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Roberto De Zerbi arrived on the pitch barely half an hour before kick‑off, his black padded gilet pulled up to the neck against a biting Wearside wind. By the final whistle the chill had eased, but Tottenham’s morale had plummeted.Sunderland’s 1‑0 victory not only cemented the visitors’ place in the league’s bottom three, it also lifted Régis Le Bris’s side to 10th place with six matches left in the campaign.Facing his third managerial appointment in a single season, De Zerbi urged his squad to rediscover the high‑risk attacking ethos of former boss Ange Postecoglou – a vision that remained frustratingly out of reach on a day dominated by low‑tempo play.Long‑time Tottenham midfielder Antonin Kinsky made a rare return after his brief, infamous cameo in a 5‑2 Champions League loss to Atlético Madrid. His comeback was cut short when a second‑half head clash forced his substitution for the inexperienced Brandon Austin.Goalkeeper Guglielmo Vicario, still recovering from hernia surgery, was expected to be tested. Sunderland’s Granit Xhaka delivered a sharply inswinging corner, but Kinsky calmly palmed the ball over the bar, keeping Spurs in the game.A potential penalty for Tottenham was overturned after VAR review; replays showed Omar Alderete had won the ball cleanly, while Randal Kolo Muani’s appeal proved unfounded.Richarlison offered brief flashes of quality but failed to convert his chances, and Dutch striker Brian Brobbey – described as a “human bulldozer” – was unable to capitalise on Enzo Le Fée’s incisive passes, despite a lone fine save from the Sunderland keeper.De Zerbi’s frustration was palpable. After Dominic Solanke’s weak finish allowed Sunderland’s Robin Roefs to deny a golden‑chance in stoppage‑time, the manager pulled his gilet up over his eyes, perhaps to shield himself from the disappointment.Mid‑second‑half, former Paris Saint‑Germain defender Nordi Mukiele, back from injury, struck a 20‑yard shot that deflected off centre‑back Micky van de Ven. The ball’s change of direction left the goal‑mouth ambiguous, sparking a debate over whether the goal should be credited to Mukiele or recorded as an own‑goal.The match’s physical intensity escalated when Brobbey’s challenge led to a painful collision between Kinsky and Cristian Romero, forcing both players off – Romero in tears with a leg injury. De Zerbi also expressed anger that Brobbey, already booked, escaped a second yellow card.Despite a flurry of substitutions, Tottenham struggled to pose serious questions to Sunderland’s defence, leaving the club’s relegation hopes hanging by a thread as the season draws to its final stretch.

Wout van Aert broke a ten‑year drought at the Paris‑Roubaix on Sunday, out‑sprinting world champion Tadej Pogacar in one of cycling’s toughest cobbled classics. Both Van Aert and Pogacar suffered punctures during the race, as did their fellow Belgian rival Mathieu van der Poel, who endured two mechanical issues and was unable to contest the final sprint. Van Aert’s victory secured his second Monument title, following his 2020 Milan‑San Remo win. After neutralising Pogacar’s repeated attacks on the cobbles, Van Aert unleashed a decisive burst of speed on the Roubaix Velodrome, crossing the line ahead of the world champion. Jasper Stuyven completed the podium, finishing 13 seconds behind the winner. Van der Poel, who was chasing a fourth consecutive Paris‑Roubaix triumph, fell to fourth place after a mechanical problem on a treacherous sector cost him more than two minutes. “It’s everything to me, it’s been a goal since I first did this race. I stopped believing a lot of times but I would start believing again the next day,” Van Aert said, reflecting on the personal significance of the win after years of bad luck in the “Queen of the Classics.” The Visma‑Lease a Bike rider dedicated his victory to former teammate Michael Goolaerts, who tragically died after a cardiac arrest in the 2018 edition of the race. “Arriving for a final sprint with the world champion and beating him in a sprint is very special,” he added. Pogacar entered the race after clinching the first two Monument classics of the season – the Milan‑San Remo and the Tour of Flanders – and was aiming to become the first Tour de France champion to win Paris‑Roubaix since Bernard Hinault in 1981.

