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Democratic leaders in Washington announced a renewed push to stop President Donald Trump’s escalating confrontation with Iran following a brief two‑week cease‑fire that began Tuesday night. The party aims to reconvene Congress and pass a war‑powers resolution that would permanently end the conflict. House Minority Leader Hakeem Jeffries told CNN that the House must be brought back into session immediately, stating, "We need a permanent end to Donald Trump’s reckless war of choice." He urged Speaker Mike Johnson to schedule a vote on legislation that would strip the president of unilateral war‑making authority. In the Senate, Minority Leader Chuck Schumer pledged that Democrats will force a vote as soon as Congress returns from recess. Schumer warned that the war has left the nation “worse off than before it started,” citing rising gas prices and the broader economic toll, and called the episode “one of the very worst military and foreign‑policy actions the United States has ever taken.” More than 70 Democratic lawmakers have publicly called for the 25th Amendment to be invoked, arguing that Trump’s recent Truth Social posts—threatening to wipe out an entire civilization if Iran does not comply—raise serious questions about his mental fitness and could constitute a violation of international law. Senator Chris Murphy (D‑CT) told CNN, "No president in control of his senses would publicly promise to eradicate an entire civilization." Representative Ro Khanna (D‑CA) echoed the sentiment on X, writing, "We need to invoke the 25th Amendment and remove Trump. Threatening war crimes is a blatant violation of our Constitution and the Geneva Conventions." Other Democrats, including Rep. Pramila Jayapal (WA), described the president’s threats as “unhinged” and “illegal,” while former MAGA ally Rep. Marjorie Taylor Greene joined the chorus, posting, "25TH AMENDMENT!!! This is evil and madness." Even some Republican lawmakers expressed unease about the prospect of targeting civilian infrastructure, though the GOP overall has remained largely silent. The mounting pressure underscores a rare bipartisan concern that Trump’s rhetoric could cross the line into war‑crime territory, prompting calls for both constitutional removal and traditional impeachment proceedings.

The recent profanity-laden warning from US President Donald Trump to Iran has sparked renewed concerns about his behavior and the potential consequences of his actions. Trump's threats to carry out mass bombing of civilian infrastructure have been widely criticized, with many calling for his removal from office.One possible route for removal is the 25th amendment, which has been invoked by various politicians, including Senator Chris Murphy. However, the US system makes it incredibly difficult to remove a president, and it is unclear whether this method will be effective.The author suggests that if the 25th amendment cannot be used, an unconventional solution could be to replace Trump with an AI president. While AI is problematic, the author argues that it could be an upgrade from Trump's current behavior.The article also highlights the broader issues with the US political system, including the difficulty of removing incumbent politicians and the concerns about the mental acuity of some politicians, including Trump and Senator Dianne Feinstein.Ultimately, the author concludes that something needs to be done to address Trump's behavior and the potential consequences of his actions. Whether through the 25th amendment or an unconventional solution like an AI president, the author argues that the situation requires urgent attention.

Harry Styles has announced the full programme for this year’s Meltdown Festival at the Southbank Centre, positioning the pop star as curator of a multi‑genre celebration that runs from 11 June to 21 June. In addition to headlining a solo show on 16 June at the Royal Festival Hall, Styles will perform amid his ongoing Wembley Stadium tour, while the festival showcases a broad spectrum of talent ranging from jazz to electronic dance music. The jazz segment features two sets by acclaimed US saxophonist Kamasi Washington: one dedicated to his album Fearless Movement and another titled “Jazz Legends Reimagined,” where he will reinterpret classic jazz compositions. Ethiopian‑born pioneer Mulatu Astatke returns after a farewell‑tour appearance, and the UK scene is represented by drummer Yussef Dayes and reed virtuoso Shabaka, who will join a collective of collaborators. Indie and rock offerings include LA band Warpaint (performing their sole gig of the year), British singer‑songwriter Nilüfer Yanya, and a mix of emerging and veteran acts such as Bar Italia, Stephen Fretwell and Getdown Services. Former Maccabees frontman Orlando Weeks will deliver a hybrid set of music and storytelling, while Devonté Hynes (known as Blood Orange) will present a classical‑inspired performance with musicians Adam Tendler, Cæcilie Trier and Tariq Al‑Sabir. On the pop front, rising stars Erika de Casier and Fousheé will provide some of the season’s most forward‑thinking tracks. The electronic roster spans ambient pioneer Beverly Glenn‑Copeland, an improvised collaboration featuring Jon Hopkins, Maddie Ashman and Leo Abrahams, high‑tempo EDM from Australia’s Ninajirachi, and a DJ set by James Murphy of LCD Soundsystem. A parallel programme of free, family‑friendly events will showcase “a mix of appearances from Styles’ favourite artists beyond music,” according to the Southbank Centre. Speaking about the festival, Styles said: “Music is my life; every artist involved in this year’s Meltdown festival means so much to me, both as a fan, and a musician. It’s a true honour to host legends who have paved the way for the generations that follow them, as well as new acts that have inspired me to push my creative boundaries.” Tickets become available on 9 April for Southbank members and 10 April for the general public, with the event promising a unique blend of established icons and cutting‑edge talent.

