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Rising rates of youth unemployment have created a split at the top of government over how fast it should meet its promise to give young people the full minimum wage.The Manifesto Promise vs. The Reality CheckPeter Kyle, the business secretary, is understood to believe now is not the time to give 18- to 20-year-olds the full minimum wage, which Labour promised to do in its manifesto. Others believe there is little evidence to show that recent pay rises for low-paid workers have had any effect on unemployment.Torsten Bell, a Treasury minister, told the BBC on Friday morning: “If you look at what the Low Pay Commission said in their annual report, they didn’t find evidence that previous increases in the minimum wage for young people had had an effect on their employment.”The £125bn Cost of InactionThe splits have emerged following a landmark government-backed report this week by the former Labour minister Alan Milburn, who found that youth unemployment was costing Britain more than £125bn a year. Milburn’s report revealed the number of young people not working or studying had surpassed a million for the first time in more than a decade, prompting calls to reduce the pace of youth minimum wage increases.Current Youth Rate: £10.85 (up 8.5% this year)Main Minimum Wage: £12.71 (up 4.1% this year)NEETs (Not in Education, Employment, or Training): Over 1 millionThe Hospitality Sector DilemmaMilburn himself told the News Agents podcast this week: “To get the jobs there for them, you’ve got to make sure the employers are willing to take the risk. If you’re in, say, the hospitality sector or the retail sector, margins tend to be very low. These tend to be sectors that were really badly hit by the cost of living, hospitality in particular.”Tony Blair, the former prime minister, warned in an essay this week that policies such as increasing the minimum wage – which he brought in – had created “headwinds, not tailwinds, for businesses.”The October Low Pay Commission VerdictLabour promised in its manifesto to equalise the rates of the minimum wage for 18- to 20-year-olds with those of workers who are 21 and over but did not say how quickly this would be achieved. Bell said on Friday: “We’re committed to our manifesto that we stood on and we will deliver it. But that manifesto did not set out the timeline.”While he and others in the government believe they should slow down the pace of rises in youth rates of the national minimum wage if there is evidence that it has an impact on employment, they do not yet believe that evidence exists.The commission will tell the government in October what it is recommending for the financial year starting on 1 April 2027; some in government privately hope it will give a recommendation significantly lower than this year’s. Earlier this year ministers even changed their guidance to the LPC to reflect the concerns in government over unemployment among young people, telling it to prioritise employment rates instead.

The 1994 World Cup in the United States was a turning point – a commercialised yet surprisingly raucous tournament that left a lasting impression on the author, who attended as a 23‑year‑old on a modest £9,000 salary.The 1994 World Cup’s Commercial Turn and Fan AtmosphereHosted on American soil for the first time, USA 1994 introduced a more expansive, commercialised model that contrasted sharply with the “couch‑potato” stereotypes of the era. Despite media fears of hooliganism and low‑brow audiences, the event delivered a lively, sometimes chaotic, but ultimately joyous experience for fans, from the tepid crowds in Boston to the electric Irish diaspora celebration in New York.Two matches attended were goalless draws, yet the atmosphere felt “occasionally raucous, often tepid”.British neutral supporters, such as Cardiff fans, helped spark a trend of curious, non‑partisan spectatorship.Ticket prices ranged from $25 (equivalent to $55 today) for a decent seat to $120 for premium access at Giants Stadium.Numbers That Shaped the Tournament: Attendance and Ticket PricesThe tournament set an enduring record for average attendance, with 68,991 spectators per match – a figure that still stands. The relatively low cost of entry allowed a broad cross‑section of fans, from immigrant communities to college students, to experience the World Cup live.Average crowd: 68,991 (World Cup finals record).Typical ticket price: $25 in 1994 ($55 adjusted for inflation).Premium Giants Stadium ticket: $120 each.How USA ’94 Redefined Global Football CultureBeyond the numbers, the tournament fostered a counter‑cultural vibe in the United States. Football was embraced by “convivial geeks and obsessives” and bolstered by immigrant enthusiasm. The Irish community’s celebration in New York turned a simple match into a diasporic festival, while the presence of British fans hinted at a future where World Cups would attract a more diverse, curious audience.These cultural shifts laid groundwork for later developments, such as the creation of Major League Soccer two years later and the massive commercial growth of subsequent tournaments.What the Legacy Means for Future World CupsThe author warns that soaring ticket prices and heightened security may erode the affordable, party‑like atmosphere that defined USA 1994. As future tournaments become more politically charged and financially demanding, the chance for “melting‑pot merriment” could diminish, making the 1994 experience a nostalgic benchmark for fans and organisers alike.

