emergence of Literary Nepo Babies The phenomenon of children of famous novelists becoming writers themselves is on the rise. Historically, there have been instances of literary families, such as Alexandre Dumas père and fils, Fanny and Anthony Trollope, and Arthur and Evelyn Waugh. However, the current trend seems to be gaining momentum. Following in the Footsteps of Famous Parents Kazuo Ishiguro's daughter, Naomi, is set to publish the first in her new fantasy series. Margaret Atwood's daughter, Jess Gibson, has published her fiction debut, and Patrick Charnley, son of poet and novelist Helen Dunmore, has published his first novel to critical acclaim. The Influence of Growing Up in a Writer's Household Nick Harkaway, son of John le Carré, shares his experience of growing up in a writer's household. He recalls that his father's work was ubiquitous, but he didn't realize the unusual nature of his childhood until later in life. Deborah Moggach, whose parents were both authors, notes that she thinks everyone must have writer parents, as it was all she knew. The Role of Parental Influence and Expectations Children of writers often have a unique perspective on their parents' work. Amanda Craig's daughter, Leon, notes that her mother's writing seemed like a way of life, and she didn't feel like she had a choice but to write. Aidan Cottrell-Boyce, son of Frank Cottrell-Boyce, didn't tell his father about his writing until it was discovered by someone else. The Future of Literary Dynasties As more children of famous novelists embark on writing careers, it's clear that the trend of literary nepo babies is here to stay. Whether this trend will lead to a new generation of talented writers or simply perpetuate a cycle of privilege remains to be seen.

The Allure of Celebrity Traitors If it were any other show, the sight of comedian Alan Carr sobbing under the burden of his dishonesty may have been enough to put off any celebrity thinking about accepting a place in the perilous Traitors' castle. Yet the second season of Celebrity Traitors, being filmed at its now famous Highlands retreat, has managed to attract one of the most high-profile casts ever assembled for a reality TV show. A Star-Studded Lineup Actors who open West End shows and others with Oscar nominations to their name will be plotting alongside the nation's most in-demand comedians and writers – and the odd fashion icon. The starry lineup was announced as filming began, amid speculation it would have been too hard to keep under wraps. The likes of Richard E Grant, Michael Sheen, and Jerry Hall will compete alongside Miranda Hart, Romesh Ranganathan, and James Acaster. The Appeal of the Game According to Stephen Lambert, the chief executive of the show's producer, Studio Lambert, the reason most celebrities gave for signing up to Celebrity Traitors was their love for the game itself. "Almost without exception, the first reason is that they're fans of the show," he said. "Beyond that, the answers are surprisingly personal: people who feel they've spent their careers in a particular public lane and want to show a different side of themselves; people whose children or grandchildren have effectively dared them into it; people who are fascinated by the psychology of the game and want to see how they'd hold up under pressure." The Casting Process TV insiders pointed to the show's other in-built advantages, including its intense but not too long filming schedule, and lack of embarrassment factor. "It's got everything going for it and I think that's why it's attracted an amazing cast," said Peter Fincham, a former BBC One controller. "However big the celebrity, to say 'I'm going on the Celebrity Traitors', there's no embarrassment." The Future of Reality TV The fact that so many big names have signed up to be faithfuls and traitors should not take away the skill of the show's casting. "The perfect cast isn't the most famous one, it's the one where everyone brings something different to the table," said Lambert. With a cast made up of actors, comedians, and fashion icons, the second season of Celebrity Traitors is set to be just as compelling as the first.

Kylian Mbappe will miss Real Madrid’s decisive La Liga clash with Barcelona, despite training earlier in the week, leaving the Spanish giants to reshape their attack for the match at Camp Nou.The Squad Omission: Mbappe Left Out of El Clasico Line‑upReal Madrid announced a 21‑man roster for Sunday’s night game at the Camp Nou, and the French forward’s name was conspicuously absent. Vinicius Jr will spearhead the attack, flanked by Brahim Diaz and Gonzalo Torres. Midfielder Aurelien Tchouameni remains on the list despite a recent on‑field clash that resulted in a 500,000‑euro fine for both him and teammate Federico Valverde. Coach Alvaro Arbeloa cited a need for “effort and sacrifice” after Mbappe’s controversial holiday in Sardinia.Financial & Competitive Numbers: Fines, Points Gap, Title StakesEach fined player: 500,000 euros (≈$589,000).Barcelona lead: 11 points over Real Madrid.Potential record: A win for Barcelona would give them a chance to finish the season with 100 points, matching the all‑time La Liga record.League title: A draw for Barcelona would secure their 29th Spanish league crown with three games remaining.Strategic Ripple Effects: How Mbappe’s Absence Reshapes the Title RaceWithout their top scorer, Madrid must rely on a more collective approach. The omission underscores Arbeloa’s emphasis on team discipline and may galvanize the squad, but it also reduces Madrid’s firepower in a match that could decide the championship. Barcelona, entering as favourites, can exploit the void left by Mbappe, especially on a home pitch where they have been dominant this season.Looking Ahead: What the Next Weeks Hold for Madrid and FranceMbappe is expected to be fully fit for France’s World Cup 2026 campaign, with friendlies against Ivory Coast (June 4) and Northern Ireland (June 8) on his schedule. Should he return to form, Madrid could benefit in the remaining league fixtures, while his international performances will be closely watched ahead of the tournament opener against Senegal on June 16. Meanwhile, Arbeloa’s handling of the squad’s discipline will be a key narrative as the title race reaches its climax.

