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The Leadership Shift at Anthropic Andrej Karpathy, the AI researcher who co-founded and formerly worked at OpenAI and previously led AI at Tesla, has joined Anthropic. Karpathy announced his move on X, stating that he is excited to join the team and get back to R&D.; Karpathy's Role in Pre-Training Karpathy started this week at Anthropic, where he is working on pre-training under team lead Nick Joseph. Pre-training is responsible for the large-scale training runs that give Claude its core knowledge and capabilities. Karpathy will start a team focused on using Claude to accelerate pre-training research. The Significance of Karpathy's Move Karpathy is one of the few researchers who can bridge the gap between LLM theory and large-scale training practice. Tapping him to build such a team is a clear sign from Anthropic that it believes AI-assisted research, rather than pure compute, is how it stays competitive with OpenAI and Google. Karpathy's Background Co-founded OpenAI and worked on deep learning and computer vision until 2017 Led Tesla's Full Self-Driving (FSD) and Autopilot programs from 2017 to 2022 Returned to OpenAI for one year before leaving in 2024 to start Eureka Labs, a startup dedicated to applying AI assistants to education Anthropic's Recent Hires Anthropic has also brought on Chris Rohlf to its frontier red team, which stress-tests advanced AI models against severe threats. Rohlf is a veteran of the cybersecurity industry with more than 20 years of experience. The Future of AI Research Karpathy's move to Anthropic and the company's focus on AI-assisted research signal a new direction in the AI landscape. As Karpathy stated, "I think the next few years at the frontier of LLMs will be especially formative."

The Lead Pep Guardiola's time at Manchester City has been marked by an unprecedented level of success, with the team winning 17 major honors in a decade. This achievement surpasses that of Manchester United under Sir Alex Ferguson, and is a testament to Guardiola's relentless drive for perfection. Guardiola's Ethos of Improvement Guardiola's interaction with autograph hunters in January 2025 after an 8-0 FA Cup win over Salford City is instructive. When told by a young fan that he used to be a chef, Guardiola's reply was simple: "Continue to do it. Prepare better." This ethos of improvement and seeking perfection has been the hallmark of his time at City. The Data Analysis Under Guardiola, Manchester City has won numerous titles, including the 2023 treble, the 2018 title with a record 100 points, and four consecutive Premier League championships. The team has also won the Champions League, FA Cup, and League Cup. Guardiola has fielded 349 different starting XIs in 378 Premier League games, making 1,105 changes to starting lineups. The Impact Analysis Guardiola's impact on Manchester City has been profound. He has created a winning machine, with a ratio of major honors to games played that is superior to that of Manchester United under Sir Alex Ferguson. His ability to rotate players and keep the team winning has been key to their success. Guardiola has also been praised for his magnanimity in defeat, as seen in his reaction to a Champions League quarter-final loss to Tottenham in 2019. The Prediction As Guardiola prepares to leave Manchester City, it remains to be seen how the team will perform under new management. However, with a squad built on Guardiola's principles of improvement and perfection, it is likely that City will continue to be a dominant force in English football.

The Rise of AI-Generated Research Papers ArXiv, a widely used open repository for preprint research, is taking steps to crack down on the careless use of large language models in scientific papers. Although papers are posted to the site before they are peer-reviewed, ArXiv has become one of the main ways that research circulates in fields like computer science and math. ArXiv's New Policy The organization has already taken steps to combat a growing number of low-quality, AI-generated papers, such as requiring first-time posters to get an endorsement from an established author. In its latest move, ArXiv will ban authors for a year if they submit papers that contain "incontrovertible evidence" that the authors did not check the results of LLM generation. The Data Analysis Authors who submit AI-generated papers without proper oversight will face a 1-year ban from ArXiv. After the ban, authors will be required to have subsequent ArXiv submissions accepted by a reputable peer-reviewed venue. The Impact Analysis Recent peer-reviewed research has found that fabricated citations are on the rise in biomedical research, likely due to LLMs. ArXiv's new policy aims to ensure that authors take "full responsibility" for the content, "irrespective of how the contents are generated." The Prediction The move is expected to have a significant impact on the scientific community, as researchers will need to be more transparent about their use of AI-generated content. ArXiv's new policy is a "one-strike" rule, but moderators must flag the issue and section chairs must confirm the evidence before imposing the penalty. Authors will also be able to appeal the decision.

