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US lawmakers, including Senator Chris Murphy and Representative Greg Casar, are taking steps to regulate prediction markets by introducing the Banning Event Trading on Sensitive Operations and Federal Functions (BETS OFF) Act. This legislation seeks to prohibit wagers on sensitive events such as government actions, terrorism, war, assassination, and events where an individual knows or controls the outcome. The proposed bill comes in response to concerns that betting platforms like Kalshi and Polymarket have allowed users to profit from geopolitical conflicts, including the US and Israel's joint strikes against Iran and the abduction of Venezuelan President Nicolas Maduro. Critics argue that these platforms enable individuals with insider knowledge to influence government decisions and profit from them. Murphy emphasized that the legislation aims to prevent the monetization of sensitive events, stating, "What happens to us spiritually when every moral question in this country becomes a market?" He added that certain matters should not be influenced by the potential for profit. The lawmakers cited examples of significant profits made by users on Polymarket, including a $500,000 profit from a bet on Iran's supreme leader being out of power hours before a strike. They suggested that such trades may have been made by individuals with insider knowledge from within the White House or close to the administration. The BETS OFF Act is part of a broader effort to regulate the prediction market industry. Other proposed legislation includes measures to establish federal consumer protections, ban elected officials from profiting from prediction markets, and impose age verification for users.

The US government has initiated the deployment of hundreds of Immigration and Customs Enforcement (ICE) agents to airports across the country to address significant staffing shortages and security concerns. This move comes as a result of a prolonged federal funding battle that has led to long delays and congestion at airport security screening stations.According to reports, ICE and Homeland Security Investigations officers are being deployed to more than a dozen airports, including major hubs such as New York’s John F Kennedy International Airport and Hartsfield-Jackson Atlanta International Airport. The deployment aims to support the Transportation Security Administration (TSA) workers, who have been working without pay due to the funding lapse.The funding crisis began on February 14, when some Department of Homeland Security (DHS) funding lapsed due to disagreements over reforms in the wake of President Donald Trump’s immigration policies. This has resulted in TSA agents working without pay and over 300 employees quitting since the shutdown began.While the deployment is intended to alleviate security concerns, it has raised serious concerns among Democrats and some Republicans. They argue that untrained ICE agents could fuel tensions and are not equipped to handle airport security duties. House Democratic leader Hakeem Jeffries and Republican Senator Lisa Murkowski have expressed opposition to the plan, emphasizing the need to resolve DHS funding issues and pay TSA agents.In response to the deployment, President Trump has requested that ICE agents remove their face masks while working at airports, citing concerns about their visibility. However, the move has been met with criticism, with some arguing that it could lead to additional tensions at already strained airport security checkpoints.

Iran has strongly denied allegations of launching a missile attack on a joint US-UK military base on the Indian Ocean island of Diego Garcia. The Iranian Ministry of Foreign Affairs described the claim as an 'Israeli false flag' attack, accusing Israel of spreading disinformation. The denial comes after NATO Secretary-General Mark Rutte stated that the alliance could not confirm Israel's claim that the projectiles used were Iranian intercontinental ballistic missiles. This development has raised questions about the credibility of Israel's allegations and the potential motives behind them. Iran's Foreign Affairs spokesman, Esmaeil Baghaei, wrote on X that the accusations reflected a pattern of 'disinformation' and criticized NATO's support for the US and Israel. He emphasized that the world has grown tired of 'false flag' storylines, suggesting that such claims are becoming increasingly discredited. Earlier, US media outlets reported that missiles were launched between Thursday night and Friday morning but failed to hit the Diego Garcia base. If Iran were confirmed to be behind the attacks, it would imply that it possesses ballistic missiles with a range of over 4,000km, capable of reaching as far as London. Iranian Foreign Minister Abbas Araghchi had previously stated that Iran had intentionally limited its missile range to below 2,000km to avoid being perceived as a threat by other countries. UK Foreign Secretary Yvette Cooper condemned what she called 'reckless Iranian threats' but emphasized that London would not be drawn into a wider conflict in the Middle East. The UK-US military airbase on Diego Garcia is home to nearly 2,500 mostly American personnel and has supported various US military operations over the years. Israel's military chief, Eyal Zamir, claimed that Iran used a two-stage intercontinental ballistic missile with a range of 4,000km to target the base. Israel has long considered Iran's missile and nuclear programs a threat and has lobbied the US for military intervention.