In a dramatic climax to the men’s 200m final at the Sydney Olympic Park Athletic Centre, Gout Gout crossed the line in 19.67 seconds, eclipsing the previous Australian record of 20.02 seconds and becoming the first Australian to break the 20‑second barrier under legal wind conditions. Gout entered the race after posting a solid 20.11‑second heat, despite gusty, autumn‑like weather that had turned the track into a testing ground for speed. Early in the straight, he was shadowed by Aidan Murphy, the 22‑year‑old former national 200m champion whose personal best of 20.41 seconds suggested he could challenge the favourite. For most of the race the two athletes ran side‑by‑side, with Murphy refusing to fade. Gout eventually found his top‑end speed, pulling ahead to claim his second national title, but the margin was tighter than many pundits had anticipated. When the official time appeared—19.68 seconds—the stadium fell silent. A quick review adjusted it to 19.67 seconds with a tailwind measured at 1.7 m/s, comfortably within the legal limit. The result not only beat his own illegal 19.84‑second run from the previous year but also outpaced the best under‑20 performance ever recorded, aside from an unratified mark by Erriyon Knighton. Analysts noted that the time would have secured a bronze medal at the Paris 2024 Olympics and would have been fast enough for gold at the Sydney 2000 Games—faster than Usain Bolt ever ran at the same age. The performance therefore cements Gout’s status as a genuine global contender and fuels expectations for the upcoming Brisbane 2032 and Los Angeles 2028 Games. After the finish, Gout celebrated exuberantly, his arms aloft as manager James Templeton looked on, while Murphy, who finished just 0.21 seconds behind, quietly exited the track, having delivered the second‑fastest Australian 200m ever. The event was steeped in symbolism: the track had hosted the 2000 Olympic Games, the iconic Stadium Australia roof loomed overhead, and Gout stood on a dais bearing the vintage Sydney 2000 logo, underscoring the link between past glory and future ambition. With this landmark run, Gout Gout has not only rewritten the Australian sprint record books but also signalled that the nation’s sprinting renaissance is well underway, promising thrilling chapters ahead for Australian athletics.

Asha Bhosle, the iconic voice of Bollywood, passed away at age 92 after being hospitalized in Mumbai with severe exhaustion and a chest infection, her family confirmed.Her son, Anand Bhosle, told reporters that his mother died on Sunday and that her last rites would be performed the following day at Shivaji Park in Mumbai.Over a career that stretched across nearly eight decades, Bhosle recorded more than 12,000 songs, pioneering cabaret and Western‑influenced styles that broadened the sonic palette of Indian cinema.India’s Prime Minister Narendra Modi expressed deep sorrow, noting that her "extraordinary musical journey" enriched the nation’s cultural heritage and will continue to inspire future generations.Born on 8 September 1933 into a musical family, she was the younger sister of the celebrated vocalist Lata Mangeshkar, often referred to as “India’s nightingale.” While comparisons were inevitable, Bhosle forged a distinct path, embracing genres from pop to folk.Her early years were marked by hardship, including a turbulent marriage at the age of 16, yet she rose to become one of Indian cinema’s most versatile singers, earning the prestigious Dadasaheb Phalke Award in 2000 and receiving two Grammy nominations.Even in her later years, Bhosle remained artistically active, collaborating with the British virtual band Gorillaz on their album The Mountain, demonstrating her enduring global appeal.Beyond music, she pursued a passion for cuisine, establishing the Asha’s restaurant chain in Dubai and the United Kingdom, further cementing her status as a cultural entrepreneur.Agence France‑Presse and Associated Press contributed to this report.

The recent 10-day space mission of the Artemis II crew has garnered attention, but the true test of endurance might not be in space, but in an office setting. Commander Reid Wiseman, mission specialists Christina Koch and Jeremy Hansen, and pilot Victor Glover spent time in a capsule described as “not much bigger than a family tent”. While they navigated the challenges of confined space, their experience pales in comparison to the complexities of office politics.Anyone who has worked in an office can attest that surviving with colleagues in a confined environment is a significant test of endurance. The Artemis II crew had to get along without time off, which would be challenging even for experienced professionals. The quirks and habits of colleagues can become amplified in such settings, leading to increased tension and stress.The writer of this piece reflects on their own experience in a mundane office job at a stationery firm. They recall the boredom and impotence that led to a fixation on trivial matters, such as a dispute over a window being open or closed. This petty feud became an all-consuming battle that defined their time at the office.The writer notes that, unlike the Artemis II crew, they had the option to leave the office at the end of the day. However, their obsession with the window dispute led them to spend more time at their desk, avoiding breaks and social interactions. The comparison between the crew's space test and the writer's office experience highlights the universal challenges of working with others.Ultimately, the Artemis II crew's achievement is impressive, but it also underscores the importance of interpersonal skills and conflict resolution in any confined or high-stress environment. As the writer concludes, surviving an office job can be just as challenging as surviving in space.

I Am Maximus is now being considered for a potential run in the Cheltenham Gold Cup next year, with its connections eager to see it compete at the highest level once again. The horse's unpredictable nature and impressive performance have made it a fan favorite, drawing comparisons to legendary horses like Red Rum and Tiger Roll.