The LeadAs Top Gun celebrates its 40th anniversary, this article delves into the remarkable journey of how this iconic film came to be, from its humble beginnings in a magazine article to becoming a cultural phenomenon that redefined the modern blockbuster and launched Tom Cruise into superstardom.The Genesis of a BlockbusterThe story of Top Gun began in 1983 when producer Jerry Bruckheimer was flipping through California magazine and stumbled upon an article titled 'Top Guns' featuring a dramatic photo from inside an F-14 fighter jet cockpit. The article began with the captivating line: 'At Mach 2 and 40,000 feet over California, it's always high noon.' Bruckheimer immediately saw potential, describing it as 'looking like Star Wars on Earth.' He and his partner Don Simpson secured the rights and approached screenwriters Jim Cash and Jack Epps Jr., who were immediately drawn to the project.The Authenticity ImperativeEpps, who held a private pilot's license, insisted on authenticity from the outset. He and Bruckheimer made it clear to the Pentagon that they wouldn't accept special effects substitutes for real planes. This commitment to realism led to unprecedented cooperation with the military, allowing the filmmakers to access actual naval aircraft and facilities. Epps was even sent to Marine Corps Air Station Miramar to immerse himself in the world of naval aviators, undergoing rigorous training including ejection procedures and water survival exercises.Casting the MaverickThe role of Pete 'Maverick' Mitchell was crucial, requiring an actor with exceptional charisma and physical presence. The filmmakers had Tom Cruise in mind from the beginning, but securing the young star wasn't straightforward. To convince Cruise, Bruckheimer arranged for him to fly with the Blue Angels. Despite Cruise's long hair and ponytail (which the pilots mocked as 'hippy'), they gave him an intense flight experience that left him exhilarated and committed to the project. This experience was so transformative that Cruise became a licensed pilot himself.Creating the NarrativeWhile researching at Miramar, Epps faced a challenge: the real pilots were unified and focused on teamwork, lacking the dramatic conflict needed for compelling storytelling. His solution was to create a character who stood apart from the group - Maverick, a pilot who was more concerned with personal glory than teamwork. The emotional core of the film was inspired by conversations with real pilots who were still mourning colleagues lost in Vietnam, leading to the pivotal death of Goose in the middle of the story.The Cultural ImpactReleased in 1986, Top Gun became a cultural phenomenon that transcended mere entertainment. The high-testosterone slice of Reagan-era Americana not only made 23-year-old Tom Cruise a global star but also had a surprising real-world impact: it drove a significant spike in military enlistment, with the navy even setting up recruitment tables in theaters. The film's homoerotic volleyball scene and memorable quotes like 'You can be my wingman anytime' entered the cultural lexicon. Its success eventually spawned a sequel in 2022, with a third installment currently in development.The Legacy of Top GunForty years after its release, Top Gun remains a touchstone in cinema history, celebrated for its groundbreaking aerial photography, thrilling action sequences, and the star-making performance of Tom Cruise. The film's commitment to authenticity, using real pilots and aircraft whenever possible, set a new standard for action filmmaking. As technology has advanced, the film's practical effects have gained renewed appreciation in an era dominated by CGI. Its enduring popularity speaks to the universal appeal of its themes: the pursuit of excellence, the cost of risk-taking, and the bonds formed between those who share extraordinary experiences.