The Israel Defense Forces (IDF) recently claimed that Iran possesses missiles with a range of approximately 4,000km, posing a threat to European cities, including London. This assertion comes after reports that Iran targeted the joint UK-US military base on Diego Garcia in the Chagos Islands. The IDF stated that Iran's intentions to develop such long-range missiles pose a danger to numerous countries across Europe, Asia, and Africa. However, the Iranian regime has denied these claims. Regarding the targeting of Diego Garcia, details are limited, but it is known that the island, located about 3,800km from Iran, was not under significant threat. A US warship shot down one missile, and the other reportedly failed in flight, landing 400 miles short of the island. The UK government has condemned the attack while stressing its different stance from the US and Israel on the conflict. Foreign Secretary Yvette Cooper emphasized the government's support for defensive actions against Iranian threats. In response to Israel's warnings, Communities Secretary Steve Reed stated that the UK does not believe Iran has the capability or intent to attack Europe. He assured that the UK has the necessary military capability to defend itself. The UK is protected by Nato's ballistic missile defense (BMD) system, which includes Aegis Ashore sites in Poland and Romania. These systems are designed to detect, track, and intercept ballistic missiles in flight.

The Orange Tree theatre in London is currently hosting a captivating production of Nicholas Wright's 2002 play, Vincent in Brixton. This poignant piece imagines a lesser-known chapter in the life of Vincent van Gogh, who spent a year in south London pursuing a career as an art dealer and possibly had a romantic relationship with his landlady or her daughter.In Georgia Green's tender production, the play blossoms into more than just a footnote in art history. The story revolves around Vincent, portrayed by Jeroen Frank Kales, and his landlady Ursula, played by Niamh Cusack. Their characters share a deep mental perturbation, uncovering a kinship in misery that eventually blossoms into romance.The setting, designed by Charlotte Henery, is a cozy kitchen on the Orange Tree stage, perfect for quiet confidences. The sound design by Donato Wharton adds a sensory layer with birdsong, the sound of pans on the stove, and the rush of Vincent's blood during his first kiss. The chemistry between the leads is palpable, with Cusack's rich-layered voice conveying Ursula's distraught emotions.The play is remarkable for its non-judgmental writing, allowing the characters to express their feelings in personal and poetic ways. The cast delivers full-hearted performances, including Rawaed Asde as the other lodger and Ayesha Ostler as Ursula's vigilant daughter. The relationship between Vincent and Ursula is portrayed as a brief, radiant interlude, offering a glimpse into Van Gogh's life before he found his vocation as an artist.This production of Vincent in Brixton runs at the Orange Tree theatre, London, until 18 April, offering audiences a chance to experience a unique and emotional exploration of restless souls.

The race for the 2027 Oscars is already heating up, with several talented filmmakers and actors poised to make a strong impact. Aaron Sorkin, known for his acclaimed screenplays, is working on The Social Reckoning, a film focusing on the 2021 Facebook leak, which could earn him another Oscar nomination.Sandra Hüller, fresh from her success in Anatomy of a Fall and The Zone of Interest, is set to star in the $200m sci-fi adventure Project Hail Mary alongside Ryan Gosling. Her role in the upcoming cold war drama 1949 could also generate Oscar buzz.Charles Melton, who gained recognition for his performance in May December, is lined up for two festival-primed projects: Her Private Hell and Saturn Returns from Sing Sing. The latter, a sweeping romantic drama, could attract Academy attention.Japanese director Ryusuke Hamaguchi, who won nominations for Drive My Car, is working on a new film, a mix of French and Japanese influences, which could secure him another Oscar nod.Ruth Madeley, known for her roles in Doctor Who and Years and Years, is set to star in Being Heumann, a biopic about pioneering disability rights activist Judith Heumann, which could lead to her first Oscar nomination.Sebastian Stan, following his Golden Globe win for A Different Man and Oscar nomination for The Apprentice, will star in Fjord, a drama that could boost his chances of another Academy nomination.Octavia Spencer is set to star in a new adaptation of Death of a Salesman, which could earn her another Oscar nomination, given her track record of critically acclaimed performances.Jack O’Connell, after his success in 28 Years Later: The Bone Temple and Sinners, will lead in Danny Boyle’s adaptation of Ink, a 60s-set Fleet Street drama.Parker Posey, who impressed in The White Lotus, has been cast in Martin McDonagh’s Wild Horse Nine, which is likely to receive Oscar nominations.Andrew Garfield will play OpenAI CEO Sam Altman in Artificial, a film about the behind-the-scenes drama at OpenAI, and also star in The Uprising, a historical drama about the English peasants’ revolt of 1381.