The Sexist Remark That Sparked ControversyParaguayan player Adolfo Daniel Vallejo will be fined after he suggested women lack the courage to umpire rowdy crowds following his marathon five-hour defeat by French teenager Moise Kouame at the French Open. The French Tennis Federation (FFT) swiftly condemned the comments as "unacceptable" and announced the fine.The Match and the Controversial CommentsVallejo blamed Brazilian referee Ana Carvalho for failing to control the home crowd during his second-round loss to France's Moise Kouame, who triumphed 6-3 7-5 3-6 2-6 7-6 (10-8) at a packed Court Suzanne Lenglen."I think this sort of matches should be umpired by a man," Vallejo told Clay magazine. "It's very difficult for a woman to do it because the crowd is very annoying. You need to have a lot of courage to go against the crowd."Vallejo added that Kouame "took up a lot of time on many occasions, lying on the floor or stalling" and claimed the crowd shouting for a full minute without any play was abnormal.The Tournament's ResponseThe FFT issued a strong statement condemning Vallejo's remarks: "The competence of an umpire is not determined by their gender, but by their professionalism and ability to officiate at the highest level. The outcome of a sporting event, whether positive or negative, can never justify or excuse such remarks."The tournament organizers announced they would impose "a significant sanction on Adolfo Vallejo in the form of a fine." The Roland Garros tournament also stated it "strongly condemns all sexist remarks, regardless of who makes them, and offers its support to the match umpire and, more broadly, to all the tournament's umpiring officials."Player's Attempted Damage ControlFollowing the backlash, Vallejo attempted damage control on social media, claiming his comments were taken out of context."I never spoke about women in general, I was referring specifically to the referee, who failed to manage the crowd at any point during the match," he posted on X. "That said, I didn't say I lost because of her either. I congratulated the opponent and it's only natural for the crowd to support the home player."Broader Implications for TennisThe incident highlights ongoing challenges in addressing sexism in sports, particularly in tennis where female officials have historically faced discrimination. The FFT's swift response sends a message that such remarks will not be tolerated at one of the sport's most prestigious tournaments.The 17-year-old Kouame, who was supported by passionate home supporters during the match that lasted nearly five hours, became the youngest French Open match winner since 1991 with this victory.

The LeadThe week's art scene is abuzz with exciting exhibitions and showcases. From British landscapes to gothic paintings, there's something for every art enthusiast. Exhibition HighlightsBritish Landscapes: A Sense of Place at Pallant House Gallery, Chichester, explores the romance and mystery of Britain's green and pleasant land through works by artists from Gainsborough to Hepworth. Lisa Ivory: Creepy gothic paintings at Gramercy Park Studios, London, featuring skeletons and nudes in shadowy landscapes. Jack White: An exhibition at Newport Street Gallery, London, showcasing his artistic skills. Delaine Le Bas: Mystical new artworks at Maureen Paley Gallery, London, including pieces made in glass at Venice's Murano workshops. Wendy McMurdo: A 30-year survey of her work at Portrait, Edinburgh, exploring the border between reality and digital fantasy. The Featured ArtistSteven Shearer's work, including Tokerman, is highlighted, with the artist discussing how his paintings conjure art history through adolescent ennui and coming-of-age alienation. Masterpiece of the WeekPortrait of a Poet by Palma Vecchio, circa 1516, is showcased at the National Gallery, London, featuring a poet with a laurel tree growing out of his head, symbolizing poetic associations in Renaissance Italy.

