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The Comeback That Never MaterializedJust over a year ago, Lizzo appeared on Saturday Night Live, announcing a new album called Love in Real Life in grandstanding style. Wielding an electric guitar, clad in a Trump-baiting T-shirt that read Tariffied, she performed its title track and two other new songs, Still Bad and Don't Make Me Love U. As with her appearance earlier the same week on a late night talkshow – during which she ran into the audience to high-five fans who were yelling "we love you Lizzo!" – it looked very much like a defiant comeback, fit to drag her out of the controversy that erupted at the end of her hugely successful 2023 world tour. Three former backing dancers and a costume designer filed lawsuits against the singer alleging harassment and discrimination: damaging claims given how Lizzo's songs have preached a message of inclusivity, body positivity and self-confidence. Some of the allegations were dismissed by a judge but others are ongoing; Lizzo has refused to settle out of court, saying: "I'm fighting the case because I know that it's not true."The Album That Never WasBut the Love in Real Life single, a pivot towards rock that owed a little to Tom Petty's American Girls – or the Strokes' American Girls-indebted Last Nite if you prefer – failed to make the charts, a far cry from the period between 2018 and 2022 when Lizzo's singles seemed to go multi-platinum as a matter of course. The same fate befell Still Bad, a track much more in the vein of her big hits, prompting a rethink. The album was pulled, Lizzo apparently taking control of her own destiny – "I need to do shit my way". A mixtape that returned her more-or-less to where she started, before pop stardom came calling – punchy hip-hop, albeit tricked out with guest appearances from Doja Cat and SZA – appeared in its place: My Face Hurts from Smiling received mixed reviews and underwhelming streaming figures.A Career at a CrossroadsAll of which means that Bitch, her fifth album proper, lands at a deeply peculiar juncture in Lizzo's career. Given that the public apparently don't want her going rock, nor rapping in the style of her 2013 debut Lizzobangers, nor indeed making the kind of music they were buying in their millions three years ago, the question of what they actually do want has presumably hung heavy over its making.Musical Identity CrisisLizzo hasn't come up with a definitive answer. Bitch tries a bit of everything, from pastiching Tame Impala on Happy 2 Be to making clipped new-wave rock decorated with Cure-like guitars on She Stole My Man; Sexy Ladies is a girls-night-out-soundtracking reiteration of the old body positivity message. This scatter-gun approach makes Bitch a disjointed listen.The Subdued ToneMoreover, there's something oddly subdued about its tone, whether it's dabbling in 80s retro – Don't Make Me Love U brings to mind the arena-rousing keyboard hook from Tina Turner's The Best, but renders it into a distant, affectless backing vocal – or delving into jazzy R&B; on Too Nice. The vibraphone-heavy beat on the latter is fantastic, rich in small-hours atmosphere, but the actual song feels nondescript: it only really comes to life in its dying moments, when Lizzo stops singing and starts playing a flute solo. The title track interpolates the chorus from Meredith Brooks' 1997 pop-grunge hit of the same name, but somehow flattens it in the process. Crooned over smooth, G-funky R&B;, it feels stripped of its fiery power, less of a snarl and more of a shrug.Equivocal LyricsThe lyrics often seem similarly equivocal. You don't want for apparent references to Lizzo's recent woes – "I hope it makes you happy to hurt somebody else", "the thing about depression, you think your life is over", "you'd still be working at the mall if it wasn't for me" – but they ultimately feel neither pugilistic nor racked, just confused and sore: "I have feelings too," she sings on piano ballad A Toast.Highlights Amidst the StruggleNot everything here is underwhelming: Whose Hair Is This is a great southern soul pastiche, home to an impressively raw vocal and a snappy plot twist at the end of the lyrics; That Grrrl employs an old-school Chicago house bassline to energising effect. But what's definitely lacking is an unequivocal pop smash, the kind of thing that Lizzo once seemed to be able to write to order.A Changing Cultural LandscapePerhaps that's inevitable. One of the reasons Lizzo hit so big in the first place was that she made pop music that perfectly captured a zeitgeist, and that zeitgeist has moved on: the era of body positivity has been displaced by the era of Ozempic and Mounjaro; the kind of post-pandemic, post-Trump optimism embodied on 2022's About Damn Time now sounds like a transmission from a distant lost age. We're living in a different world now, and Bitch suggests Lizzo has yet to work out how to respond to it: "I'm doing my best," she sings on A Toast, which feels like the most telling lyric of all.

