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Israel and Argentina launched a direct, twice‑weekly El Al flight in November, positioning the route as a political bridge rather than a profit‑center. The service, spanning 12,000 km and lasting about 16.5 hours, is intended to cement Israel’s foothold in Latin America while offering a logistical bypass for officials facing European legal scrutiny.The Launch of the Tel Aviv‑Buenos Aires Direct FlightThe inaugural flight was announced by Prime Minister Benjamin Netanyahu and Argentine President Javier Milei during a ceremony in East Jerusalem, underscoring a shared ideological alignment. The route is promoted as the first tangible step of the Isaac Accords, a Latin‑American framework modelled on the Abraham Accords.Frequency: twice a week (Tuesdays and Saturdays)Distance: 12,000 km (7,460 mi)Duration: 16.5 hours, the longest El Al route to dateSubsidy: 20 million shekels (≈$5.4 m) over three yearsFinancial and Operational Numbers Behind the RouteEl Al’s booking launch on May 7, 2026 revealed modest commercial interest. In 2025, passenger traffic between the two nations reached roughly 55,300 travelers—a 37 % rise from 2024 but still below the pre‑pandemic peak of 71,200 in 2019.The long‑haul flight incurs higher operating costs because Israeli aircraft are barred from several African airspaces, forcing a costly detour over the Mediterranean and Atlantic.Geopolitical Implications for Israel’s Latin American StrategyAnalysts such as Ihab Jabarin argue the flight is a “permanent corridor for security and tech businessmen,” allowing Israel to export cybersecurity, AI, and surveillance expertise to Latin American partners. The route also provides a safe travel channel that sidesteps European arrest warrants for Israeli officials implicated in the Gaza conflict.By aligning with right‑wing leaders like Milei, Israel seeks to showcase ideological allies in a region where left‑leaning governments (e.g., Brazil’s Lula) have condemned its actions.What the Flight Signals for Future Israel‑Latin America RelationsIf passenger demand stabilises, the Tel Aviv‑Buenos Aires link could become a template for similar routes to other Latin American capitals, deepening cooperation in security, counter‑terrorism, and artificial intelligence.However, domestic pushback in both countries—ranging from economic concerns in Israel to accusations of “imperialist war” in Argentina—could limit expansion. The success of the service will hinge on the Argentine Jewish community’s support and the ability to mitigate logistical costs.

Wiegman's Key Advice for Mead Sarina Wiegman has said Beth Mead's next transfer will be a "very important" factor in the England forward's chances of going to the 2027 Women's World Cup, as the outgoing Arsenal forward seeks more regular starts. Mead's Transfer Plans The 31-year-old is understood to be close to agreeing a move to Manchester City, after it was confirmed she will leave Arsenal at the end of her contract this summer after nine years. Mead, the star of England's 2022 European Championship triumph, played in 21 of Arsenal's 22 league fixtures this term but started only 12 of them. The Impact on England's World Cup Prospects "I think [it is] very important," Wiegman said, when asked about Mead's next steps. "She is still very ambitious and I think she still has the highest level. When you play at Arsenal, they have such a strong squad and they [play] so many games, so they split minutes in those games. She wants to get a good move and wants to compete for the World Cup and make the squad next year. Of course that's a long way out but you have to make the right decision." Squad Updates and World Cup Qualifiers Wiegman has recalled the Manchester United midfielder Ella Toone, the Chelsea forward Aggie Beever-Jones and the London City Lionesses winger Freya Godfrey after injuries for next month's two crucial World Cup qualifiers, with Mead also in the 25-player squad. The Lionesses will face Spain in Mallorca on 5 June before hosting Ukraine at Everton's Hill Dickinson Stadium four days later in their final fixture in this qualifying group. England are top with four wins from four, including a hugely valuable home victory over Spain at Wembley in April, which has put them in pole position to qualify automatically for next summer's finals in Brazil. Only the group winners will avoid the playoffs. England Squad for Upcoming Matches Goalkeepers: Hannah Hampton (Chelsea), Anna Moorhouse (Orlando Pride), Ellie Roebuck (Aston Villa) Defenders: Lucy Bronze (Chelsea), Jess Carter (Gotham), Niamh Charles (Chelsea), Alex Greenwood (Manchester City), Taylor Hinds (Arsenal), Maya Le Tissier (Manchester United), Esme Morgan (Washington Spirit), Leah Williamson (Arsenal), Lotte Wubben-Moy (Arsenal) Midfielders: Laura Blindkilde Brown (Manchester City), Lucia Kendall (Aston Villa), Jess Park (Manchester United), Georgia Stanway (Bayern Munich), Ella Toone (Manchester United), Keira Walsh (Chelsea) Forwards: Aggie Beever-Jones (Chelsea), Freya Godfrey (London City Lionesses), Lauren Hemp (Manchester City), Lauren James (Chelsea), Chloe Kelly (Arsenal), Beth Mead (Arsenal), Alessia Russo (Arsenal) Toone's Return and Squad Depth Wiegman said it was too soon to know whether Toone can play "90 minutes at the highest level" but added: "It's nice she's back. There are a couple of players that haven't played that many minutes. I still think they're the best players and they can make the chance of winning as high as possible, when they're in. But we have a squad of 25 so enough options that we can play." Omission of Young Player There is no place in the squad for the 18-year-old Erica Meg Parkinson, a surprise inclusion in April's squad. Discussing the omission of Parkinson, Wiegman said: "Erica came into the squad for the first time as a young player, turned 18 in our camp. We wanted to see her, she brought what we thought she would bring. I said in that [April] press conference that she would really surprise me if she would play straight away in a starting position, but she showed a couple of [good] things. There is still a gap for her to earn the minutes to compete with other players in the squad."

The Rise of AI-Generated Hate OperationsScroll through any Facebook feed in Britain and, between the baby announcements and petty neighbourhood beefs, you're likely to come across an account with a union jack profile picture and a vague, generic name like Britain Today. These accounts – and there are hundreds, possibly thousands of them – present themselves as the work of British patriots. In one typical, AI-generated video, a middle-aged man claims his local cafe "has stopped serving pork, bacon and sausages just to avoid offending people". Another post from the same account includes a sepia-tinted set of images of Victorian London, mourning a time when the city "was English, first-world and beautiful". Alongside this type of reactionary nostalgia, it's not unusual to see memes that call Islam a "cancer", decry Muslims praying in public as an "invasion of the west" or promote the "great replacement theory".The Financial Incentives Behind AI Hate ContentFor the past seven months, I have been investigating who is really behind pages like these. The answer, it turns out, is often young, entrepreneurial men from south Asia. They tend to have zero interest in UK politics, but the content they create often boosts far-right talking points in Britain and contributes to the increasingly hostile atmosphere for immigrants and British Muslims. They're part of a booming cottage industry producing commercial AI slop.The financial incentives for creating this kind of content are huge, particularly for creators in the global south. At the Bureau of Investigative Journalism, we looked in detail at two very successful "sloperations" targeting British audiences from Pakistan and Sri Lanka. They make money from the online ads that Meta places next to high-performing content. Meta shares a proportion of the ad revenue with the creators and also makes direct payments to creators to reward posts that receive a lot of engagement.Once you hone your algorithmic rage bait, there's very good money to be made from slop. The Pakistani creator, a devout Muslim who we are not naming for his own safety, told us he makes $1,500 (£1,119) a month from one of his pages alone; Geeth Sooriyapura, the Sri Lankan creator, claimed to have made $300,000 over the course of his Facebook career. We weren't able to verify these figures, but both men were certainly making many times the average income in their countries.The Economic Impact of AI-Generated PropagandaTheir success represents the seductive promise of "passive income" culture, a pervasive modern gospel that says you should quit your job and make easy money online. The proponents of this philosophy also often sell courses as an additional revenue stream: Sooriyapura claimed that 2,500 people, mainly other Sri Lankans, have graduated from his content academy.Rightwing propaganda and Islamophobia are, of course, not new. But two key structural factors have made it particularly pervasive on social media.The Technological and Policy EnablersFirst, the wide availability of generative AI tools. These are used at every stage of the content creation process: to brainstorm ideas, to write captions and, most importantly, to create compelling images and videos. This is particularly helpful if, like