Breaking AI & Tech News Analyzed

A Year as a Human‑AI Test SubjectIn 2025, Joanna Stern turned her New Jersey home and daily routine into a living laboratory, letting artificial intelligence handle everything from texting to cooking, driving, and even companionship. The experiment culminated in her book I Am Not a Robot: My Year Using AI to Do (Almost) Everything and a new media venture.Turning Home and Work into an AI LabThroughout the year Stern invited AI to “every corner” of her life: answering messages, deciding meals, mowing the lawn, folding laundry, piloting a self‑driving car, analysing a mammogram, and engaging with a chatbot companion she named Evan. She documented the experience in a series of videos, a YouTube channel now approaching 80,000 subscribers, and a column that ended in February when she left the Wall Street Journal after twelve years.Key Metrics from the Experiment2025: Year‑long AI integration.Book launch: I Am Not a Robot.New Things media business launched.YouTube channel: ~80,000 subscribers.Personal AI companion “Evan” created via ChatGPT.Implications for AI Adoption and RegulationStern’s experience highlights both the convenience and the emotional complexity of pervasive AI. She voiced concerns about environmental impact, job loss, and especially the unregulated use of chatbot companions for children, calling for bans or stricter controls. Her “tech mommy” persona underscores how journalists can become both critics and promoters of emerging tech.Looking Ahead: The Future of Personal AI ExperimentsAs AI tools become more integrated into everyday life, Stern predicts a growing tension between productivity gains and the need for ethical safeguards. Her next steps include expanding New Things and continuing public dialogue on AI’s role in family dynamics and personal wellbeing.

The Lead Swiss startup VunaNexus has developed a technology to recycle urine into a natural fertiliser called Aurin, which is certified for use on all plants by Swiss and French authorities. The Urine Recycling Process The process involves collecting urine from special toilets, treating it, and concentrating its nutrients into a liquid fertiliser. The urine is collected from special toilets that separate the liquid from water, and then it is treated in a small plant in the basement of the building. The treatment process removes micropollutants and concentrates the valuable nutrients such as nitrogen and phosphorus. The Data Analysis The fertiliser, Aurin, is sold to farmers, used in gardens and on house plants, and is being tested by city authorities in Paris, Lausanne, and Zurich. VunaNexus says that if all the urine of people in Europe were recycled, it could cover around 30% of the nitrogen need. The Impact Analysis The fertiliser market has become increasingly vulnerable due to the conflict in Ukraine, which has sent fertiliser prices soaring. The UN has said that 45 million people are at risk of acute hunger because of the conflict in the Middle East as fertiliser prices soar and the supply shock threatens food security in some of the world's poorest countries. The Prediction VunaNexus needs to scale its fertiliser production and get paid for the wastewater treatment service it provides to become competitive on the agricultural market. The company is working on finding ways to deliver improved urban sanitation that can produce fertilisers, and its technology is being rolled out across a newly developed eco neighbourhood in Paris, which will be the biggest project of its kind in Europe.

The Lead: Derby's Decline and Ambitious RevivalEpsom's prestigious Derby faces a critical moment as organizers implement a five-year plan to reverse declining attendance. With just 22,312 spectators at last year's race—considered a rock-bottom moment—track officials have introduced sweeping changes including a £2m prize fund, free entry for under-18s, and eliminated parking fees. The 247th running of this historic race serves as the first test of these ambitious measures to restore the Derby's grandeur and popularity.The Revival Strategy: Key Changes to the ClassicThe plan, spearheaded by Epsom's general manager Jim Allen, focuses on multiple fronts to rejuvenate the Derby experience. The most significant change is the substantial boost in prize money to £2m, with £1m allocated to the winner. Accessibility improvements include free admission for under-18s to the main enclosure and the elimination of the £30 car parking charge in the Hill enclosure. Additionally, temporary 'bleacher' seats along the inside rail will provide racegoers with a premium 'bird's eye' view of the crucial closing stages of the race.The Attendance Challenge: Numbers and ExpectationsLast year's attendance of 22,312 paying spectators represented a concerning low for the prestigious event. The current five-year plan aims to more than double the aggregate attendance to over 100,000 across the two-day Classic meeting, up from 37,500 in 2025. While weather conditions affected last year's turnout with a yellow weather warning reducing 'walk-up' attendance, the organizers recognize that immediate improvement is necessary to prevent further erosion of the Derby's status as a premier sporting occasion.The Royal Factor and Industry ResponseA significant boost for this year's Derby comes from the announcement that the King and Queen will attend, recalling the event's historic connection to royalty. The royal couple's decision to leave a family wedding 90 miles away to attend demonstrates the Derby's continued importance. However, the absence of Aidan O'Brien's Constitution River, Europe's top three-year-old colt, from the Derby—instead competing in and winning the French Derby—presents a challenge. Despite this, O'Brien, who holds the record with 11 Derby victories, still has seven possible runners in contention, including the 7-4 favorite Benvenuto Cellini.The Future Outlook: Balancing Tradition and InnovationThe Derby's revival strategy represents a delicate balance between preserving its historic appeal and adapting to modern expectations. By maintaining free access to common land while enhancing the main enclosure experience, organizers hope to recreate the vibrant atmosphere that characterized the Derby in its heyday. The success of this approach may determine whether the Classic can recapture its place as a must-attend sporting event, drawing not just dedicated racing fans but also those seeking a grand day out. As the 247th running approaches, all eyes will be on whether these changes can reverse the Derby's declining fortunes and restore its status as the highlight of the British racing calendar.

