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A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

The Lebanon Conflict Escalation United States President Donald Trump said on Monday that Hezbollah and Israel have agreed to halt hostilities in a major de-escalation effort after Israeli Prime Minister Benjamin Netanyahu ordered attacks on the southern suburbs of Beirut on Monday. Iran's Ultimatum The situation was further complicated by warnings from Iran. Tehran's chief negotiator, Mohammad Bagher Ghalibaf, said Iran could halt negotiations with the US if Israel's military campaign in Lebanon continues. Regional Implications Iran says Lebanon covered by ceasefire terms: Foreign Minister Abbas Araghchi said on Monday that the ceasefire between Tehran and Washington applies across the region, including Lebanon, warning that any violation would undermine the broader agreement and carry consequences for the US and Israel. Diplomatic Efforts Trump claims breakthrough to avert escalation: The US president said he secured commitments from both Israel and Hezbollah to stop fighting after speaking with Netanyahu and Hezbollah intermediaries, portraying the move as a diplomatic breakthrough that prevented a wider Israeli offensive towards Beirut and helped keep broader regional negotiations on track. Lebanon tensions test wider diplomacy: Al Jazeera correspondent Kimberly Halkett said Trump's intervention was driven by concerns that an Israeli advance on Beirut could derail negotiations with Iran. While the US president has framed recent developments as a diplomatic breakthrough, she notes there remains a significant gap between Washington's optimism and Israel's rhetoric, leaving the fragile progress vulnerable to a rapid collapse. US Reactions Schumer presses for end to Iran war: Senate Minority Leader Chuck Schumer criticised Trump's handling of the conflict, arguing that prolonging the war puts US troops at risk and increases economic pressure on Americans through higher fuel prices. He pledged that Democrats would continue pushing for a resolution to end the conflict. Omar calls for end to US military aid: US Congresswoman Ilhan Omar accused Israel of committing atrocities with impunity and warned that tactics used in Gaza are being replicated in Lebanon. She called for an immediate halt to US military assistance to Israel. Israeli Reactions Ben-Gvir urges defiance of US pressure: Israeli National Security Minister Itamar Ben-Gvir criticised Trump's push to halt planned attacks on Beirut's southern suburbs, arguing Israel should continue military operations against Hezbollah and calling on Prime Minister Netanyahu to reject US pressure when necessary. Netanyahu seeks gains before potential ceasefire: Security analyst Andreas Krieg said Israel faces growing pressure. While Israel has achieved some tactical successes, he argues it has yet to secure significant strategic gains, leaving Netanyahu eager to demonstrate progress before any US-backed halt to military operations. Lebanon Situation Israel bombs southern Lebanon: Israeli air attacks were reported on southern Lebanon overnight and into the early morning, with two injured people pulled from the rubble after an attack in Tyre. Hezbollah cites ceasefire violations: The group said it carried out 41 operations on Monday, including rocket and drone attacks on Israeli troop concentrations, military sites and air defence systems. It also reported ambushes and clashes with Israeli forces advancing in southern Lebanon, saying the attacks were in response to continued assaults on civilians and breaches of the ceasefire agreement.

The Unexpected Outcome Less than two hours after polling stations closed on Sunday, it was clear that Colombia’s presidential race would be settled in a run-off between two finalists: hard-right political outsider Abelardo de la Espriella and leftist Senator Ivan Cepeda. Though the overall result surprised few, de la Espriella’s strong showing upended pollsters’ predictions. De la Espriella's Strong Performance Cepeda, President Gustavo Petro’s chosen successor, had been expected to win the most votes, based on public opinion surveys. But instead, de la Espriella came in first place, winning 43.74% of the vote. Cepeda trailed with 40.90%. Supporters of de la Espriella, a criminal defence lawyer, held rapturous celebrations in the coastal city of Barranquilla, where the candidate has an office. The Candidates' Platforms The far-right candidate has modelled himself after politicians like Donald Trump in the United States and Javier Milei in Argentina, flamboyant media personalities who won the presidency despite having little to no political experience. Like them, de la Espriella has pledged a return to “law and order”, as well as a pared-back national government and policies to support traditional family values. Notably, he promises to use an “iron fist” to stamp out crime and build megaprisons to jail criminals, mimicking the policies of Salvadoran strongman Nayib Bukele. The Impact on Colombia's Political Landscape Analysts say de la Espriella’s populist messaging resonated with voters in Colombia’s interior, where urban crime is a growing concern. De la Espriella’s success also highlights growing anti-establishment sentiment in Colombia, according to experts. The lawyer, who has never run for public office before, comfortably beat his main rival on the right, Senator Paloma Valencia, who was backed by former President Alvaro Uribe, the figurehead of Colombian conservatism. The Road to the Second Round A second round of voting, between Cepeda and de la Espriella, is scheduled for June 21. Up for grabs are more than a million votes for centrist candidate Sergio Fajardo and 1.6 million for Paloma Valencia. Experts warn that Cepeda is losing precious time by focusing on fraud allegations and should instead concentrate on swaying moderate voters.