The Lead: This Week's Entertainment HighlightsThis week's entertainment landscape offers a diverse array of critically acclaimed shows and films, from hilarious comedies to chilling horror. Channel 4's "Make That Movie" stands out as one of the funniest shows of the year, while Netflix's "The Four Seasons" returns with a brilliant second season. Horror fans can explore the disturbing world of "Backrooms," while Marvel offers a stylish take with "Spider-Noir."TV Comedy Gold: Make That MovieChannel 4Summed up in a sentence Last One Laughing finalist delivers one of the funniest shows of the year, with this mockumentary about a director who makes awful films.What our reviewer said "So ostentatiously silly that it deserves to be paraded around the streets." Stuart HeritageRead the full reviewFurther reading "People are like: you're a crackpot": how Sam Campbell became comedy's oddball superstarNetflix Triumph: The Four Seasons ReturnsNetflixSummed up in a sentence Tina Fey triumphs again with the return of this comedy about a group of middle-aged friends who reunite during holidays throughout the year.What our reviewer said "Even more perspicacious, poignant and hilarious than the first." Chitra RamaswamyRead the full reviewMarvel's Stylish Take: Spider-NoirPrime VideoSummed up in a sentence In Marvel's witty homage to the hard-boiled films and fictions of the 40s – which can be watched in colour or black-and-white – Nicolas Cage plays Ben Reilly, who gave up being superhero "the Spider" five years ago.What our reviewer said "Everything is shot with style and confidence." Lucy ManganRead the full reviewFurther reading The life of PIs: the strange case of 2026's resurgence of hard-boiled detectivesHidden Gem: PoniesNow/Sky AtlanticSummed up in a sentence Emilia Clarke and Haley Lu Richardson have heaps of fun as two widows who become cold war spies in this espionage comedy-drama.What our reviewer said "It's a mashup of genres and tropes, but it is its own thing too – and an unexpected treat at that." Lucy ManganRead the full reviewHorror Innovation: BackroomsIn cinemas nowSummed up in a sentence A debut from 20-year-old director Kane Parsons that examines memory, reality and fear in an icily disturbing horror, in which Chiwetel Ejiofor accesses an infinite series of hidden rooms that all feel creepily askew.What our reviewer said "Backrooms progressively raises its game towards the big finish with jump scares, squirm scares and tiny shiver scares. There is real fascination in exploring this vast, invisible city state of fear." Peter BradshawRead the full reviewFurther reading Are you sitting uncomfortably? How Backrooms upended the horror movieMusic and Bromance: Power BalladIn cinemas nowSummed up in a sentence Nick Jonas and Paul Rudd star in a comedy of bromance and betrayal from Irish writer-director John Carney that brilliantly brings together Rudd's washed-up wedding singer and Jonas's insecure ex-boyband superstar.What our reviewer said "Power Ballad is about making it and dreaming big, about every busker never giving up on hopes of one day being mega. But as so often with Carney, it's about something else, usually left unacknowledged in movies about music or any sort of show business: the terrible binary of success and failure." Peter BradshawRead the full reviewUnexpected Pairing: TunerIn cinemas nowSummed up in a sentence Playing a piano tuner with super-sensitive hearing, Leo Woodall's relationship with Dustin Hoffman is a tender highlight in this safe-cracking thriller.What our reviewer said "What a pair they are; they are a real pleasure to watch in an easy, unforced drama that mixes romcom moments with a relaxed crime thriller. It's like the Safdie brothers in chill-out mode." Cath Clarke

Leïla Slimani’s Madrid Residency: Finding Light in Goya’s DarknessFrench-Moroccan author Leïla Slimani is currently in Madrid, utilizing the Museo del Prado as a sanctuary for her next literary work. Her deep dive into Francisco Goya’s Black Paintings reveals a writer obsessed with the darkness of the human condition.The Residency and the Black PaintingsSlimani is participating in Writing the Prado, a residency inviting international authors to produce new work inspired by the museum. She is particularly drawn to Goya’s later works, which depict violence, fate, and societal disillusionment. Slimani explains that Goya painted the future, seeing things others did not, and that his bleak outlook resonates with her own preoccupations.Location: Museo del Prado, MadridResidency: Writing the PradoPrimary Inspiration: Goya’s Black Paintings (e.g., Saturn Devouring His Son)The Cultural Impact of Literary PrestigeWhile the article focuses on a residency, Slimani’s career trajectory highlights the immense cultural capital of literary recognition. Her success is not just personal but systemic.Award: First Moroccan woman to win the Prix Goncourt (2016) for Lullaby.Role: Appointed by President Emmanuel Macron as a representative for promoting French language and Francophone culture.Her presence in Madrid as a cultural ambassador demonstrates how high-profile authors bridge the gap between national identity and global literature.The Intersection of Trauma and Artistic ExpressionSlimani’s work is driven by a formative family trauma: the arrest and imprisonment of her father on financial charges. She describes her early impulse to write as driven by anger and a desire for revenge.