The tiny West African archipelago has earned a place at the 2026 FIFA World Cup, joining Spain, Uruguay and Saudi Arabia in Group H. With a squad drawn from 14 countries and a coach who insists on Creole as the team language, the Blue Sharks blend diaspora talent with a relaxed "morabeza" mindset. Below is a deep dive into the squad, its leadership and the matches that will decide whether Cape Verde can turn debut dreams into historic results. The Blueprint: Squad Composition and Club Diversity 26‑man roster featuring players from 25 clubs across 14 nations. Six players were born in Rotterdam, highlighting the diaspora’s influence. Positions are well‑balanced: a mix of physical defenders, technically gifted forwards and a midfield engine. Key Fixtures and Scheduling 15 June – vs Spain in Atlanta (noon local, 5 pm BST, 16 June 2 am AEST). 21 June – vs Uruguay in Miami (6 pm local, 11 pm BST, 22 June 8 am AEST). 26 June – vs Saudi Arabia (7 pm local, 1 am BST, 27 June 10 am AEST). Coach Bubista’s Philosophy and Leadership Bubista (Pedro Leitão Brito) grew up on Boa Vista, worked as a lift operator’s son, and played across Portugal, Spain and Angola before captaining the national side. His core tenets are: Mandating Creole on the pitch to preserve national identity. Emphasising collective unity over individual flair. Instilling a “no‑stress” attitude that mirrors the country’s slogan, morabeza. Star Forward Dailon Livramento’s Impact The Rotterdam‑born striker has already become a legend, netting four qualifying goals, including the decisive winner against Cameroon. His profile: Born in Rotterdam to singer Marizia; also a musician. Provides the central attacking presence the team previously lacked. His physicality and finishing will be crucial against the defensive rigs of Spain and Uruguay. Veteran Ryan Mendes: Captain and Goal Threat Ryan Mendes, at 36, remains the team’s captain, top scorer and a potential centurion at the World Cup. Highlights: Former Lille forward, once a replacement for Eden Hazard. Overcame a serious ankle injury to stay central to the Blue Sharks. Could become the first Cape Verdean player to reach 100 caps if he appears in all three group matches. Midfield Engine Kevin Pina’s Role Kevin Pina anchors the midfield after a title‑winning season with Krasnodar in Russia. He: Provides the “dirty work” that frees attacking talents. Excels at forward ball movement despite a low goal tally. Forms a dynamic partnership with Deroy Duarte. Projected Starting XI and Tactical Outlook The likely lineup blends experience with youthful energy, favoring a 4‑3‑3 shape that encourages possession from the back and quick transitions on the wings. Goalkeeper: Logan Costa (Villarreal) – fitness remains a question after an ACL tear. Defence: A mix of European‑based centre‑backs and full‑backs comfortable in both defensive duties and overlapping runs. Midfield: Pina, Duarte and a creative playmaker to link defence and attack. Attack: Mendes (captain) flanked by wingers, with Livramento as the central striker. If the squad can maintain cohesion, exploit set‑piece opportunities and keep the “no‑stress” mindset, Cape Verde could pull off a surprise point or even a historic upset in their inaugural World Cup appearance.