The Stage was Set for a Historic Women's Match Three years after the Roland Garros organisers last declared a women’s match worthy of being called the best of the day in Paris, the total collapse of one half of the men’s draw and a fourth round between two of the three most successful active women’s players not named Williams finally allowed women to return to centre stage. Sabalenka's Dominant Performance Aryna Sabalenka and Naomi Osaka traded nuclear ground strokes in an intense, high-quality slugfest before Sabalenka showed why she remains the best player in the world by elevating her level in the most important moments and marching into the quarter-finals with a hard-fought 7-5, 6-3 win. Key Factors in Sabalenka's Victory Sabalenka's well-rounded gameplay, including ultra-offensive shotmaking and effective use of drop shots. Osaka's struggles with movement and comfort at the net. The Impact on Women's Tennis This match plainly illustrated why Sabalenka has achieved greater consistency and longevity. The Belarusian has worked herself into such a well-rounded player and here she complemented her ultra-offensive shotmaking from the baseline by peppering Osaka with drop shots, exposing the Japanese player’s awkward forward movement, and confidently closing down the net. What's Next for Sabalenka and Osaka Sabalenka will face the 25th seed Diana Shnaider next, while Osaka leaves Paris encouraged by her progress. Osaka has been trending positively in recent months, finally able to string confidence-building wins together over a series of weeks.

Ferrari launched the Luce, its first fully electric vehicle, priced at €550,000 and capable of 0‑100 km/h in 2.5 seconds. The debut, attended by Italy’s president and the pope, triggered an 8 % plunge in the company’s share price and a wave of criticism over its radical design and four‑door layout.The Luce Unveiled: Ferrari’s First Fully Electric Super‑SedanThe Luce, pronounced “loo‑chey”, features an electric motor on each wheel, a skateboard chassis and a five‑seat saloon body – a stark departure from Ferrari’s traditional two‑door sports cars. Design was led by former Apple chief design officer Jony Ive in partnership with Marc Newson, delivering a minimalist aesthetic that many observers compare to the mass‑market Nissan Leaf.Price: €550,000 (£476,000)0‑100 km/h: 2.5 secondsFour doors, five seatsMotors: one per wheelShare‑price Shock: 8% Drop Signals Investor ConcernFollowing the launch, Ferrari’s share price fell 8 %, reflecting investor unease about the brand’s move away from its heritage‑focused, high‑performance niche. The steep price tag and limited production volume raise questions about the model’s contribution to revenue growth.Design Controversy and Cultural Backlash in ItalyCritics, including former Ferrari chief Luca di Montezemolo and transport minister Matteo Salvini, slammed the Luce’s pastel‑blue styling and its departure from iconic Ferrari cues. Social‑media outrage linked the design to “reactionary” opposition to EVs, echoing past backlash against Jaguar’s electric rebrand.What Lies Ahead for Ferrari’s EV Strategy?CEO Benedetto Vigna has described the Luce as intentionally “polarising” and aims to attract ultra‑wealthy buyers beyond the core enthusiast base. Success will depend on whether the brand can translate the novelty into sustained demand while preserving its heritage image.