After a turbulent week that saw Liverpool suffer cup defeats to Manchester City and Paris Saint‑Germain, manager Arne Slot finally found a morale boost when 17‑year‑old winger Rio Ngumoha opened the scoring on his second Premier League start. Ngumoha’s strike, followed by a second‑half finish from Mohamed Salah, secured Liverpool’s first league win since February. Fulham, under Marco Silva, were passive and struggled to create clear chances, allowing Liverpool to dominate possession and reach the historic milestone of 1,500 league victories at Anfield. The win marked only the second triumph in six matches after a demanding Champions League away fixture, offering a needed lift before the upcoming quarter‑final second leg against PSG. Slot praised Ngumoha’s performance, saying, "He has a special quality that you don’t see very often in football any more – dominating the one‑on‑one." The manager added that the teenager’s power and finishing have been evident in training, making his impact on the pitch "pleasing". Outside the stadium, a banner reading ‘No to ticket price increases’ was displayed on the Kop, reflecting fan unrest after the club announced ticket hikes tied to inflation for the next three seasons. The protest underscored concerns that Liverpool could alienate its traditional fanbase in favour of a more tourist‑focused model. The opening half saw early chances from Jeremie Frimpong and Salah, but it was Ngumoha who changed the complexion of the game. After a loose ball from Florian Wirtz, Ngumoha received the ball on the left, dazzled Timothy Castagne with a series of step‑overs, and curled a precise shot around Joachim Andersen into the far corner. The goal was historic: at 17 years and 225 days, Ngumoha became Liverpool’s youngest league scorer at Anfield, breaking a 14‑year record previously held by Raheem Sterling. The achievement highlighted the club’s emerging talent pipeline at a time when senior players are under intense scrutiny. Slot hinted that Ngumoha could feature in the upcoming Champions League tie, noting, "I think he’s ready. The question is can he do it again two days later? But would he be able to perform at that level? Yes." The manager’s confidence reflects a strategic shift as he balances youth integration with the demands of elite European competition. Six minutes after the break, Ngumoha assisted Cody Gakpo, whose cross was turned home by Salah for Liverpool’s second goal, cementing a comfortable two‑goal cushion. Fulham attempted to revive their game with substitutions, introducing Emile Smith Rowe and Sasa Lukic, but Liverpool’s dominance persisted. A further setback for Liverpool came when Curtis Jones suffered a groin injury, forcing a halftime substitution and likely ruling him out of the PSG match. Silva admitted his side’s lack of aggression, stating, "The game was decided in five minutes and by our approach in the first half." The result not only restores confidence for Liverpool but also sets the stage for a high‑stakes encounter with the European champions.

Despite a three‑game winless run that has seen Liverpool knocked out of the FA Cup by Manchester City and trailing Paris Saint‑Germain 2‑0 in the Champions League quarter‑final, manager Arne Slot insists he feels "complete support" from both the club’s hierarchy and its supporters. Slot told reporters that sporting director Richard Hughes and chief executive Michael Edwards stand firmly behind him. He added that, surprisingly, the fans have also shown solidarity, chanting "We love Liverpool" even after the 4‑0 defeat to City. With Liverpool perched in fifth place in the Premier League – the final Champions League qualification slot – and Chelsea just one point behind, the upcoming home fixture against Fulham carries heightened importance for the club’s European ambitions. Off the pitch, a faction of supporters is organising a protest at Anfield over the owners’ plan to raise ticket prices. The movement recalls a 2016 demonstration when roughly 10,000 fans exited a match to oppose a similar price hike, eventually forcing the American owners to retreat. Slot expressed hope that the iconic Anfield atmosphere will remain intact, stating, "Anfield has always shown its importance in both good and tough times, and I trust the fans will continue to be a positive force, even during protest." In related news, Slot paid tribute to Andy Robertson, who will depart after a nine‑year spell at the club. The Scotland captain, now out of contract, has seen his role diminish following the arrival of left‑back Milos Kerkez. Slot described Robertson as a "great player and a great person" who has served Liverpool loyally for nearly a decade. Overall, Slot’s message underscores a belief that the club’s internal cohesion and the unwavering passion of its fanbase can help navigate the current challenges on and off the field.

Jim Jarmusch, the 73-year-old director known for his offbeat Americana films, has spent seven years crafting his latest project, 'Father Mother Sister Brother'. The film, which won the prestigious Golden Lion at the Venice film festival, is an anthology drama that explores the complexities of family relationships through three distinct stories set in New Jersey, Dublin, and Paris.Jarmusch's approach to filmmaking is characterized by his unique ability to elicit low-key performances from big stars and his focus on the quotidian aspects of life. He cites influences from filmmakers like John Cassavetes and David Lynch, but emphasizes his own humanist approach. 'I make films out of the things other people would leave out,' he notes, highlighting his attention to detail and ability to find beauty in everyday moments.The film features a star-studded cast, including Cate Blanchett, Adam Driver, Mayim Bialik, and Tom Waits. Jarmusch's process involves casting first and then writing the script quickly, often in a matter of days. 'I cast first then write fast,' he explains, showcasing his collaborative approach with actors.Jarmusch reflects on his career, mentioning the challenges of getting films made without compromising his artistic vision. 'It's harder every time to get a film made,' he acknowledges, but remains committed to his unique approach. The director also touches on themes of mortality and the cyclical nature of life, emphasizing the importance of living in the present.The film 'Father Mother Sister Brother' is set to release in UK cinemas on April 10, offering audiences a glimpse into Jarmusch's distinctive filmmaking style and thematic explorations.