The Artist's Background and Achievements At 29, Rene Matić is the youngest ever person to win the £30,000 Deutsche Börse Photography Foundation prize. They were nominated for their solo exhibition As Opposed to the Truth at CCA Berlin – there is currently a much smaller reconfiguration representing part of the show at the Photographers' Gallery in London. Matić was also the youngest artist ever to be nominated for the Turner prize last year. Notable Works and Artistic Approach There are things I like about Matić. I like the way they challenge what counts in life and art, and what counts as British. Their 2022 work, Upon This Rock – a photographic installation and a film exploring the artist's father, Paul, and his involvement with the skinhead movement – felt like it was breaking new ground, conceptually and materially. Matić's yearning to understand masculinity and fatherhood as forces shaping national identity, and the way they incorporate new stories into the folds of Britain's historical fabric, felt original and exciting. Prize Recognition and Its Significance The Deutsche Börse Photography Foundation prize is one of the most prestigious awards in contemporary photography, carrying a £30,000 prize. Matić's win at such a young age marks a significant moment in the art world, particularly as they identify as a queer, working-class person of colour. The fact someone from this background won this award is good as a statement for what the Deutsche Börse prize can stand for in terms of diversity and representation. Critical Assessment of Current Exhibition Yet a lot of Matić's other work doesn't feel mature enough for the photographer to have taken the prize so early in their career. The installation Feelings Wheel, a series of diaristic snapshots which is shown at the Photographers' Gallery, feels like something you'd paste on your wall or Tumblr at university. They are pretty mediocre pictures, safe from Instagram censorship, and arranging them in Perspex doesn't make them more interesting. I find there is an annoying insularity, a sense of preaching to the converted, whereas the most effective art builds bridges between artist and viewer, allowing people who aren't part of the gang to understand it and be moved by it, too. Comparisons to Influential Photographers Too often, Matić's images are only made interesting by the different ways they display them in assemblages, spatial and sculptural configurations. Their work draws comparisons with Wolfgang Tillmans or Nan Goldin, who both photographed their own subcultures and communities, but with more edge and verve. With slideshows to music (in the case of Goldin's The Ballad of Sexual Dependency) and multi-format installations responding to the space (Tillmans), both photographers cast aside the traditional focus on a single image, creating new ways of looking at multiple photographs that Matić adapts but doesn't quite move forward. Broader Implications for Contemporary Photography There's nothing wrong with art that focuses on identity – especially identities that have been consistently erased and ignored in this country. But based on what Matić has done for photography, I don't think they should have won. Autobiography can't be the only thing a work has to offer. I am not sure what's really radical or nuanced about Matić's photographs of flags and tattoos, or people kissing at Glastonbury. At times, the vulnerability and compassion seems performative rather than sincere, and there's not enough tension – questions in the work for the viewer to resolve. The Future of Matić's Artistic Development Leaving the exhibition, I felt flat – though there are ideas, they need more time to percolate. What this win seems to tell us about photography now is that how you market yourself is possibly more important than the work you make. Matić clearly has potential, as evidenced by their more conceptual works like Upon This Rock, but the current exhibition suggests they may have been recognized before their artistic voice has fully developed. The challenge for Matić will be to build on the conceptual foundations of their strongest work while developing a more distinctive photographic language that doesn't rely solely on presentation techniques to generate interest.