The End of a Historic Title DefenseLiverpool’s decision to part ways with Arne Slot is a stark admission that trophies alone do not guarantee job security at Anfield. Just 13 months after securing the club's record-equalling 20th league title, the hierarchy has prioritized a return to 'heavy-metal' football over continuity, reacting to a toxic season defined by 20 defeats and a decade-low points tally.The Anatomy of a Rapid DeclineThe sacking marks a historic break from precedent, as Liverpool has never dismissed a title-winning manager on their watch. The catalyst was a clear disconnect between the team and the Anfield crowd, culminating in a hostile reception during the penultimate home game against Chelsea. While mitigating factors like the tragic death of Diogo Jota and a severe injury crisis played a role, the fundamental issue was a tactical drift that left the team ineffective and, crucially, boring.Regression in NumbersThe statistics paint a picture of a club in freefall. Liverpool suffered 20 defeats across all competitions, including the Community Shield, and recorded their lowest points tally in a decade. The team also struggled defensively, conceding late goals and suffering collapses in high-stakes matches, which eroded the confidence of key players like Virgil van Dijk.FSG’s Calculated Risk and the Salah FactorFenway Sports Group (FSG) has acted decisively to prevent a repeat of the toxic environment that forced the exit of Brendan Rodgers in 2015. The rift between manager and star Mohamed Salah—whose public criticism of the team's style was a major factor—has been resolved, clearing the path for a successor like Andoni Iraola. This move signals a shift in philosophy, where the club is willing to sacrifice short-term stability for a return to the aggressive, high-intensity identity that defines Liverpool.Andoni Iraola: The Heavy-Metal Fixer?The immediate future points to Andoni Iraola as the likely successor, a manager known for his attacking, high-pressing style that aligns with the fans' demands. The new head coach faces an immediate challenge: restoring the club's identity and winning back the trust of a fanbase that has grown impatient with a dull, uninspiring brand of football.

The Lead: England's Victory in Bristol England successfully leveled their T20 international series against India with a commanding 26-run victory in Bristol, thanks largely to an extraordinary all-round performance from Freya Kemp. The young all-rounder smashed an unbeaten 39 from just 13 balls, including two sixes and four fours, while also contributing with the ball by taking two crucial wickets. This victory sets up a fascinating series decider at Taunton on Tuesday, with both teams using this match as final preparation for the upcoming World Cup. Kemp's All-Round Impact Kemp's performance was particularly significant given her recent battle with a serious back injury. Having sent down just six overs this season as England carefully managed her return, she made an immediate impact with figures of two for 15, dismissing the dangerous Smriti Mandhana. Her batting, however, stole the show, as she combined with Dani Gibson to add 39 from the final two overs, showcasing England's newfound firepower at the death. Kemp described her path back to fitness as "a bumpy ride" but credited head coach Charlotte Edwards for her unwavering support throughout her recovery. The Turning Point: India's "Retired Out" Decision The match turned on an extraordinary decision when India captain Harmanpreet Kaur retired out her opening partner Yastika Bhatia on 33 from 36 balls. With India needing 60 from the final 30 balls, Kaur adjudged Bhatia to be "chugging along too slowly" and made the unprecedented call to remove her from the crease. The decision completely disrupted India's rhythm, with Bhatia's replacement Jemimah Rodrigues caught off the second ball she faced. India subsequently collapsed to 142 for nine, losing their last six wickets for just 28 runs. Series Implications This match provided both teams with valuable preparation ahead of the World Cup, which begins on June 12. For England, it offered an opportunity to test their batting depth, with several players making strong cases for inclusion. Danni Wyatt-Hodge made a successful return from parental leave with 29 from 25 balls, while Amy Jones (28) and Heather Knight (18 off 14) also contributed. The performance of Kemp, who has been fighting for a middle-order spot, may have settled the selection question in her favor. For India, the match highlighted vulnerabilities in their chase strategy, particularly under pressure. The Road Ahead With the series now all square at 1-1, Tuesday's decider at Taunton promises to be a thrilling contest. Both teams will use this final match to fine-tune their combinations before the World Cup, where England will be looking to defend their title. The record Bristol crowd of over 4,000 was treated to a spectacle of aggressive batting and sharp fielding, setting the stage for what should be an exciting conclusion to this pre-World Cup series. For Kemp, the performance represents another step in her remarkable recovery and a statement of her growing importance to England's World Cup ambitions.