Breaking Down the Complex Language of AI Artificial intelligence is changing the world, and simultaneously inventing a whole new language to describe how it’s doing it. Spend five minutes reading about AI and you’ll run into LLMs, RAG, RLHF, and a dozen other terms that can make even very smart people in the tech world feel insecure. This glossary is our attempt to fix that. We update it regularly as the field evolves, so consider it a living document, much like the AI systems it describes. Artificial General Intelligence (AGI) Artificial general intelligence, or AGI, is a nebulous term. But it generally refers to AI that’s more capable than the average human at many, if not most, tasks. OpenAI CEO Sam Altman once described AGI as the “equivalent of a median human that you could hire as a co-worker.” Meanwhile, OpenAI’s charter defines AGI as “highly autonomous systems that outperform humans at most economically valuable work.” Google DeepMind’s understanding differs slightly from these two definitions; the lab views AGI as “AI that’s at least as capable as humans at most cognitive tasks.” Confused? Not to worry — so are experts at the forefront of AI research. AI Agent An AI agent refers to a tool that uses AI technologies to perform a series of tasks on your behalf — beyond what a more basic AI chatbot could do — such as filing expenses, booking tickets or a table at a restaurant, or even writing and maintaining code. However, as we’ve explained before, there are lots of moving pieces in this emergent space, so “AI agent” might mean different things to different people. Infrastructure is also still being built out to deliver on its envisaged capabilities. But the basic concept implies an autonomous system that may draw on multiple AI systems to carry out multistep tasks. API Endpoints Think of API endpoints as “buttons” on the back of a piece of software that other programs can press to make it do things. Developers use these interfaces to build integrations — for example, allowing one application to pull data from another, or enabling an AI agent to control third-party services directly without a human manually operating each interface. Most smart home devices and connected platforms have these hidden buttons available, even if ordinary users never see or interact with them. As AI agents grow more capable, they are increasingly able to find and use these endpoints on their own, opening up powerful — and sometimes unexpected — possibilities for automation. Chain-of-Thought Reasoning Given a simple question, a human brain can answer without even thinking too much about it — things like “which animal is taller, a giraffe or a cat?” But in many cases, you often need a pen and paper to come up with the right answer because there are intermediary steps. For instance, if a farmer has chickens and cows, and together they have 40 heads and 120 legs, you might need to write down a simple equation to come up with the answer (20 chickens and 20 cows). Coding Agent This is a more specific concept that an “AI agent,” which means a program that can take actions on its own, step by step, to complete a goal. A coding agent is a specialized version applied to software development. Rather than simply suggesting code for a human to review and paste in, a coding agent can write, test, and debug code autonomously, handling the kind of iterative, trial-and-error work that typically consumes a developer’s day. Compute Although somewhat of a multivalent term, compute generally refers to the vital computational power that allows AI models to operate. This type of processing fuels the AI industry, giving it the ability to train and deploy its powerful models. The term is often a shorthand for the kinds of hardware that provides the computational power — things like GPUs, CPUs, TPUs, and other forms of infrastructure that form the bedrock of the modern AI industry. Deep Learning A subset of self-improving machine learning in which AI algorithms are designed with a multi-layered, artificial neural network (ANN) structure. This allows them to make more complex correlations compared to simpler machine learning-based systems, such as linear models or decision trees.

The Power of Anthropic's Mythos Model When Anthropic unveiled its new Mythos model in April, it also delivered a stern warning to anyone developing software. The model was so powerful at sniffing out software vulnerabilities, the lab claimed, that it had discovered thousands of high-severity bugs that would need to be fixed before it could be made public. Improving Software Security with AI Now, security researchers for Mozilla's Firefox browser are providing a closer look at what that process has looked like in practice, and what Mythos' powers mean for software security at large. In a post published on Thursday, Mozilla said Mythos has unearthed a wealth of high-severity bugs, including some that had lain dormant in the code for more than a decade. The Data Behind the Discovery In April 2026, Firefox shipped 423 bug fixes, compared to just 31 exactly a year earlier. The researchers have also published details on 12 of the bugs, which range from a pair of unusual sandbox vulnerabilities, to a 15-year-old error in how the browser parses an HTML element. The Impact on Cybersecurity The fact that the system helped reveal vulnerabilities in Firefox's 'sandbox' system is particularly impressive, given how intricate an attack that exploits it needs to be. To find sandbox vulnerabilities, the model must write a compromised patch for the browser, then attack the most secure part of the software with the new code implemented. Finding and demonstrating the bug is a delicate, multi-step process, requiring both creativity and close attention. The Future of AI in Cybersecurity It's still not clear how AI's emerging capabilities will change the broader balance of power in cybersecurity. One month since Mythos was previewed, most of the bugs discovered likely haven't been patched, which makes it hard to capture the full scope of their impact. Anthropic has been scrupulous about following responsible disclosure norms, but it's likely bad actors are using similar techniques behind the scenes, even if the models they're using aren't quite as good. The Prediction Speaking at a recent event, Anthropic CEO Dario Amodei was optimistic that the new tools would ultimately favor defenders. 'If we handle this right, we could be in a better position than we started, because we fixed all these bugs. There are only so many bugs to find,' Amodei said. 'So I think there's a better world on the other side of this.'