The LeadOsaurus has introduced an innovative open-source, Apple-only LLM server that allows Mac users to seamlessly switch between local and cloud AI models while maintaining data privacy on their own hardware. This development addresses growing concerns about AI token costs and security by providing a user-friendly interface that runs AI in a hardware-isolated virtual sandbox.The Evolution from Dinoki to OsaurusOsaurus evolved from the idea for a desktop AI companion called Dinoki, which Osaurus co-founder Terence Pae described as a sort of "AI-powered Clippy." Dinoki's customers had questioned why they should buy the app if they still had to pay for tokens—the usage units AI companies charge for processing prompts and generating responses. This concern led Pae to develop Osaurus as a solution that allows users to run AI locally on their Macs, accessing files, browsers, and system configurations without relying on cloud services.Technical Capabilities and Model SupportOsaurus can flexibly connect with locally hosted AI models or cloud providers like OpenAI and Anthropic, allowing users to choose which AI models best fit their needs. The platform supports various models including MiniMax M2.5, Gemma 4, Qwen3.6, GPT-OSS, Llama, and DeepSeek V4. It also supports Apple's on-device foundation models, Liquid AI's LFM family of on-device models, and cloud connections to OpenAI, Anthropic, Gemini, xAI/Grok, Venice AI, OpenRouter, Ollama, and LM Studio. As a full MCP (Model Context Protocol) server, it provides access to tools for MCP-compatible clients and ships with over 20 native plugins for Mail, Calendar, Vision, macOS Use, XLSX, PPTX, Browser, Music, Git, Filesystem, Search, Fetch, and more. Recent updates have also added voice capabilities.User Adoption and Market PositionSince launching nearly a year ago, Osaurus has been downloaded over 112,000 times according to its website. The platform distinguishes itself from similar tools like OpenClaw or Hermes by offering an easy-to-use interface for consumers rather than developers, while addressing security concerns through a hardware-isolated, virtual sandbox that limits the AI's scope and keeps users' computers and data safe. Currently, Osaurus' founders, including co-founder Sam Yoo, are participating in the New York-based startup accelerator Alliance.The Future of Local AI and Business ApplicationsOsaurus' founders are exploring potential business applications, particularly in sectors like legal services and healthcare where running local LLMs could address privacy concerns. The team believes that as local AI models become more powerful, they could reduce demand for AI data centers. Pae noted that "the intelligence per wattage—which is like the metric for local AI—has been going up significantly," with local AI evolving from barely being able to finish sentences last year to now being able to run tools, write code, access browsers, and perform various tasks. The vision is for businesses to deploy Mac Studios on-premise, using substantially less power than traditional data centers while maintaining cloud-like capabilities.

A Global Celebration of Visual Storytelling For the 15th installment of the annual Photoville festival, which sees more than 90 exhibits of photographic portfolios from all around the world, festival co-founder Sam Barzilay is thinking about apples – specifically the bizarre and at times cosmic-looking ones in the exhibit Old Apples. "I was so delighted it got selected," he enthusiastically shared. "It's the most whimsical thing we have, it's about apples and how there are no two apples in nature that are the same." Diverse Exhibitions Reflect Contemporary Society With exhibitions celebrating everything from cumbia music to the many ways people play soccer globally and even a fox sanctuary, Photoville may be more whimsical than ever, but the show also delivers a satisfying range of the hard-hitting reportage and documentation that have made prior years so vital. Collections this year run the gamut from turbocharged wildfires in the western US to how racial inequalities affect water access to the ways in which ICE has brought chaos to many American communities. Amplifying Marginalized Voices Through Photography In light of efforts by the Trump administration to erase the reality of trans people, Photoville offers two exhibits that attest to the enduring nature of trans lives. Special Girls, which draws from the mammoth archive of photographer Remsen Wolff, shows off 1990s-era photos of trans women, as well as gender nonconforming individuals such as crossdressers and drag queens. "The world has changed dramatically from then to today," said Barzilay, "this is a celebration of the fact that this is not a new idea." Documenting Human Resilience in Challenging Circumstances Lexi Parra's portfolio of work The Avillas documents what happens after the titular family's matriarch self-deports amid terrifying threats directed toward immigrants in the United States by the Trump administration. The photos make for an extremely difficult reminder of what happens when a beloved member of a family is torn away from it. "It's looking at their lives today as they try to figure out what to do next," said Barzilay. The extremely moving collection Puppies Behind Bars is the fruit of the nearly two years that photographers Ashley Gilbertson and Ava Pellor spent in the men's maximum security Green Haven, documenting the titular program wherein those incarcerated raise puppies to become service dogs. "The dogs humanize an environment that's devoid of all humanity," said Gilbertson. "It gives men who have committed grave crimes against society a chance to do something, it gives men a chance to show weakness and vulnerability to be emotionally open and playful, it gives them a sense of responsibility." Cultural Preservation Through Visual Documentation The Women's Grass by Blackfeet Nation photographer Whitney Snow documents that intricate web of cultural knowledge and practice that has grown around sweetgrass. Long used by the Blackfeet in both religious ceremonies and as medicine, the plant is the province of the tribe's women, who have passed down knowledge of sweetgrass from generation to generation. "Women are held to a very high regard in our society," Snow said. "To have plant knowledge like that is considered very prestigious." The Future of Documentary Photography Festivals As Photoville continues to grow in its 15th year, it represents a vital platform for photographers addressing pressing social issues while also celebrating the beauty and diversity of human experience. The festival's ability to balance whimsical, light-hearted exhibitions with profound social commentary demonstrates the power of photography to both comfort and challenge viewers. In an increasingly polarized world, events like Photoville provide spaces where diverse perspectives can be shared and understood, suggesting that documentary photography festivals will continue to play an essential role in fostering empathy and understanding in the years to come.