Article 52 of the first Additional Protocol to the Geneva Conventions bars attacks on civilian targets. The International Criminal Court has already issued arrest warrants for Russian officers involved in strikes on Ukraine’s energy grid, a precedent that would apply to the United States if President Donald Trump’s threats to bomb Iran were carried out. Trump, alongside Defense Secretary Pete Hegseth, has adopted a tone that resembles a “blood‑thirsty fever dream.” Hegseth framed the proposed Operation Epic Fury as a 21st‑century crusade, while Trump unleashed a profanity‑laden tirade demanding the immediate reopening of the Strait of Hormuz, warning that “Tuesday will be Power Plant Day, and Bridge Day… Open the Fuckin’ Strait, you crazy bastards, or you’ll be living in Hell.” This rhetoric, emerging just before the United States’ 250th independence anniversary, undermines the credibility of the presidency and the nation’s moral standing. The editorial notes that, in a more restrained political climate, senators like Chris Murphy might explore constitutional avenues to remove Trump, but the current cabinet’s “craven complicity” makes such prospects remote. The international community now watches anxiously, fearing that a broader escalation between the United States, Israel, and Iran could trigger “unknowable and spiralling consequences.” Iran has signaled it could widen its attacks across the region, and the recent closure of the Hormuz Strait demonstrates that Trump’s threats are not merely rhetorical. NATO allies have declined to endorse Trump’s approach, citing the absence of a coherent strategy and a lack of legal justification. They hope the president’s apocalyptic language masks a genuine search for a rapid de‑escalation, especially as global economic pressure mounts. Trump later claimed there was a “good chance” of a cease‑fire with Iran before his deadline, yet hours later Israel bombed a key petrochemical plant in Iran’s largest gas field, contradicting any notion of imminent peace. During a White House press briefing, Trump and Hegseth highlighted the rescue of a missing U.S. fighter crew shot down over Iran, a moment that starkly contrasted with the looming threat to thousands of lives and the stability of the global economy, now hanging on the whims of a president driven by self‑aggrandizement and an echo chamber of advisers.

Online betting platform Polymarket has come under fire for allowing users to wager on the fate of US pilots shot down in Iran. The platform has since halted the bets and promised to investigate how they were allowed to happen. The controversy began when US Representative Seth Moulton publicly denounced the practice, calling it 'DISGUSTING' that people were betting on the pilots' rescue while search efforts were still underway. Moulton, a veteran of the US Marine Corps, expressed his outrage on social media platform X. The incident involved an F-15E Strike Eagle jet shot down by Iranian military forces, with one pilot rescued within seven hours and the other rescued on Sunday, as announced by Donald Trump on his Truth Social platform. Polymarket initially allowed users to bet on the timing of the rescues, with most wagers predicting they would occur by Saturday. However, after Moulton's criticism, the platform quickly removed the market, stating it did not meet their integrity standards and vowed to investigate. Moulton did not stop there, calling on Polymarket to deactivate hundreds of other war-related wagers, accusing the company of having 'severely lacking' integrity standards. He also mentioned that Donald Trump Jr, the president's oldest son, is an investor in Polymarket, which Moulton referred to as a 'dystopian death market'. This incident is not the first time Polymarket has faced scrutiny. In March, some users generated international headlines by sending threatening messages to an Israeli journalist after betting on a missile strike near Jerusalem. The controversy surrounding prediction markets like Polymarket has drawn congressional attention, with lawmakers introducing proposals to ban betting on certain topics, including sports, government actions, and events 'ripe for rigging'. US Senator Chris Murphy stated that such markets risk 'corrupting the soul of America' by turning life-and-death events into financial products.