the Pakistani creator, you do not speak English well. In one video we reviewed from Sooriyapura's Facebook course, he told his students that AI-generated videos can help political content go viral up to 10 times faster.Second is Meta's retreat from content moderation. Over the past couple of years, the major social platforms have made mass redundancies on the trust and safety teams that monitored and took down harmful content. This was partly motivated by pressure from the Trump administration, which believed that platforms had engaged in heavy-handed censorship of content during the Biden presidency.Social media companies justify the moderation job cuts by pointing to their use of AI to find harmful content more efficiently. But our reporting shows there is masses of deeply offensive content on there which anyone could find in a few minutes, if they bothered to look.The Future of Online Hate Speech and Platform AccountabilityAfter we spoke to the Pakistani creator, he said it was a "good thing" we had informed him about the nature of his posts and he deleted many of them. Sooriyapura told us that he did not encourage his students to "spread violence" and that he just educates "people on Facebook monetisation and audience-targeting".The Pakistani creator didn't cover his tracks particularly well. It took me a couple of hours and a little help from Osint Industries, a platform that collates information on social media accounts, to definitively confirm that the person who ran the Islamophobic slop account also had personal accounts in his own name sharing verses from the Qur'an. These are actions that Meta easily could have taken itself. But why would it spend good money implementing its own policies when there is so little political or regulatory pressure to do so?When we contacted Meta in both these cases, it took down many of their pages and sent a one-line statement: "We have clear community standards that prohibit hate speech, harassment, harmful misinformation and inauthentic behaviour and we have removed these accounts for violating our policies." I've been a tech journalist long enough to have been through this process with Meta and other social platforms many times before. The Sri Lanka network is, depressingly, back up and running, having faced minimal consequences after a bit of downtime.Meta can, and should, be doing more to take these kinds of accounts down. But as long as its core product is an algorithmic feed that financially rewards content that provokes extreme emotions, others will always appear in its place.

The Dystopian Vision of 2028 Los AngelesBrimming with indelible images, Charlotte Zhang's brilliant debut locates the roots of a dystopian future in the here and now. Set around the 2028 Summer Olympics, the film imagines a Los Angeles gripped by paranoia and conspiracies; and a livestock disease has led to a ban on all meat production, leaving the main source of protein distribution – powdered insects – in the control of a megacorporation called Ootheca Inc. Ironically enough, a cockroach infestation has taken over several local neighbourhoods, making Ootheca's monopolising greed even more insidious.A Human Story of Survival Amid Corporate ControlAll of this might sound pretty out there, yet the heart of Tycoon is a deeply human story of survival. Both hustlers up for any challenge, Lito (Miguel Padilla-Juarez) and Jay (Jon Lawrence Reyes) take advantage of the widespread chaos to embark on a series of petty crimes, including breaking into an Ootheca trailer to steal boxes of the precious protein powder. Their escapades are dynamically rendered on a variety of formats including handheld DV camera and Super 8, as well as Xerox art. But compared to other film-makers who favour this DIY style, Zhang is beautifully attentive to blocking and composition. Scenes of house parties, twilight rides against the setting sun, or high-rev street drifting harmonise into a stunning city symphony, in which a visual rhythm gradually emerges from disorder.Political Implications in a Corporate-Dominated WorldBeneath the seemingly casual tone of the visuals, there are also serious political implications. As Latino men living in a time of state-sanctioned racial violence, Lito and Jay are enfolded in economic precarity and constant surveillance. That they choose to game the system rather than waiting to be squashed by it – like Ootheca's crushed insects – is wonderfully empowering. Zhang occasionally makes explicit these political allusions by way of text intertitles, which sometimes feel a little awkward; still, when is a better time to deliver a manifesto than in one's first film?Where to Experience This Visionary DebutTycoon is at the ICA, London from 22 May.