The Return of Toy Story: Fans Get to Ask QuestionsToy Story 5 is one of the most anticipated movies of the year, with the franchise having grossed $3.3 billion to date. Last year's teaser trailer for the film garnered 142 million views in just 24 hours, demonstrating the immense popularity of the beloved animated series.New Characters and Plot Details RevealedThe new film, scheduled for worldwide release on June 19, features Jessie the Cowgirl (voiced by Joan Cusack) leading the gang in eight-year-old Bonnie's room, with Buzz Lightyear (Tim Allen) as her second-in-command. Woody (Tom Hanks) departed at the end of Toy Story 4 to help abandoned toys find their owners, but returns in this installment when a new tablet called Lilypad (Greta Lee) threatens the toys' relevance and Bonnie's well-being.The Massive Franchise ImpactThe Toy Story series has generated $3.3 billion at the global box office, making it one of Pixar's most successful franchises. The overwhelming response to the teaser trailer—142 million views in 24 hours—highlights the cultural significance of these characters and the anticipation surrounding each new installment.Technology's Role in Modern Toy StoryToy Story 5 introduces several technological antagonists, including a tablet named Lilypad, a toilet trainer called Smarty Pants (voiced by Conan O'Brien), a GPS hippo voiced by Craig Robinson, and a digital camera named Snappy. These characters represent the film's exploration of how technology impacts children's play and imagination, continuing the franchise's tradition of commenting on changing times through the perspective of toys.The Future of the Franchise and Fan EngagementWith all key voice actors returning for Toy Story 5—including composer Randy Newman and beloved characters like Hamm, Rex, Slinky Dog, and the Potato Heads—the film is positioned to continue the franchise's legacy of emotional storytelling. The Q&A; opportunity with Tom Hanks and the cast represents Disney's strategy of engaging directly with fans, potentially setting a new standard for interactive promotional campaigns in the entertainment industry.

The Rise of Legal Tech: Clio's $500M Milestone Clio, a Canadian law firm management software company, has reached a significant milestone: $500 million in annual recurring revenue (ARR). This achievement is a testament to the growing demand for legal tech solutions, particularly those powered by artificial intelligence (AI). AI-Driven Growth in Legal Tech Clio's growth has accelerated sharply since integrating AI into its offering in 2023. The company's ARR surpassed $200 million in mid-2024, doubled that figure by late last year, and now has reached $500 million. According to Jack Newton, co-founder and CEO of Clio, LLMs (Large Language Models) are poised to revolutionize the legal tech industry. The Potential of LLMs in Legal Tech Newton believes that LLMs can leverage the vast repository of existing legal documents, such as contracts and agreements, to automate time-consuming tasks like document review and drafting. This potential is not limited to Clio; other legal tech companies, like Harvey and Legora, are also experiencing significant revenue surges driven by AI. The Competitive Landscape: Anthropic's Move Anthropic's recent announcement of new legal-specific features for its AI model, Claude, has added a new layer of complexity to the competitive landscape. Both Harvey and Legora rely on Claude as a core model, making the dynamic an uncomfortable one: a key supplier is now also a competitor. The Future Outlook Despite these challenges, Newton remains optimistic about the vast potential of the legal AI market. Clio's valuation of $5 billion and its recent $1 billion acquisition of data intelligence platform vLex have positioned the company for continued growth and innovation in the legal tech sector.