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Paris Saint-Germain proved too efficient for Liverpool, sealing a 4‑0 aggregate victory that ended the English club's European campaign and reminded fans that even Anfield cannot conjure miracles on demand. Despite a spirited second‑leg effort, Liverpool could not overturn the deficit. Early rain and a rousing rendition of "You’ll Never Walk Alone" created an electric atmosphere, yet the home side fell short of the two‑goal comeback that seemed plausible after their 2019 comeback against Barcelona. Key moments swung the tie in PSG’s favour: goalkeeper Matvey Safonov denied Milos Kerkez, and defender Marquinhos produced a crucial block on Virgil van Dijk. A minute earlier, Liverpool’s promising youngster Hugo Ekitiké suffered an Achilles injury, forcing his removal on a stretcher and further destabilising the Red Side. The match also highlighted Liverpool’s strategic disarray. Summer signings—forward Alexander Isak, midfielder Florian Wirtz and striker Mohamed Salah—cost the club a combined £320 million but have logged barely two hours together on the pitch. Their limited chemistry was evident as Isak was withdrawn at halftime after a tentative first half. When the game reached its climax, PSG’s forward Ousmane Dembélé finished the tie, underscoring the French side’s decisive edge in front of goal—a quality Liverpool has lacked all season. For manager Arne Slot, the defeat offers little respite. While Liverpool showed flashes of resilience, the loss eliminates any realistic route to the quarter‑finals and intensifies scrutiny over his tactical direction. In the end, Anfield’s roar could not compensate for a disjointed Liverpool squad, and PSG’s clinical performance reaffirms their status as European champions.

The latest film from director David Lowery, 'Mother Mary', is a visually stunning yet narratively flawed exploration of the pop star world. Anne Hathaway stars as Mother Mary, a former music A-lister attempting a comeback after a mysterious event has left her haunted and struggling to find her fashion sense.Mother Mary seeks out the help of fashion designer Sam Anselm, played by Michaela Coel, who is both distantly glacial and imperious in her interactions with the pop star. Despite their complicated past, Sam agrees to create a new stage costume for Mother Mary, leading to a series of surreal and stylish moments.The film features stunning visual moments that blend Dalí-esque surrealism with the high-tech gloss of the modern pop stage. However, the narrative often feels incomprehensible, with overly earnest performances from the lead actresses. The script's lack of self-awareness and coyness about its central queer relationship also detract from the overall experience.Despite these flaws, 'Mother Mary' is worth watching for its strong performances and visual spectacle. The film's $100m budget is evident in its arena spectacles, which are some of the best in recent cinema. With a bit more self-awareness and depth, 'Mother Mary' could have been a cult classic.

Javier Mascherano announced his resignation as Inter Miami’s head coach, ending a brief but landmark tenure that delivered the franchise’s inaugural MLS Cup. In an official club statement, Mascherano cited “personal reasons” for his departure and confirmed that his entire coaching staff would also leave the organization. Inter Miami named sporting director Guillermo Hoyos as the interim head coach, tasking him with stabilising a side that has already shown signs of strain. “First and foremost, I would like to thank the club for the trust they placed in me, every employee who is part of the organization for the collective effort, but especially the players, who made it possible for us to experience unforgettable moments,” Mascherano said. “I will always carry with me the memory of our first star, and wherever I am, I will continue to wish the club all the best moving forward.” Mascherano arrived ahead of the 2025 season with limited senior‑team experience, having only coached Argentina’s youth national sides. Nevertheless, he and former Barcelona teammate Lionel Messi steered Inter Miami to a 2‑1 victory over the Vancouver Whitecaps, securing the club’s first MLS title. The defending champions have stumbled early in the new campaign: they have drawn their first two matches at the brand‑new Nu Stadium and recorded three wins in five league fixtures. The most glaring setback came in the Concacaf Champions Cup, where Miami were eliminated by Nashville SC in the Round of 16. Off the pitch, Mascherano inherited a roster in transition. Long‑time stalwarts Sergio Busquets and Jordi Alba retired, while Luis Suárez has been relegated to the bench following the high‑profile signing of Germán Berterame, who has yet to find his scoring rhythm.

