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Approximately 250 Rohingya refugees and Bangladeshi nationals are now unaccounted for following the capsizing of an overcrowded vessel in the Andaman Sea, the United Nations High Commissioner for Refugees (UNHCR) announced on Tuesday. The boat, packed with men, women and children, succumbed to heavy winds, rough seas and severe overcrowding, according to the UNHCR statement. The disaster underscores the perilous journeys many Rohingya undertake to escape persecution in Myanmar. Bangladesh Coast Guard (BCG) officials reported that a patrol ship en route to Indonesia rescued nine individuals on April 9, including one woman. Lieutenant Commander Sabbir Alam Sujan described how the crew spotted survivors clinging to drums and logs and pulled them from deep water. Among the rescued, six have been identified as alleged traffickers and are now in police custody, as reported by the Andalou news agency. Survivor testimony paints a grim picture. Rafiqul Islam, who was lured onto the boat with promises of employment in Malaysia, recounted that passengers were confined in a holding area where some died. He said the vessel leaked oil, causing burns, and that it drifted for four days before capsizing. "We floated for nearly 36 hours before a ship rescued us," he said, estimating that 25 to 30 people died from suffocation and the crush of overcrowding. The UNHCR warned that the tragedy reflects the "dire consequences of protracted displacement and the absence of durable solutions for the Rohingya." With the Andaman Sea bordering Myanmar, Thailand and the Malay Peninsula, the region remains a hazardous corridor for smuggling networks. Malaysia continues to be a favored destination for Rohingya migrants, drawn by its Muslim-majority population and existing diaspora. However, the journey often involves dangerous sea voyages facilitated by traffickers. Since the 2017 military offensive in Myanmar that forced over 730,000 Rohingya into Bangladesh, thousands have risked their lives each year to flee ongoing violence, repression and the lack of safe, legal pathways. International observers stress that without coordinated regional action and stronger protection mechanisms, such maritime disasters are likely to recur, compounding the humanitarian crisis and destabilizing coastal security.

The documentary Kinaesthesia delves into the dreamlike qualities of early cinema, showcasing a treasure trove of visions from the 1910s and 1920s. Director Gerald Fox draws on the theories of late Harvard film studies professor Vlada Petrić, who posited that early cinema pioneers employed techniques to activate the brain similar to those experienced during dreams.Luis Buñuel's Un Chien Andalou, co-written with Salvador Dalí and inspired by their dreams, is a seminal work featured in the documentary. Its surreal images, including a razor slicing through an eyeball and rotting donkeys strapped to grand pianos, continue to shock and disturb nearly a century later.The film is a greatest hits collection of experimental early cinema, featuring works by FW Murnau, Fritz Lang, Sergei Eisenstein, and Oleksandr Dovzhenko. Notably, it includes Teinosuke Kinugasa's A Page of Madness, a 1926 film set in a psychiatric hospital that was long believed lost but later found in a sake barrel.The documentary also highlights the contributions of avant-garde filmmaker Maya Deren, with a dedicated section showcasing her brilliance. While the narration by Fox can be somewhat hammy and the dramatic sections featuring Goran Kostic as Professor Petrić add little value, the film remains required viewing for anyone interested in the history of cinema.Kinaesthesia is set to release in UK and Irish cinemas from April 17, 2026.

Scotland staged a late comeback to beat Wales 27‑22 in what was hailed as the best match of the opening weekend of the Women’s Six Nations, played at Cardiff’s Principality Stadium. The game attracted 10,569 spectators, the highest ever attendance for a Wales‑Scotland women’s clash on Welsh soil, though the venue’s 74,500‑seat capacity meant the atmosphere fell short of the stadium’s potential. Wales, led by head coach Sean Lynn, fought back from a 24‑12 halftime hole, narrowing the gap to five points in the closing minutes. Despite a valiant effort from their own try line, a mishandled line‑out in the dying seconds denied them a first Six Nations win since their 22‑20 victory over Italy in 2024. Scotland’s triumph was especially significant for new head coach Sione Fukofuka, who secured his inaugural win since taking the reins in December. Fly‑half Helen Nelson, named player of the match, praised the team’s defensive resilience and the blend of experienced and emerging talent. The match formed part of the Welsh Rugby Union’s strategy to showcase the women’s game in the national stadium, with plans to host at least one fixture there each season, hoping larger crowds will follow. Across the tournament, England set a new attendance benchmark with 77,120 fans at Twickenham for their 33‑12 win over Ireland, while upcoming fixtures promise further milestones: Scotland will play a standalone game at Murrayfield before heading to Dublin, and France, after a strong second‑half display against Italy, now sit atop the table on points difference. Looking ahead, Wales will face France at Cardiff Arms Park, where two of the three stands are already sold out, as the team aims to build on the “fight and character” displayed in Saturday’s encounter.