“Literature is probably the best way to give justice back to people who are not understood or listened to,” she says. Her ability to transform personal pain into universal empathy—allowing readers to feel tenderness for characters they might reject in real life—defines her impact on modern literature.The Future of Cross-Cultural Literary InspirationSlimani is currently working on a new project inspired by the Prado, signaling a continued evolution in her style. Her upcoming work, I’ll Take the Fire, focuses on her family history, suggesting that her future writing will continue to explore the tension between nostalgia and the necessity of moving forward.As she navigates the complexities of being a French-Moroccan writer, Slimani’s journey suggests a future where literature will increasingly serve as a tool for deconstructing rigid cultural identities and embracing the contradictions of the human experience.

The Lead: Arsenal's European QuestSince Arsenal's euphoric Premier League win last week, north London has been in a state of celebration. Now, with the Gunners poised to play in the Uefa Champions League final in Budapest, Gooner fever is spreading across the continent. Arsenal fans are embarking on extraordinary journeys to witness their team's first Champions League final appearance in 20 years, demonstrating the remarkable dedication of the club's supporters.The Travel Challenge: Trains, Planes and AutomobilesWith all 13 of Wizz Air's Budapest-bound flights from London sold out by Friday, and the last available ticket priced at £407 one way according to Skyscanner, Arsenal fans have become creative travelers. Darren Cornish, a 53-year-old IT manager from Hemel Hampstead, exemplifies this resourcefulness: "We'll get there by train, plane and automobiles," he said. After securing return flights to Linz, Austria for £150, he plans to take a three and a half hour train to Budapest on Saturday morning.Many fans are taking indirect routes through Vienna, Bratislava, Rome, and other European cities to avoid the exorbitant flight prices. Ben Boxhall and two friends from Essex flew to Kraków instead, paying £170 for return flights, then plan to catch a 5am bus to Budapest, arriving around midday. They haven't booked a hotel, intending to join thousands of fans at the Uefa meeting point before pulling an all-nighter and catching the first bus back.The Fan Experience: Generations of CelebrationThe journey to Budapest represents different things to different generations of Arsenal supporters. For younger fans like Ben Boxhall, 23, this is their first Premier League victory they can remember: "We were 18 months old when they won the league in 2004. This is the first one that we remember and celebrating with our parents and friends."Older fans like Neil Roberts, who has attended matches for 25 years, appreciate the rarity of this moment: "When you haven't had success for so long, when it does come around it's magical." This generational divide creates a unique atmosphere where older fans savor the moment while younger fans experience the thrill of success for the first time.The Financial Impact: Cost of Champions League GloryThe financial commitment from Arsenal supporters is substantial. While some fans found relatively affordable options like Cornish's £150 return flights to Austria, others are paying significantly more. Ollie Laurence, 23, knows "people who are paying north of a grand" on flights to get to Budapest. Ticket prices for the final itself are equally staggering, with some tickets reportedly available for around £2,500.This financial investment reflects the high stakes and emotional value of the occasion. For many fans, the cost is secondary to the opportunity to witness history, especially after a 20-year absence from the Champions League final.The Historical Context: A Free Hit at GloryArsenal's return to the Champions League final after two decades has created a unique psychological dynamic among supporters. With the Premier League title already secured, many fans view the final as a "free hit," as Darren Cornish explains: "This game is a free hit. If we lose, we've still got the premiership. If we win, it'll be the best thing ever. There's no pressure on these boys."This perspective contrasts with previous finals where the weight of expectation might have been heavier. The combination of already achieved success and the potential for a historic double has created an atmosphere of celebration rather than anxiety, allowing both players and fans to enjoy the occasion without the usual pressure of a must-win situation.