The Wembley Reunion: A 25-Year CelebrationAfter two decades of silence, the iconic 2000s girl group Mis-Teeq is making a surprise return to the stage. The reunion, confirmed last week, will see original members Sabrina Washington, Su-Elise Nash, and Alesha Dixon perform at Wembley Arena for a single night dedicated to the 25th anniversary of their debut album, Lickin’ on Both Sides.This performance marks the first time the trio has performed together since their split in 2005, following the collapse of their label, Telstar. The announcement comes at a time when UK Garage is experiencing a significant resurgence, driven by TikTok trends and a broader cultural appetite for Y2K nostalgia.Commercial Impact: 12 Million Records and CountingMis-Teeq’s reunion is not just a nostalgic trip; it represents a significant commercial milestone in the revival of the genre. The group’s cultural footprint is substantial, evidenced by their sales figures and streaming numbers.Sales Figures: Mis-Teeq sold approximately 12 million records during their peak.Streaming Success: Their track Flowers has garnered nearly 97 million streams on Spotify.Comparison: Their sales volume exceeds that of Girls Aloud, who sold 8 million records.Industry Shift: Addressing the Vocalist Pay GapBeyond the spectacle of the reunion, this event highlights a systemic issue within the music industry: the financial disparity faced by female vocalists, particularly in dance music. The article argues that despite creating the culture, vocalists often earn significantly less than producers and songwriters due to royalty structures that favor instrumental production.This reunion is viewed by many as a rare opportunity for the members to finally enjoy the financial rewards of their labor. It contrasts sharply with the struggles of peers like Leanne Brown of Sweet Female Attitude, who retrained as a teacher after earning little from her massive hit Flowers, and Jodie Aysha, who alleges she is owed six figures in royalties for her work on Heartbroken.Future Outlook: Beyond Nostalgia CapitalismWhile some critics label the reunion as "cynical nostalgia capitalism," the author suggests a more optimistic outlook. The performance offers a belated chance for Mis-Teeq to capitalize on their legacy. It also sets a potential precedent for other female vocalists in the genre to demand better financial structures, ensuring that the "spoils" of their work are distributed more equitably in future industry deals.

The Economics of Nostalgia: Take That’s Circus Redux StrategyTake That have sidestepped the studio to revive their 2009 'Circus' tour, prioritizing a maximalist spectacle of their greatest hits over new studio material. This decision marks a strategic pivot for the band, who are currently operating as a trio—Gary Barlow, Mark Owen, and Howard Donald—following the departure of Jason Orange. By re-imagining a tour that was already a commercial juggernaut, the band is leveraging their established catalog to maintain relevance in a streaming-dominated market.The Maximalist Circus AestheticThe production design is a direct homage to the original 2009 show, featuring a giant sky blue air balloon, a mechanical elephant, and a troupe of performers including dancers, fire-breathers, and clowns. The setlist remains heavily weighted towards their gold-plated greatest hits, such as Pray, A Million Love Songs, and Back for Good. Notably, the band has adapted to the absence of Jason Orange by replacing his song 'Wooden Boat' with Babe, performed by Mark Owen. The finale, Rule the World, remains a crowd-pleasing singalong, lit by a sea of phone lights.Profit Over Streams: The Legacy Act ModelThis tour highlights a significant shift in the music industry where legacy acts prioritize live performance revenue over album sales. In 2009, the 'Circus' tour made more than £40m in profit. Even when the band released 'Odyssey' in 2018—a Stuart Price-produced collection that was a commercial flop—they still managed to play to 600,000 people. This data point underscores the resilience of the Take That brand; their financial stability relies less on streaming numbers and more on the enduring appeal of their stadium anthems.Legacy Acts in the Streaming EraThe 'Circus' tour serves as a case study for how legacy bands survive in the modern era. By focusing on a high-production-value spectacle that offers a communal experience, Take That bypasses the competitive pressure of the singles chart. The review suggests that while the concept may feel like a 'cash grab' to some critics, the audience response proves that nostalgia is a powerful commodity. The band has successfully transitioned from a pop group to a touring enterprise, where the value proposition is the collective memory of the audience rather than new musical innovation.The Future of Legacy ToursGiven the success of this reboot, it is highly probable that other legacy acts will follow a similar path of re-running successful tours with updated production values. As long as the core catalog remains popular, the strategy of 'razzle-dazzle' and nostalgia offers a sustainable business model that minimizes the financial risk of producing new, potentially uncommercial albums.