The LeadRoman Mars, the creator of the popular podcast 99% Invisible, is launching a new podcast called A History of the United States in 100 Objects, a sequel to the series A History of the World in 100 Objects that aired on Radio 4 in 2010. The Event DetailsMars's new series, co-produced by BBC Studios, SiriusXM, and 99% Invisible, comprises 100 episodes airing across two years, each highlighting objects and designs that tell the broader story of the United States. The podcast aims to explore American history through unusual items, such as the screw thread, the Bundy Clock, a gold coin recovered from the SS Central America, and the Billy Possum. The Data AnalysisMars has been researching the series for months, reading multiple books at once and listening to audiobooks at double speed while walking his dog. He believes that the experience has been akin to "putting myself through an American Studies major". The Impact AnalysisThe podcast is timed to coincide with the 250th anniversary of the US Declaration of Independence. Mars hopes to approach American history from a different perspective, using design as a lens to look at certain objects and ask what they say about America. The PredictionMars believes that his broadcasting career would not have taken off without the rise of podcasting. He notes that his voice is not a good fit for traditional radio, which prefers a clear and clipped tone. However, he has found his voice and become very relaxed behind the microphone, and he prefers to be the voice in listeners' heads rather than on video.

The HBCU Radio Preservation Project After Shaw University's WSHA radio station went on air in 1968, several other historically Black colleges and universities (HBCUs) followed the North Carolina school's lead, launching a wave of their own. For decades, the students who worked on these channels used them to inform listeners about happenings on campus, while also playing musical selections and offering cultural programming. Preserving the Archives The HBCU Radio Preservation Project is working to ensure that the irreplaceable archives at these institutions are saved and accessible. As a result of the project's efforts, WSHA's archives are available through the American Archive of Public Broadcasting. Several other universities, including Fisk University in Nashville, Tennessee, have had their radio archive preserved for future generations. How the Project Works While working to preserve the archival collection of WYSO, a public radio station in Yellow Springs, Ohio, Jocelyn Robinson began wondering what collections at HBCU radio stations might include. She created a project that surveyed the radio stations to find out. Developed profiles of all the radio stations, including their founding, format, and broadcast footprint Wrote a report with recommendations for preserving radio stations in the campuses Remembering the History There is an oral history project component to the team's efforts, which is "where the storytelling becomes even more important and more apparent in the work". One of the very first oral history captures they did was with David Linton, a program director at WCOK at Clark Atlanta University, in Atlanta, Georgia, whose career started at WSHA at Shaw. Returning the History Celebrating the stations' histories helps different groups – from current students who might not be active listeners to family members of previous radio employees – understand the importance of the channels. Digitized over 1,125 hours of archival audio Visited nearly two dozen HBCU campuses Interviewed over 90 people, recording more than 140 hours of oral histories