US Vice President JD Vance labeled Ukrainian President Volodymyr Zelenskyy's comments about Hungarian Prime Minister Viktor Orban as “completely scandalous” during a stop in Budapest. Vance’s remarks came as Hungary prepares for a critical parliamentary election on April 12, the toughest test of Orban’s 16‑year rule. Vance, speaking at a Hungarian university, said that a foreign head of government should never threaten the leader of an allied nation. He added that the media shows a double standard when it highlights alleged foreign interference in the 2016 U.S. election but downplays similar concerns in the Hungarian vote. Budapest has long accused Kyiv of attempting to influence the election by disrupting the flow of Russian oil through the Druzhba pipeline. Kyiv counters that the pipeline was damaged by a Russian drone attack in late January and is being repaired as quickly as possible. In retaliation, Hungary blocked a €90 billion (≈$105 billion) EU loan intended for Ukraine. Zelenskyy responded by warning that he could provide the identity of those responsible to the Ukrainian army, saying they could “speak with him in their own language.” Vance also criticized the European Union, arguing that withholding billions of euros from Hungary for “border protection” and Ukraine’s pipeline shutdown are not acts of foreign influence but rather political pressure. The European Commission said it would convey its concerns to Washington through diplomatic channels, highlighting the growing friction between the EU, the United States, and Hungary over the upcoming election. These developments illustrate how the Hungarian vote has become a flashpoint for broader geopolitical rivalries, linking domestic politics with U.S.‑EU coordination, Ukraine’s war‑time financing, and the future of EU‑Hungary relations.

The struggle to unwind at the end of the day is a familiar one for many of us. Insomnia is a common problem, and music is often recommended as a way to relax. Max Richter's Sleep, an eight-hour long piece designed to mirror the phases of sleep, has become a popular choice, currently ranking No 2 in the official classical artist albums chart.But where did this genre of instrumental sleep music begin? The term "nocturne" was first used by John Field to describe his short, standalone piano pieces. These pieces were designed to evoke a tranquil evening mood, often featuring a slow and lyrical melody in the right hand with a rippling accompaniment in the bass. Field's Nocturnes were born out of his time in Russia, where he was inspired by the pearly light of the long summer nights.Chopin later expanded the form to include a range of moods and themes, from stormy and passionate to meltingly beautiful. The piano remained the pre-eminent instrument for nocturnes, with composers like Gabriel Fauré and Erik Satie making significant contributions to the genre.Nocturnes have had a lasting impact beyond music, influencing art, literature, and even perfumes. The word "nocturne" has come to symbolize a dreamlike, peaceful night, and the concept has been used in various forms of creative expression. As Susan Tomes notes, nocturnes are "tiny three-minute narratives" that ask us to follow as the story unfolds, standing on the threshold between "day mind" and "night mind".