Endless Cookie arrives as a daring, hand‑crafted animation that immerses viewers in the everyday chaos of a Canadian Cree household in the remote Shamattawa First Nation. The project, conceived and voiced by half‑brothers Seth and Peter Scriver, took nine years to complete, a fact the film humorously acknowledges through its meta‑narrative and frequent self‑parody. The visual style feels like a cross between Cheech and Chong antics and the digressive storytelling of Tristram Shandy, with scenes that oscillate between vivid surrealism and grounded family moments. From a post‑apocalyptic Toronto backdrop to a sprawling story map described as “bulging like a distended colon,” the animation pushes the boundaries of conventional indie filmmaking. Beyond its eccentric humor, the film tackles weighty themes with a wry yet respectful tone. It shines a light on police racism and historic land theft, while celebrating ancestral continuity and community resilience. The narrative deliberately sidesteps the Scrivers' own cultural positions, allowing the Indigenous perspective to remain front and centre. Key vignettes include a chaotic caribou stakeout, a punk‑era flashback to 1980s Toronto, and a bizarre encounter with a clingy snowy owl—each episode underscored by the presence of the family’s twelve dogs, two of which are humorously named Cheech and Chong. The film’s funding source even appears as a talking slide rule, adding another layer of self‑referential comedy. Critics have likened the animation’s energy to a “SpongeBob SquarePants episode after an afternoon of smoking DMT,” while also noting its lineage to the counter‑cultural spirit of Fritz the Cat. The result is a work that feels both hallucinatory and deeply affectionate toward its subjects. Endless Cookie becomes available for streaming on Mubi starting 17 April, offering audiences a rare glimpse into a vibrant, self‑determined Indigenous narrative that challenges mainstream cinematic conventions.

Ruby Wax's latest show, Absolutely Famous, is a candid look back at her most revealing celebrity interviews. Co-hosted with her longtime TV producer, Clive Tulloh, the show features clips from her BBC series When Ruby Wax Met, where she interviewed some of the most controversial figures of the 90s and early 00s.The show is a refreshing take on the genre of veteran entertainers sharing clips from their careers, as Wax is disarmingly upfront about her desire for fame and the experience of celebrity. The show features unsettling and entertaining moments, including Wax's interviews with OJ Simpson, Imelda Marcos, and a certain New York businessman whose notoriety was just beginning.Wax's combination of humour and charm, psychological perspicacity and chutzpah, remains a rarity in celebrity interviews. The show also features a Q&A session, adding more detail, clips, and celebrity gossip from Wax's life as a Girl on Top.

Jannik Sinner overcame Carlos Alcaraz in straight sets (7‑6(5), 6‑3) to capture the Monte Carlo Masters, marking his first clay‑court Masters title and restoring his position as the ATP world number one.The win represents Sinner’s fourth consecutive Masters 1000 triumph—following victories in Paris, Indian Wells and Miami—and his eighth Masters crown overall. By doing so, he joins Novak Djokovic as the only player to combine the “Sunshine Double” (Indian Wells and Miami) with a Monte Carlo title in the same season, a feat first achieved in 2015.Speaking after the match, Sinner praised the high level of play from both competitors and noted the challenging, windy conditions that persisted throughout the tournament. “Winning this trophy on clay means a lot, but the ranking is secondary,” he said, emphasizing his focus on performance over points.Alcaraz, the defending champion, acknowledged Sinner’s composure in crucial moments, admitting he missed several key opportunities. “It’s impressive what you are achieving right now… only one man in the Open Era has done the Sunshine Double and then Monte Carlo, and you are the second,” Alcaraz remarked, highlighting the rarity of Sinner’s accomplishment.The final was a showcase of the burgeoning “Sincaraz” rivalry, with both players trading early breaks before Sinner rallied from a 5‑6 deficit in the first set tiebreak. After securing the opening set, he dominated the second, serving flawlessly to close out the match.Beyond the personal milestone, Sinner’s victory reshapes the ATP hierarchy, ending Alcaraz’s reign at the top and reinforcing the Italian’s status as a dominant force on multiple surfaces. Analysts predict his momentum will influence the upcoming Grand Slam calendar, especially the French Open, where his clay‑court confidence will be a decisive factor.