The Drive to Get Young Neets into the Military Young people looking for employment should “really seriously take a look at the armed forces”, according to the veterans minister, Louise Sandher-Jones. With more than 1 million 16 to 24-year-olds not in education, employment, or training (Neets), everyone that age is aware of how bleak the job market is at present. But not all agree about whether the military is the answer. Personal Experience with the Military Alexandra Williams is from rural Lincolnshire and studied law at a university in Manchester. She went in with the intention of becoming a lawyer, but early on was led to believe that would be impossible. “One of my lecturers was like: you’ve got no contacts, you’re not going to get anywhere,” she says. Looking for opportunities, she joined the local University Officer Training Corps, an army reserve unit that exclusively recruits university students. Criticisms of the Military Recruitment Drive However, various peace organizations have expressed concern that the military is preying upon young people with fewer and fewer options available to them. Emma Sangster is a coordinator at Forces Watch, an organisation that campaigns against militarism in civil society. It is one of 13 peace groups that recently petitioned ministers to rule out conscription, a threat that for the first time in generations seems “very real”. The Data Behind the Recruitment Drive The Ministry of Defence pledged £70m to expand the Cadet Force by 30%; this February it announced it would place military personnel in jobcentres to recruit for the army, aiming for tens of thousands of new recruits. However, Jim Wyke from the Child Rights International Network said the idea that army recruitment – approximately 10,000 under-25s every year – could make a dent to youth Neet figures was “ludicrous”. The Impact on Youth Unemployment In fact, he says, in the under-18 category, recruitment to the army is a net generator of Neets, because the drop-out rate is so high – about 30% in 2022-23 – at the Army Foundation College in Harrogate, where junior soldiers train, compared with 6-15% for under-18s in different types of civilian further education. The Future of Youth Employment Will O’Donnell, a final year SOAS student studying politics and international relations, agrees. In light of how “cooked” his generation is, with fewer than 10,000 graduate jobs available for close to a million university leavers, he says army recruitment “doesn’t plug the gap at all”. “Seeing our friends in the years above struggle in the job market, there is a real sense of doom and gloom about where our career prospects lie. This is a much bigger problem than simply telling people to join the military”.

Burnham's Vision for Social Care Andy Burnham has signalled he would begin transforming England's broken social care system this year if he became prime minister, accusing Westminster of 'flinching away' from tackling difficult policy problems. Plans for Social Care Reform The Greater Manchester mayor said politicians must be willing to take on 'the weight of the system' that stood in the way of radical change, as he began to set out his prospectus for government if he won the Makerfield byelection. Burnham first tried to change the social care system when he was Labour's health secretary in 2009, planning a levy on estates to pay for universal social care. He has talked about replacing inheritance tax with a progressive 'care levy' to fund a national care service. Leadership Ambitions and Labour Party Dynamics Burnham confirmed for the first time that he intends to run in a Labour leadership contest, suggesting there would be no snap election if he replaced Keir Starmer. He defended himself from criticism over a shadow leadership campaign. He argued Labour should be a broad church with more government ministers from the left of the party, but Jeremy Corbyn should not be allowed back in. Economic and Fiscal Policies Burnham denied he had left himself little room for manoeuvre by saying he would stick to the fiscal rules, arguing they had freed up significant resource for public investment. He suggested replacing 'iniquitous' council tax with a land value tax. He proposed reallocating £39bn earmarked for social and affordable housing solely to social homes. Brexit, Immigration, and Future Outlook Burnham argued it would be a mistake to rerun the Brexit referendum but that he wanted the UK to rejoin the EU in his lifetime. He praised Shabana Mahmood, the home secretary, for 'facing up' to the big issues on immigration. He suggested bringing forward the Casey review, tasked with drawing up proposals on funding, to 2026.