The Revival of Motion Gaming For a wonderful moment in the noughties, video games became a truly universal pursuit. The Nintendo Wii flew off the shelves, inspiring a wave of competitors such as the Xbox Kinect camera that encouraged people to play games by moving their bodies. But the tide turned: outside of still-niche VR gaming and the odd controller-waggler on the Switch, motion-controlled gaming has barely been seen for more than a decade. Nex Playground Enters the Scene Now, 20 years later, a new console is aiming to get the whole family flailing in front of the TV once again: the Nex Playground. Launching in the UK later this month, the first thing that struck me about this family-friendly device is just how tiny it is. The size of two and a half Rubik’s Cubes taped together, this impressively unintrusive device swaps cumbersome controllers for camera-controlled minigames, putting you and your family directly in the game. The Technology Behind Nex Playground Using a wide-angle lens and AI-powered tracking tech, the Nex Playground offers over 50 games that track players’ bodies as they leap, flail and dance about the living room. It’s not hard to see the appeal. Physically leaping through puddles in Peppa Pig: Jump and Jiggle, dancing in time to Rick Astley on Starri and slicing up watermelons with my hands in the perennial hit Fruit Ninja, I’m impressed by how seamlessly – and accurately – the tech works. Market Performance and Pricing The Playground retails at £269 ($299) – significantly less than any other games console at the moment. But it comes with just five free games. The rest of its library is locked behind an eye-watering £90 annual subscription. In the US, where it launched in 2023, the Playground has sold over a million units, even outselling Microsoft’s Xbox consoles during 2025’s Black Friday week. Safety and Future Plans Nex appears to be taking great care to earn families’ trust. None of the camera data from Nex play sessions is saved – either offline or online – meaning that families can happily embarrass themselves without worrying that an omniscient tech firm is tracking their every movement. Online multiplayer is coming to Playground soon, via parent-controlled “playdates”, and Lee hopes that this will also help older relatives stay connected with their families. The Future of Family Gaming Game publishers who’ve previously made games for Kinect and VR are already coming to Nex, Kang says. Child-focused brands such as Hasbro, DreamWorks and Mattel have already licensed games for it, perhaps seeing it as a safer alternative to social media and smartphone platforms – a view that most parents are likely to share. The most family-friendly dedicated games console currently available, Nintendo’s Switch 2, recently raised its price to £395.99, with new games at £50+ each; a lot of families are looking for a more affordable option. Nex Playground launches in the UK on 22 June.

The Return of a Hip-Hop LegendAfter nearly two decades away from the UK stage, Mike D—founding member of the legendary Beastie Boys—made a triumphant return to British shores with an unexpected yet fitting performance in a Tyneside bingo hall. The 60-year-old hip-hop icon brought his unique energy and style to North Shields, where he became what is likely the first legendary rapper to ever yell "Wassup, North Shields?!" to an adoring crowd.An Unconventional Venue for a Legendary PerformerThe setting itself was part of the charm—a bingo hall in the northeast of England, far from the traditional concert venues that typically host artists of Mike D's stature. The stage featured turntables, a six-piece band in matching outfits, and even bingo tables at the back, creating an atmosphere that was simultaneously low-key and monumental. Backed by 5D—a band that includes his own sons and members who are more than half his age—Mike D delivered a performance that blended nostalgia with fresh energy.New Material Takes Center StageRefreshingly and bravely, Mike D's setlist focused almost entirely on new material, including tracks from his forthcoming album. The performance featured storming recent singles like "What We Got" and showcased his distinctive reedy wordplay over hypnotic grooves in tracks like "I Don't Care." The set included "Make It Stop," which paid homage to Kraftwerk, and "True Colours," a massive electronic-rock-rap mashup that demonstrated his continued musical evolution. The only nod to his past came with an uproarious performance of "So What'cha Want," a Beastie Boys classic that had the crowd chanting for more.Bridging Generations and Musical ErasThis performance marks a significant moment in Mike D's career, representing both a continuation of his musical journey and a bridge between generations. Performing with his sons as part of 5D, the show highlighted the passing of the musical torch while maintaining the inimitable joie de vivre that defined the Beastie Boys' legacy. The reference to Newcastle's "Venom sample"—a nod to the time the Beasties sampled the Geordie metal band on "Check Your Head"—demonstrated his connection to the local music scene and his appreciation for the region's contribution to his own musical heritage.A New Chapter for a Hip-Hop IconMike D's return to the UK stage suggests a renewed period of activity for the artist following years of relative quiet following the death of bandmate Adam "MCA" Yauch in 2012. The enthusiastic reception and the focus on new material indicate that fans can anticipate more music and performances from the hip-hop legend in the coming years. As the only disappointment noted by reviewers was that there wasn't more of the engaging, fun hour-long show, it appears that Mike D's comeback is not just a nostalgic trip down memory lane but the beginning of an exciting new chapter in his already illustrious career.