The highly anticipated fifth season of the Cork-set comedy The Young Offenders premieres on BBC One at 9:30pm. The new season kicks off with Jock, played by Chris Walley, breaking out of a Colombian prison and reuniting with Conor, played by Alex Murphy, back in Ireland. Their adventures quickly take a turn as they find themselves in a hostage situation with an elderly couple while wearing floral dresses.Elsewhere on television, Rob Beckett brings his unique brand of humor to Sky One with his show Giraffe at 9pm. The comedian takes viewers on a stream-of-consciousness journey through topics like poshness, parenting, and pubes, often pushing the envelope with his audience.On Channel 4, The Last Leg continues its 34th series at 10pm, featuring presenters Adam Hills, Josh Widdicombe, and Alex Brooker. This week's guests include Josh Pugh, Lorraine Kelly, and Steve Bracknall.In addition to these shows, BBC One also airs Extraordinary Portraits With Bill Bailey at 7:30pm, highlighting the story of Eddie, the 'Iron Gran', who became the oldest British woman to complete an Ironman triathlon at 72. Meanwhile, Beyond Paradise airs at 8pm, with Humphrey solving a series of burglaries in Shipton Abbott.For film enthusiasts, The Wolf of Wall Street, directed by Martin Scorsese and starring Leonardo DiCaprio, is broadcast on BBC Two at 10pm. This financial crime caper is based on the memoir of stockbroker Jordan Belfort and features memorable performances from Matthew McConaughey and Margot Robbie.

TV veteran Michael Patrick King has had a storied career, writing, directing, and producing shows like Murphy Brown, Will & Grace, and 2 Broke Girls. He's best known for his work on the Sex and the City franchise, serving as showrunner and writing and directing its two films.King's latest project is the return of his critically acclaimed show The Comeback, which first aired in 2005. The series, co-created and co-written with Lisa Kudrow, follows the story of Valerie Cherish, a sitcom star trying to return to stardom through reality TV. After a successful second season in 2014, fans have been clamoring for a third installment.The new season of The Comeback begins in the midst of a Hollywood strike, with Valerie navigating an industry in distress. The show tackles timely topics, including the rise of AI in television. King and Kudrow conducted extensive research on AI, consulting with experts to create a realistic portrayal.King also reflects on And Just Like That, the Sex and the City revival, which ended its three-season run last year. Despite initial backlash, King believes the series will age well and that its portrayal of older women challenging societal norms is a significant step forward.Throughout his career, King has demonstrated a willingness to take risks and push boundaries. As he says, 'We got cancelled and we're still here – 21 years later.'