Lead: Iran's World Cup Preparation Under FireAmir Ghalenoei acknowledges that his coaching and fitness staff have a daunting task: turning a 30‑man squad, most of whom have been idle for seven weeks, into a World Cup‑ready side while the nation grapples with a regional war that began on February 28.Training Camp in Turkey Amid Regional ConflictThe team assembled in a Turkish training camp for an intensive two‑and‑a‑half to three‑week program. Twenty‑two of the 30 players are domestic‑based and have been confined to a Tehran national‑team camp since friendlies in Antalya in late March.Numbers Shaping the Preparation30‑man squad announced on Saturday22 players from Iranian clubsPlayers out of action for 7 weeksCamp length: 2.5‑3 weeksTarget fitness recovery: 20‑25% of the shortfallFriendly vs The Gambia on May 29Final 26‑man roster due by June 1 (FIFA deadline)Impact of War and League Suspension on Iran's CampaignThe Persian Gulf Pro League remains suspended until after the World Cup, depriving players of competitive match practice. The ongoing US‑Israel‑Iran conflict adds travel uncertainties, especially for a planned closed‑door friendly against Puerto Rico in Arizona, which hinges on entry clearance.These constraints force the coaching staff to rely heavily on fitness drills and intra‑squad games, raising concerns about tactical sharpness against higher‑ranked opponents such as Belgium and Egypt.Looking Ahead: What to Expect at the TournamentIf the camp succeeds in recouping the projected 20‑25% fitness gap, Iran could field a physically competitive side for its group matches in Los Angeles and Seattle. However, the limited preparation window and lack of recent high‑level competition suggest the team may struggle to match the intensity of opponents like Belgium. The final squad announcement on June 1 will reveal whether the domestic‑based core can meet the modern game’s demands.

The LeadBrisbane Heat has emerged as a frontrunner to participate in a historic Big Bash League (BBL) game in India, as Cricket Australia advances plans to open the 2026-27 season overseas. The proposed Chennai fixture represents a strategic expansion into one of cricket's most valuable markets.The Event DetailsCricket Australia has received positive indications in the past 24 hours regarding their proposal to stage the first BBL game of the 2026-27 season in Chennai. Brisbane Heat chief executive Terry Svenson confirmed his team's support for the initiative, highlighting their strong international following through social media as a key factor.The Heat are among several franchises expressing interest in being the away team in Chennai, with Melbourne Stars, Renegades, and Sydney Thunder also reportedly keen to participate. Cricket Victoria's Nick Cummins explicitly stated his team's enthusiasm, saying: "We would love to be a part of that, and we would be happy to be the home team."The Data AnalysisThe move comes at a critical juncture for the BBL, with the league's team privatization plans currently in flux. Recent developments show Cricket Australia's BBL sell-off on hold after Queensland joined NSW in rejecting the plans.Chennai has been identified as the preferred location for this overseas fixture, with the local governing body understood to have approved the proposal in principle, pending final sign-off from the Board of Control for Cricket in India (BCCI).The Impact AnalysisThis strategic expansion into India could significantly enhance the BBL's global profile and commercial prospects. The league has been seeking ways to grow its international audience, and India represents the world's largest cricket market with enormous untapped potential.The move also comes amid challenges, particularly regarding Pakistani players in the BBL. Historically, obtaining visas for Pakistani cricketers to enter India has proven difficult, complicating team selections for the overseas fixture.The PredictionIf approved, the Chennai fixture could mark the beginning of regular BBL games played overseas, potentially establishing a new revenue stream and fan base. The success of this initiative may determine whether Cricket Australia pursues similar fixtures in other cricket-loving nations, potentially transforming the BBL from a domestic league into a truly international competition.

The Lead This spring has been special, with an extraordinary display of buttercups and dandelions across the UK. The abundance of these flowers has created breathtaking landscapes, transforming fields into sea of gold. A Sea of Gold The dandelions, with approximately 240 species in Britain, have been particularly impressive. The author describes a scene where a blanket of gold dandelions covered a slope, creating a uniform and stunning sight. This phenomenon was observed in upper Dovedale, Staffordshire. The Data Analysis While there are no specific numbers provided, the author notes that the dandelions and buttercups have been thriving, with fields containing hundreds of thousands of flowers. The dandelions, in particular, have been a hit with bumblebees and solitary bees. The Impact Analysis The abundance of these flowers has not only been a treat for the eyes but also a boon for local wildlife. The author notes that bumblebees and various solitary bees in the genus Andrena have been enjoying the dandelions. The presence of these flowers also highlights the importance of preserving natural habitats and allowing wildflowers to thrive. The Prediction As the seasons progress, it will be interesting to see if this trend continues. The author suggests that the abundance of buttercups and dandelions could be a sign of a healthy and thriving ecosystem. If this trend continues, it could have positive implications for local wildlife and the environment as a whole.