The National Gallery of Art's latest exhibition, 'Dear America: Artists Explore the American Experience', is a thought-provoking collection of over 100 works by 95 artists. This 'open letter to the nation' offers a multifaceted exploration of the American experience, delving into themes of land, community, and freedom.Upon entering the exhibition, visitors are immediately struck by the unconventional representations of iconic American symbols. The Statue of Liberty, for instance, is reimagined through the lens of South African photographer Zanele Muholi and a geometric screenprint by Roy Lichtenstein.The exhibition's curatorial approach is to create 'provocative conversations across centuries, disciplines and demographics.' E Carmen Ramos, the gallery's chief curatorial and conservation officer, notes that the show was 'years in the making' and showcases an 'embarrassment of riches' from the gallery's permanent collection of over 160,000 works.Structured around three core themes – land, community, and freedom – the exhibition presents a diverse array of works. These include Thomas Moran's idyllic watercolours of the American West juxtaposed with Thomas Hart Johnson's photographs of a landscape ravaged by coal mining and railroads. The exhibition also features poignant pieces such as Carrie Mae Weems's haunting silhouette and Gordon Parks's indelible 'American Gothic.'The show's second section, 'Community,' features Richard Avedon's massive 1976 commission 'The Family,' which comprises 69 stark, uniform portraits of the bicentennial era's political, media, and corporate elite. This is contrasted with John Wilson's tender sketches of his teenage children and their friends.The final act of the exhibition turns its lens to 'Freedom,' showcasing historical portraits of figures such as Frederick Douglass, Sojourner Truth, and George Washington, alongside powerful works by Kara Walker, Martha Rosler, and Faith Ringgold. As visitors exit, they are met with Robert Indiana's boldly coloured screenprint 'Liberty '76,' created for the 1976 bicentennial.Ramos reflects on the exhibition's significance, stating that it 'explores how artists in the United States have explored the American experience across different moments in time.' The exhibition will be on view in the National Gallery's West Building until 20 September.

The Olivier Awards, a prestigious event in the theatre world, recently took place, and among the many memorable moments were the quotes shared by the winners. Host Nick Mohammed kicked off the ceremony with a lighthearted remark about the opening gondola scene from Phantom of the Opera, joking that it wasn't Cunard's boat, but rather Andrew Lloyd Webber's mode of transportation.Cole Escola, playwright of Oh, Mary!, expressed gratitude to a rather unconventional recipient: "my amazing husband, who doesn’t exist". This humorous comment set the tone for a night filled with both laughter and heartfelt acknowledgments.Elaine Paige, a special award winner, shared the secret to her long-lasting career, attributing her success to her father's motto: "perseverance furthers". This insight into her personal life added a touching element to the evening.Rachel Zegler, winner of the best actress in a musical for her role in Evita, recalled her experience performing in the Palladium balcony, calling it "the honour of a lifetime". Her sentiment encapsulated the pride and gratitude felt by many of the winners.Rosamund Pike, best actress winner, reflected on the challenges of balancing life and art, acknowledging the support of her family and partner. Her words resonated with the audience, highlighting the importance of a strong support system.The ceremony also saw Jack Holden win the surprise best actor award, who, upon hearing his name, jokingly asked, "It was definitely me, was it?". This lighthearted moment brought humor to the event.Throughout the evening, winners shared their appreciation for their loved ones and mentors. James Hameed thanked his dad, who had come to London to chase his dreams, showcasing the impact of family on one's journey to success.

Manchester City delivered a decisive 3-0 victory over Chelsea at Stamford Bridge, a result that reduced Arsenal's nine‑point cushion to six and gave Pep Guardiola's side fresh impetus in the Premier League title race.City seized control early in the second half, with Nico O'Reilly heading in from a Rayan Cherki cross in the 51st minute. Six minutes later, Cherki’s incisive play produced a disguised pass to Marc Guéhi, who finished to make it 2-0. A third goal followed as a swift counter‑attack saw Cherki again on the ball, delivering a cross that O'Reilly converted, sealing the win.The match also highlighted individual milestones: Cherki notched his 10th league assist, becoming the first debutant since Dimitri Payet (2015‑16) to reach double‑digit assists in a Premier League season. Meanwhile, Guéhi recorded the first away player to keep two clean sheets at Stamford Bridge in a single campaign, having previously done so with Crystal Palace.Strategically, the win narrows the gap to Arsenal, leaving City six points behind with a game in hand. Should City overcome Arsenal at the Etihad this weekend, they could overtake the Gunners and re‑establish themselves as front‑runners for the title.Chelsea, hampered by the absence of injured captain Reece James and the suspension of Enzo Fernández, struggled to match City’s intensity. Their disciplinary record remains a concern, having amassed the league's highest number of yellow cards for dissent (16). Despite moments of promise from Cole Palmer, Pedro Neto and João Pedro, the Blues lacked the cutting edge in the final third and were out‑classed in midfield.Guardiola’s halftime adjustments proved pivotal; the team increased tempo, sharpened passing angles, and pressed higher, turning a sluggish first half into a dominant second‑half display. The victory not only restores confidence after a recent FA Cup win over Liverpool but also underscores City’s ability to respond swiftly to rivals’ slip‑ups, a pattern that has defined many of their recent title pursuits.