Cricket Australia released its 21‑man contract roster for the 2026‑27 season, rewarding most Ashes‑winning players but leaving out Sam Konstas and veteran all‑rounder Glenn Maxwell as the board prepares for an unusually dense calendar. Fast‑bowler Brendan Doggett, who debuted in the opening Ashes Test at Perth last November, secured his first national contract. Meanwhile, opener Jake Weatherald retained an upgraded deal despite a modest series average of 22.33 runs. Both Michael Neser and spinner Todd Murphy were again awarded full contracts, reflecting the board’s focus on depth ahead of a schedule that kicks off with a two‑match home Test series against Bangladesh in August. Following the Bangladesh series, Australia will embark on ODI tours of Zimbabwe and South Africa, a home white‑ball series versus England, and a marathon stretch of 10 Test matches in 14 weeks. The latter includes contests against New Zealand, India and the historic 150th Anniversary Test at the MCG. Konstas, who burst onto the scene with a memorable 60‑run debut against India on Boxing Day 2024, failed to build on that promise, accumulating only 103 runs across nine further Test innings for an average of 16.30. The lack of consistency cost him a place on the new list. Despite the setback, selector chair George Bailey stressed that the 20‑year‑old’s journey is far from over. “He is highly talented and still on a development path,” Bailey said. “We saw encouraging signs toward the end of the season, with more consistent starts in the Sheffield Shield.” Bailey added that Konstas could feature in the upcoming Australia A tour to India, noting the board’s continued interest in his progress. Alongside Konstas and Maxwell, the contract cuts also affected Lance Morris, Jhye Richardson and Matt Short. Long‑time opener Usman Khawaja remains absent following his retirement. Weatherald’s contract renewal signals the selectors’ confidence in his potential to open the batting against Bangladesh, although Bailey cautioned that final selections will be made closer to each series, with extensive camp periods in Brisbane to fine‑tune the squad. Current contracted players: Xavier Bartlett, Scott Boland, Alex Carey, Pat Cummins, Brendan Doggett, Nathan Ellis, Cameron Green, Josh Hazlewood, Travis Head, Josh Inglis, Matthew Kuhnemann, Marnus Labuschagne, Nathan Lyon, Mitchell Marsh, Todd Murphy, Michael Neser, Steve Smith, Mitchell Starc, Jake Weatherald, Beau Webster, Adam Zampa.

Within its opening weekend on Netflix, Peaky Blinders: The Immortal Man attracted over 25 million streams, outpacing all other titles that week despite already enjoying a UK cinema run and a high‑profile red‑carpet premiere at Birmingham’s Symphony Hall.Banijay Entertainment, a co‑producer of the film, capitalised on the buzz by launching an official Peaky Blinders merchandise store, underscoring how streaming services are now flipping the classic content pipeline—moving from streaming to the big screen rather than the reverse.Beyond promotional stunts, these theatrical forays are becoming a strategic revenue stream and franchise‑building tool. Shows such as Stranger Things, KPop Demon Hunters and The Mandalorian are being repackaged for cinemas, offering fans a premium, event‑style experience that streaming alone cannot replicate."Cinema still creates anticipation, hype and a sense of scarcity that streaming platforms struggle to match," explains Ben Woods, analyst at MIDiA Research. Historically, Netflix limited theatrical releases to qualify films like The Irishman for awards, but the current focus is on monetising proven intellectual property across both mediums.The success of Peaky Blinders—a series with a built‑in audience—demonstrates the model’s viability. Lead actor Cillian Murphy, who also produced the film, described the release as "one for the fans," signalling the intent to reward loyal viewers.Netflix’s own experiment with KPop Demon Hunters proved lucrative: limited theatrical screenings across two weekends generated more than $24 million (£18 million) at the box office and helped the animated musical secure two Academy Awards for Best Animated Feature and Best Original Song.Co‑CEO Ted Sarandos highlighted that the film’s triumph stemmed from its initial Netflix debut, which fed the theatrical audience via the platform’s recommendation engine. While a sequel is slated to follow the same streaming‑first rollout, the Peaky Blinders movie’s cinema‑first launch shows that release strategies remain flexible.Industry observers note that gaps in the traditional release calendar give streaming services opportunities to fill weekends with original content, a tactic Netflix is actively exploiting.Major studios are also blurring the line between streaming and cinema. Disney, for example, transformed its hit Disney+ series The Mandalorian into a feature film, reflecting a broader push to bring Star Wars stories back to theatres.Adapting episodic narratives for the big screen presents creative challenges. As Ben Woods asks, should a film cater primarily to dedicated fans familiar with the series, or aim for a stand‑alone appeal that attracts a wider audience?Fan reaction to The Immortal Man has been mixed on the Peaky Blinders subreddit, with some critics questioning the decision to condense a season‑long arc into a single film. Nonetheless, the movie enjoys a strong critical consensus, holding roughly a 90 % fresh rating on Rotten Tomatoes.Looking ahead, Netflix announced on 20 March that two new post‑war seasons of Peaky Blinders are in development, raising the question of how soon the next installment might receive a cinematic spin‑off.