In the winter of 2026, Younus Qambrani used WhatsApp to document how his Pak‑Shaheen Boxing Club is turning Lyari—a locale long portrayed as a criminal backdrop in Bollywood films—into a vibrant hub for girls’ boxing and community empowerment. The Rise of a Boxing Hub in Karachi’s Lyari Qambrani, a 60‑year‑old coach, founded Pak Shaheen in 1992 and opened its doors to girls in 2013. The club now trains 10 girls daily, preparing them for city‑wide tournaments and aiming to expand access with a portable ring. 1992: Pak Shaheen Boxing Club established. 2013: First female member, Qambrani’s daughter Anum, joins. 2015: Students compete at the South Asian Games. 2016: Anum wins the Jinnah First Ever Karachi Women Boxing Championship. 2022: Aliya Soomro, Pakistan’s first world‑title female boxer, trains at the club. Numbers Behind the Movement: Participation and Milestones Lyari’s population of roughly 950,000 residents now includes a growing cohort of young athletes. Since 2013, the club has produced: Over 200 registered youth boxers. More than 30 female competitors in regional tournaments. Two national‑level medals (South Asian Games 2015, district championship 2016). Reframing Lyari: Social and Cultural Impact Beyond sport, the boxing initiative challenges the one‑dimensional media narrative that links Lyari solely to gang violence and Bollywood’s fictionalised portrayals in the Dhurandhar franchise, which grossed over $100 million per film. Anthropologist Adeem Suhail likens Lyari’s cultural resurgence to historic hubs like Naples, emphasizing its diverse heritage—from Baloch and Afro‑Baloch roots to a thriving hip‑hop scene. Future Outlook: Expanding Girls’ Boxing and Community Empowerment Qambrani’s next goal is to acquire a folding, portable boxing ring to bring training to schools across Lyari. Funding challenges remain, but the club’s success suggests a scalable model that could inspire similar programmes in other under‑represented Pakistani neighbourhoods, fostering gender‑inclusive sports participation and reshaping external perceptions of Lyari.

The Congressional Vote A congressional panel in the United States has rejected an effort to revoke a provision from the defence budget that would further integrate the US and Israeli militaries. An amendment to sink the pro-Israel measure, introduced by Democratic Congressman Ro Khanna, failed in a voice call on Thursday in the House Armed Services Committee. The Provision Details Section 224 would require the Pentagon chief “to designate an executive agent responsible for synchronising cooperative efforts between the United States and Israel”. That official would be in charge of overseeing several joint initiatives, “including bilateral defence technology research, development, testing, evaluation, integration, and industrial cooperation”, the NDAA reads. The Impact Analysis Critics have raised concern that Section 224 may make US military aid to Israel more opaque, concealing the assistance as cooperation rather than a separate expense. The measure also risks tethering the US military to its Israeli counterpart technologically at a time when the American public is rapidly turning against Israel, according to recent public opinion polls. The Future Outlook Republican Congressman Thomas Massie has promised to introduce an amendment to revoke Section 224 when the NDAA goes to a full House vote. The vote on the amendment was taken by calling on committee members to say aloud either “yes” and “no”, and the “nays” clearly were more numerous.

Manchester City's Historic Double Manchester City's women's team has achieved a historic domestic double after a commanding 4-0 win over Brighton in the Women's FA Cup final at Wembley. The Final Performance The panel discusses City's ruthless performance, with Bunny Shaw playing a starring role after signing a new long-term contract. They also analyze whether Andrée Jeglertz's side can now build a period of dominance with Champions League football returning next season. Brighton's Progress Meanwhile, Brighton falls short in their first major final but continues to earn plaudits for their progress under Dario Vidosic. The panel discusses what they need in the summer to turn cup runs into consistent top-end WSL contention. International Break and World Cup Qualifier Attention then turns to the international break as England prepares for another huge meeting with Spain in Mallorca. The panel previews the decisive World Cup qualifier, discusses Leah Williamson's injury absence, and asks whether Sarina Wiegman's side can finish top of the group. Jill Scott's Sport Relief Challenge Plus, Tom reports back from the latest World Sevens tournament, and Jill Scott joins the pod to talk about her extraordinary 400-mile Sport Relief challenge from Wembley to Sunderland.