The Soho Society's New Licensing Mandate A society of residents funded by the council could “destroy Soho’s reputation on the international stage” as London’s entertainment district by ferociously objecting to all new bar and restaurant licences, operators in the area have said. The Soho Society, a group of residents established in 1972 aimed at “preserving the character of Soho”, voted in its AGM on Thursday for a new licensing mandate, meaning it will challenge all new applications for bars and restaurants in the area, including renewals of existing licences. The Impact on Businesses and Jobs The society claims the area in central London has seen an intensification of nightlife and unacceptable noise, as well as crime and litter caused by a proliferation of late-night revellers. However, business owners argue that this could strangle small businesses and limit job opportunities for young people. Rupert Power, the owner of Sophie’s, a steak restaurant, and the underground jazz bar Jack Solomons, both on Great Windmill Street, chairs the Soho business alliance, which is made up of 150 small companies. The Data Analysis The Soho Society is estimated to represent about 10% of the district’s residents. A report by the former cabinet minister Alan Milburn said a lack of hospitality jobs was contributing to high youth unemployment in Britain. The UK has the third-highest rate of 16- to 24-year-olds who are not earning or learning among rich European countries. The Impact Analysis The new mandate means it will be very difficult for businesses to open or expand in the area. Philip Kolvin KC, a planning lawyer, said the mandate would cover “pretty much the whole gamut of licence applications, so that rather than promoting innovation and diversity, it stymies it”. This could lead to delayed licensing applications, spiralling legal costs, and development contracts facing expiry. The Prediction Business owners and experts warn that the Soho Society's actions could have a negative impact on Soho's reputation and the local economy. Power added: “It is strangling small businesses, meaning there are less hours and jobs for young people to work. I really worry for young people. To have a minority be in a position of stifling growth that is funded by the council is not ideal.”

This weekend the night sky will showcase a blue micromoon – a rare alignment of a second full moon in a calendar month and a moon at its most distant point from Earth.Understanding the Dual Phenomenon: Blue Moon Meets MicromoonA "monthly blue moon" occurs when a second full moon appears in the same calendar month, as explained by Dr Greg Brown of the Royal Observatory Greenwich. A micromoon happens when the full moon coincides with the moon’s apogee, making it appear roughly 6% smaller than a typical full moon and about 14% smaller than a supermoon.Numbers Behind the Rarity: Frequency and Size DifferencesBlue moons: roughly every 2‑3 years.Micromoons: 2‑3 times per year.Combined blue micromoon: about once every 20‑30 years.Size reduction: ~6% smaller than average full moon, ~14% smaller than a supermoon.Why Stargazers Should Take Note: Visibility and Cultural ContextThe full moon peaks on 31 May at 9.45am BST (4.45am ET, 6.45pm AEST). For observers in the UK the moon will have set, but it remains visible throughout the night on Saturday and Sunday, appearing lower in the northern hemisphere sky and higher in the southern hemisphere. The event also revives the “once in a blue moon” expression, though the phrase likely stems from the rarer blue‑tinged moon caused by atmospheric particles.Looking Ahead: When the Next Blue Micromoon Might AppearAccording to Brown, the next UK blue micromoon is projected for 2066, while parts of the US may see one as early as 2053. Until then, enthusiasts can enjoy this once‑in‑a‑few‑decades spectacle.