The Lead In a revealing interview, Mark Williams, beloved for his portrayal of Arthur Weasley in the Harry Potter films, shares candid insights about his experiences on set, his relationships with fellow cast members, and the enduring impact of his iconic roles on both his career and public recognition. On-Set Memories and Fellow Actors Williams reflects on the challenges and joys of filming the Harry Potter series, noting that the worst part was "being away from home and the long hours," while the best was "the work and talking to the other actors." He recalls the legendary storytelling abilities of his co-stars, particularly Michael Gambon and Richard Griffiths, whose backstage anecdotes were "brilliant, and completely unpublishable." One of the more unusual on-set activities involved browsing agricultural equipment magazines with Robbie Coltrane. "With Robbie Coltrane I used to like going through Plant Trader, which was a sales magazine for big stuff: cranes, tractors, earthmoving equipment. We never purchased anything, but we came close," Williams reveals. The Unexpected Recognition Williams shares an amusing anecdote about recognizing someone unexpected on the Harry Potter set. While filming in the Ministry of Magic, he spotted his accountant among the extras. "When we'd stopped shooting I went over and said: 'Harry? What are you doing?' He said: 'Oh, it's a group of us. We just come and do supporting artist extra work for a laugh. That guy over there is a high court judge, and he's a contract law specialist.'" This experience taught him to "never underestimate the extras," highlighting the diverse backgrounds of people working in the film industry. Career Highlights and Collaborations When asked about his favorite collaborations, Williams cites two distinct areas: working with Hugh Laurie in films like "101 Dalmatians" and "The Borrowers," and his relationships with costume departments. He recalls a particularly memorable meeting with costume designer Bunny Christie on "Shakespeare in Love," who looked him up and down and declared, "Hmm, a make, I think," making him feel like he'd "arrived" in the industry. Williams also discusses his role as Brian Williams in "Doctor Who," describing his character as "the sort of antihero," and expresses his fondness for the maritime culture of the British Isles, which he'd love to explore in a potential documentary series. Iconic Catchphrases and Public Perception The interview touches on Williams' most famous catchphrases from "The Fast Show," including "Suits you, sir" and "Nice." While he doesn't find himself frequently quoting these lines in everyday life, he reveals that his mother used to say "Which was nice" without acknowledging its origin. When asked if he's tired of hearing his catchphrases, Williams responds with characteristic humor: "If you can't do the time, don't do the crime." When asked which catchphrase he wishes was his, Williams singles out Catherine Tate's "How very dare you?" as "a work of genius," noting its political undertones and versatility. Life Beyond Harry Potter Williams discusses his current role as Father Brown, revealing his love for the "Britishness" of music hall traditions and the "lunacy, the madness of it." While he has an excellent voice and can perform an uncanny George Formby impression, he hasn't pursued a singing career, though he has played Doctor Dolittle on tour. He also shares his thoughts on the Harry Potter studio tour, particularly fond of "Fluffy's paw," describing it as "a giant animatronic hand" that reminds him of Ray Harryhausen's work, noting that such creations are unique to films.

The Lead Addie E Citchens's debut novel Dominion has been shortlisted for the Women's Prize, offering a scathing critique of patriarchy through the lens of a prominent Black church family in Mississippi. The Event Details The novel, set in the fictional town of Dominion, Mississippi, revolves around the Winfrey family, particularly Rev Sabre Winfrey Jr and his wife Priscilla. The story explores the exercise of dominion through violence, charisma, piety, and male entitlement. The Character Analysis The narrative unfolds through the perspectives of Priscilla and Diamond, Wonderboy's teenage girlfriend. Both women become tragically bound to Wonderboy, with Priscilla having helped create and enable him, and Diamond experiencing the cruelties that flourish under his indulgence. The Impact Analysis Citchens astutely interrogates the ways religious performance can become a theatre for power, highlighting the hypocrisy of public holiness masking private cruelty. The novel reveals itself to be a tale about inheritance: the inherited scripts of masculinity, the inherited submission of women, and the inherited sadness of towns built atop generations of grief. The Prediction Dominion has been praised for its bruising, funny, and deeply intelligent exploration of the ways women’s lives are warped by the whims and cruelty of men. The novel offers a powerful portrayal of what becomes possible when women begin to imagine lives larger than those who diminish them.