The Premiership Women's Rugby Expansion Plans Several clubs, including Bath, have registered their interest in joining England's Premiership Women's Rugby (PWR). The expansion of the top flight has no concrete timeline, but the possibility of the league growing has thrown up different discussion points. How will non-professional players deal with travel if a club from another home nation is introduced? Will the expansion aid international competition? And how do players feel about it? The Expression of Interest Phase The expression of interest phase was just an 'exploratory' process and not a formal application to join the league. The move is part of the PWR's 10-year plan to grow a sustainable and competitive league. The top flight is widely renowned as the best women's club rugby competition in the world with international talent such as Ireland's Aoife Wafer, New Zealand's Alana Borland and Canada's Sophie de Goede involved. However, the league has just nine teams after Worcester Warriors' demise in 2023. The Financial and Logistical Requirements In order to raise their hand and show interest, sides had to meet certain criteria. The list included £1.2m of annual rugby programme investment, facilities that meet PWR competition, broadcast and training standards and being able to field a squad of 45 to 55 players. Welsh, Scottish and Irish unions are interested and English clubs have also said they are. The men's Prem champions, Bath, have gone on the record to confirm their interest, outlining that they would need investment in the player pool and a robust business plan in order to progress sustainably. The Impact on Non-Professional Players Clubs had a deadline of 30 April to notify the PWR of their interest with the next steps of expansion uncertain. What we do know is that the league has ruled out the possibility of expansion for the 2026-27 season but are open to making the league bigger in future. This initial step has caused a debate in women's rugby circles. One of the main issues is potential travel implications for those who are not professional players. A large majority of PWR players have jobs outside rugby, which would mean they could not frequently take off a Friday or Monday as travel days for their league commitments. The Future of Women's Rugby The possibility of having a Welsh team in the PWR is something the country's players would embrace, according to the Wales scrum-half Keira Bevan. 'All of us want to come and play in Wales,' she said. 'I am with Bristol at the minute and I have another year with them and then after that I don't really know what my rugby career will look like. If that was an option I think a lot of the girls would definitely look into it.' The International Implications Increased competition on an international stage is an element of a potential expansion that excites the Exeter Chiefs head coach, Steve Salvin. He said: 'If there is an opportunity to make the league stronger, why not? We are in a position where England are far and away the strongest team in world rugby and that is credit to them, they have put the work in to get themselves into that position. But people get addicted to sport through jeopardy and whenever England are winning games by 50, 60 points, we are not going to get that jeopardy.'

The Revival of a Maligned Masterpiece When Steve Hanley joined Manchester post-punk group the Fall, he expected to be playing bass guitar, not the pope on the London stage. But as a cast member of Mark E Smith's 1986 play 'Hey! Luciani: The Life and Codex of John Paul I', Hanley donned a full pope suit with seven layers of cassocks and took center stage. The Turbulent History of 'Hey! Luciani' In December 1986, 'Hey! Luciani' ran for two weeks at Hammersmith's Riverside Studios. Smith, the Fall's iconoclastic vocalist and lyricist who died in 2018, described it as 'a cross between Shakespeare and The Prisoner'. However, critics were less than impressed, with the Guardian deriding it as a 'thoroughness of Smith's failure'. The Data Behind the Reboot The original play was written on beer mats and delivered to Riverside in a shoe box. The play's thesis was allegedly based on David Yallop's 1984 bestseller 'In God's Name', which alleged Pope John Paul I's assassination. The 1986 production featured non-professional actors, including performance artist Leigh Bowery. The Impact of 'Hey! Luciani' on the Art World 'Hey! Luciani' is a classic example of postmodern storytelling, with convoluted narratives and the erasure of differences between high and low art. Graham Duff, the director of the reboot, believes that the play's cryptic nature is intentional, highlighting the Vatican's bureaucracy and the power struggles within. The Future of 'Hey! Luciani' If the June performance is successful, Duff hopes that his version might get picked up by one of Manchester's bigger arts institutions. For Hanley, the bassist who played the pope in the original production, the evening's success will be measured by his ability to avoid getting arrested.