The world of ballet has long been associated with a specific physical ideal, particularly when it comes to foot shape. However, dancers with flat feet are proving that this condition is not a barrier to success. For Claudia Efemini, picking up her ballet shoes again after six years was a bittersweet experience. While she was excited to revisit a childhood hobby, she was also disheartened by the memory of being discouraged from pursuing ballet due to her flat feet.The industry's obsession with 'perfect' feet, characterized by high arches, has led some dancers to use fake arches, or farches, to create the illusion of more flexible feet. However, flat-footed dancers like Alex Maureen and Ruth Essel are thriving in the ballet world. Maureen, a performer and dance instructor at New York University, and Essel, founder of Pointe Black, a London-based ballet school, reject the notion that flat feet are an obstacle to success.Research shows that Black people are more prone to having flat feet, but Essel and Maureen's experiences demonstrate that this condition does not predetermine one's potential in ballet. Through education and self-advocacy, they have overcome discouraging beliefs about their feet and developed strategies to work with their body types. Essel, with a background in psychology, learned about anatomy and exercises to strengthen her ankles and improve foot mobility.Injury prevention is crucial for flat-footed dancers, who tend to land on their heels. Maureen and Essel stress the importance of educators adapting to different body types and seeking specialist advice when needed. They also highlight the need for greater diversity in ballet, including more Black pointe shoe fitters and physiotherapists.Maureen and Essel have developed checklists for their students before they start using pointe shoes, ensuring a comfortable and supportive fit. As Maureen advises, 'You just need your shoe to work for you, not against you.' For aspiring ballerinas with flat feet, Maureen's words of encouragement are 'Give yourself grace. Be kind to yourself.'

In El Salvador, the Oriente Salvaje surf spot, known for its world-class breaks, Las Flores and Punta Mango, is facing significant threats from climate change. The local economy, heavily reliant on surf tourism, sputters to a halt due to intense tropical storms causing flooding and disrupting transport routes.To mitigate these risks, Rodrigo Barraza, a local surfer, teamed up with Save the Waves, an international surfing nonprofit organization. They took out a parametric insurance policy for Oriente Salvaje, which can be used to support recovery from climate change impacts. This policy is triggered when damaging conditions cross a predetermined threshold, such as wind speed or rainfall level.The project aims to provide rapid support for the local community, which includes hotels, restaurants, surf shops, fishers, and drone experts. A survey of 50 local businesses showed that, on average, 70% of their income was dependent on surf tourism. Several informal operators, such as surf photographers, guides, and boat drivers, are especially vulnerable to changeable weather.The payout will be triggered once weather conditions reach an extreme associated with observable income loss. It will be distributed to anywhere between a few hundred and several thousand beneficiaries in the region. The size of the payout is still being determined, as well as which insurer it will be, but Save the Waves hopes to have a pilot running by June.The pioneering program has not been hurdle-free. Angelo Picardo, Save the Waves' local coordinator, says: "El Salvador is a developing country and we don't have an insurance culture – people don't even have health insurance – so there's a lot of work you have to do on the ground to bring people on board."Another challenge has been funding the premiums without burdening local businesses. Save the Waves is in talks with the Salvadorian government, which since 2019 has been channelling millions from loans into a nationwide surf tourism initiative.This type of insurance is bound to spread as more communities and ecosystems experience weather extremes. However, Swenja Surminski, an international expert on innovative insurance for ecosystems, warns that "parametric solutions must be combined with broader resilience and adaptation strategies".