The Lead: A Reckoning Set to MusicBrent Michael Davids’s Requiem for America premiered as a stark counter‑narrative to the United States’ 250th‑anniversary celebrations, foregrounding the colonisation and systematic erasure of Indigenous peoples. Subtitled “Singing for the Invisible People,” the piece weaves newspaper clippings, military reports and survivor testimonies into a 90‑minute musical tapestry.Davids' Requiem for America Debuts with the BBC Symphony OrchestraThe world premiere featured the BBC Symphony Orchestra and Chorus, an eight‑strong Native American choir, four vocal soloists, and Davids himself on Native American flute. Conductor Teddy Abrams led the ensemble, while mezzo‑soprano Wallis Giunta stepped in as the Narrator, delivering harrowing first‑hand accounts.15 movements, each blending spoken testimony with layered orchestration.90‑minute runtime, packed with choral, solo, and instrumental textures.Future longer version scheduled for Boston in November.Numbers Behind the Performance: Scale and ScopeWhile the review contains no financial data, the production’s scale is evident:90 minutes of continuous music.15 movements covering a range of historical episodes.Ensemble of ~30 musicians (orchestra, choir, soloists, Native American choir).Reframing American History Through SoundDavids, of Mohican heritage, replaces the traditional Latin mass text with primary sources that expose atrocities such as Lakota massacres and forced death marches. The work juxtaposes hymn‑like choral fragments—once used to justify violence—with stark narratives, underscoring how “God’s will” was invoked to mask genocide.Key moments include:A boy’s testimony from under a massacre‑site hut.A medic’s account of a regiment firing on unarmed Lakota families.Tenor Robert Murray portraying a critical Teddy Roosevelt.Future Outlook: From London to Boston and BeyondThe planned Boston performance, featuring an expanded version, signals growing interest in works that confront colonial legacies. As audiences engage with this “urgent, necessary” piece, it may inspire more commissions that centre Indigenous perspectives within mainstream classical programming.

The Lead: A Disappointing Return to FormPalme d'Or winning Romanian director Cristian Mungiu presents "Fjord" at Cannes, a drama exploring child abuse allegations within a conservative Romanian-Norwegian family. The review criticizes the film as anticlimactic and underpowered, suggesting it represents a creative misstep for the acclaimed filmmaker.The Film: Cultural Collision and Moral Ambiguity"Fjord" follows Mihai (Sebastian Stan), a Romanian software engineer married to Norwegian woman Lisbet (Renate Reinsve), who relocate to her remote hometown. As fundamentalist Christians, they struggle when their parenting methods come under scrutiny from authorities after their children display bruises. The film explores themes of cultural differences, religious conservatism, and the complexities of the child protection system.Directorial Approach: Mungiu's Signature Style Under ScrutinyThe review notes that while "Fjord" bears Mungiu's signature visual style—enigmatic long shots, avoidance of closeups, and distinctive crowd scenes—it lacks the rewarding complexity and revelation that characterized his earlier work. The film fails to deliver a compelling truth about its relationships while also failing to intriguingly withhold any such truth from the audience.The Performance: Stan and Reinsve in Cultural TensionSebastian Stan portrays Mihai as an ice-cold patriarch whose conservative parenting methods clash with Norwegian social norms, while Renate Reinsve brings depth to Lisbet as she navigates the cultural and legal challenges. The supporting cast, particularly the teenage daughters played by Vanessa Ceban and Henrikke Lund-Olsen, add further layers to the family drama.Festival Context: Auteur Ambitions and International CoproductionsThe review suggests "Fjord" may represent part of an emerging trend at this year's Cannes, where established directors like Mungiu, Kantemir Balagov, and Ryusuke Hamaguchi are creating international coproductions outside their home turf with foreign stars. This phenomenon, potentially resulting from creative conversations at international festivals, may be leading to a loss of focus in their work.Critical Assessment: Moral Complexity Without ResolutionThe film attempts to balance sympathy for the children with understanding for the parents' cultural perspective, while also critiquing a system that may be biased against religious conservatives. However, the review finds the treatment of these themes unsatisfying, with the court case left unresolved and a strangely inert finale that fails to deliver meaningful closure or revelation about the relationship between the teenage girls.Legacy: A Setback for an Acclaimed FilmmakerFor Mungiu, whose 2007 Palme d'Or winning film "4 Months, 3 Weeks and 2 Days" established him as a major voice in international cinema, "Fjord" represents a creative disappointment. While his technical approach remains interesting, the film fails to deliver the depth and complexity that audiences have come to expect from the Romanian auteur.