Within its opening weekend on Netflix, Peaky Blinders: The Immortal Man attracted over 25 million streams, outpacing all other titles that week despite already enjoying a UK cinema run and a high‑profile red‑carpet premiere at Birmingham’s Symphony Hall.Banijay Entertainment, a co‑producer of the film, capitalised on the buzz by launching an official Peaky Blinders merchandise store, underscoring how streaming services are now flipping the classic content pipeline—moving from streaming to the big screen rather than the reverse.Beyond promotional stunts, these theatrical forays are becoming a strategic revenue stream and franchise‑building tool. Shows such as Stranger Things, KPop Demon Hunters and The Mandalorian are being repackaged for cinemas, offering fans a premium, event‑style experience that streaming alone cannot replicate."Cinema still creates anticipation, hype and a sense of scarcity that streaming platforms struggle to match," explains Ben Woods, analyst at MIDiA Research. Historically, Netflix limited theatrical releases to qualify films like The Irishman for awards, but the current focus is on monetising proven intellectual property across both mediums.The success of Peaky Blinders—a series with a built‑in audience—demonstrates the model’s viability. Lead actor Cillian Murphy, who also produced the film, described the release as "one for the fans," signalling the intent to reward loyal viewers.Netflix’s own experiment with KPop Demon Hunters proved lucrative: limited theatrical screenings across two weekends generated more than $24 million (£18 million) at the box office and helped the animated musical secure two Academy Awards for Best Animated Feature and Best Original Song.Co‑CEO Ted Sarandos highlighted that the film’s triumph stemmed from its initial Netflix debut, which fed the theatrical audience via the platform’s recommendation engine. While a sequel is slated to follow the same streaming‑first rollout, the Peaky Blinders movie’s cinema‑first launch shows that release strategies remain flexible.Industry observers note that gaps in the traditional release calendar give streaming services opportunities to fill weekends with original content, a tactic Netflix is actively exploiting.Major studios are also blurring the line between streaming and cinema. Disney, for example, transformed its hit Disney+ series The Mandalorian into a feature film, reflecting a broader push to bring Star Wars stories back to theatres.Adapting episodic narratives for the big screen presents creative challenges. As Ben Woods asks, should a film cater primarily to dedicated fans familiar with the series, or aim for a stand‑alone appeal that attracts a wider audience?Fan reaction to The Immortal Man has been mixed on the Peaky Blinders subreddit, with some critics questioning the decision to condense a season‑long arc into a single film. Nonetheless, the movie enjoys a strong critical consensus, holding roughly a 90 % fresh rating on Rotten Tomatoes.Looking ahead, Netflix announced on 20 March that two new post‑war seasons of Peaky Blinders are in development, raising the question of how soon the next installment might receive a cinematic spin‑off.

Legendary actress Kim Novak has publicly criticized the casting of Sydney Sweeney to play her in an upcoming biopic about her relationship with musician Sammy Davis Jr.. In an interview with the Times, Novak, 93, stated that Sweeney was 'totally wrong to play me'.Novak expressed concerns that the film, titled Scandalous, would focus too heavily on her sexual dynamic with Davis. 'There's no way it wouldn't be a sexual relationship because Sydney Sweeney looks sexy all the time,' Novak said. She also mentioned that Sweeney 'sticks out so much above the waist'.The biopic's development has reportedly stalled, but Sydney Sweeney's Euphoria co-star Colman Domingo is set to direct, with David Jonsson cast as Davis. Novak had previously expressed her disapproval of the film's title, stating that her relationship with Davis was not 'scandalous'. Novak and Davis's relationship began in 1956 and was publicly outed in 1958, causing controversy due to their interracial relationship. Davis was subsequently pressured to marry a black woman, Loray White, to avoid backlash against Novak's career.

Cambridge University is launching a four-week summer course in botany, inspired by a course taught by Prof John Stevens Henslow to Charles Darwin in the 1820s. The course will use original teaching materials, including plant specimens and illustrations, to teach students about botany.The course aims to address the gap in botany education in the UK, where the subject has largely disappeared as a standalone degree. Dr Raphaella Hull, acting head of learning for Cambridge University Botanic Garden, said that the course will teach students about botany using hands-on techniques and field excursions.The course is based on Henslow's pioneering approach to teaching botany, which emphasized the importance of observing and understanding plant diversity. Henslow's use of illustrations on his course was groundbreaking, and he is credited with influencing Darwin's later theory of evolution.Prof Sam Brockington, curator of Cambridge University Botanic Garden, said that the course is designed to be an immersive program in botany, and that Henslow's approach to teaching botany is still relevant today.